The Tales of Chekhov

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The Tales of Chekhov Page 85

by Anton Chekhov


  But at last the train passed, and the last carriage with the guard and a light in it had disappeared behind the trees. Sofya Petrovna turned round sharply, and without looking at Ilyin, walked rapidly back along the track. She had regained her self-possession. Crimson with shame, humiliated not by Ilyin—no, but by her own cowardice, by the shamelessness with which she, a chaste and high-principled woman, had allowed a man, not her husband, to hug her knees—she had only one thought now: to get home as quickly as possible to her villa, to her family. The lawyer could hardly keep pace with her. Turning from the clearing into a narrow path, she turned round and glanced at him so quickly that she saw nothing but the sand on his knees, and waved to him to drop behind.

  Reaching home, Sofya Petrovna stood in the middle of her room for five minutes without moving, and looked first at the window and then at her writing-table.

  “You low creature!” she said, upbraiding herself. “You low creature!”

  To spite herself, she recalled in precise detail, keeping nothing back—she recalled that though all this time she had been opposed to Ilyin’s lovemaking, something had impelled her to seek an interview with him; and what was more, when he was at her feet she had enjoyed it enormously. She recalled it all without sparing herself, and now, breathless with shame, she would have liked to slap herself in the face.

  “Poor Andrey!” she said to herself, trying as she thought of her husband to put into her face as tender an expression as she could. “Varya, my poor little girl, doesn’t know what a mother she has! Forgive me, my dear ones! I love you so much . . . so much!”

  And anxious to prove to herself that she was still a good wife and mother, and that corruption had not yet touched that “sanctity of marriage” of which she had spoken to Ilyin, Sofya Petrovna ran to the kitchen and abused the cook for not having yet laid the table for Andrey Ilyitch. She tried to picture her husband’s hungry and exhausted appearance, commiserated him aloud, and laid the table for him with her own hands, which she had never done before. Then she found her daughter Varya, picked her up in her arms and hugged her warmly; the child seemed to her cold and heavy, but she was unwilling to acknowledge this to herself, and she began explaining to the child how good, kind, and honourable her papa was.

  But when Andrey Ilyitch arrived soon afterwards she hardly greeted him. The rush of false feeling had already passed off without proving anything to her, only irritating and exasperating her by its falsity. She was sitting by the window, feeling miserable and cross. It is only by being in trouble that people can understand how far from easy it is to be the master of one’s feelings and thoughts. Sofya Petrovna said afterwards that there was a tangle within her which it was as difficult to unravel as to count a flock of sparrows rapidly flying by. From the fact that she was not overjoyed to see her husband, that she did not like his manner at dinner, she concluded all of a sudden that she was beginning to hate her husband.

  Andrey Ilyitch, languid with hunger and exhaustion, fell upon the sausage while waiting for the soup to be brought in, and ate it greedily, munching noisily and moving his temples.

  “My goodness!” thought Sofya Petrovna. “I love and respect him, but . . . why does he munch so repulsively?”

  The disorder in her thoughts was no less than the disorder in her feelings. Like all persons inexperienced in combating unpleasant ideas, Madame Lubyantsev did her utmost not to think of her trouble, and the harder she tried the more vividly Ilyin, the sand on his knees, the fluffy clouds, the train, stood out in her imagination.

  “And why did I go there this afternoon like a fool?” she thought, tormenting herself. “And am I really so weak that I cannot depend upon myself?”

  Fear magnifies danger. By the time Andrey Ilyitch was finishing the last course, she had firmly made up her mind to tell her husband everything and to flee from danger!

  “I’ve something serious to say to you, Andrey,” she began after dinner while her husband was taking off his coat and boots to lie down for a nap.

  “Well?”

  “Let us leave this place!”

  “H’m! . . . Where shall we go? It’s too soon to go back to town.”

  “No; for a tour or something of that sort.

  “For a tour . . .” repeated the notary, stretching. “I dream of that myself, but where are we to get the money, and to whom am I to leave the office?”

