by Molly Gloss
You couldn’t pull the stuck lambs with gloves on; you had to reach into the womb with your fingers to turn the lamb, or tie cord around the feet, or grasp the feet barehanded, so Delia’s hands were always cold and wet, then cracked and bleeding. The ranch had brought in some old converted school buses to house the lambing crew, and she would fall into a bunk at daybreak and then not be able to sleep, shivering in the unheated bus with the gray daylight pouring in the windows, and the endless daytime clamor out at the lambing sheds. All the lambers had sore throats, colds, nagging coughs. Roy Joyce looked like hell, deep bags as blue as bruises under his eyes, and Delia figured she looked about the same, though she hadn’t seen a mirror, not even to draw a brush through her hair, since the start of the season.
By the end of the second week, only a handful of ewes hadn’t lambed. The nights became quieter. The weather cleared, and the thin skiff of snow melted off the grass. On the dark of the moon, Delia was standing outside the mothering-up pens drinking coffee from a thermos. She put her head back and held the warmth of the coffee in her mouth a moment, and as she was swallowing it down, lowering her chin, she caught the tail end of a green flash and a thin yellow line breaking across the sky, so far off anybody else would have thought it was a meteor, but it was bright, and dropping from southwest to due west, maybe right onto Lame Man Bench. She stood and looked at it. She was so very goddamned tired and had a sore throat that wouldn’t clear, and she could barely get her fingers to fold around the thermos, they were so split and tender.
She told Roy she felt as sick as a horse and did he think he could handle things if she drove herself into town to the urgent care clinic, and she took one of the ranch trucks and drove up the road a short way and then turned onto the rutted track that went up to Joe-Johns.
The night was utterly clear, and you could see things a long way off. She was still an hour’s drive from the Churros’ summer range when she began to see a yellow-orange glimmer behind the black ridgeline, a faint nimbus like the ones that marked distant range fires on summer nights.
She had to leave the truck at the bottom of the bench to climb up the last mile or so on foot, had to get a flashlight out of the glove box and try to find an uphill path with it because the fluttery, reddish light show was finished by then, and a thick pall of smoke overcast the sky and blotted out the stars. Her eyes itched and burned, and tears ran from them, but the smoke calmed her sore throat. She went up slowly, breathing through her mouth.
The wing had burned a skid path through the scraggly junipers along the top of the bench and had come apart into a hundred pieces. She wandered through the burned trees and the scattered wreckage, shining her flashlight into the smoky darkness, not expecting to find what she was looking for, but there he was, lying apart from the scattered shards of metal, out on the smooth slab rock at the edge of the draw. He was panting shallowly, and his close coat of short brown hair was matted with blood. He lay in such a way that she immediately knew his back was broken. When he saw Delia coming up, his brow furrowed with worry. A sick or a wounded dog will bite, she knew that, but she squatted next to him. It’s just me, she told him by shining the light not in his face but in hers. Then she spoke to him. “Okay,” she said. “I’m here now,” without thinking too much about what the words meant, or whether they meant anything at all, and she didn’t remember until afterward that he was very likely deaf anyway. He sighed and shifted his look from her to the middle distance, where she supposed he was focused on approaching death.
Near at hand, he didn’t resemble a dog all that much, only in the long shape of his head, the folded-over ears, the round darkness of his eyes. He lay on the ground, flat on his side like a dog that’s been run over and is dying by the side of the road, but a man will lay like that too when he’s dying. He had small-fingered nail-less hands where a dog would have had toes and front feet. Delia offered him a sip from her water bottle, but he didn’t seem to want it, so she just sat with him quietly, holding one of his hands, which was as smooth as lambskin against the cracked and roughened flesh of her palm. The batteries in the flashlight gave out, and sitting there in the cold darkness, she found his head and stroked it, moving her sore fingers lightly over the bone of his skull, and around the soft ears, the loose jowls. Maybe it wasn’t any particular comfort to him, but she was comforted by doing it. Sure, okay, you can go on.
She heard him sigh, and then sigh again, and each time wondered if it would turn out to be his death. She had used to wonder what a coyote, or especially a dog, would make of this doggish man, and now, while she was listening, waiting to hear if he would breathe again, she began to wish she’d brought Alice or Jesus with her, though not out of that old curiosity. When her husband had died years before, at the very moment he took his last breath, the dog she’d had then had barked wildly and raced back and forth from the front to the rear door of the house, as if he’d heard or seen something invisible to her. People said it was her husband’s soul going out the door or his angel coming in. She didn’t know what it was the dog had seen or heard or smelled, but she wished she knew. And now she wished she had a dog with her to bear witness.
