“Now she’s dead. They’ve got the paper — her paper — in the kitchen down there, and it’s full of photographs, even an old photo of me — ’an unfortunate misalliance’. I feel, somehow, as if I were at an end too. I thought I’d grown a solid, middle-aged man, and here I feel sore as I did at twenty-six, and I talk as I used to.
“One thing — I have got some children, and they’re of a breed as you’d not meet anywhere. I was a good animal before everything, and I’ve got some children.”
He sat looking up where the big moon swam through the black branches of the yew.
“So she’s dead — your poor peacock!” I murmured.
He got up, looking always at the sky, and stretched himself again. He was an impressive figure massed in blackness against the moonlight, with his arms outspread.
“I suppose,” he said, “it wasn’t all her fault.”
“A white peacock, we will say,” I suggested.
He laughed.
“Go home by the top road, will you!” he said. “I believe there’s something on in the bottom wood.”
“All right,” I answered, with a quiver of apprehension. “Yes, she was fair enough,” he muttered.
“Ay,” said I, rising. I held out my hand from the shadow. I was startled myself by the white sympathy it seemed to express, extended towards him in the moonlight. He gripped it, and cleaved to me for a moment, then he was gone.
I went out of the churchyard feeling a sullen resentment against the tousled graves that lay inanimate across my way. The air was heavy to breathe, and fearful in the shadow of the great trees. I was glad when I came out on the bare white road, and could see the copper lights from the reflectors of a pony-cart’s lamps, and could hear the amiable chat-chat of the hoofs trotting towards me. I was lonely when they had passed.
Over the hill, the big flushed face of the moon poised just above the tree-tops, very majestic, and far off — yet imminent. I turned with swift sudden friendliness to the net of elm-boughs spread over my head, dotted with soft clusters winsomely. I jumped up and pulled the cool soft tufts against my face for company; and as I passed, still I reached upward for the touch of this budded gentleness of the trees. The wood breathed fragrantly, with a subtle sympathy. The firs softened their touch to me, and the larches woke from the barren winter sleep, and put out velvet fingers to caress me as I passed. Only the clean, bare branches of the ash stood emblem of the discipline of life. I looked down on the blackness where trees filled the quarry and the valley bottoms, and it seemed that the world, my own home world, was strange again.
Some four or five days after Annable had talked to me in the churchyard, I went out to find him again. It was Sunday morning. The larch-wood was afloat with clear, lyric green, and some primroses scattered whitely on the edge under the fringing boughs. It was a clear morning, as when the latent life of the world begins to vibrate afresh in the air. The smoke from the cottage rose blue against the trees, and thick yellow against the sky. The fire, it seemed, was only just lighted, and the wood-smoke poured out.
Sam appeared outside the house, and looked round. Then he climbed the water-trough for a better survey. Evidently unsatisfied, paying slight attention to me, he jumped down and went running across the hill-side to the wood. “He is going for his father,” I said to myself, and I left the path to follow him down hill across the waste meadow, crackling the blanched stems of last year’s thistles as I went, and stumbling in rabbit-holes. He reached the wall that ran along the quarry’s edge, and was over it in a twinkling.
When I came to the place, I was somewhat nonplussed, for sheer from the stone fence, the quarry-side dropped for some twenty or thirty feet, piled up with unmortared stones. I looked round — there was a plain dark thread down the hillside, which marked a path to this spot, and the wall was scored with the marks of heavy boots. Then I looked again down the quarry-side, and I saw — how could I have failed to see? — stones projecting to make an uneven staircase, such as is often seen in the Derbyshire fences. I saw this ladder was well used, so I trusted myself to it, and scrambled down, clinging to the face of the quarry wall. Once down, I felt pleased with myself for having discovered and used the unknown access, and I admired the care and ingenuity of the keeper, who had fitted and wedged the long stones into the uncertain pile.