  And thinking a little he added:

  “Of course, you must be bored. Go by yourself if you like.”

  Sofya Petrovna agreed, but at once reflected that Ilyin would be delighted with the opportunity, and would go with her in the same train, in the same compartment. . . . She thought and looked at her husband, now satisfied but still languid. For some reason her eyes rested on his feet—miniature, almost feminine feet, clad in striped socks; there was a thread standing out at the tip of each sock.

  Behind the blind a bumble-bee was beating itself against the window-pane and buzzing. Sofya Petrovna looked at the threads on the socks, listened to the bee, and pictured how she would set off . . . . vis-à-vis Ilyin would sit, day and night, never taking his eyes off her, wrathful at his own weakness and pale with spiritual agony. He would call himself an immoral schoolboy, would abuse her, tear his hair, but when darkness came on and the passengers were asleep or got out at a station, he would seize the opportunity to kneel before her and embrace her knees as he had at the seat in the wood. . . .

  She caught herself indulging in this day-dream.

  “Listen. I won’t go alone,” she said. “You must come with me.”

  “Nonsense, Sofotchka!” sighed Lubyantsev. “One must be sensible and not want the impossible.”

  “You will come when you know all about it,” thought Sofya Petrovna.

  Making up her mind to go at all costs, she felt that she was out of danger. Little by little her ideas grew clearer; her spirits rose and she allowed herself to think about it all, feeling that however much she thought, however much she dreamed, she would go away. While her husband was asleep, the evening gradually came on. She sat in the drawing-room and played the piano. The greater liveliness out of doors, the sound of music, but above all the thought that she was a sensible person, that she had surmounted her difficulties, completely restored her spirits. Other women, her appeased conscience told her, would probably have been carried off their feet in her position, and would have lost their balance, while she had almost died of shame, had been miserable, and was now running out of the danger which perhaps did not exist! She was so touched by her own virtue and determination that she even looked at herself two or three times in the looking-glass.

  When it got dark, visitors arrived. The men sat down in the dining-room to play cards; the ladies remained in the drawing-room and the verandah. The last to arrive was Ilyin. He was gloomy, morose, and looked ill. He sat down in the corner of the sofa and did not move the whole evening. Usually good-humoured and talkative, this time he remained silent, frowned, and rubbed his eyebrows. When he had to answer some question, he gave a forced smile with his upper lip only, and answered jerkily and irritably. Four or five times he made some jest, but his jests sounded harsh and cutting. It seemed to Sofya Petrovna that he was on the verge of hysterics. Only now, sitting at the piano, she recognized fully for the first time that this unhappy man was in deadly earnest, that his soul was sick, and that he could find no rest. For her sake he was wasting the best days of his youth and his career, spending the last of his money on a summer villa, abandoning his mother and sisters, and, worst of all, wearing himself out in an agonizing struggle with himself. From mere common humanity he ought to be treated seriously.

  She recognized all this clearly till it made her heart ache, and if at that moment she had gone up to him and said to him, “No,” there would have been a force in her voice hard to disobey. But she did not go up to him and did not speak—indeed, never thought of doing so. The pettiness and egoism of youth had never been more patent in her than that evening. She realized that I
lyin was unhappy, and that he was sitting on the sofa as though he were on hot coals; she felt sorry for him, but at the same time the presence of a man who loved her to distraction, filled her soul with triumph and a sense of her own power. She felt her youth, her beauty, and her unassailable virtue, and, since she had decided to go away, gave herself full licence for that evening. She flirted, laughed incessantly, sang with peculiar feeling and gusto. Everything delighted and amused her. She was amused at the memory of what had happened at the seat in the wood, of the sentinel who had looked on. She was amused by her guests, by Ilyin’s cutting jests, by the pin in his cravat, which she had never noticed before. There was a red snake with diamond eyes on the pin; this snake struck her as so amusing that she could have kissed it on the spot.

  Sofya Petrovna sang nervously, with defiant recklessness as though half intoxicated, and she chose sad, mournful songs which dealt with wasted hopes, the past, old age, as though in mockery of another’s grief. “‘And old age comes nearer and nearer’ . . .” she sang. And what was old age to her?

