The shop and the whole front of the house was in darkness. I wheeled the bicycle smartly up to it, laid it against the door and walked round to the side. A light was shining from the kitchen window. Smiling to myself at the thought of John Divney, I tiptoed up and looked in.
There was nothing altogether unnatural in what I saw but I encountered another of those chilling shocks which I thought I had left behind me forever. A woman was standing at the table with some article of clothing neglected in her hands. She was facing up the kitchen towards the fireplace where the lamp was and she was talking quickly to somebody at the fire. The fireplace could not be seen from where I stood. The woman was Pegeen Meers whom Divney had once talked of marrying. Her appearance amazed me far more than her presence in my own kitchen. She seemed to have grown old, very fat and very grey. Looking at her sideways I could see that she was with child. She was talking rapidly, even angrily, I thought. I was certain she was talking to John Divney and that he was seated with his back to her at the fire. I did not stop to think on this queer situation but walked past the window, lifted the latch of the door, opened the door quickly and stood there looking in. In the one glance I saw two people at the fire, a young lad I had never seen before and my old friend John Divney. He was sitting with his back half-towards me and I was greatly startled by his appearance. He had grown enormously fat and his brown hair was gone, leaving him quite bald. His strong face had collapsed to jowls of hanging fat. I could discern a happy glimmer from the side of his fire-lit eye; an open bottle of whiskey was standing on the floor beside his chair. He turned lazily towards the open door, half-rose and gave a scream which pierced me and pierced the house and careered up to reverberate appallingly in the vault of the heavens. His eyes were transfixed and motionless as they stared at me, his loose face shrunk and seemed to crumble to a limp pallid rag of flesh. His jaws clicked a few times like a machine and then he fell forward on his face with another horrible shriek which subsided to heartrending moans.
I was very frightened and stood pale and helpless in the doorway. The boy had jumped forward and tried to lift Divney up; Pegeen Meers had given a frightened cry and rushed forward also. They pulled Divney round upon his back. His face was twisted in a revolting grimace of fear. His eyes again looked in my direction upside down and backwards and he gave another piercing scream and frothed foully at the mouth. I took a few steps forward to assist in getting him up from the floor but he made a demented convulsive movement and choked out the four words ‘Keep away, keep away,’ in such a tone of fright and horror that I halted in my tracks, appalled at his appearance. The woman pushed the pale-faced boy distractedly and said:
‘Run and get the doctor for your father, Tommy! Hurry, hurry!’
The boy mumbled something and ran out of the open door without giving me a glance. Divney was still lying there, his face hidden in his hands, moaning and gibbering in broken undertones; the woman was on her knees trying to lift his head and comfort him. She was now crying and muttered that she knew something would happen if he did not stop his drinking. I went a little bit forward and said:
‘Could I be of any help?’
She took no notice of me at all, did not even glance at me. But my words had a strange effect on Divney. He gave a whining scream which was muffled by his hands; then it died down to choking sobs and he locked his face in his hands so firmly that I could see the nails biting into the loose white flesh beside his ears. I was becoming more and more alarmed. The scene was eerie and disturbing. I took another step forward.
‘If you will allow me,’ I said loudly to the woman Meers, ‘I will lift him and get him into bed. There is nothing wrong with him except that he has taken too much whiskey.’
Again the woman took no notice whatever but Divney was seized by a convulsion terrible to behold. He half-crawled and rolled himself with grotesque movements of his limbs until he was a crumpled heap on the far side of the fireplace, spilling the bottle of whiskey on his way and sending it clattering noisily across the floor. He moaned and made cries of agony which chilled me to the bone. The woman followed him on her knees, crying pitifully and trying to mumble soothing words to him. He sobbed convulsively where he lay and began to cry and mutter things disjointedly like a man raving at the door of death. It was about me. He told me to keep away. He said I was not there. He said I was dead. He said that what he had put under the boards in the big house was not the black box but a mine, a bomb. It had gone up when I touched it. He had watched the bursting of it from where I had left him. The house was blown to bits. I was dead. He screamed to me to keep away. I was dead for sixteen years.
‘He is dying,’ the woman cried.
I do not know whether I was surprised at what he said, or even whether I believed him. My mind became quite empty, light, and felt as if it were very white in colour. I stood exactly where I was for a long time without moving or thinking. I thought after a time that the house was strange and I became uncertain about the two figures on the floor. Both were moaning and wailing and crying.
‘He is dying, he is dying,’ the woman cried again.
A cold biting wind was sweeping in through the open door behind me and staggering the light of the oil-lamp fitfully. I thought it was time to go away. I turned with stiffer steps and walked out through the door and round to the front of the house to get my bicycle. It was gone. I walked out upon the road again, turning leftwards. The night had passed away and the dawn had come with a bitter searing wind. The sky was livid and burdened with ill omen. Black angry clouds were piling in the west, bulging and glutted, ready to vomit down their corruption and drown the dreary world in it. I felt sad, empty, and without a thought. The trees by the road were rank and stunted and moved their stark leafless branches very dismally in the wind. The grasses at hand were coarse and foul. Waterlogged bog and healthless marsh stretched endlessly to left and right. The pallor of the sky was terrible to look upon.
My feet carried my nerveless body unbidden onwards for mile upon mile of rough cheerless road. My mind was completely void. I did not recall who I was, where I was or what my business was upon earth. I was alone and desolate yet not concerned about myself at all. The eyes in my head were open but they saw nothing because my brain was void.