It was warm in the quarry: there the sunshine seemed to thicken and sweeten; there the little mounds of overgrown waste were aglow with very early dog-violets; there the sparks were coming out on the bits of gorse, and among the stones the coltfoot plumes were already silvery. Here was spring sitting just awake, unloosening her glittering hair, and opening her purple eyes.
I went across the quarry, down to where the brook ran murmuring a tale to the primroses and the budding trees. I was startled from my wandering among the fresh things by a faint clatter of stones.
“What’s that young rascal doing?” I said to myself, setting forth to see. I came towards the other side of the quarry: on this, the moister side, the bushes grew up against the wall, which was higher than on the other side, though piled the same with old dry stones. As I drew near I could hear the scrape and rattle of stones, and the vigorous grunting of Sam as he laboured among them. He was hidden by a great bush of sallow catkins, all yellow, and murmuring with bees, warm with spice. When he came in view I laughed to see him lugging and grunting among the great pile of stones that had fallen in a mass from the quarry-side; a pile of stones and earth and crushed vegetation. There was a great bare gap in the quarry wall. Somehow, the lad’s labouring earnestness made me anxious, and I hurried up.
He heard me, and glancing round, his face red with exertion, eyes big with terror, he called, commanding me:
“Pull ‘em off ‘im — pull ‘em off!”
Suddenly my heart beating in my throat nearly suffocated me. I saw the hand of the keeper lying among the stones. I set to tearing away the stones, and we worked for some time without a word. Then I seized the arm of the keeper and tried to drag him out. But I could not.
“Pull it off ‘im!” whined the lad, working in a frenzy.
When we got him out I saw at once he was dead, and I sat down trembling with exertion. There was a great smashed wound on the side of the head. Sam put his face against his father’s and snuffed round him like a dog, to feel the life in him. The child looked at me:
“He won’t get up,” he said, and his little voice was hoarse with fear and anxiety.
I shook my head. Then the boy began to whimper. He tried to close the lips which were drawn with pain and death, leaving the teeth bare; then his fingers hovered round the eyes, which were wide open, glazed, and I could see he was trembling to touch them into life.
“He’s not asleep,” he said, “because his eyes is open — look!” I could not bear the child’s questioning terror. I took him up to carry him away, but he struggled and fought to be free. “Ma’e ‘im get up — ma’e ‘im get up,” he cried in a frenzy, and I had to let the boy go.
He ran to the dead man, calling, “Feyther! Feyther!” and pulling his shoulder; then he sat down, fascinated by the sight of the wound; he put out his finger to touch it, and shivered.
“Come away,” said I.
“Is it that?” he asked, pointing to the wound. I covered the face with a big silk handkerchief.
“Now,” said I, “he’ll go to sleep if you don’t touch him — so sit still while I go and fetch somebody. Will you run to the Hall?”
He shook his head. I knew he would not. So I told him again not to touch his father, but to let him lie still till I came back. He watched me go, but did not move from his seat on the stones beside the dead man, though I know he was full of terror at being left alone.
I ran to the Hall — I dared not go to the Kennels. In a short time I was back with the squire and three men. As I led the way, I saw the child lifting a corner of the handkerchief to peep and see if the eyes were closed in sleep. Then he heard us, and started violently. When we removed the co
vering, and he saw the face unchanged in its horror, he looked at me with a look I have never forgotten.
“A bad business — an awful business!” repeated the squire. “A bad business. I said to him from the first that the stones might come down when he was going up, and he said he had taken care to fix them. But you can’t be sure, you can’t be certain. And he’d be about half-way up — ay — and the whole wall would come down on him. An awful business, it is really; a terrible piece of work!”
They decided at the inquest that the death came by misadventure. But there were vague rumours in the village that this was revenge which had overtaken the keeper.
They decided to bury him in our churchyard at Greymede under the beeches; the widow would have it so, and nothing might be denied her in her state.
