Then I found I was running, with the surprised chai-wallah calling, “Hey! Hey! Hey!” after me, running down the side of the slow-moving line of traffic, banging on the doors, “Hi! Hi! Pokhara! Pokhara!,” slipping and sliding over the rough gravel, towards the far, bright mountains.
Dead Men Walking
PAUL MCAULEY
Born in Oxford, England, in 1955, Paul J. McAuley now makes his home in London. A professional biologist for many years, he sold his first story in 1984, and has gone on to be a frequent contributor to Interzone, as well as to markets such as Asimov’s Science Fiction, SCI FICTION, Amazing, The Magazine of Fantasy & Science Fiction, Skylife, The Third Alternative, When the Music’s Over, and elsewhere. His first novel, Four Hundred Billion Stars, won the Philip K. Dick Award, and his novel Fairyland won both the Arthur C. Clarke Award and the John W. Campbell Award in 1996. His other books include the novels Of the Fall, Eternal Light, and Pasquale’s Angel, Confluence—a major trilogy of ambitious scope and scale set ten million years in the future, comprised of the novels Child of the River, Ancient of Days, and Shrine of Stars—Life on Mars, The Secret of Life, Whole Wide World, White Devils, Mind’s Eye, Players, Cowboy Angels, The Quiet War, Gardens of the Sun, In the Mouth of the Whale, and Evening’s Empires. His short fiction has been collected in The King of the Hill and Other Stories, The Invisible Country, Little Machines, and a major retrospective collection, A Very British History: The Best Science Fiction Stories of Paul McAuley, 1985–2011; he is also the co-editor, with Kim Newman, of an original anthology, In Dreams. His most recent books are a novel, Something Coming Through, followed by a sequel, Into Everywhere.
Here he takes us to a prison in the far reaches of the solar system, to show us how some consequences of a devastating war can persist for years after the war is ostensibly over—with deadly results.
I guess this is the end. I’m in no condition to attempt the climb down, and in any case I’m running out of air. The nearest emergency shelter is only five klicks away, but it might as well be on the far side of this little moon. I’m not expecting any kind of last-minute rescue, either. No one knows I’m here, my phone and the distress beacon are out, my emergency flares went with my utility belt, and I don’t think that the drones patrol this high. At least my legs have stopped hurting, although I can feel the throb of what’s left of my right hand through the painkiller’s haze, like the beat of distant war drums …
* * *
If you’re the person who found my body, I doubt that you’ll have time to listen to my last and only testament. You’ll be too busy calling for help, securing the area, and making sure that you or any of your companions don’t trample precious clues underfoot. I imagine instead that you’re an investigator or civil servant sitting in an office buried deep inside some great bureaucratic hive, listening to this out of duty before consigning it to the memory hole. You’ll know that my body was found near the top of the eastern wall of the great gash of Elliot Graben on Ariel, Uranus’s fourth-largest moon, but I don’t suppose you’ve ever visited the place, so I should give you an idea of what I can see.
I’m sitting with my pressure suit’s backpack firmly wedged against a huge block of dirty, rock-hard ice. A little way beyond my broken legs, a cliff drops straight down for about a kilometre to the bottom of the graben’s enormous trough. Its floor, resurfaced a couple of billion years ago by a flood of water-ice lava, is a level plain patched with enormous fields of semi-vacuum organisms. Orange and red, deep blacks, foxy umbers, bright yellows … they stretch away from me in every direction for as far as I can see, like the biggest quilt in the universe. This moon is so small and the graben is so wide that its western rim is below the horizon. Strings of suspensor lamps float high above the fields like a fleet of burning airships.
There’s enough atmospheric pressure, twenty millibars of nitrogen and methane, to haze the view and give an indication of distance, of just how big this strange garden really is. It’s the prison farm, of course, and every square centimetre of it was constructed by the sweat of men and women convicted by the failure of their ideals, but none of that matters to me now. I’m beyond all that up here, higher than the suspensor lamps, tucked under the eaves of the vast roof of fullerene composite and transparent halflife polymer that tents the graben. If I twist my head I can glimpse one of the giant struts that anchor the roof. Beyond it, the big, blue-green globe of Uranus floats in the black sky. The gas giant’s south pole, capped with a brownish haze of photochemical smog, is pointed at the brilliant point of the sun, which hangs just above the western horizon.