Suddenly I found myself noticing my own existence and taking account of my surroundings. There was a bend in the road and when I came round it an extraordinary spectacle was presented to me. About a hundred yards away was a house which astonished me. It looked as if it were painted like an advertisement on a board on the roadside and, indeed, very poorly painted. It looked completely false and unconvincing. It did not seem to have any depth or breadth and looked as if it would not deceive a child. That was not in itself sufficient to surprise me because I had seen pictures and notices by the roadside before. What bewildered me was the sure knowledge, deeply rooted in my mind, that this was the house I was searching for and that there were people inside it. I had never seen with my eyes ever in my life before anything so unnatural and appalling and my gaze faltered about the thing uncomprehendingly as if at least one of the customary dimensions were missing, leaving no meaning in the remainder. The appearance of the house was the greatest surprise I had encountered ever, and I felt afraid of it.
I kept on walking but walked more slowly. As I approached, the house seemed to change its appearance. At first, it did nothing to reconcile itself with the shape of an ordinary house but it became uncertain in outline like a thing glimpsed under ruffled water. Then it became clear again and I saw that it began to have some back to it, some small space for rooms behind the frontage. I gathered this from the fact that I seemed to see the front and the back simultaneously from my position approaching what should have been the side. As there was no side that I could see I thought that the house must be triangular with its apex pointing towards me but when I was only fifteen yards away I saw a small window facing me and I knew from that that there must be some side to it. Then I found myself almost in the shado
w of the structure, dry-throated and timorous from wonder and anxiety. It seemed ordinary enough at close quarters except that it was very white and still. It was momentous and frightening; the whole morning and the whole world seemed to have no purpose at all save to frame it and give it some magnitude and position so that I could find it with my simple senses and pretend to myself that I understood it. A constabulary crest above the door told me that it was a police station. I had never seen a police station like it.
I stopped in my tracks, I heard distant footsteps on the road behind me, heavy footsteps hurrying after me. I did not look round but remained standing motionless ten yards from the police station, waiting for the hurrying steps. They grew louder and louder and heavier and heavier. At last he came abreast of me. It was John Divney. We did not look at each other or say a single word. I fell into step beside him and both of us marched into the police station. We saw, standing with his back to us, an enormous policeman. His back appearance was unusual. He was standing behind a little counter in a neat whitewashed day-room; his mouth was open and he was looking into a mirror which hung upon the wall.
‘It’s my teeth,’ we heard him say abstractedly and half-aloud. ‘Nearly every sickness is from the teeth.’
His face, when he turned, surprised us. It was enormously fat, red and widespread, sitting squarely on the neck of his tunic with a clumsy weightiness that reminded me of a sack of flour. The lower half of it was hidden by a violent red moustache which shot out from his skin far into the air like the antennae of some unusual animal. His cheeks were red and chubby and his eyes were nearly invisible, hidden from above by the obstruction of his tufted brows and from below by the fat foldings of his skin. He came over ponderously to the inside of the counter and Divney and I advanced meekly from the door until we were face to face.
‘Is it about a bicycle?’ he asked.
Publisher’s Note
On St Valentine’s Day, 1940, the author wrote to William Saroyan about this novel, as follows:
I’ve just finished another book. The only thing good about it is the plot and I’ve been wondering whether I could make a crazy … play out of it. When you get to the end of this book you realize that my hero or main character (he’s a heel and a killer) has been dead throughout the book and that all the queer ghastly things which have been happening to him are happening in a sort of hell which he earned for the killing. Towards the end of the book (before you know he’s dead) he manages to get back to his own house where he used to live with another man who helped in the original murder. Although he’s been away three days, this other fellow is twenty years older and dies of fright when he sees the other lad standing in the door. Then the two of them walk back along the road to the hell place and start thro’ all the same terrible adventures again, the first fellow being surprised and frightened at everything just as he was the first time and as if he’d never been through it before. It is made clear that this sort of thing goes on for ever – and there you are. It is supposed to be very funny but I don’t know about that either … I think the idea of a man being dead all the time is pretty new. When you are writing about the world of the dead – and the damned – where none of the rules and laws (not even the law of gravity) holds good, there is any amount of scope for back-chat and funny cracks.’
14 February, 1940.
B. O’N.
Elsewhere, the author wrote:
‘Joe had been explaining things in the meantime. He said it was again the beginning of the unfinished, the re-discovery of the familiar, the re-experience of the already suffered, the fresh-forgetting of the unremembered. Hell goes round and round. In shape it is circular and by nature it is interminable, repetitive and very nearly unbearable.’
About the Author
Flann O’Brien is a pseudonym for Brian O’Nolan (1911–1966), an Irish novelist, playwright, and satirist. Born in Strabane, County Tyrone, he is regarded as a key figure in postmodern literature. His English language novels, such as At Swim-Two-Birds and The Third Policeman, were written under the pen name Flann O’Brien. His many satirical columns in the Irish Times and an Irish language novel An Béal Bocht were written under the name Myles na gCopaleen. O’Nolan’s novels have attracted a wide following for their bizarre humor and modernist metafiction.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1967 by the Estate of Evelyn O’Nolan
Cover design by Mauricio Díaz
ISBN: 978-1-5040-5964-0
This edition published in 2019 by Open Road Integrated Media, Inc.
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New York, NY 10038
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FLANN O’BRIEN
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