Make or Break at the Lighthouse B & B
Page 23
‘OK.’
Marram Bay is such a beautiful town. It’s small – even smaller than I expected. The town is cute, like something fresh out of a romantic movie – with ivy creeping up the walls and around the sweet little windows of the houses sitting at the top of perfectly tended gardens. Few houses look the same here, which I like. Everywhere has so much individuality and character.
It takes us no time to go from green, open space, to farmhouses, to cottages, and finally to the seafront with its cute, quirky little shops.
‘Erm …’ I can’t help but say, catching sight of the bizarre festivities on the seafront.
‘Where are we?’ Frankie asks.
‘When are we?’ I laugh to myself.
Upon closer inspection the town doesn’t just look old-fashioned – it looks like the setting for a Second World War book. The windows are covered with white tape, everyone is dressed in out-of-date clothing and the place is overrun with soldiers and army vehicles.
As we crawl along the road running alongside the seafront, we catch the attention of a woman in her late thirties. She’s wearing a blue and white polka dot tea dress teamed with navy gloves, complemented by her brown hair that is neatly pinned into victory rolls. I stop the car at the side of the road, just as our eyes meet.
‘Are we in the past?’ Frankie asks.
Of course, I know that we’re not – that we couldn’t possibly be, unless we’ve wandered into some sort of Goodnight Sweetheart portal – but I don’t really have an answer for him.
I smile at the pinup girl at the side of the road, only for her to cock her head in puzzlement. Why is she confused? I’m the one suddenly in the past. She calls over her friends – a land girl and an apparent member of the WRAF – who join her in staring over at us, chatting amongst themselves.
‘Maybe we should go,’ I say, but as I go to drive away, I – of course – stall my car again. Come to think of it, the lime-green, company-branded Beetle is probably the reason everyone is staring at us.
After another judder, it occurs to me that my loud (both in volume and colour), German car is probably ruining the war-era aesthetic of the festivities.
‘Ship, ship, ship,’ I say repeatedly, until I finally get the car moving and drive off.
‘Swears!’ Frankie chastises me.
‘I said “ship”,’ I point out. ‘Remind me who is the kid and who is the mum?’
‘I could ask you the same thing,’ he replies.
Frankie is smart for an 8-year-old, however, as a by-product of this intellect, he thinks he is much smarter than he is. I know that I should probably be the one keeping Frankie in check but he’s no bother at all … which is probably why he ends up keeping me in check instead.
‘Let’s go see the house,’ I say cheerily. ‘We’ll meet the locals some other time.’
Like, I don’t know, maybe this decade instead.
After spending the past few weeks – and a chunk of our journey here – trying to convince my son that we would be moving somewhere wonderful, I’ve driven him straight into some kind of weird place that seems to be literally stuck in the past. But in two minutes we’ll be at the beautifully titled Apple Blossom Cottage.
I glance quickly between my satnav and the road until we approach our destination. I spot the cottage of my dreams, hiding away behind a wall of leafy trees. Through the green leaves, the stone bungalow almost looks like part of the landscape. I’m so used to living in London, surrounded by either ugly old office blocks or new, ultra-modern, sky-grazing skyscrapers. Outside the garden walls, Apple Blossom Cottage is enclosed by nothing but fields – this change of scenery is exactly what I need.
It’s a small, but gorgeous little cottage, just perfect for the two of us. The stone walls are covered with all different kinds of climbing plants, from ivy to roses, giving it a uniquely colourful beauty that I haven’t seen before. The white-framed windows are small, peeping out from behind the plants. The frames look like perhaps they need replacing – not that I’m an expert, they just look a little tired. Then again, I imagine that’s what you’d think if you looked at me at the moment, courtesy of the bout of stress I’m suffering. I’m hoping that as soon as we get our things moved in, I can finally let go of my stress and relax into country life.
The place reminds me so much of a smaller version of Kate Winslet’s cottage from The Holiday (only with a far superior garden), and while I’d always thought of myself as more of a Cameron Diaz type, I feel like this is the place for me.
I step out of the car and take a photo on my phone. I want to remember my first glimpse of our new home for the rest of my life. I don’t just feel like I’ve arrived – I’ve arrived. I’m here, outside this perfect house, in a gorgeous small coastal town, about to start my dream job with my healthy, intelligent son by my side. Maybe it is possible to have it all … at least, that’s what How to Have It All, another of my hastily bought self-help books, has been trying to tell me. Packing up and starting your life again is a big deal, so I wanted to do some reading, make sure I was prepared for anything and everything. This job is so important to me, but Frankie is even more important. I just want to be a good mum – preferably one of those ones you see on Instagram with an adorable baby in one arm, and a wooden spoon in the other, standing in their immaculate kitchen (bigger than all the rooms in my London flat added together), posing in a way that makes them look like a Victoria’s Secret model.
My proportions are more Victoria sponge cake, than Victoria’s Secret model. Sure, we’re a society who celebrates the ‘dad bod’ (Leonardo DiCaprio is like a fine wine, only growing more devastatingly gorgeous by the moment) but they won’t be putting my ‘mum bod’ on any catwalks in barely there underwear anytime soon. But each stretchmark and varicose vein maps the journey I went on to come back with my son, and I’d take that over a Victoria’s Secret model body any day – even if it would significantly increase my chances with the aforementioned Mr DiCaprio.
I chase my son, who is currently part-boy, part-aeroplane, in the back garden.
‘Wow.’ My jaw drops.
It is suddenly apparent where Apple Blossom Cottage gets its name from: the army of apple trees surrounding the garden, and the apple blossom plants scattered amongst the greenery and brightly coloured flowers, that I’m not even going to pretend I can identify. I don’t know much about apple trees, but I’m guessing early September is when these beauties are at their best, because there are apples everywhere.
Frankie runs over to me with an apple in each hand.
‘Can we eat them?’ he asks.
‘We have to wash them first, but yes,’ I reply, delighted that my chicken nugget-craving son is suddenly thrilled at the thought of an endless supply of apples. ‘We could even bake an apple pie, would you like that?’
Frankie nods.
‘Better than the ones at McDonald’s,’ I tell him, instantly regretting mentioning the ‘M’ word, but it doesn’t seem to bother him. Baking is not something that I’m good at, but I’m sure it still counts if we buy readymade pastry and simply assemble the pie, right?
I stroll over to the large pond at the end of the garden and lean over, looking at my reflection in the water. Maybe I can earn strong, single-woman, pie-baking, yummy-mummy status here – wouldn’t that be nice?
‘Can I unlock the door?’ Frankie asks excitedly.
‘Carefully,’ I tell him, handing him the keys from my bag. ‘I’ll be right behind you.’
Inside my bag, in the hidden pocket usually reserved for ‘women’s things’ and the rape alarm I always felt an uneasy need to keep on me at all times in central London, the corner of a postcard pokes out. I quickly push it back inside and zip it up. I’ll worry about that later.
Frankie flies off towards the front door excitedly as I try to keep up with him in my heels. I’m just walking around the corner when I hear his voice.
‘Er … Mum,’ he shouts, and I don’t like the sound of it at all.
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