by Grant Allen
Franz shook his head with gloomy determination. “No, no,” he said; “it won’t do; don’t flatter your soul with that; there’s no doubt at all in the world about it. He’s as deep as a well, and as false as a fox, and he’d laid all his plans very cunningly beforehand. He made the arrangements and swore to the Civil Act without consulting Linnet. He and the priest were in league, and the priest helped him out with it. At the very last moment, Andreas carried her off, and before she could say nay, he went straight through and married her.”
Will’s brain reeled round; his mind seemed to fail him. The sense of his loss, his irreparable loss, deadened for the moment every other feeling. Linnet gone from him for ever! Linnet married to somebody else! — and that somebody else so cold, so calculating, so cruel a man as Andreas Hausberger! It was terrible to contemplate. “He must have forced her to do it!” the Englishman cried in his distress. “But how could she ever consent? How could she ever submit? I can’t believe it! I can’t even understand it!”
“He didn’t exactly force her,” Franz answered, tilting his hat still more angrily on one side of his head. “But he brought the Herr Vicar from St Valentin to persuade her; and you know what priests are, and you know what women! The Herr Vicar just turned on purgatory and all the rest of it to frighten the poor child — so Philippina says. She was crying all the time. She cried in the train, and she cried on the road, and she cried in the church, and she cried at the altar! She cried worst of all when Herr Andreas took her home to the Wirthshaus to supper. . . . But I’ll be even with him yet.” And Franz tapped his knife once more. “When I meet him again — ten thousand devils! — this goes right up to the hilt in the base black heart of him!”
“Can I see Philippina?” Will gasped out, white as death.
“Yes; certainly you can see her,” the Robbler answered with a burst, leading him in through the dark archway to the sunless courtyard. “Come this way into the parlour. She’s upstairs just now, but I’ll bring her down to speak to you.”
In a minute or two more, sure enough, Philippina appeared in her very best dress, looking bright and smiling. She was garrulous as usual, and most gay and lively. “Oh yes; they had been to St Valentin, and no mistake — the Herr Vicar going with them — no scandal of any sort — and ’twas a very grand affair; never anything like it! Andreas Hausberger had spared no expense or trouble; red wine at the supper, and fiddlers for the dance, and all the world of the valley bidden to the feast on the night of the wedding! Linnet had cried a good deal; ach, yes, she had cried, how she had cried — but cried! — mein Gott, it was wonderful! But there, girls always will cry when they’re going to be married; and you know, Herr Will,” archly, “she was very, very fond of you.” For herself, Philippina couldn’t think what the child had to cry about — except, of course, what you call her feelings; but all she could say was, she’d be very glad herself to make such a match as Lina Telser was making. Why, would the gnädige Herr believe it? Herr Andreas was going to take her to a place called Mailand, away off in Italy, to train her for the stage — the operatic stage — and make in the end a real grand lady of her!
Will sat down on a wooden chair by the rough little table, held his face in his hands, and listened all aghast to Philippina’s artless outpourings. The sennerin, unheeding his obvious distress, went on to describe in her most glowing terms the magnificence of the wedding, and of the wirth’s entertainment. St Valentin hardly knew itself. Andreas had had a wedding-dress, oh, a beautiful wedding-dress, made beforehand, as a surprise, at Meran for Linnet — a white silk wedding-dress from a Vienna clothes-maker’s on the Promenade, by the Stephanie Garten; it was cut to measure from an old bodice of Linnet’s, which he abstracted all unknown from her box on purpose; and it fitted her like a glove, and she was ever so much admired in it. And all the young men thought Andreas the luckiest dog in the whole Tyrol; and cousin Fridolin had almost wanted to fight him for his bride; but Linnet intervened, and wouldn’t let them have it out for her. “And on the morning after the marriage,” Philippina concluded, with wide open eyes, “there wasn’t a cradle at the door, though Linnet was a sennerin — not one single cradle.”
“Of course not!” Franz Lindner cried, bridling up at the bare suggestion, and frowning native wrath at her.
