A beautiful man wearing a hat of every color and several bells stepped up on a pedestal and held a long pale cone to his mouth. The mayor of Electric City embraced him with two meaty arms and asked his terrible, stupid, unforgivable question: “Have you seen dry land?”
And the beautiful man answered him: “With my own eyes.”
A roar went up like angels dying. I covered my ears. The mayor covered his mouth with his hands, speechless, weeping. The beautiful man patted him awkwardly on the back. Then he turned to us.
“Hello, Garbagetown!” he cried out and his voice sounded like everyone’s most secret heart.
We screamed so loud every bird in Garbagetown fled to the heavens and we clapped like mad and some people fell onto the ground and buried their face in old batteries.
“My name is Emperor William Shakespeare the Eleventh and I am the Master of Brighton Pier! We will be performing Twelfth Night in the great stage tonight at seven o’clock, followed by The Duchess of Malfi at ten (which has werewolves) and a midnight acrobatic display! Come one, come all! Let Madame Limelight tell your FORTUNE! TEST your strength with the Hammer of the Witches! SEE the wonders of the Fuckwit World in our Memory Palace! Get letters and news from the LAST HUMAN OUTPOSTS around the globe! GASP at the citizens of Mutation Nation in the Freak Tent! Sample a FULL MINUTE of real television, still high definition after all these years! Concerts begin in the Crystal Courtyard in fifteen minutes! Our Peep Shows feature only the FINEST actresses reading aloud from GENUINE Fuckwit historical records! Garbagetown, we are here to DAZZLE you!”
A groan went up from the crowds like each Garbagetowner was just then bedding their own great lost love and they heaved toward the lights, the colors, the horns and the voices, the silk and the electricity and the life floating down there, knotted to the edge of our little pile of trash.
Someone grabbed my hand and held me back while my parents, my twin, my world streamed away from me down to the Pier. No one looked back.
“Are you her?” said Goodnight Moon. He looked longer and leaner but not really older. He had on his tie.
“Yes,” I said, and nothing was different than it had been when I got my name except now neither of us had masks and our kisses weren’t like gentle elephants but like a boy and a girl and I forgot all about my strength and my fortune and the wonderful wheel of light turning around and around and going nowhere.
9. TERRORWHORE
Actors are liars. Writers, too. The whole lot of them, even the horn players and the fortune tellers and the freaks and the strongmen. Even the ladies with rings in their noses and high heels on their feet playing violins all along the pier and the lie they are all singing and dancing and saying is: we can get the old world back again.
My door said TERRORWHORE this morning. I looked after my potato plants and my hibiscus and thought about whether or not I would ever get to have sex again. Seemed unlikely. Big Bargains concurred.
Goodnight Moon and I lost our virginities in the Peep Show tent while a lady in green fishnet stockings and a lavender garter read to us from the dinner menu of the Dorchester Hotel circa 2005.
“Whole Berkshire roasted chicken stuffed with black truffles, walnuts, duck confit, and dauphinoise potatoes,” the lady purred. Goodnight Moon devoured my throat with kisses, bites, need. “Drizzled with a balsamic reduction and rosemary honey.”
“What’s honey?” I gasped. We could see her but she couldn’t see us, which was for the best. The glass in the window only went one way.
“Beats me, kid,” she shrugged, re-crossing her legs the other way. “Something you drizzle.” She went on. “Sticky toffee pudding with lashings of cream and salted caramel, passionfruit souffle topped with orbs of pistachio ice cream…”
Goodnight Moon smelled just as I remembered. Scorched ozone and metal and paraffin and hope and when he was inside me it was like hearing my name for the first time. I couldn’t escape the me-ness of it, the us-ness of it, the sound and the shape of ourselves turning into our future.
“I can’t believe you’re here,” he whispered into my breast. “I can’t believe this is us.”
