‘Why were they there?’ asked Ryan. ‘Why did they come?’
But they didn’t get the answer until later, when Dempsey took the call from Tommy and learned that Joey Tuna was dead.
III
When we creak your step,
when we crack your glass,
when we tap, tap, tap,
that is a bone
that is all we have
though we are very shiny,
and filled with beetles.
We are made entirely of bone.
from The Dead Girls Speak in Unison
by Danielle Pafunda
18
Randall Haight felt the difference in the house as soon as he returned from the store, as though a charge of static electricity held by the carpets and fabrics had been voided. He stood in the hallway, a paper bag cradled in his left arm, the coldness of the ice cream inside making itself felt through the fabric of his sweater. He had chocolate as well, and soda, and cinnamon candies. She liked the smell of all of them, and they had a calming effect on her; quite the opposite of most children, he thought, but then she was so very different from other children.
The trip into town had already provided him with one unsettling experience. He had seen Valerie Kore on the street, accompanied by a man whom he didn’t recognize but who, by his size and stance, he believed to be a policeman of some kind. Mrs. Kendall, who worked part-time at the drugstore, was talking to her, her right hand resting on Valerie’s shoulder, her face close to the younger woman’s as she offered what Randall assumed were words of hope and consolation. Then Danny, the weird but decent kid who ran the Hallowed Grounds coffee shop, came out and gave Valerie a white paper bag loaded up with pastries and muffins, and something inside her broke at this small, unexpected gesture and she had to walk away, the cop trailing in her wake. Randall watched her go, and tried to pin down his feelings at the sight of her. Sadness. Empathy.
Guilt?
The cop had caught him looking at her. Randall hadn’t overreacted, though. He’d just smiled sadly, because that was what he believed a regular person would have done, a normal person. He was an actor inhabiting a role, and he inhabited it well, but as soon as she was gone from his sight he pushed her from his mind. Instead, he found himself looking at the faces of those whom he passed even as he exchanged friendly greetings with them, and peered in the windows of the businesses on Main Street, waiting to see if someone might look back, their eyes lingering a little too long on his, betraying themselves to him.
Which one of you is it? Which one of you knows, or thinks you know?
But there were no answers to be found, no suspicions to be confirmed, and he had driven back to his house in silence, wondering if the mailman had come yet, fearing what he might find in his box. To his relief, there were only bills, and his subscriber’s copy of National Geographic. No photographs, no films, no images of naked children, and he tried to make himself believe that it might be over even as he acknowledged this as just a brief respite.
Now, safe once again inside his home, Randall sensed an unaccustomed emptiness, an absence. He moved from bedroom to bedroom, checking closets and under beds. He looked in the master bathroom and the guest bathroom, the latter of which had never been used. Finally, he went to the basement and stood in front of the door. She liked the basement; it was dark, and cool. Sometimes he heard her singing to herself down there. When he was angry or working he’d tell her to be quiet, but she never listened. She sang jingles from the TV, and old pop songs that he’d almost forgotten existed, and ditties that she’d make up herself, tuneless rhymes that got inside his head and worried at him with their sheer randomness. But the basement was her hideaway, her refuge, and he was content to leave it to her. He tried not to disturb her when she was there because there was no way to tell how she might react. Once she’d flown at him in a rage, her nails headed straight for his eyes, but mostly she just tended to scream and scream, the sound of it bouncing back at him from the stone walls.
He needed to know where she was. He kept all the windows and the outer doors locked, although that was more to keep people out than to keep her inside, for he lived in fear of intrusion into his life. By now the girl showed no signs of wanting to leave him. He wondered if her hatred of him had become a kind of love, her need a channel that connected the two opposing emotions. She was almost like a daughter to him, a recalcitrant, difficult, demanding child, and he was the father because he had made her what she was.
He hadn’t seen much of her for the past two days. She’d hidden herself away when the detective came, as she always did when a stranger appeared. Earlier that same day, he’d caught a glimpse of her passing through the kitchen while he worked at his computer. He didn’t like the TV on when he was trying to concentrate. She’d learned that lesson quickly, and now she just stayed away from the living room until after five. The last time he had actually spoken to her was to tell her to go back to her TV shows on the evening following the detective’s visit.
He knocked on the basement door. There was no reply.
‘Hey,’ he said. ‘You down there?’
He opened the door and spoke to the darkness. She disliked sudden intrusions and unexpected noises.
‘You can watch anything you like now. I’ve finished my work for the day. I’ll sit with you, if you want me to.’
He could see the night light burning against the far wall. There was a small pile of books in the corner, still unread, and a stuffed animal that he’d bought for her at Treehouse Toys when he’d been doing some work down in Portland.