“But perhaps if you’d been there, Franz — —” Philippina put in saucily, and then broke off short, like a discreet maiden.
The Robbler rose above himself in his generous indignation that anyone should dare even to hint such things about their peerless Linnet. He clenched his fist hard. “If a man had said that, my girl,” he cried, fingering his knife involuntarily, “though she’s Andreas Hausberger’s wife, he’d have paid with his blood for it.”
Philippina for a moment stood silent and overawed. Then, recovering herself at once, with a sudden little recollection, she thrust her hand into her bosom and drew out a small note, which she passed to Will openly. “Oh, I forgot,” she exclaimed; “I was to give you this, Herr Will. Linnet asked me to take it to you on the morning of her marriage.”
Will opened it, and read. It was written in a shaky round hand like a servant’s, and its German orthography was not wholly above criticism. But it went to Will’s heart like a dagger for all that.
“Dear Herr Will,” it began, simply, “I write to you to-night, the last night that I may, on the eve of my wedding; for to-morrow I may not. When Andreas asked me first, it seemed to me impossible. But the Herr Vicar told me it was sin to love a heretic; you did not mean to marry me, and if you did, you would drag my soul down to eternal perdition. And then, the good Mother, and the dear Father in purgatory! So between them they made me do it, and I dared not refuse. It is hard to refuse when one’s priest commands one. Yet, dear Herr Will, I loved you; ah, how I loved you! and I know it is sin; but, may Our Dear Frau forgive me, as long as I live, I shall always love you! Though I never must see you again. — Your heart-broken Linnet.”
Will folded it reverently, and slipped it into the pocket just over his heart. “And tell her, Philippina,” he said, “when you see her at Verona, I had come back to-day to ask her to marry me.”
CHAPTER XXII
A WOMAN’S STRATAGEM
For the next three years, Will heard and saw nothing more of Linnet. Not that he failed to make indirect inquiries, as time went on, from every likely source, as to her passing whereabouts; once Linnet was lost to him, he realised to himself how deeply he had loved her, how much he had admired her. But, for her happiness’ sake, he felt it would be wrong of him to write to her direct, or attempt in any way to put himself into personal communication with her. She was Andreas Hausberger’s wife now, and there he must leave her. He knew himself too well, he knew Linnet too well, too, to cheat himself with false ideas of mere friendship in future. A woman with so passionate a nature as hers, married against her will to a man she could never love, and meeting once more the man whom she loved, the man who really loved her, must find such friendship a dangerous pitfall. So, for the very love’s sake he bore her, he refrained from attempting to communicate with her directly; and all indirect inquiries failed to elicit anything more than the bare fact, already known to him, that Linnet was being musically educated for the stage, in Germany and Italy.
Three years, however, must be got through somehow, no matter how drearily; and during those next three years many things of many sorts happened to Will Deverill. To begin with, he was steadily growing in name and fame, in the stage-world of London, as a composer and playwright. That was mainly Rue’s doing; for Rue, having once taken her Englishman up, was by no means disposed to lay him down again easily. Not twice in her life, indeed, does even a pretty American with money at her back stand her solid chance of booming a poet. And Rue boomed Will steadily, after the manner of her countrymen. It didn’t escape her quick womanly eye, indeed, that Linnet’s sudden marriage and hasty flight to Italy had pro
duced a deep effect on Will’s spirits for the moment. But it was only for the moment, she hoped and believed — a mere passing whim, a poet’s fancy; impossible that a man who thought and wrote like Will Deverill — a bard of lofty aim and exquisite imaginings, one who on honey-dew had fed and drunk the milk of Paradise — should be permanently enslaved by a Tyrolese cow-girl. Surely, in the end, common-sense and good taste and right feeling must prevail; he must come back at last — well — to a woman worthy of him!