The lady’s voice drifted over my head. “Lamb cutlets on a bed of spiced butternut squash, wilted greens, and delicate hand-harvested mushrooms served with goat cheese in clouds of pastry…”
Goodnight Moon kissed my hair, my ears, my eyelids. “And now that the land’s come back Electric City’s gonna save us all. We can go home together, you and me, and build a house and we’ll have a candle in every window so you always feel at home…”
The Dorchester dinner menu stopped abruptly. The lady dropped to her fishnetted knees and peered at us through the glass, her brilliant glossy red hair tumbling down, her spangled eyes searching for us beyond the glass.
“Whoa, sweetie, slow down,” she said. “You’re liable to scare a girl off that way.”
All I could see in the world was Goodnight Moon’s brown eyes and the sweat drying on his brown chest. Brown like the earth and all its promises. “I don’t care,” he said. “You scared, Tetley?” I shook my head. “Nothing can scare us now. Emperor Shakespeare said he’s seen land, real dry land, and we have a plan and we’re gonna get everything back again and be fat happy Fuckwits like we were always supposed to be.”
The Peep Show girl’s glittering eyes filled up with tears. She put her hand on the glass. “Oh…oh, baby…that’s just something we say. We always say it. To everyone. It’s our best show. Gives people hope, you know? But there’s nothing out there, sugar. Nothing but ocean and more ocean and a handful of drifty lifeboat cities like yours circling the world like horses on a broken-down carousel. Nothing but blue.”
10. We Are So Lucky
It would be nice for me if you could just say you understand. I want to hear that just once. Goodnight Moon didn’t. He didn’t believe her and he didn’t believe me and all he could hear was Emperor William Shakespeare the Eleventh singing out his big lie. RESURRECTION! REDEMPTION! REVIVIFICATION! LAND HO!
“No, because, see,” my sweetheart wept on the boardwalk while the wheel spun dizzily behind his head like an electric candy crown, “we have a plan. We’ve worked so hard. It has to happen. The mayor said as soon as we had news of dry land, the minute we knew, we’d turn it on and we’d get there first and the continents would be ours, Garbagetowners, we’d inherit the earth. He’s gonna tell everyone when the Pier leaves. At the farewell party.”
“Turn what on?”
Resurrection. Redemption. Renovation. All those years behind the fence Electric City had been so busy. Disassembling all those engines they hoarded so they could make a bigger one, the biggest one. Pooling fuel in great vast stills. Practicing ignition sequences. Carving up a countryside they’d never even seen between the brightboys and brightgirls and we could have some, too, if we were good.
“You want to turn Garbagetown into a Misery Boat,” I told him. “So we can just steam on ahead into nothing and go mad and use up all the gas and batteries that could keep us happy in mixtapes for another century here in one hot minute.”
“The Emperor said…”
“He said his name was Duke Orsino of Illyria, too. And then Roderigo when they did the werewolf play. Do you believe that? If they’d found land, don’t you think they’d have stayed there?”
But he couldn’t hear me. Neither could Maruchan when I tried to tell him the truth in the peep show. All they could see was green. Green leafy trees and green grass and green ivy in some park that was lying at the bottom of the sea. We dreamed different dreams now, my brother and I, and all my dreams were burning.
Say you understand. I had to. I’m not a nihilist or a murdercunt or a terrorwhore. They were gonna use up every last drop of Garbagetown’s power to go nowhere and do nothing and instead of measuring out teaspoons of good, honest gas, so that it lasts and we last all together, no single thing on the patch would ever turn on again, and we’d go dark, really dark, forever. Dark like the bottom of a hole. They ha
d no right. They don’t understand. This is it. This is the future. Garbagetown and the sea. We can’t go back, not ever, not even for a minute. We are so lucky. Life is so good. We’re going on and being alive and being shitty sometimes and lovely sometimes just the same as we always have, and only a Fuckwit couldn’t see that.
I waited until Brighton Pier cast off, headed to the next rickety harbor of floating foolboats, filled with players and horns and glittering wheels and Dorchester menus and fresh mountains of letters we wouldn’t read the answers to for another twenty years. I waited until everyone was sleeping so nobody would get hurt except the awful engine growling and panting to deliver us into the dark salt nothing of an empty hellpromise.