He advanced to the first step, still reluctant to trespass. Early on, before he’d come to understand her ways, and she his, she had tried to knock his feet out from under him when he entered the basement, and he had barely managed to hold on to the rail and prevent himself from breaking his neck. A huge splinter had pierced his palm, and even though he’d managed to get the bulk of it out, some shards had penetrated deep into his flesh and had begun to fester, so that he’d been forced to see a doctor and have them removed under local anesthetic. After that he’d locked the basement door, and taken away the lead for the TV. Depriving her of TV was the worst punishment that he could inflict upon her, and always led to a battle of wills between them. He had learned to lock the lead in his safe because she would find it otherwise, but those periods when the TV was no longer hers to control were the worst between them. In retaliation, she would do her best to irritate him, tapping on the wall at night while he tried to sleep, or rearranging his papers so that he lost track of his accounts, or spilling milk in the fridge while he was out and then turning the power off so that he had to empty the contents and wash it out to remove the sour stink. Finally, a compromise would be reached, and TV rights would be restored, but the conflict always took its toll on both of them and they had each learned that it was better to avoid such confrontations to begin with.
But relations between them were not always so hostile. Sometimes, especially on cold nights when the old house creaked and moaned, and the wind found the gaps in the boards and under the doors, and branches cracked beneath the weight of snow and ice, she would climb into his bed unbidden, and press herself against him, stealing his warmth, like a dream made real.
He descended farther, crouching so that the entire basement was visible to him, and felt panic, and fear, and loss.
But, most of all, he felt a kind of relief.
She was gone.
19
It was a cold, damp night at the end of a long, dismal day. I had been called back by the defense in the Denny Kraus case, and then had to wait around for hours close to the courthouse on Federal Street as Denny’s attorney tried to maintain his composure while dealing with a prosecutor who was determined to prove that Denny was mentally competent to face trial, and with whom Denny repeatedly agreed. The attorney was young, and court-appointed, and he should have put pressure on Denny to keep his mouth shut, although it wasn’t entirely his fault. The stat
e wanted Denny to go down for murder, for reasons that I couldn’t grasp but were probably linked to politics, and ambition, and someone seeking to make the figures look good at the end of the year. A more battle-hardened attorney than Denny’s would have found a way to negotiate a compromise deal that satisfied everyone, except possibly Denny, but then what Denny wanted didn’t really matter. He probably should have thought harder about his plans for the future before he killed a man over a dog.
While I was kicking my heels waiting for my moment of glory in the witness box, I continued delving into the personal details of those on Randall Haight’s list of new clients and recent arrivals in Pastor’s Bay, but I was starting to believe that it was a dead end. I had to proceed on the basis that it wasn’t, but I couldn’t shake my gut feeling that there was nothing hidden behind those names, nothing useful to be found. It raised the possibility that the person who was tormenting Randall Haight might have been lying dormant for a long time, waiting for the right opportunity to use Haight’s past against him. If that was the case, I was faced with the almost impossible task of investigating every adult who had crossed Randall Haight’s path. Equally, though, someone from Randall’s past might have spotted him on the streets of Belfast, or Portland, or Augusta, or while passing through Pastor’s Bay itself, then discovered his address and proceeded to target him without ever having exchanged even a word with him.
But I had reached one conclusion at least: If by the following morning I hadn’t heard confirmation from Aimee that Haight was prepared to be interviewed by the police, I was going to call Gordon Walsh myself and suggest that he talk to Haight, even at the risk of poisoning my relationship with Aimee and potentially leaving myself open to charges and imprisonment for breach of client confidentiality. The final push had been provided by a realization that should have come to me the moment Haight showed me the photographs of naked children. Someone who was in possession of sexually suggestive photos of underage kids might well be capable of taking a child to satisfy his urges. It was the connection I needed to silence my conscience about any betrayal of Aimee or Haight that I might have to commit.
My name was called shortly after three p.m., but my period under cross-examination could have been measured in nanoseconds. Even the judge seemed to be losing the will to live after a day of questioning that had merely confirmed what everybody already knew: Denny Kraus was crazy, because in his situation only a lunatic would deny that he was crazy.
After I was done in court, I headed up to Nosh on Congress and shot the breeze for a while with Matt, one of the partners in the place. If someone had told me a couple of years ago that Portland needed another bar selling burgers, I’d have laughed in his face, and you wouldn’t have heard me above all the other people who were laughing too. Then Nosh opened and folk started tasting the burgers, and a general agreement was reached that, yes, maybe we had needed just one more bar selling burgers, as long as the food was this good. And because I felt that I owed it to myself after the day I’d had, I ate some bacon-dusted fries too, and pushed the boat out by sipping a Clown Shoes brown ale, and gradually the day began not to seem so bad after all.
The channels through the Scarborough salt marshes appeared only as swaths of a deeper blackness against the tall grass as I drove home, like lengths of dark ribbon dropped from the sky. I turned into my driveway, the headlamps reflecting on the windows of the empty house. I entered through the back door leading into the kitchen, and turned on the light.
The moisture had beaded on the main window that faced north, and someone had written on the glass with a finger, cutting long careful lines through the water. The words were written in a child’s hand, a hand with which I was familiar, for it had communicated with me once before in attic dust. It had been so long. I thought that they were gone, but how could they ever truly be gone? Now one of them had returned, the echo of my dead daughter, and where she went so too walked her mother, a stranger, more nebulous figure. If my daughter was a small, cold star, then her mother was the night sky against which she lay.