  “It seems as though there is something going wrong with me,” she thought from time to time through her laughter and singing.

  The party broke up at twelve o’clock. Ilyin was the last to leave. Sofya Petrovna was still reckless enough to accompany him to the bottom step of the verandah. She wanted to tell him that she was going away with her husband, and to watch the effect this news would produce on him.

  The moon was hidden behind the clouds, but it was light enough for Sofya Petrovna to see how the wind played with the skirts of his overcoat and with the awning of the verandah. She could see, too, how white Ilyin was, and how he twisted his upper lip in the effort to smile.

  “Sonia, Sonitchka . . . my darling woman!” he muttered, preventing her from speaking. “My dear! my sweet!”

  In a rush of tenderness, with tears in his voice, he showered caressing words upon her, that grew tenderer and tenderer, and even called her “thou,” as though she were his wife or mistress. Quite unexpectedly he put one arm round her waist and with the other hand took hold of her elbow.

  “My precious! my delight!” he whispered, kissing the nape of her neck; “be sincere; come to me at once!”

  She slipped out of his arms and raised her head to give vent to her indignation and anger, but the indignation did not come off, and all her vaunted virtue and chastity was only sufficient to enable her to utter the phrase used by all ordinary women on such occasions:

  “You must be mad.”

  “Come, let us go,” Ilyin continued. “I felt just now, as well as at the seat in the wood, that you are as helpless as I am, Sonia . . . . You are in the same plight! You love me and are fruitlessly trying to appease your conscience. . . .”

  Seeing that she was moving away, he caught her by her lace cuff and said rapidly:

  “If not today, then tomorrow you will have to give in! Why, then, this waste of time? My precious, darling Sonia, the sentence is passed; why put off the execution? Why deceive yourself?”

  Sofya Petrovna tore herself from him and darted in at the door. Returning to the drawing-room, she mechanically shut the piano, looked for a long time at the music-stand, and sat down. She could not stand up nor think. All that was left of her excitement and recklessness was a fearful weakness, apathy, and dreariness. Her conscience whispered to her that she had behaved badly, foolishly, that evening, like some madcap girl—that she had just been embraced on the verandah, and still had an uneasy feeling in her waist and her elbow. There was not a soul in the drawing-room; there was only one candle burning. Madame Lubyantsev sat on the round stool before the piano, motionless, as though expecting something. And as though taking advantage of the darkness and her extreme lassitude, an oppressive, overpowering desire began to assail her. Like a boa-constrictor it gripped her limbs and her soul, and grew stronger every second, and no longer menaced her as it had done, but stood clear before her in all its nakedness.

  She sat for half an hour without stirring, not restraining herself from thinking of Ilyin, then she got up languidly and dragged herself to her bedroom. Andrey Ilyitch was already in bed. She sat down by the open window and gave herself up to desire. There was no “tangle” now in her head; all her thoughts and feelings were bent with one accord upon a single aim. She tried to struggle against it, but instantly gave it up. . . . She understood now how strong and relentless was the foe. Strength and fortitude were needed to combat him, and her birth, her education, and her life had given her nothing to fall back upon.

  “Immoral wretch! Low creature!” she nagged at herself for her weakness. “So that’s what you’re like!”

  Her outraged sense of propriety was moved to such indignation by this weakness that she lavished upon herself every term of abuse she knew, and told herself many offensive and humiliating truths. So, for instance, she told herself that she never had been moral, that she had not come to grief before simply because she had had no opportunity, that her inward conflict during that day had all been a farce. . . .

  “And even if I have struggled,” she thought, “what sort of struggle was it? Even the woman who sells herself struggles before she brings herself to it, and yet she sells herself. A fine struggle! Like milk, I’ve turned in a day! In one day!”

  She convicted herself of being tempted, not by feeling, not by Ilyin personally, but by sensations which awaited her . . . an idle lady, having her fling in the summer holidays, like so many!