So, very shortly after Will’s return to London, Rue decided on a complete change in her plans for the winter, and made up her mind, instead of going on as she had intended to Rome and Naples, to take a house for the season in Mayfair or South Kensington. But Florian would hear of no such temporary expedients; she must have a home of her own in London, he said, — in the world’s metropolis, — and he himself would choose it for her. So he found her a shelter in Hans Place, Chelsea, and fitted it up beforehand with becoming magnificence — just such a palace of art as he had dreamed of among the Dolomites; though, to be sure, his own chance of inhabiting it now seemed considerably lessened, since the failure of his scheme for putting off Will Deverill on his musical sennerin. Still, Florian furnished it, all the same, with a strictly business eye to his own tastes and fancies — in case of contingencies. There was a drawing-room for Rue, of course quite utterly Hellenic; there was a dining-room for Society, not grim and gloomy, after the common superstition of all British dining-rooms, but gay and bright and airy, like Florian himself: for Florian held that the cult of the sacred dinner bell, though important enough in the wise man’s scheme of life, should be a blithe and joyous, not a solemn and stolid one; there was a smoking-room, for which Rue herself had certainly no need, but which Florian insisted might be useful in the future, as events demanded. “For, you see,” he said, pointedly, “we’re not in Bombay. You may yet choose a new friend to light his cigars in it.” All was decorated throughout in the most modern taste; incandescent wires shed tempered beams through Venetian glass globes on Liberty brocades and Morris wall-papers. ’Twas a triumph of ornamental art on a very small scale — an Aladdin’s palace in Hans Place, — and Florian took good care that paragraphs should get into the Society papers, both describing the house, and attributing its glories to his own superintendence.
However, he took good care, too, that due prominence should be given on every hand to Rue’s own personal claims to social distinction. He was a first-rate wire-puller. Little notes about the beauty, the wealth, the cleverness, and the fine taste of the pretty American widow cropped up spasmodically in Truth and the Pall Mall. Even the Spectator itself, that high-and-dry organ of intellectual life, deigned to recognise her existence. It was Florian’s intention, in short, to float his new protégée. Now, all the world admitted that Florian, if he chose, could float almost anybody; while Rue, for her part, was without doubt exceptionally easy of flotation. Seven hundred thousand pounds, to say the truth, would have buoyed up a far heavier social subject than the pretty and clever New Yorker. Americans are the fashion; for a woman, at least, the mere fact that she comes from beyond the mill-pond is in itself just at present a passport to the best society. But Rue had also money; and money in these days will admit anyone anywhere. Furthermore, she had good looks, taking manners, much culture, real cleverness. She was well informed and well read; Society itself, that collective critic, could find nothing to criticise or to carp at in her conversation. So, introduced by Florian on one side, and His Excellency the American Minister on the other, Rue made that spring a perfect triumphal progress through the London drawing-rooms. She was the fact of the season; she entertained in her own pretty rooms in Hans Place, where Florian exhibited his decorative skill with bland satisfaction to dowager-marchionesses, — ”I edited it,” was his pet phrase — while Will Deverill hung modestly in the background by the door, talking, as was his wont, to those neglected souls who seemed to him most in need of encouragement and companionship.
Before two months were out, everybody was talking of Rue as “our new acquisition.” It was Mrs Palmer this, and Mrs Palmer that. “We understand Mrs Palmer will not be present at the Duchess of Thingumabob’s dance on Tuesday.” “Among the guests on the Terrace, we noticed Lord So-and-so, Lady What’s-her-name of Ware, and Mrs Palmer of New York, whose pretty house in Hans Place is fast becoming a rallying point for all that is most interesting in London Society.” Old Miss Beard, indeed, when she arrived at the Langham Hotel early in May, and found Rue in quiet possession of the Very Best Houses, was positively scandalised. She declared, with a little sneer, it was perfectly disgraceful the way That Woman had forced herself by pure brass on the English Aristocracy. The widow of a dry-goodsman to give herself such airs! — but there, Miss Beard had begun to despair before now of the future of Europe! The Nobility and Gentry of England had degringolated. For true blue blood, she was perfectly convinced, you could only look nowadays to the heirs of the Puritans, the Knickerbockers, and the Virginians.
