Writing for the Green Light

Home > Other > Writing for the Green Light > Page 29
Writing for the Green Light Page 29

by Scott Kirkpatrick


  Spy Kids (2001) 48

  staff writers: description of 75; joke writers and 86–7; writing assistant for 88–9

  stalker ex thriller 31–2

  step deal 120, 121, 125, 126, 182–3

  Stolen Child (2012) 34

  storylines: related to action films 42–3; related to adventure films 48–50; related to crime stoppers 49–50; related to everyday hero concept 43; related to hostage-taking concept 42–3; related to kidnapping concept 42–3; related to sitcoms 79

  story theft 130–1

  studio movies 7, 10, 11

  studios: analysis paralysis syndrome and 12; financing issues for 13–14

  submission release agreement 127, 130

  subtext, creature features and 37–8

  subtitles 24, 25, 183

  talent agents 115–16

  target portfolio 98–100

  Teach Yourself Screenwriting (Frensham) 63

  television and VOD platforms 25, 27, 34, 76, 77

  television writing: agents and 116; backdoor pilot and 92–3; breaking in to 75–6; catch-22 of 85–6; entry points into 86–92; getting feedback about 83–4; gold-mine demographics for 79–81; holding onto 84–5; judgment of 83; spec script for 77–83; type of 78; where to begin 76–7

  territory, defined 183

  terrorism, storylines related to 42

  That 70’s Show (tv show) 77

  3 Holiday Tails (2011) 31

  three step deal 126, 183

  3 Times a Charm (2011) 37

  top secret spy adventure, storylines related to 48–9

  transactional video on demand (TVOD) 34, 133

  treasure hunters, storylines related to 50

  treatment, defined 183

  Tremors (1990) 38, 39

  turn-around process, defined 183

  TV series 82, 84, 89, 92

  TV spec script see television writing

  tween-themed programming 81

  Two and a Half Men (tv show) 80, 81

  two step deal, defined 183

  UCLA Extension classes 84

  VOD platforms 25, 27, 34, 76, 77

  Voice, The (tv show) 77

  Walking Tall (2004) 43

  WGA signatory, defined 184

  Wheel of Fortune (tv show) 77

  woman-in-peril thriller: description of 31; guidelines for 33–4; producers and distributors and 31; real-world examples 34; types of 31–3

  writer-for-hire agreement 119, 128, 139, 145–57

  writers see screenwriter/screenwriting

  writer’s employment agreements 127–8

  writers’ groups 72

  Writers Guild of America 85, 128–9, 183–4

  Writer’s Store classes 84

  writing assistant 88–9

  writing coverage process 56

  writing services, defined 182

  Xtinction: Predator X (2010) 41

  Your Script Sucks!: 100 Ways to Make it Better (Akers) 66

  About the Author

  Scott Kirkpatrick is a film and television distribution and development executive. He lives in Los Angeles with his wife and daughter.

 

 

 


‹ Prev