Exit to Eden

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Exit to Eden Page 20

by Anne Rice


  “It’s usually a turn on,” she said. But her voice was distant, not listless, exactly like somebody talking in her sleep.

  Her eyes were really round. Most beautiful women have almond-shaped eyes, but hers were round, and that and the pouting lip gave her some kind of almost uncivilized look, even though she was so slender, angular, high toned.

  “Wearing a blindfold . . . it can make it easier. You can surrender,” she said.

  “I’m all yours,” I said, “as it is.” And you did that to me and I let you do it, and I think I love you, I thought.

  She took a step backwards, stopped. She held the book to her even tighter, like it was a baby. Then she went to the desk and picked up the phone.

  I started to get up. It was pure craziness. She wasn’t going to send me away like this, I’d rip the fucking phone out. But before I was on my feet even, she’d said something into the phone that didn’t add up.

  “Get ready for takeoff in five minutes. Tell them the rest of the luggage is ready to go.” She put down the phone and she looked at me and her mouth moved, but she was silent for a second. Then she said, “Put your wallet and your passport in your pockets and take out whatever you want to carry with you from the bags.”

  “You’re kidding,” I said. But it was too gorgeous, like somebody saying, We’re now taking off for the moon.

  The doors opened and two young flunkies—white clothes but no leather—came in and started packing up the bags.

  I put my watch on, slipped the wallet in my pants pocket and the passport in my coat pocket. I saw my diary in the bottom of the suitcase, and glancing at her, I took that out. It meant I needed my shoulder bag, a kind of crushed canvas bag I carried with me all over, and I got that out from underneath everything, put the diary in it, and slung it over my shoulder.

  “But what the hell’s going on?” I asked her.

  “Hurry up,” she said.

  The two flunkies were taking out the suitcases.

  She started walking after them. She still had the book in her left hand.

  She was positively marching down the corridor when I caught up with her.

  “Where are we going?” I asked. “I don’t understand.”

  “Be quiet,” she whispered, “until we get outside.”

  She cut right across the grass, and through the flower beds, her shoulders very square, her walk jaunty, almost swaggering. The flunkies were loading the bags into a little electric cart on the path up ahead. They both took the front seat as she gestured for me to get into the back.

  “Will you tell me what it is we’re doing?” I said squeezing in beside her.

  My leg was crushed up against her and I had a sense of how small she was as the cart took off a little too fast and she fell against me, her hand on my thigh. She was like a bird next to me, and I couldn’t see her face under the brim of the hat. “Lisa, answer me! What’s going on?”

  “Okay, listen to me,” she said. But she stopped. She was flashing as if she was angry, hugging the book to her chest. And the cart was tearing along now at a good twenty miles an hour right around the edge of the crowded pleasure gardens and past the pool.

  “You don’t have to go if you don’t want to,” she said finally. Her voice was unsteady. “It’s heavy duty, going in and out, stripped down one minute, dressed the next. I can understand if you’re not ready for it. So if you want, you can go straight back to my room. Strip down again. Hit the button on my desk for the handler, and they’ll take you right off to Scott or Deena or one of the others. I’ll call from the gate. You want Scott, you can have him. Scott’s the best. He’s impressed with you, he wants you. He would have chosen you when you first got here, but I got you first. But if you want to come with me, then come with me. We’ll be in New Orleans in an hour and a half. There’s no big mystery. We’re just doing what I want to do. And we come back when I say we come back.”

  “Hmmmm, shrimp creole and coffee with chicory,” I said under my breath. Going to the moon all right and on to Venus and Mars.

  “Smart ass,” she muttered. “What about crawfish etouffée and Dixie beer?”

  I started laughing. I couldn’t help it. And the more solemn she got the more I laughed.

  “Well, make up your goddamn mind,” she said.

  The cart came to a halt at a pair of gates beside a lighted glass booth. We were between two banks of electronic scanners. And I saw another higher fence beyond.

  “There’s nothing like time to ponder big decisions,” I said, still laughing.

  “You can walk back,” she said. She was really shaky. Her eyes were glittering under the shadow of the hat brim. “Nobody will think you tried to run away or stole the clothes. I’ll call from the booth right there.”

  “Are you crazy? I’m going with you,” I said. I went to kiss her.

  “Go on,” she said to the driver, giving me a hard shove in the chest.

  The plane was a turbo jet monster, engines roaring as we drove up. She jumped out before we stopped and started up the metal steps. I had to run to catch up with her again—I think she moved faster than any woman I’d ever seen—the goons coming behind us with the bags.

  The interior was all brown and gold plush, luxurious, some eight or so club chairs arranged in a half circle in the salon. There was a bedroom opening off to the back, and a full-scale billiard room with a big TV monitor to the front.

  Two older men, both very properly dressed in ugly dark suits, were talking in Spanish to each other in hushed voices over their drinks. They both started to rise but Lisa gestured for them to sit down.

  Before I could say or do anything she slipped into the single seat between the pair and the windows, leaving me no choice but to sit opposite her a miserable four feet away.

  A voice crackled over the speaker system: “Ready for takeoff. Call for Lisa on line one.”

