The Very Best of the Best

Home > Other > The Very Best of the Best > Page 101
The Very Best of the Best Page 101

by Gardner Dozois


  He reminds Fox a little bit of himself as a child. Too clever to get along with the other children, too brash and too stubborn, worryingly so. But Fox has other concerns. The ship is tuned and refueled and finally ready to fly, and the village’s weather probe predicts a rolling storm in a fortnight. That’s when Fox will launch, while the thunder and lightning masks the takeoff. His days in the village, his days in Damjan’s body, are finally numbered.

  Fox is in the cramped bedroom, laboring with a piece of Jonas’s charcoal. The boy’s favorite poem is a short one, but even so it takes a long time for Fox to transcribe it onto the clear stretch of wall. He’s only halfway finished the memento, his small hands smeared black, when he hears Jonas arrive home from the school. A moment later, he hears a shriek from Blanka.

  Fox goes stiff and scared, ears strained for the thump of soldiers’ boots, but there’s nothing but Blanka’s angry voice and Jonas’s near-inaudible reply. He wipes his hands on his trousers and goes to the kitchen.

  Jonas is standing sullenly with his shirt knotted in his hands. Blanka is in a rage, and Fox realizes why as soon as he sees the bruises on Jonas’s bare back.

  “That spindly bastard, I’ll snap him in halves,” she’s snarling. “What happened, Jonas? What happened, my beautiful boy?”

  Jonas lifts his head. “Teacher switched me,” he says. “For telling lies.” He turns as he says it, and his eyes catch on Fox. He gives a smile that fills Fox with pure dread. Fox knows, somehow, what’s coming. “We learned about enemies of the revolution today,” Jonas says. “There was one aristo who tried to convince the Liberated People to let all the aristos go without getting punished. They called him the Fox because he had red hair.”

  “Oh, no,” Blanka murmurs. “Oh, Jonas. What did you say?”

  “I said he helped the revolution,” Jonas says defiantly, looking Fox in the eye. “I said he wrote the poem, the one about aristo bellies full of our blood.”

  “You should not have done that, Jonas,” Fox says, surprised he can speak at all. “That was dangerous. That was very dangerous.” His panic is welling up again, numbing him all over. “They have gene records. They know that I’m a cousin to your father.”

  Jonas bites at his lip, but his eyes are still defiant. “I wanted to be brave,” he says. “Strong and brave and honest. Like Damjan thought I am.”

  Fox feels adrift. He knows Jonas, no matter how sharp he seems, is still a child. There’s no way he can understand what he’s just done. Maybe it’s Fox’s own fault, for filling his head with all the poems.

  Maybe they’ll be lucky, and the teacher will keep Jonas’s transgression to himself. Fox has been lucky before.

  * * *

  When father comes home mother tells him what happened, and his whole body seems to sink a little. Jonas feels the disappointment like he feels the welts on his back, and worse, he can tell that his father is scared. There is a brutal silence that lasts all evening until he goes to bed, lying on his stomach with a bit of medgel spread over his back. He knows he made a mistake. Even though he didn’t say his uncle was with them, he said too much.

  Jonas tries to apologize to his uncle, who is lying very straight and very still, staring up at the ceiling, and Damjan’s voice mutters something about everything being fine and not to worry about anything. It doesn’t sound like he believes it. Between the aches in his back and the thoughts in his head, Jonas takes a very long time to fall asleep. Halfway through a bad dream, his mother’s hands shake him awake.

  “Up, Jonas. You, too, Damjan.”

  Jonas wrenches his eyes open. It’s still dark through the window and he hears a high whining noise he recognizes coming from outside. A hover. Jonas feels a spike of cold fear go all the way through him.

  “I need to pee,” he says.

  “Later,” mother says. “There are some men here to speak with your father. To look around the house.” Her voice is strained. “If they ask you anything, think three times before you say anything back. Remember that uncle was never here.”

  Then she’s gone again, leaving Jonas alone with his uncle. In the light leaking from the hall, Jonas can see Damjan’s small round face is etched with terror, so much that he almost wants to take his hand and squeeze it. As if he really is Damjan, and not the Fox. Jonas listens hard to the unfamiliar voices conversing with his father. One of them sounds angry.