  “‘Like an unfledged bird when the mother has been slain,’” sang a husky tenor outside the window.

  “If I am to go, it’s time,” thought Sofya Petrovna. Her heart suddenly began beating violently.

  “Andrey!” she almost shrieked. “Listen! we . . . we are going? Yes?”

  “Yes, I’ve told you already: you go alone.”

  “But listen,” she began. “If you don’t go with me, you are in danger of losing me. I believe I am . . . in love already.”

  “With whom?” asked Andrey Ilyitch.

  “It can’t make any difference to you who it is!” cried Sofya Petrovna.

  Andrey Ilyitch sat up with his feet out of bed and looked wonderingly at his wife’s dark figure.

  “It’s a fancy!” he yawned.

  He did not believe her, but yet he was frightened. After thinking a little and asking his wife several unimportant questions, he delivered himself of his opinions on the family, on infidelity . . . spoke listlessly for about ten minutes and got into bed again. His moralizing produced no effect. There are a great many opinions in the world, and a good half of them are held by people who have never been in trouble!

  In spite of the late hour, summer visitors were still walking outside. Sofya Petrovna put on a light cape, stood a little, thought a little. . . . She still had resolution enough to say to her sleeping husband:

  “Are you asleep? I am going for a walk. . . . Will you come with me?”

  That was her last hope. Receiving no answer, she went out. . . . It was fresh and windy. She was conscious neither of the wind nor the darkness, but went on and on. . . . An overmastering force drove her on, and it seemed as though, if she had stopped, it would have pushed her in the back.

  “Immoral creature!” she muttered mechanically. “Low wretch!”

  She was breathless, hot with shame, did not feel her legs under her, but what drove her on was stronger than shame, reason, or fear.

  A Trifle From Life

  A

  well-fed, red-cheeked young man called Nikolay Ilyitch Belyaev, of thirty-two, who was an owner of house property in Petersburg, and a devotee of the race-course, went one evening to see Olga Ivanovna Irnin, with whom he was living, or, to use his own expression, was dragging out a long, wearisome romance. And, indeed, the first interesting and enthusiastic pages of this romance had long been perused; now the pages dragged on, and still dragged on, without presenting anything new or of interest.

  Not finding Olga Ivanovna at home, my hero lay down on t
he lounge chair and proceeded to wait for her in the drawing-room.

  “Good-evening, Nikolay Ilyitch!” he heard a child’s voice. “Mother will be here directly. She has gone with Sonia to the dressmaker’s.”

  Olga Ivanovna’s son, Alyosha—a boy of eight who looked graceful and very well cared for, who was dressed like a picture, in a black velvet jacket and long black stockings—was lying on the sofa in the same room. He was lying on a satin cushion and, evidently imitating an acrobat he had lately seen at the circus, stuck up in the air first one leg and then the other. When his elegant legs were exhausted, he brought his arms into play or jumped up impulsively and went on all fours, trying to stand with his legs in the air. All this he was doing with the utmost gravity, gasping and groaning painfully as though he regretted that God had given him such a restless body.

  “Ah, good-evening, my boy,” said Belyaev. “It’s you! I did not notice you. Is your mother well?”

  Alyosha, taking hold of the tip of his left toe with his right hand and falling into the most unnatural attitude, turned over, jumped up, and peeped at Belyaev from behind the big fluffy lampshade.

  “What shall I say?” he said, shrugging his shoulders. “In reality mother’s never well. You see, she is a woman, and women, Nikolay Ilyitch, have always something the matter with them.”

  Belyaev, having nothing better to do, began watching Alyosha’s face. He had never before during the whole of his intimacy with Olga Ivanovna paid any attention to the boy, and had completely ignored his existence; the boy had been before his eyes, but he had not cared to think why he was there and what part he was playing.

  In the twilight of the evening, Alyosha’s face, with his white forehead and black, unblinking eyes, unexpectedly reminded Belyaev of Olga Ivanovna as she had been during the first pages of their romance. And he felt disposed to be friendly to the boy.

 

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