  I could see the phone light blinking silently beside her. And the little intercom she opened with a touch of her hand.

  “Take off, we’re ready,” she said. “Buckle up, Mr.Slater.” She turned to the pane of thick, murky glass.

  The voice came again over the whine of the engines. “They say it’s urgent, Lisa, would you pick up line one?”

  “Can I get you a drink, sir?” The flight attendant bent down close to my ear.

  The two Latin Americans—I was sure that is what they were—had turned a little more sharply to face each other, the conversation rising to shut everything out.

  “Yeah,” I said disgustedly, glaring at the two lumpy men and Lisa sitting next to them. “Scotch, if you’ve got a single mash, two fingers with a little ice.”

  “I’ll call them later,” Lisa said into the intercom. “Go.” She turned her head to the window and pulled her hat down over her eyes.

  ELLIOTT

  Chapter 20

  On the Loose

  By the time we landed, I was ready to murder somebody. I was also a little drunk. She wouldn’t move out of that window seat next to the two creeps from Argentina, and I nearly tore the felt on the pool table playing eight ball with myself while the flight attendant, who looked good enough to rape, kept filling my glass.

  La Poupée, a terrific surreal French movie that I used to love, starring a dead Czech actor whom I also used to love, kept blazing silently away, ignored by everybody, on the giant picture screen.

  But as soon as we set foot outside the New Orleans airport (naturally it was raining, it is always raining in New Orleans), the two Argentinians vanished, and we were sliding alone into the back of a ludicrously enormous silver stretch limousine.

  She sat smack in the middle of the gray velvet seat staring at the blank little television set in front of her, with her knees very close together, hugging my book like it was a teddy bear, and I put my arms around her and knocked off her hat.

  “We’re going to be at the hotel in twenty minutes, stop it,” she said. She looked terrible and beautiful, I mean like somebody at a funeral looks terrible
and beautiful.

  “I don’t want to stop it,” I said, and I started kissing her, opening her mouth, my hands all over, feeling her through the velvet, through the thick seams of the pants and the heavy sleeves of the jacket, and then reaching inside and pulling open her vest.

  She turned towards me, pressed her breasts against me and there came that fatal voltage, that annihilating heat. I was rising up, pulling her up and against me and then we went down together full length on the seat. I was tearing at her clothes, or just sort of pushing them and shoving them, trying not to really hurt them but to get them open, and I got a real taste of how hard it is to get a man’s shirt off a woman or to really feel a woman through a man’s shirt.

  “Stop,” she said. She had pulled her mouth away and she turned to the side, her eyes shut, panting as if she had fallen down from running. I tried to lift up a little so as not to hurt her with my weight, and I kissed her cheekbone and her hair and her eyes.

  “Kiss me, turn around, kiss me,” I said, and then I forced her head towards me, and that current started again. I was going to come in my pants.

  I sat up and kind of turned her around and she scrambled into the corner, her hair spilling out of the twist.

  “Look what you did,” she said under her breath, but it didn’t mean anything.

  “This is like fucking high school, goddamn it,” I said.

  I looked out at the sagging, dilapidated Louisiana landscape, the vines covering the telephone wires, the broken-down motels melting into the grass, the rusted fast food stands. Every emblem of modern America looked like a missionary outpost here, a piece of junk left over from a colonization attempt that had failed over and over again.

  But we were almost into the city proper, and I love the city proper. She had her brush out of the overnight bag. And she whipped at her hair, her face flushed, the pins flying out as she brushed her hair free. I loved seeing it come down like a shadow enfolding her.

  I grabbed her and started kissing her again, and this time she backed up, pulling me with her, and it seemed we were circumnavigating the whole car for a few minutes, me kissing her and kissing her, and just eating the inside of her mouth.

  She kissed like no woman I’d ever kissed. I couldn’t figure out exactly what it was. She kissed like she’d just discovered it or something, like she’d fallen from another planet where they never did it, and when she shut her eyes and let me kiss her neck, I had to stop again.

  “I feel like I want to tear you to pieces,” I said clenching my teeth, “I want to just break you into pieces, I want to just get inside.”

  “Yes,” she said. But she was trying to button her shirt and her vest.

  We were lumbering along Tulane Avenue in that silent unreal way limousines travel, like they are tunneling unseen through the outside world. And at Jeff Davis, we turned left, heading for the Quarter more than likely, and I grabbed her again, gauging, well, at least another dozen delicious kisses, and when she pulled away this time, we were in those narrow claustrophobic little streets of row houses, heading towards the heart of the old town.

  ELLIOTT

  Chapter 21

  Over the Threshold

  When we went into the office of the hotel, she was all lovely with her hair pushed back over her shoulder and the hat askew and her shirt collar undone, but she was trembling so badly she could hardly hold the pen.

  She wrote Lisa Kelly in a scrawl like an old lady would write it and when I fought with her about who was going to use whose American Express card, she got all flustered and shut up, like she wasn’t sure what she wanted to happen. I won and they took my American Express card.