It was a magnificent morning in early spring when I watched among the trees to see the procession come down the hill-side. The upper air was woven with the music of the larks, and my whole world thrilled with the conception of summer. The young pale wind-flowers had arisen by the wood-gale, and under the hazels, when perchance the hot sun pushed his way, new little suns dawned, and blazed with real light. There was a certain thrill and quickening everywhere, as a woman must feel when she has conceived. A sallow tree in a favoured spot looked like a pale gold cloud of summer dawn; nearer it had poised a golden, fairy busby on every twig, and was voiced with a hum of bees, like any sacred golden bush, uttering its gladness in the thrilling murmur of bees, and in warm scent. Birds called and flashed on every hand; they made off exultant with streaming strands of grass, or wisps of fleece, plunging into the dark spaces of the wood, and out again into the blue.
A lad moved across the field from the farm below with a dog trotting behind him — a dog, no, a fussy, black-legged lamb trotting along on its toes, with its tail swinging behind. They were going to the mothers on the common, who moved like little grey clouds among the dark gorse.
I cannot help forgetting, and sharing the spink’s triumph, when he flashes past with a fleece from a bramble bush. It will cover the bedded moss, it will weave among the soft red cow-hair beautifully. It is a prize, it is an ecstasy to have captured it at the right moment, and the nest is nearly ready.
Ah, but the thrush is scornful, ringing out his voice from the hedge! He sets his breast against the mud, and models it warm for the turquoise eggs — blue, blue, bluest of eggs, which cluster so close and round against the breast, which round up beneath the breast, nestling content. You should see the bright ecstasy in the eyes of a nesting thrush, because of the rounded caress of the eggs against her breast!
What a hurry the jenny wren makes — hoping I shall not see her dart into the low bush. I have a delight in watching them against their shy little wills. But they have all risen with a rush of wings, and are gone, the birds. The air is brushed with agitation. There is no lark in the sky, not one; the heaven is clear of wings or twinkling dot — .
Till the heralds come — till the heralds wave like shadows in the bright air, crying, lamenting, fretting for ever. Rising and falling and circling round and round, the slow-waving peewits cry and complain, and lift their broad wings in sorrow. They stoop suddenly to the ground, the lapwings, then in another throb of anguish and protest, they swing up again, offering a glistening white breast to the sunlight, to deny it in black shadow, then a glisten of green, and all the time crying and crying in despair.
The pheasants are frightened into cover, they run and dart through the hedge. The cold cock must fly in his haste, spread himself on his streaming plumes, and sail into the wood’s security.
There is a cry in answer to the peewits, echoing louder and stronger the lamentation of the lapwings, a wail which hushes the birds. The men come over the brow of the hill, slowly, with the old squire walking tall and straight in front; six bowed men bearing the coffin on their shoulders, treading heavily and cautiously, under the great weight of the glistening white coffin; six men following behind, ill at ease, waiting their turn for the burden. You can see the red handkerchiefs knotted round their throats, and their shirt-fronts blue and white between the open waistcoats. The coffin is of new unpolished wood, gleaming and glistening in the sunlight; the men who carry it remember all their lives after the smell of new, warm elm-wood.
Again a loud cry from the hill-top. The woman has followed thus far, the big, shapeless woman, and she cries with loud cries after the white coffin as it descends the hill, and the children that cling to her skirts weep aloud, and are not to be hushed by the other woman, who bends over them, but does not form one of the group. How the crying frightens the birds, and the rabbits; and the lambs away there run to their mothers. But the peewits are not frightened, they add their notes to the sorrow; they circle after the white, retreating coffin, they circle round the woman; it is they who for ever “keen” the sorrows of this world. They are like priests in their robes, more black than white, more grief than hope, driving endlessly round and round, turning, lifting, falling and crying always in mournful desolation, repeating their last syllables like the broken accents of despair.
The bearers have at last sunk between the high banks, and turned out of sight. The big woman cannot see them, and yet she stands to look. She must go home, there is nothing left.
They have rested the coffin on the gate-posts, and the bearers are wiping the sweat from their faces. They put their hands to their shoulders on the place where the weight has pressed.