It isn’t hard to build a bomb in Electric City. It’s all just laying around behind that fence where a boy held my hand for the first time. All you need is a match.
11. What You Came For
It’s such a beautiful day out. My hibiscus is just gigantic, red as the hair on a peep show dancer. If you want to wait, Big Bargains will be round later for her afternoon nap. Grape Crush usually brings a herring by in the evening. But I understand if you’ve got other places to be.
It’s okay. You can hit me now. If you want to. It’s what you came for. I barely feel it anymore.
Thank you for my instruction.
No One Dies
in Nowhere
First Terrace: The Late Repentant
There is a clicking sound before she appears, like a gas stove before it lights. One moment there is nothing, the next there is Pietta, though this is the last gasp of before/after causality in her pure, pale mind. Now that she is here, she will always have been here. Charcoal-blue rags twist and braid and drape around her body more artfully than any gown. A leather falcon’s hood closes up her head but does not blind her; the eyecups are a fine bronze mesh that lets in light. Long jessies hang from her thin wrists. This room which she has never seen belongs to her as utterly as her eyes: a monk’s cell, modest but perfect and graceful. Candles thick as calf-bones. Water in a black basin. A copper rain barrel, empty. She runs her hand along the smooth, wine-dark stone of her walls; her fingertips leave phosphor-prints. She lays down on her bed, a shelf for holding Piettas carved out of the rock, mattressed in straw and withered, thorny wildflowers that smell of the village where she was born. From the straw, she can look out of three slim glassless windows shaped like chess bishops. A grey, damp sky steals in, a burgling fog climbing up toward her, a hundred million kinds of grey swirling together, and the stars behind, waiting. Pietta remembers the feeling of the first day of school. She goes to the window and looks out, looks down. Her long hair hangs over the ledge like two thick vines. Black, seedless earth below, dizzyingly far. As close as spying neighbors across a shared alley, a sheer, knife-cragged mountain stretches up into the dimming clouds and disappears into oncoming night. The mountain crawls with people. Each carries a black lantern half as tall as they. A man with a short, lovely beard chokes on the smoke puking forth from his light, but even as he chokes, he holds it closer to his mouth, desperate to get more. Their eyes meet. Pietta holds up her hand in greeting. He opens his jaw far wider than any bone allows and takes long, sultry bites out of the smoke.
When she turns away, a bindle lies on her bed of stone and straw. A plain handkerchief knotted around a long, burled black branch. She looses the cloth. Inside she finds a wine bottle, a pair of scissors, a stone figure of a straight-backed child in a chair, a brass key, a cracked, worn belt with two holes torn through, and a hundred shattered shards of colored glass. Pietta picks up one of the blades of glass and holds it to her breast until it slices through her skin. The glass is violet. The blood never comes.
Second Terrace: The Proud
On an endless plain where nothing grows lie a mountain as crowded as a city and a city as vast as a mountain. They face one another like bride and bridegroom. The city was enclosed at the commencement of linear time, a great ancient abbey bristling with domes, towers, spires, and stoas, chiseled out of rock the color of wine spilled on the surface of Mars, doorless, but not windowless, never windowless, candlelight twinkling from millions upon millions of arched and tapered clefts in the stone. From every one of these, you can see the mountain clearly, the people moving upon it, their lamps swinging back and forth, their hurryings and their stillnesses. The whispered talk of the people on the mountain can always be heard in the cloisters of the city, as though there is not a mile of churning black mud between the woman emptying her rain barrel after a storm and the ragged man murmuring on the windy crags. A road connects the mountain and the city, lit by blue gas lamps, cobbled by giants. No one has ever seen a person walk that road, though they must, or else what could be its purpose?
The clouded, pregnant sky swallows the peak of the mountain but declines the heights of the city. When there are stars, they are not our stars. They are not even white, but red as watch-fires.