  Loud stomping steps in the hall, then the door opens all the way and two soldiers come in with mother and father close behind. They are not as tall as father but their black coats and bristling weapons make them seem bigger, more frightening, like flying black hunter drones that have turned into men.

  “Good morning, children,” one of them says, even though it is the middle of the night. He gives a small smile that doesn’t crinkle his eyes and raises one fist in the salute of the Liberated People.

  Jonas returns it, and shoots his uncle a meaningful look, but Damjan’s little fists are stuck to his sides. Fortunately, the soldier is focused on him, not his uncle.

  “You must be the older,” he says. “Jonas, isn’t it? You told our friend the teacher something very strange today, Jonas. What did you tell him?”

  Jonas’s mouth is dry, dry. He looks to mother, who is framed between the men’s broad shoulders, and she starts to speak but the second soldier puts a warning finger to his lips.

  “We want to hear from Jonas, not from you,” the first one says. “What did you tell your teacher, Jonas?”

  Jonas knows it is time to be brave, but not honest. “I said that the Fox helped the revolution,” he says. “I was confused. I thought he was Lazar. Lazar makes the songs for the satellite to play.” He looks at both the soldiers, trying to gauge if they believe him. He lifts his nightshirt and turns so he won’t have to look them in the eye. “Teacher was mad and didn’t let me explain,” he says. “He just started to switch me. Look how bad he switched me.”

  “A few stripes never killed anyone,” the soldier says. “It’ll make you look tough. Your little girlfriends will like that, right? Turn around.”

  Jonas drops his shirt and turns back, ready to meet the soldiers’ gaze again. His uncle gives an encouraging nod from where they can’t see him.

  “Did you know that this Fox, this enemy of the revolution, is a relative of yours?” the soldier asks. “A cousin to your father?”

  “Yes,” Jonas says. “But we don’t know him. He’s never come here.”

  The other soldier, who hasn’t spoken yet, barks a short and angry laugh. “We’ll see about that,” he says, in a voice like gravel. “We’ll have a sniff.” He pulls something from his jacket and fits it over his mouth and nose like a bulbous black snout.

  Jonas has heard of sniffer masks—his uncle explained them when they were in the field one day, how each person born had a different odor, because of their genes and their bacteria, and you could program a sniffer mask to find even the tiniest trace of it—but he has never seen one before now. It makes the soldier look like a kind of animal. When he inhales, the sound is magnified and crackling and makes Jonas shudder.

  Behind the soldiers, mother has her hands tucked tight under her armpits. Her face is blank, but Jonas imagines she is thinking of all the scrubbing, all the chemicals she used anywhere uncle sat or ate. But uncle’s old body has been gone for weeks now, and the smells would be, too, wouldn’t they?

  As the sniffer moves around the room, the first soldier leans in close to the wall to look at the charcoal lettering. “What’s this?” he asks. “Lessons?”

  “Yes,” Jonas says quietly.

  “Good,” the soldier says, and Jonas sees his eyes moving right to left on it, instead of left to right, and realizes he’s like most of the older people in the village who can’t read. It gives him a small sense of relief.

  That only lasts until he looks over and sees the sniffer has stopped beside his uncle. “What happened to the boy’s head?” the sniffer asks, voice distorted and grating.

&nb
sp; “He fell,” father says from the doorway. “A few weeks ago. He isn’t healed in the brain yet. He’s a little slow.”

  “Are you, boy?” the sniffer demands.

  Jonas clenches his thumbs inside his fists. There is no part of uncle’s body left in Damjan’s, only his digital copy, his soul, but Jonas wonders if the sniffer might somehow be able to detect that, too.

  His uncle looks up with a confused smile and reaches to touch the sniffer mask. The sniffer jerks back, then pushes him towards the door, more gently than Jonas would have expected, and continues searching the room. Jonas releases a breath he didn’t know he was holding.

  The sniffer works through the rest of the house, too, and Jonas and his family drift slowly along with him to open doors and cupboards, to make sure there are no traps or surprises. The horrible sucking sound of the sniffer mask sets Jonas’s teeth on edge. It feels like a strange dream, a bad one. His eyes are sore and his bladder is squeezing him.