She went on petting him even after he had died, after she was sure he was dead, and went on petting him until his body was cool, and then she got up stiffly from the bloody ground and gathered rocks and piled them onto him, a couple of feet high so he wouldn’t be found or dug up. She didn’t know what to do about the wreckage, so she didn’t do anything with it at all.
In May, when she brought the Churro sheep back to Joe-Johns Mountain, the pieces of the wrecked wing had already eroded, were small and smooth-edged like the bits of sea glass you find on a beach, and she figured this must be what it was meant to do: to break apart into pieces too small for anybody to notice, and then to quickly wear away. But the stones she’d piled over his body seemed like the start of something, so she began the slow work of raising them higher into a sheepherder’s monument. She gathered up all the smooth eroded bits of wing, too, and laid them in a series of widening circles around the base of the monument. She went on piling up stones through the summer and into September until it reached fifteen feet. Mornings, standing with the sheep miles away, she would look for it through the binoculars and think about ways to make it higher, and she would wonder what was buried under all the other monuments sheepherders had raised in that country. At night she studied the sky, but nobody came for him.
In November, when she finished with the sheep and went into town, she asked around and found a guy who knew about stargazing and telescopes. He loaned her some books and sent her to a certain pawnshop, and she gave most of a year’s wages for a 14x75 telescope with a reflective lens. On clear, moonless nights she met the astronomy guy out at the Little League baseball field, and she sat on a fold-up canvas stool with her eye against the telescope’s finder while he told her what she was seeing: Jupiter’s moons, the Pelican Nebula, the Andromeda galaxy. The telescope had a tripod mount, and he showed her how to make a little jerry-built device so she could mount her old 7x32 mm binoculars on the tripod too. She used the binoculars for their wider view of star clusters and small constellations. She was indifferent to most discomforts, could sit quietly in one position for hours at a time, teeth rattling with the cold, staring into the immense vault of the sky until she became numb and stiff, barely able to stand and walk back home. Astronomy, she discovered, was a work of patience, but the sheep had taught her patience, or it was already in her nature before she ever took up with them.
ABOUT THE AUTHOR
MOLLY GLOSS is a fourth-generation Oregonian who now lives in Portland on the west side of the Tualatin Hills. She is the author of five other novels: The Jump-Off Creek, The Dazzle of Day, Wild Life, The Hearts of Horses, and Falling from Horses, and one collection of stories, Unforeseen.
Her accolades include the Oregon Book Award, the Pacific Northwest Book Award, the PEN/Faulkner Honor for Fiction, the James Tiptree Jr. Memorial Award, the Theodore St
urgeon Memorial Award, and a Whiting Award for Fiction, and her short story “Lambing Season” was a finalist for the Hugo and Nebula Awards. Her work often concerns the landscape, literature, mythology, and life of the American West. Visit the author at mollygloss.com or on Twitter at @mollygloss.
Visit us at simonandschuster.com
Authors.SimonandSchuster.com/Molly-Gloss
SAGA Press
Simon & Schuster, New York
SAGAPress.com
Also by Molly Gloss
Falling from Horses
The Hearts of Horses
The Jump-Off Creek
Wild Life
The Dazzle of Day
We hope you enjoyed reading this Simon & Schuster ebook.
* * *
Get a FREE ebook when you join our mailing list. Plus, get updates on new releases, deals, recommended reads, and more from Simon & Schuster. Click below to sign up and see terms and conditions.
CLICK HERE TO SIGN UP
Already a subscriber? Provide your email again so we can register this ebook and send you more of what you like to read. You will continue to receive exclusive offers in your inbox.
www.SimonandSchuster.com
This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.
Text copyright © 1986 by Molly Gloss
Cover illustration copyright © 2019 by Jeffrey Alan Love
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Saga Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020
SAGA PRESS and colophon are trademarks of Simon & Schuster, Inc.
For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or [email protected].
The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.
Also available in a Saga Press paperback edition
Interior design by Vikki Sheatsley
Jacket illustration copyright © 2019 by Jeffrey Alan Love
The text for this book was set in Cormorant Garamond.
Library of Congress Cataloging-in-Publication Data
Names: Gloss, Molly, author.
Title: Outside the gates / Molly Gloss.
Description: First Saga Press paperback edition. | London ; New York : Saga Press, 2019.
Identifiers: LCCN 2018022759 | ISBN 9781534414983 (hardcover : alk. paper) | ISBN 9781534414976 (paperback : alk. paper) | ISBN 9781534403116 (eBook)
Classification: LCC PS3557.L65 O98 2019 | DDC 813/.54—dc23
LC record available at https://lccn.loc.gov/2018022759