The words on the glass read:
THE GIRL IS ANGRY
I approached the window. The letters had only recently been written; there were still rivulets of moisture running from them, as though the words were wounds cut in flesh, bleeding their message. Through the gaps in the condensation that they had created, I saw the woods.
I went back outside and stood in my yard, staring at the trees, willing them to emerge, but they did not. Perhaps they were no longer there, but there was a stillness to the night that spoke of watchfulness, and even the marsh grass had ceased its whispering. Then the wind returned from the sea, and it tossed the grass and the trees, and it blew some of the shadows away. I erased the words with my fingertips, touching the places that she had touched as I did so, and I wondered at how a man could be haunted and both love and fear the entities that walked in his footsteps.
I stayed at the window, watching the night deepen, imagining my lost daughter’s voice speaking those words to me, imagining her small, pale form passing beneath the trees, traces of moonlight causing the bare branches to crisscross her body, binding her with lengths of darkness. I thought of that old ghost story about the monkey’s paw, and the couple who wish upon it that their dead son might be returned to them, and their horror when they realize the literal nature of their wish’s fulfillment.
And I wondered, not for the first time, if my grief had willed them back into the world.
I went to bed at midnight, after thinking for a time about the meaning of the words on the glass. They seemed like a warning, but of what I could not be sure. To what girl did they refer? Somehow I slept deeply until three a.m.. Had I tried to explain to a psychiatrist how that might be possible after a dead child had written on my window, I might have begun by arguing that when one encounters enough strangeness, then what is strange ultimately becomes familiar. The mind can accommodate itself to almost anything, given time: pain, grief, loss, even the possibility that the dead talk to the living. And I understood, too, that this was all part of a larger pattern, a signpost on a journey whose ultimate destination I could not know. I had resigned myself to what was to come, whatever it might be, and that resignation brought with it a kind of peace. So I slept, and I was grateful for sleep. When I could no longer sleep, then I would know that I was going mad.
At one minute after three, I woke. There were sounds coming from below my bedroom: bangs and crashes and barrages of strings. It took me a moment to realize that the TV was on.
But I hadn’t watched television before going to bed, and I would never have left it on if I had.
Making as little noise as I could, I reached for my gun and slipped from the bed. The room was cold. I was naked from the waist up, and my skin seemed to tighten in the chill air. The bedroom door was open, and the hall was dark, but as I reached the stairs I could see the light from the reflected images on the TV screen dancing on the wall. I tried to control my breathing as the blood thudded in my ears. The banister railings were wide, and I would be exposed as soon as I descended to the third step from the top. If it was a trap, then moving slowly and carefully would do me no good. I would simply be an easier target.
There was another series of loud explosions from the TV, and I used the sound to mask my descent. I went down fast, staying against the wall, the gun held close to my body in my right hand while I used my left for balance, but nobody sprang at me from the shadows, and there were no shots. The security chain was still in place on the front door. To the left of the stairs was my office, but the door was closed, just as it had been when I went up to bed. Ahead of me was the living room, the door standing open, the television visible through the gap. It was showing a Road Runner cartoon. There was only one door into the room. I had no choice.
The living room was empty. The couch and the easy chairs that faced the television were unoccupied. The TV remote was lying on the left side of the couch, close to the arm.
I left
the TV on and returned to the main hallway. I checked the kitchen first, but it too was empty and the back door was locked. Finally, I went to my office. I gripped the handle, flung the door open, and waited, but there was no reaction from within. I checked through the crack at the hinges but could see nothing. Eventually, with no other option, I stepped in with my gun raised, but my office was as I had left it the day before, even down to the sweatshirt I had thrown across my desk after coming back from an errand at the grocery store a few days earlier.
Despite the cool of the night, I was now bathed in sweat. I made a cursory check of the upstairs rooms, just in case, but the house was empty. I returned to the living room and stared at the TV. The Road Runner was gone, and a Bugs Bunny cartoon had replaced it. Yosemite Sam was hunting with his big gun. It could have been a power surge, I supposed. I turned it off at the top of the set, and killed the power at the socket, just in case.
I was halfway up the stairs when the TV blared into life again.
I kept the gun by my side as I entered the room. It was still empty, and the remote lay where it had been, but the switch at the wall had been turned back on.
A droplet of perspiration slid down my back. There was a smell that hadn’t been there before, or if it had, then I hadn’t noticed it with the fear and adrenaline. It was a hint of perfume, though a cheap and sickly sweet one, the kind that no grown woman would wear—
the girl is angry
The words were not said aloud, and yet I could hear them in my head, a repetition of the message on the window.
you have to be careful daddy you have to be careful
‘Daddy.’ My god, my god, my god.
But there was nothing there, or nothing that I could see. I placed my hand on the television and pressed the On/Off button gently. The screen went black, and the indicator light went from green to red. I stepped back and waited. I got as far as five in my head when it came back on again, just in time for Bugs to burst through the drum, munching a carrot, to say ‘And Dat’s De End!’
The Burning Soul Page 20