Sunset’s three hours off. I won’t live long enough to see it. My legs are comfortably numb, but the throbbing in my hand is becoming more urgent, there’s a dull ache in my chest, and every breath is an effort. I wonder if I’ll live long enough to tell you my story …
* * *
All right. I’ve just taken another shot of painkiller. I had to override the suit to do it, it’s a lethal dose …
Christos, it still hurts. It hurts to laugh.
* * *
My name is Roy Bruce. It isn’t my real name. I have never had a real name. I suppose I had a number when I was decanted, but I don’t know what it was. My instructors called me Dave—but they called all of us Dave, a private joke they never bothered to explain. Later, just before the war began, I took the life of the man in whose image I had been made. I took his life, his name, his identity. And after the war was over, after I evaded recall and went on the run, I had several different names, one after the other. But Roy, Roy Bruce, that’s the name I’ve had longest. That’s the name you’ll find on the roster of guards. That’s the name you can bury me under.
My name is Roy Bruce, and I lived in Herschel City, Ariel, for eight and a half years.
Lived. Already with the past tense …
My name is Roy Bruce. I’m a prison guard. The prison, TPA Facility 898, is a cluster of chambers—we call them blocks—buried in the eastern rim of Elliot Graben. Herschel City is twenty klicks beyond, a giant cylindrical shaft sunk into Ariel’s icy surface, its walls covered in a vertical, shaggy green forest that grows from numerous ledges and crevices. Public buildings and little parks jut out of the forest wall like bracket fungi; homes are built in and amongst the trees. Ariel’s just over a thousand kilometers in diameter and mostly ice; its gravity barely exists. The citizens of Herschel City are arboreal acrobats, swinging, climbing, sliding, flying up and down and roundabout on cableways and trapezes, nets and ropewalks.
It’s a good place to live.
I have a one-room treehouse. It’s not very big and plainly furnished, but you can sit on the porch of a morning, watch squirrel monkeys chase each other through the pines. I’m a member of Sweat Lodge #23. I breed singing crickets, have won several competitions with them. Mostly they’re hacked to sing fragments of Mozart, nothing fancy, but my line has good sustain and excellent timbre and pitch. I hope old Willy Gup keeps it going … I like to hike too, and climb freestyle. I once soloed the Broken Book route in Prospero Chasma on Miranda, twenty kilometres up a vertical face, in fifteen hours. Nowhere near the record, but pretty good for someone with a terminal illness. I’ve already had various bouts of cancer, but retroviruses dealt with those easily enough. What’s killing me—what just lost the race to kill me—is a general systematic failure something like lupus. I couldn’t get any treatment for it, of course, because the doctors would find out who I really am. What I really was.
I suppose that I had a year or so left. Maybe two if I was really lucky.
It wasn’t much of a life, but it was all my own.
* * *
Uranus has some twenty-odd moons, mostly captured chunks of sooty ice a few dozen kilometres in diameter. Before the Quiet War, no more than a couple of hundred people lived out here. Rugged pioneer families, hermits, a few scientists, and some kind of Hindu sect that planted huge tracts of Umbriel’s sooty surface with slow-growing lichenous vacuum organisms. Afte
r the war, the Three Powers Alliance took over the science station on Ariel, renamed it Herschel City, and built its maximum security facility in the big graben close by. The various leaders and lynchpins of the revolution, who had already spent two years being interrogated at Tycho, on Earth’s Moon, were moved here to serve the rest of their life sentences of re-education and moral realignment. At first, the place was run by the Brazilian Navy, but civilian contractors were brought in after Elliot Graben was tented and the vacuum organism farms were planted. Most were ex-Service people who had settled in the Outer System after the war. I was one of them.