  When they finally finish with the cellar, the sniffer looks irritated but the other soldier is relieved. “We’ll be off, then,” he says. “Remember, if he ever contacts you in any way, it’s your duty to report him. He’s not one of us. He cut ties with you and with all decent people the day he had his storage cone implanted.”

  Father nods, his mouth clenched shut, and shows the soldiers out. Jonas follows, because he wants to make sure, really sure, that the nightmare is over. Father doesn’t send him back in. The soldiers are out the door and past the bushes when the sniffer suddenly stops. His mask is still on, and the sucking noise comes loud in the still night air.

  Jonas remembers that the last charred bits of uncle’s old skeleton are buried underneath the bushes. His father is not breathing, only staring. The sniffer lingers.

  Jonas braces himself. He reminds himself that he is brave. Then he darts away from the door before father can pull him back, jogging up behind the sniffer and tugging his arm. “Can I see the hover?” he asks loudly.

  The sniffer whirls and shoves him backward. Jonas squeals, loud and shrill how mother hates it, and he lets his piss go in a long hot stream that soaks his legs, splatters the bushes and the soldier’s boots. It’s very satisfying. Especially when the sniffer yanks his mask down and curses.

  “I thought the other boy was the slow one,” he says.

  “He’s frightened,” father says, coming and gripping Jonas by the arm. “You frightened him. Please, just go.”

  As Jonas watches, the soldiers climb into their hover. They go.

  * * *

  The instant the whine of the hover fades away into the distance, Fox tells Petar and Blanka that it has to be tonight. His heart is still pounding away at his tiny ribcage, so hard he imagines the bones splintering. He’s sweating all over.

  “That was too close,” he says. “Too close. I have to launch tonight.”

  Everyone is in the kitchen. Blanka is wetting a rag for Jonas to clean himself; Petar is standing behind a chair and gripping it tightly, rocking it back and forth on its legs. They all turn their heads to look at Fox.

  “There’s no storm tonight,” Blanka says, handing Jonas the rag. “Someone will see the exhaust burn. It’ll be loud, too.”

  Fox shakes his head. “Nobody around here knows what a launch looks or sounds like,” he says. “And Petar, you told everyone there was oil in the granary, didn’t you?”

  His cousin blinks. “Yes.” He pauses, then looks to his wife. “We could set fire to the granary. That should be enough to cover the noise and the light so long as he goes up dark.”

  Blanka slowly nods. “Alright. Alright. You’ll need help moving the ship out. I’ll come as well.”

  “I want to come,” Jonas says, wide-eyed, wringing the rag between his hands. Fox realizes he never did finish the poem on the wall.

  “Bring Jonas, too,” he says. “To say goodbye.”

  Bare minutes later, they are dressed and out the door, moving quickly through the crop field. The night air is cold enough to sting Fox’s cheeks. Fear and anticipation speed his short legs and he manages to keep pace with Petar and Blanka, who are lugging the gas. Jonas skips ahead and then back, electric with excitement, already forgetting the fear.

  “I pissed on a soldier,” he whispers.

  “I saw from the window,” Fox grunts. “But a sniffer can’t read DNA from ashes and bone. He had nothing.”

  “Oh.” Jonas’s face reddens a bit. “I’ll do it again, though. I hate the soldiers as bad as the aristos. I want everyone equal, like you said.”

  Blanka puts a finger to her lips, and Jonas falls silent. Fox is glad to save his breath. They pass under the godtree, its twisted branches reaching up towards a black sky sewn with glittering stars. For a moment Fox dares to imagine the future. Slipping through the blockade and into the waiting arms of civilization. Telling his tale of survival against all odds. Maybe he’ll be famous on other worlds how he so briefly was here.

  And he’ll be leaving Jonas’s family to suffer through whatever comes next. The thought gnaws at him so he shoves it away. He reminds himself that Petar and Blanka are clever people. They know how to keep their heads down. They know how to keep silent and survive.

  At the entrance to the abandoned granary, Fox switches on the small lantern he brought from the kitchen and lights the way for Petar and Blanka. They haul the tiny ship out on wooden sledges Petar made for it a day ago. Jonas puts his small shoulder into it and pushes from behind.

