“Have you mentioned it to your own mother?” asked Brangwen.
“No-I’ll tell her on Saturday.”
“You’ll go and see her?”
“Yes.”
There was a long pause.
“And what are you going to marry on-your pound a week?”
Again the youth went pale, as if the spirit were being injured in him.
“I don’t know,” he said, looking at his uncle with his bright inhuman eyes, like a hawk’s.
Brangwen stirred in hatred.
“It needs knowing,” he said.
“I shall have the money later on,” said the nephew. “I will raise some now, and pay it back then.”
“Oh ay!-And why this desperate hurry? She’s a child of eighteen, and you’re a boy of twenty. You’re neither of you of age to do as you like yet.”
Will Brangwen ducked his head and looked at his uncle with swift, mistrustful eyes, like a caged hawk.
“What does it matter how old she is, and how old I am?” he said. “What’s the difference between me now and when I’m thirty?”
“A big difference, let us hope.”
“But you have no experience-you have no experience, and no money. Why do you want to marry, without experience or money?” asked the aunt.
“What experience do I want, Aunt?” asked the boy.
And if Brangwen’s heart had not been hard and intact with anger, like a precious stone, he would have agreed.
Will Brangwen went home strange and untouched. He felt he could not alter from what he was fixed upon, his will was set. To alter it he must be destroyed. And he would not be destroyed. He had no money. But he would get some from somewhere, it did not matter. He lay awake for many hours, hard and clear and unthinking, his soul crystallising more inalterably. Then he went fast asleep.
It was as if his soul had turned into a hard crystal. He might tremble and quiver and suffer, it did not alter.
The next morning Tom Brangwen, inhuman with anger spoke to Anna.
“What’s this about wanting to get married?” he said.
She stood, paling a little, her dark eyes springing to the hostile, startled look of a savage thing that will defend itself, but trembles with sensitiveness.
“I do,” she said, out of her unconsciousness.
His anger rose, and he would have liked to break her.
“You do-you do-and what for?” he sneered with contempt. The old, childish agony, the blindness that could recognise nobody, the palpitating antagonism as of a raw, helpless, undefended thing came back on her.
“I do because I do,” she cried, in the shrill, hysterical way of her childhood. “You are not my father-my father is dead-you are not my father.”
She was still a stranger. She did not recognise him. The cold blade cut down, deep into Brangwen’s soul. It cut him off from her.
“And what if I’m not?” he said.
But he could not bear it. It had been so passionately dear to him, her “Father-Daddie.”
He went about for some days as if stunned. His wife was bemused. She did not understand. She only thought the marriage was impeded for want of money and position.
There was a horrible silence in the house. Anna kept out of sight as much as possible. She could be for hours alone.
Will Brangwen came back, after stupid scenes at Nottingham. He too was pale and blank, but unchanging. His uncle hated him. He hated this youth, who was so inhuman and obstinate. Nevertheless, it was to Will Brangwen that the uncle, one evening, handed over the shares which he had transferred to Anna Lensky. They were for two thousand five hundred pounds. Will Brangwen looked at his uncle. It was a great deal of the Marsh capital here given away. The youth, however, was only colder and more fixed. He was abstract, purely a fixed will. He gave the shares to Anna.
After which she cried for a whole day, sobbing her eyes out. And at night, when she had heard her mother go to bed, she slipped down and hung in the doorway. Her father sat in his heavy silence, like a monument. He turned his head slowly.
“Daddy,” she cried from the doorway, and she ran to him sobbing as if her heart would break. “Daddy-daddy-daddy.”
She crouched on the hearthrug with her arms round him and her face against him. His body was so big and comfortable. But something hurt her head intolerably. She sobbed almost with hysteria.
He was silent, with his hand on her shoulder. His heart was bleak. He was not her father. That beloved image she had broken. Who was he then? A man put apart with those whose life has no more developments. He was isolated from her. There was a generation between them, he was old, he had died out from hot life. A great deal of ash was in his fire, cold ash. He felt the inevitable coldness, and in bitterness forgot the fire. He sat in his coldness of age and isolation. He had his own wife. And he blamed himself, he sneered at himself, for this clinging to the young, wanting the young to belong to him.
The child who clung to him wanted her child-husband. As was natural. And from him, Brangwen, she wanted help, so that her life might be properly fitted out. But love she did not want. Why should there be love between them, between the stout, middle-aged man and this child? How could there be anything between them, but mere human willingness to help each other? He was her guardian, no more. His heart was like ice, his face cold and expressionless. She could not move him any more than a statue.