The very first use Rue made of her new-found friends and position in London was to push Will Deverill’s claims with theatrical managers. Will had sent the manuscript score of his pretty little open-air operetta, “Honeysuckle,” to Wildon Blades of the Duke of Edinburgh’s Theatre. And, before Mr Blades had had time to consider the work submitted to him, backed up as it was by Florian Wood’s powerful recommendation, Rue’s new victoria drew up one day at the door of the manager’s house in St John’s Wood, and Rue herself, in her most becoming and bewitching costume, stepped out, with her blameless footman’s aid, to interview him.
The pretty little American looked prettier and more charming than ever that morning. A dainty blush rose readily to her peach-blossom cheeks; her eyes were cast down; an unwonted tinge of flutter in voice and manner became her even better than her accustomed serenity. Mr Blades bowed and smiled as he scanned her card; he was a bullet-headed man with shifty grey eyes, a dubious mouth, and a sledge-hammer manner. He knew her name well; Florian had already sung the American’s praises to the astute manager. They sat down and talked. With many indirect little feminine twists and turns, Rue gradually got round to the real subject of her visit. She didn’t approach it straight, of course — what woman ever does? — by stray hints and roundabout roads she let Mr Blades understand in dim outline she was to some extent interested — platonically interested — in the success of Will Deverill’s Tyrolese operetta. Mr Deverill, she explained, was merely a young poet of musical tastes, whom she had met last year at an hotel in the Tyrol — a friend of their mutual friend’s, Mr Wood. The manager smiled wisely with that dubious mouth. Rue saw he drew his own inference — and drew it wrong; he thought it was Florian in whom her interest centred, not the unknown poet. Indeed, Florian himself had done his very best already to produce that impression; if you want to marry a rich woman, it’s not a bad plan to let her friends and the world at large believe the matter’s as good as settled already between you. So the manager smiled, and looked intensely wise. “Anything I can do for any friend of our friend Florian’s,” he said, politely, “I’m sure will give me the very greatest pleasure.”
Rue was not wholly unwilling he should make this mistake; she could ask the more easily the favour she had to beg on behalf of Will Deverill. With many further circumlocutions, and many womanly wiles, she gradually let the bullet-headed manager see she was very anxious “Honeysuckle” should be duly produced at an early date at the Duke of Edinburgh’s. But Mr Blades, for his part, like a man of the world that he was, was proof against all the smiles and blandishments of the pretty enchantress. A beautiful woman is thrown away, to say the truth, upon a theatrical manager; they are his stock-in-trade; he’s accustomed to bargaining with them, bullying them, quarrelling with them. He regards them merely as a class of exceptionally exacting and irritating persons, who presume upon their good looks and their popular
ity with the public to excuse the infinite trouble and annoyance they give in their business relations. So Mr Blades smiled again, this time a hard little mercantile smile, as of a man unimpressed, and answered briefly, in his sledge-hammer style, “Now, let’s be frank with one another, at once, Mrs Palmer. I run this theatre, not for the sake of high art, nor to oblige a lady, but on the vulgarest and commonest commercial grounds — just to make my living, and get a fair percentage on the capital I invest in it. I judge by returns, not by literary merit or artistic value. If Mr Deverill’s little piece seems likely to pay — why, of course, I’ll produce it. If it don’t, why, I won’t. That’s the long and the short of it!”
Rue seized her cue at once with American quickness. “Just so,” she replied, catching him up very sharp, and going straight to the point; “that’s exactly why I’ve come here. I want you to read this play very soon, and to say as a candid business man what you think of it. Then I want you to tell me what you’ll take, money down, to produce it at once, and to run it on your boards till you see whether it’s likely to succeed or fail — if I give you a guarantee, secured against bonds, to reimburse you in full for any loss you may sustain, say, by giving it the chance of a fortnight’s production.”
It was a curious offer. The manager’s shifty grey eyes ran her over with a sharp little stare of astonishment. Her directness amused him. “Well now,” he said, “that’s odd; but it’s business-like — for a woman.”
“You understand,” Rue said, blushing crimson, and letting her eyelids drop once more, “I make this suggestion in strict confidence; I don’t want it talked about.”