  The place she’d chosen was perfect, a renovated Spanish townhouse about two blocks from Jackson Square, and we had the servants’ quarters cottage in back. The purple flagstones were uneven the way they always are in these old New Orleans courtyards and the garden was a thicket of enormous, wet, gleaming, green banana trees and pink oleander and jasmine crawling over the brick walls with a few electric lights here and there like lanterns.

  The fountain nymph was covered with green moss and the water choked with irises, but I loved it. The thump of a jukebox came from somewhere on the block: “Beat It” by Michael Jackson, which brought back the real life I’d left in California a little more vividly than anything else around here. And there was a nearby racket of restaurant pots and pans and the smell of coffee.

  She was shaking even worse when we got to the door, and I just held onto her for a moment, the light rain pelting us, the little yard a kind of symphony of water sounds with the rain on the banana leaves and the roof and the plants, as two of the most beautiful mulatto children I’d ever seen in the whole world put the bags inside.

  I didn’t know whether these kids were girls or boys, and I still don’t know. They were wearing khaki shorts and white T-shirts and they had waxy oily skin and dark liquid eyes like the Hindu princesses in Indian paintings, and they glided almost sleepily into the big whitewashed room with one load of bags after another until they had it in a heap.

  Her luggage was the kind you have when you travel on private planes, all matched caramel leather with gold initials on it, and she had about as much as people used to take with them on the grand tour of the Continent in 1888.

  I gave the kids five bucks and they said something in voices you only hear in New Orleans, real soft and French and lyrical and almost drugged out, and they went off looking like old men for one second when they smiled back at me.

  She was staring into the room as though it were a cave full of bats.

  “You want me to carry you over the threshold?” I asked.

  She looked at me as if I’d startled her. And something surfaced in her for a moment, a wild look I couldn’t interpret. I felt the heat again. I didn’t wait for her to answer. I scooped her up and carried her inside.

  She positively blushed. She started laughing and trying to conceal it, like she wasn’t supposed to, or something.

  “So laugh,” I said as I set her down. I smiled at her and I winked at her, like I had at all those women in the garden pavilion back on the island. Only this was from the heart.

  Then I made myself stop looking at her long enough to look around.

  Even in these old servants’ quarters the ceilings soared to fourteen feet. The mahogany four-poster was immense and there was an old silk wedding tester over it complete with cherubs and cabbage roses and old stains, as if the rain had seeped into it somewhere along the line. You couldn’t have gotten a bed like that into most of the houses I’d lived in.

  And there was a mirror that rose all the way from the marble mantel to the ceiling, and a couple of high-backed walnut rocking chairs on the edges of a worn Persian rug. Big, wide, uneven cypress boards, floor flush with the flags outside and french doors all the way down the length of the room just the way they had been in her room at The Club.

  The bath and the kitchen broke the spell a little, same white tile and chrome fixtures, microwave oven, electric coffeepot you find in any luxury motel I shut the doors.

  It wasn’t hot enough for the air conditioning and the smell of the rain was exquisite, so I turned off the machine and I went outside and closed up all the big green shutters over the french doors so that nobody could see us if they wanted to. And then I went inside and opened all the glass doors that nobody opens with the air conditioning anymore, and latched the shutters and opened the slats and at once the room was warmer, steamier, sweeter. The noise of the rain was really loud. I locked the main door.

  She was standing with her back to the lamp, just staring at me.

  She was damp and mussed. Her lipstick was a little smeared and her shirt was open all the way into the vest and she had taken off her shoes so that she looked sort of fragile.

  I came towards her and put my arm around one of the pillars of the bed and just studied her, letting the lust come up, double, triple, until it was molten lava again.

  So here we were and
there weren’t any trainers or any handlers and no buttons to summon help and just the two of us in this room. And I knew she was thinking about it just like I was thinking about it.

  But what did she want? And what did I want? That I tear her clothes off? That I rape her? That I act out some little tableau of revenge for all the things she’d done to me? They say when a man is really sexually aroused he doesn’t “think.” Well, I was thinking of every moment with her, of the sports arcade and the harness and the way the blindfold felt when she put it over my eyes, and the belts, and her naked breasts, how hot they were, and what I’d said to her in the limousine, that I wanted to break her open, get inside of her. Only I hadn’t meant rape when I’d said that. Was I going to let her down?

  I wanted to say something, but there weren’t any words. It was that baffling desire I’d had before in her rooms at The Club to confide something to her. I think I wanted to invade her, but not with meanness, not with cruelty, not with violence, not with strength, but with something else, more vital and more important and private than that.

  She made some little uncertain movement towards the bed. And I could feel her heat again, see it dancing under her skin, and her pupils were kind of dancing in the same way as she looked at me.

  I went towards her and I took her head in both my hands, and I just kissed her, the same open-mouth, wet kind of slow kiss we’d been doing over and over, and she went limp against me, moaning out loud, and I knew everything was going to be perfect.

  I pulled off her jacket, broke open the vest, started pulling the shirt off her. When she bent to unbuckle her belt, her hair fell down over her naked breasts, and something about the movement, the bent head, her hands loosening the tightness around her waist, breaking open the pants, went right to my brain. I pulled the pants down and lifted her out of them, crushing her naked bottom in my fingers.

 

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