She crept to bed, and cried. But she was going to be married to Will Brangwen, and then she need not bother any more. Brangwen went to bed with a hard, cold heart, and cursed himself. He looked at his wife. She was still his wife. Her dark hair was threaded with grey, her face was beautiful in its gathering age. She was just fifty. How poignantly he saw her! And he wanted to cut out some of his own heart, which was incontinent, and demanded still to share the rapid life of youth. How he hated himself.
His wife was so poignant and timely. She was still young and naive, with some girl’s freshness. But she did not want any more the fight, the battle, the control, as he, in his incontinence, still did. She was so natural, and he was ugly, unnatural, in his inability to yield place. How hideous, this greedy middle-age, which must stand in the way of life, like a large demon.
What was missing in his life, that, in his ravening soul, he was not satisfied? He had had that friend at school, his mother, his wife, and Anna? What had he done? He had failed with his friend, he had been a poor son; but he had known satifaction with his wife, let it be enough; he loathed himself for the state he was in over Anna. Yet he was not satisfied. It was agony to know it.
Was his life nothing? Had he nothing to show, no work? He did not count his work, anybody could have done it. What had he known, but the long, marital embrace with his wife! Curious, that this was what his life amounted to! At any rate, it was something, it was eternal. He would say so to anybody, and be proud of it. He lay with his wife in his arms, and she was still his fulfilment, just the same as ever. And that was the be-all and the end-all. Yes, and he was proud of it.
But the bitterness, underneath, that there still remained an unsatisfied Tom Brangwen, who suffered agony because a girl cared nothing for him. He loved his sons-he had them also. But it was the further, the creative life with the girl, he wanted as well. Oh, and he was ashamed. He trampled himself to extinguish himself.
What weariness! There was no peace, however old one grew! One was never right, never decent, never master of oneself. It was as if his hope had been in the girl.
Anna quickly lapsed again into her love for the youth. Will Brangwen had fixed his marriage for the Saturday before Christmas. And he waited for her, in his bright, unquestioning fashion, until then. He wanted her, she was his, he suspended his being till the day should come. The wedding day, December the twenty-third, had come into being for him as an absolute thing. He lived in it.
He did not count the days. But like a man who journeys in a ship, he was suspended till the coming to port.
He worked at his carving, he worked in his office
, he came to see her; all was but a form of waiting, without thought or question.
She was much more alive. She wanted to enjoy courtship. He seemed to come and go like the wind, without asking why or whither. But she wanted to enjoy his presence. For her, he was the kernel of life, to touch him alone was bliss. But for him, she was the essence of life. She existed as much when he was at his carving in his lodging in Ilkeston, as when she sat looking at him in the Marsh kitchen. In himself, he knew her. But his outward faculties seemed suspended. He did not see her with his eyes, nor hear her with his voice.
And yet he trembled, sometimes into a kind of swoon, holding her in his arms. They would stand sometimes folded together in the barn, in silence. Then to her, as she felt his young, tense figure with her hands, the bliss was intolerable, intolerable the sense that she possessed him. For his body was so keen and wonderful, it was the only reality in her world. In her world, there was this one tense, vivid body of a man, and then many other shadowy men, all unreal. In him, she touched the centre of reality. And they were together, he and she, at the heart of the secret. How she clutched him to her, his body the central body of all life. Out of the rock of his form the very fountain of life flowed.
But to him, she was a flame that consumed him. The flame flowed up his limbs, flowed through him, till he was consumed, till he existed only as an unconscious, dark transit of flame, deriving from her.
Sometimes, in the darkness, a cow coughed. There was, in the darkness, a slow sound of cud chewing. And it all seemed to flow round them and upon them as the hot blood flows through the womb, laving the unborn young.
Sometimes, when it was cold, they stood to be lovers in the stables, where the air was warm and sharp with ammonia. And during these dark vigils, he learned to know her, her body against his, they drew nearer and nearer together, the kisses came more subtly close and fitting. So when in the thick darkness a horse suddenly scrambled to its feet, with a dull, thunderous sound, they listened as one person listening, they knew as one person, they were conscious of the horse.