  Fox checks everything he remembers, moving from the nose cone to the exhaust, then yanks the release. The ship shutters open, revealing the waiting passenger pod. Its life support status lights glow a soft blue in the dark. Ready. In the corner of his eye Fox sees Jonas staring up at the stars.

  The ones who survive will be the ones who can keep their heads down. Fox knows it from history; he knows in his gut it’s happening here. Jonas isn’t one of those. Maybe he’ll learn to be, but Fox doesn’t think so.

  Before he can stop himself, he turns to Blanka. “Jonas should go,” he says. “Not me.”

  Jonas’s head snaps around, but Fox doesn’t look at him. He watches Blanka’s face. She doesn’t look shocked, the way he thought she would, but maybe it’s just that people are different in the village. Harder to read.

  “What do you mean?” Petar demands.

  “Jonas should take the ship,” Fox says, because why else would he have told them to bring Jonas? He must have known, in the back of his mind, that this was what he needed to do. One brave thing, and then he can go back to being a coward. “He’s already pissed off the teacher and pissed on a soldier,” Fox continues. “He’s going to keep putting himself in danger here. And the two of you, as well.”

  “You’re the one who put us in danger,” Petar snaps. “You would take another son from me now, cousin?”

  “He’s never fit right here, Petar,” Blanka says, and for the first time Fox sees tears in her eyes. “He’s always had his head up in the sky. We used to say that, remember?”

  “He would be safer somewhere else,” Fox says. “Let him take the ship. It’s all automated from here on in.” He pauses. Breathes. “Let him take the ship, then you can burn down the granary and say he was playing in it. You can use what’s left of my bones if you need proof.”

  Petar looks at his son. “Is this what you want to do, then, Jonas?” he asks hoarsely.

  Jonas chews his lip. Turns to Fox. “Could I come back? Will I be able to come back?”

  “Not soon,” Fox says. He knows there are still too many factions scrabbling in the power vacuum, knows things will get worse before they get better. “But some-day. When things stabilize. Yes.” He can feel himself losing his nerve. He almost hopes Jonas will refuse.

  “I want to go,” Jonas says solemnly. Petar gives a ragged cry and wraps him in his arms. Blanka hugs him from behind, putting her cheek against his cheek. Fox feels ashamed for watching. He looks away.

  “What about uncle?” Jonas asks, his voic
e muffled by the embrace. “Will he be Damjan forever?”

  Fox swallows as his cousin straightens up, and tries to look him in the eye. “You could say I was in the fire, too,” he says. “That Damjan was in there. And I could leave again. Try my luck going north. You wouldn’t have to look at me and remember all the time.”

  Petar looks sideways to Blanka. Slowly, they both shake their heads. “You can never be Damjan and you can never be Jonas,” Blanka says. “But you are family. We’ve kept you safe this long, haven’t we?”

  Fox dares to imagine the future again, this time in the village, slowly growing again in Damjan’s body. He did used to dream of retiring to the countryside one day. And he’s learned how to keep his head down. Soon the bandages will be off and his storage cone, shaved down and covered over with a flap of skin by the autosurgeon, will be undetectable.

  Maybe the violence will be over in a few years’ time. Maybe Damjan will become a poet, a better one than Fox ever was.

  “Thank you,” he says. “All of you.”

  He stands aside while Jonas’s parents say their goodbyes. Jonas does his best to be sad, but Fox sees his eyes go to the ship over and over again, an excited smile curling his lips. He hugs his mother fiercely, then his father, then comes to Fox.

  “You can have my bed,” he says. “It’s bigger.” He raises his arms. Pauses. He sticks out one hand instead to shake.

  Fox clasps it tight. “I’ll do that,” he says.

  Then Jonas is clambering into the pod, the restraints webbing over him to hold him in place during launch, and it’s too late for Fox to take it all back even if he wanted to. The ship folds shut. The smell of gas prickles Fox’s nose and he realizes Petar is dousing one side of the granary to ensure it burns. When he’s finished, Blanka takes his gas-slicked hand in hers, and takes Fox’s with the other. They walk the agreed-upon distance with a few steps extra to be safe.

 

‹ Prev