In the city, which is called Nowhere, a man with the head of a heron sat comfortably in the topmost room of the policemen’s tower, working on his novel.
It was slow going.
He supposed he had everything he needed—a hurricane lamp full of oil, a stone cup full of dry red wine, a belly full of hot buttered toast, a typewriter confiscated from a poor soul he’d caught sledgehammering Fuck This Place onto the north stairwell of the Callabrius Quarter, a ream of fresh, bright paper filched from the records office. It was a quiet night in Nowhere. The criminal element, such as it was, seemed content to sleep the cold stars away until morning, leaving Detective Belacqua in peace.
He tried typing: It was a quiet night in Nowhere, then, disgusted with himself, abandoned his desk with a flamboyant despair no one could see to appreciate, and stared gloomily out the long, slender stone window onto the mud plain far below. A moonless spring blackness slept on the fields outside the walled city. It was always spring in Nowhere. But there were no cherry blossoms, no daffodils or new hens, only the cold dark mud of snow just melted, the trees stripped naked, bare arms flung up pleading for the sun, the smell of green but not the green itself. Every day was the day before the first crocus breaks the skull of earth, the held breath before beginning can begin. Always March, never May.
Detective Belacqua had several strikes against him as a budding author. For one thing, he had very little conception of time, an essential element in organizing narrative. He was, after all, mostly infinite. He barely remembered his childhood, if he could be said to have had one at all, but he remembered the incandescent naphtha-splatter of the birth of the universe pretty well. What order things happened in and why wasn’t his business. He didn’t pry. And this was another problem, for Detective Belacqua had not, in all his long tenure in the walled city, felt the urge to question any aspect of his existence. Such restlessness was not marked out on the map of a strigil’s heart the way it was scribbled on every inch of the maps of men. Belacqua enjoyed his slow progress through each day and night. He enjoyed hot buttered toast and dry red wine. He enjoyed his job, felt himself to be necessary in a way as profound as food to a body. Someone had to keep order in this orderless place. Someone had to give Nowhere its shape and its self. His world was a simple equation: if crime, then punishment. It didn’t matter at all why or how a criminal did his work, only that he had done it. And because he never bothered with the rest, Detective Belacqua was a hopeless novelist, for he had no clear idea of what drove anyone to do much of anything except be a policeman and bear lightly the granite weight of an unmovable cosmos. The actions of others were baffling and mostly unpleasant. He had never moved in the moral coil of clanging and conflicting wills. All he had ever known was Nowhere, and by the time Nowhere happened to a person, they had already made all the choices that mattered.
Yet Detective Belacqua longed to write with every part of his unmeasurable psyche. He had been a happy man before he discovered books. Very occasionally, people brought them to Nowhere in their sad little bindles. The first time Bel
acqua saw one, during a quickly opened, quickly shut case of petty theft in the Castitas District, he had confiscated it and crouched for hours in a vestibule, transfixed, as he read the crumbling paperback, the very hows and whys Belacqua had never understood. But it was not enough to read. Belacqua wanted more. There were no strigils in any of the books men brought to Nowhere. No one like him. The men had men-heads and men-desires and the women had women-heads and women-ambitions and nowhere could his heron-soul find a sympathetic mirror. And so he tried and tried and at best he plonked out It was a quiet night in Nowhere on the back of a blank incident report. He felt deeply ashamed of his desires and told no one. None of his comrades could hope to understand.
But it was, indeed, a quiet night in Nowhere. But a night was not a book.
“Make something happen, you blistered fool,” Detective Belacqua grumbled to himself.
A knock comes upon the door.
Rubbish.
Detective Belacqua pushed back from his desk, his belly perhaps slightly less righteously muscled than it had been when the primordium was new. He wrapped a long scarf the color of cigarette ash around his feathered throat, snatched his black duster from the hook near the door, and abandoned his post—only for a moment—in search of something more fortifying than buttered toast to fuel his furtive ambitions.
He had hardly left the tower when the alarm lamps began to burn.
The Future Is Blue Page 3