I had learned how to create fake identities with convincing histories during my training: my latest incarnation easily passed the security check. For eight and a half years, Roy Bruce, guard third class, cricket breeder, amateur freestyle climber, lived a quiet, anonymous life out on the fringe of the solar system. And then two guards stumbled across the body of Goether Lyle, who had been the leader of the Senate of Athens, Tethys when, along with a dozen other city states in the Outer System, it had declared independence from Earth.
I’d known Goether slightly: an intense, serious man who’d been writing some kind of philosophical thesis in his spare time. His body was found in the middle of the main highway between the facility and the farms, spread-eagled and naked, spikes hammered through hands and feet. His genitals had been cut off and stuffed in his mouth; his tongue had been pulled through the slit in his throat. He was also frozen solid—the temperature out on the floor of the graben is around minus one hundred and fifty degrees celsius, balmy compared to the surface of Ariel, but still a lot colder than the inside of any domestic freezer, so cold that the carbon dioxide given off by certain strains of vacuum organisms precipitates out of the atmosphere like hoar frost. It took six hours to thaw out his body for the autopsy, which determined that the mutilations were post mortem. He’d been strangled, and then all the other stuff had been done to him.
I was more than thirty klicks away when Goether Lyle’s body was discovered, supervising a work party of ten prisoners, what we call a stick, that was harvesting a field of vacuum organisms. It’s important to keep the prisoners occupied, and stoop labour out in the fields or in the processing plants leaves them too tired to plan any serious mischief. Also, export of the high-grade biochemicals which the vacuum organisms cook from methane in the thin atmosphere helps to defray the enormous cost of running the facility. So I didn’t hear about the murder until I’d driven my stick back to its block at the end of the shift, and I didn’t learn all the gruesome details until later that evening, at the sweat lodge.
In the vestigial gravity of worldlets like Ariel, where you can drown in a shower and water tends to slosh about uncontrollably, sweat lodges, saunas, or Turkish-style hamams are ideal ways to keep clean. You bake in steam heat, sweat the dirt out of your pores, scrape it off your skin, and exchange gossip with your neighbours and friends. Even in a little company town like Herschel City, there are lodges catering for just about every sexual orientation and religious belief. My lodge, #23, is for unattached, agnostic heterosexual males. That evening, as usual, I was sitting with a dozen or so naked men of various ages and body types in eucalyptus-scented steam. We scraped at our skin with abrasive mitts or plastered green depilatory mud on ourselves, squirted the baking stones of the hearth with water to make more steam, and talked about the murder of Goether Lyle. Mustafa Sesler, who worked in the hospital, gave us all the grisly details. There was speculation about whether it was caused by a personal beef or a turf war between gangs. Someone made the inevitable joke about it being the most thorough suicide in the history of the prison. Someone else, my friend Willy Gup, asked me if I had any idea about it.
“You had the guy in your stick last year, Roy. He have any enemies you know of?”
I gave a noncommittal answer. The mutilations described by Mustafa Sesler were straight out of my training in assassination, guerrilla tactics, and black propaganda. I was processing the awful possibility that Goether Lyle had been murdered by someone like me.
You must know by now what I am. That I am not really human. That I am a doppelganger designed by gene wizards, grown in a vat, decanted fully grown with a headful of hardwired talents and traits, trained up, and sent out to kill the person whose exact double I was, and replace him. I do not know how many doppelgangers, berserkers, suicide artists and other cloned subversives were deployed during the Quiet War, but I believe that our contribution was significant. My target was Sharwal Jah Sharja, a minor gene wizard who lived alone in the jungle in one of the tented crevasses of East of Eden, Ganymede, where he orchestrated the unceasing symphony of the city state’s closed loop ecosystem. After I took his place, I began a programme of ecotage, significantly reducing the circulation of water vapour and increasing the atmospheric concentration of carbon dioxide and toxic trace gases. By the time the Quiet War kicked off, some four weeks later, the population of East of Eden was wearing breathing masks, the forests and parks were beginning to die, and most food animals and crops had died or were badly stricken, forcing the city to use biomass from vacuum organism farms to feed its citizens. A commando force of the Three Powers Alliance annexed East of Eden’s farms in the first few hours of the war, and after two weeks its starving citizens agreed terms of surrender.