The other six are placing the pads on their shoulders, when a girl comes up with a jug and a blue pot. The squire drinks first, and fills for the rest. Meanwhile the girl stands back under the hedge, away from the coffin which smells of new elm-wood. In imagination she pictures the man shut up there in close darkness, while the sunlight flows all outside, and she catches her breast with terror. She must turn and rustle among the leaves of the violets for the flowers she does not see. Then, trembling, she comes to herself, and plucks a few flowers and breathes them hungrily into her soul, for comfort. The men put down the pots beside her, with thanks, and the squire gives the word. The bearers lift up the burden again, and the elm-boughs rattle along the hollow white wood, and the pitiful red clusters of elm-flowers sweep along it as if they whispered in sympathy — ”We are so sorry, so sorry — ”; always the compassionate buds in their fulness of life bend down to comfort the dark man shut up there. “Perhaps,” the girl thinks, “he hears them, and goes softly to sleep.” She shakes the tears out of her eyes on to the ground, and, taking up her pots, goes slowly down, over the brooks.
In a while, I too got up and went down to the mill, which lay red and peaceful, with the blue smoke rising as winsomely and carelessly as ever. On the other side of the valley I could see a pair of horses nod slowly across the fallow. A man’s voice called to him now and again with a resonance that filled me with longing to follow my horses over the fallow, in the still, lonely valley, full of sunshine and eternal forgetfulness. The day had already forgotten. The water was blue and white and dark-burnished with shadows; two swans sailed across the reflected trees with perfect blithe grace. The gloom that had passed across was gone. I watched the swan with his ruffled wings swell onwards; I watched his slim consort go peeping into corners and under bushes; I saw him steer clear of the bushes, to keep full in view, turning his head to me imperiously, till I longed to pelt him with the empty husks of last year’s flowers, knap-weed and scabious. I was too indolent, and I turned instead to the orchard.
There the daffodils were lifting their heads and throwing back their yellow curls. At the foot of each sloping, grey old tree stood a family of flowers, some bursten with golden fulness, some lifting their heads slightly, to show a modest, sweet countenance, others still hiding their faces, leaning forward pensively from the jaunty grey-green spears; I wished I had their language, to talk to them distinctly.
Overhead, the trees, with lifted fingers shook out their hair to the sun, decking themselves with buds as white and cool as a water-nymph’s breasts.
I began to be very glad. The colts-foot discs glowed and laughed in a merry company down the path; I stroked the velvet faces, and laughed also, and I smelled the scent of black-currant leaves, which is full of childish memories.
The house was quiet and complacent; it was peopled with ghosts again; but the ghosts had only come to enjoy the warm place once more, carrying sunshine in their arms and scattering it through the dusk of gloomy rooms.
CHAPTER III
THE IRONY OF INSPIRED MOMENTS
It happened, the next day after the funeral, I came upon reproductions of Aubrey Beardsley’s Atalanta, and of the tailpiece to Salome, and others. I sat and looked and my soul leaped out upon the new thing. I was bewildered, wondering, grudging, fascinated. I looked a long time, but my mind, or my soul, would come to no state of coherence. I was fascinated and overcome, but yet full of stubbornness and resistance.
Lettie was out, so, although it was dinner-time, even because it was dinner-time, I took the book and went down to the mill.
The dinner was over; there was the fragrance of cooked rhubarb in the room. I went straight to Emily, who was leaning back in her chair, and put the Salome before her.
“Look,” said I, “look here!”
She looked; she was short-sighted, and peered close. I was impatient for her to speak. She turned slowly at last and looked at me, shrinking, with questioning.
“Well?” I said.
“Isn’t it — fearful!” she replied softly.
“No! — why is it?”
“It makes you feel — Why have you brought it?”
“I wanted you to see it.”
Already I felt relieved, seeing that she too was caught in the spell.
George came and bent over my shoulder. I could feel the heavy warmth of him.
“Good Lord!” he drawled, half amused. The children came crowding to see, and Emily closed the book.
Complete Works of D.H. Lawrence Page 19