I was supposed to turn myself in as soon as the city had been secured, but in the middle of the formal surrender, dead-ender fanatics assassinated half the Senate and attacked the occupying force. In the subsequent confusion, the tented crevasse where I had been living was blown open to vacuum, Sharwal Jah Sharja was posted as one of the casualties, and I took the opportunity to slip away. I have successfully hidden my true identity and lived incognito amongst ordinary human beings ever since.
Why did I disobey my orders? How did I slip the bonds of my hardwired drives and instincts? It’s quite simple. While I had been pretending to be Sharwal Jah Sharja, I had come to love life. I wanted to learn as much about it as I could in the brief span I’d been allotted by my designers. And so I adopted the identity of another casualty, and after the war was over and the Three Powers Alliance allowed trade and travel to resume, I left East of Eden and went out into the solar system to see what I could see.
In all my wanderings I never met any others like me, but I did find a hint that at least one of my brothers and sisters of the vat had survived the war. All of us had been imprinted with a variety of coded messages covering a vast range of possibilities, and a year after going on the run I came across one of them in a little-used passageway between two chambers of the city of Xamba, Rhea.
To anyone else it was a meaningless scrawl; to me, it was like a flash of black lightning that branded an enciphered phone number itself on my brain. The walls of the passageway were thickly scribbled with graffiti, much of it pre-war. The message could have been left there last year or last week; it could have been a trap, left by agents hunting renegades like me. I didn’t have the nerve to find out. I went straight to the spaceport and bought a seat on a shuttle to Phoebe, the gateway port to the other moons of Saturn and the rest of the Outer System. Six months later, wearing the new identity of Roy Bruce, I became a guard at TPA Facility 898.
That’s why, almost nine years later, I couldn’t be certain that any of my brothers and sisters had survived, and I was able to convince myself that Goether Lyle had been the victim of the vicious internal politics of the prison, killed and mutilated by someone who knew about the black propaganda techniques in which we’d been trained. But that comforting fiction was blown apart the very next day, when another mutilated body was found.
* * *
The victim was a former senator of Baghdad, Enceladus, and a member of the prison gang that was intermittently at war with the gang to which Goether Lyle had belonged. A message written in blood on the ground next to the senator’s body implied that he’d been murdered by Goether Lyle’s cronies, but whoever had killed him must have done the deed in his cell some time b
etween the evening count and the end of the night’s lockdown, spirited his body out of the facility without being detected, and left it within the field of view of a security camera which had been hacked to show a recorded loop instead of a live feed. Members of the rival gangs lived in different blocks, had chips implanted in their skulls which constantly monitored their movements, and were under lock-down all night. If the killer was a prisoner, he would have had to bribe more than a dozen guards; it was far more likely that the senator had been killed by one of the facility’s staff. And when I heard what had been done to the body, I was certain that it was the handiwork of one of my brothers or sisters. The senator had been blinded before he’d been strangled, and his lungs had been pulled through incisions in his back. It was a mutilation called the Blood Eagle, invented by the Vikings some two thousand years ago. I remembered the cold, patient voice of the instructor who had demonstrated it to us on a corpse.
Someone in the warden’s office reached the same conclusion. Posted at the top of our daily orders was an announcement that a specialist team was on its way to Ariel, and emergency security measures were put in place at the spaceport. That evening Willy Gup told the sweat lodge that the warden reckoned that it was possible that the two murders were the work of the kind of vat-grown assassin used in the Quiet War.
“So if you come across anything suspicious, don’t be tempted to do anything stupidly heroic, my brothers. Those things are smart and deadly and completely without any kind of human feeling. Be like me. Stay frosty, but hang back.”
The Very Best of the Best Page 15