Tom Brangwen had taken them a cottage at Cossethay, on a twenty-one years’ lease. Will Brangwen’s eyes lit up as he saw it. It was the cottage next the church, with dark yewtrees, very black old trees, along the side of the house and the grassy front garden; a red, squarish cottage with a low slate roof, and low windows. It had a long dairy-scullery, a big flagged kitchen, and a low parlour, that went up one step from the kitchen. There were whitewashed beams across the ceilings, and odd corners with cupboards. Looking out through the windows, there was the grassy garden, the procession of black yew trees down one side, and along the other sides, a red wall with ivy separating the place from the high-road and the churchyard. The old, little church, with its small spire on a square tower, seemed to be looking back at the cottage windows.
“There’ll be no need to have a clock,” said Will Brangwen, peeping out at the white clock-face on the tower, his neighbour.
At the back of the house was a garden adjoining the paddock, a cowshed with standing for two cows, pig-cotes and fowl-houses. Will Brangwen was very happy. Anna was glad to think of being mistress of her own place.
Tom Brangwen was now the fairy godfather. He was never happy unless he was buying something. Will Brangwen, with his interest in all wood-work, was getting the furniture. He was left to buy tables and round-staved chairs and the dressers, quite ordinary stuff, but such as was identified with his cottage.
Tom Brangwen, with more particular thought, spied out what he called handy little things for her. He appeared with a set of new-fangled cooking-pans, with a special sort of hanging lamp, though the rooms were so low, with canny little machines for grinding meat or mashing potatoes or whisking eggs.
Anna took a sharp interest in what he bought, though she was not always pleased. Some of the little contrivances, which he thought so canny, left her doubtful. Nevertheless she was always expectant, on market days there was always a long thrill of anticipation. He arrived with the first darkness, the copper lamps of his cart glowing. And she ran to the gate, as he, a dark, burly figure up in the cart, was bending over his parcels.
“It’s cupboard love as brings you out so sharp,” he said, his voice resounding in the cold darkness. Nevertheless he was excited. And she, taking one of the cart lamps, poked and peered among the jumble of things he had brought, pushing aside the oil or implements he had got for himself.
She dragged out a pair of small, strong bellows, registered them in her mind, and then pulled uncertainly at something else. It had a long handle, and a piece of brown paper round the middle of it, like a waistcoat.
“What’s this?” she said, poking.
He stopped to look at her. She went to the lamp-light by the horse, and stood there bent over the new thing, while her hair was like bronze, her apron white and cheerful. Her fingers plucked busily at the paper. She dragged forth a little wringer, with clean indiarubber rollers. She examined it critically, not knowing quite how it worked.
She looked up at him. He stood a shadowy presence beyond the light.
“How does it go?” she asked.
“Why, it’s for pulpin’ turnips,” he replied.
She looked at him. His voice disturbed her.
“Don’t be silly. It’s a little mangle,” she said. “How do you stand it, though?”
“You screw it on th’ side o’ your wash-tub.” He came and held it out to her.
“Oh, yes!” she cried, with one of her little skipping movements, which still came when she was suddenly glad.
And without another thought she ran off into the house, leaving him to untackle the horse. And when he came into the scullery, he found her there, with the little wringer fixed on the dolly-tub, turning blissfully at the handle, and Tilly beside her, exclaiming:
“My word, that’s a natty little thing! That’ll save you luggin’ your inside out. That’s the latest contraption, that is.”
And Anna turned away at the handle, with great gusto of possession. Then she let Tilly have a turn.
“It fair runs by itself,” said Tilly, turning on and on. “Your clothes’ll nip out on to th’ line.”
CHAPTER 5
Wedding at the Marsh
It was a beautiful sunny day for the wedding, a muddy earth but a bright sky. They had three cabs and two big closed-in vehicles. Everybody crowded in the parlour in excitement. Anna was still upstairs. Her father kept taking a nip of brandy. He was handsome in his black coat and grey trousers. His voice was hearty but troubled. His wife came down in dark grey silk with lace, and a touch of peacock- blue in her bonnet. Her little body was very sure and definite. Brangwen was thankful she was there, to sustain him among all these people.
The carriages! The Nottingham Mrs. Brangwen, in silk brocade, stands in the doorway saying who must go with whom. There is a great bustle. The front door is opened, and the wedding guests are walking down the garden path, whilst those still waiting peer through the window, and the little crowd at the gate gorps and stretches. How funny such dressed-up people look in the winter sunshine!
They are gone-another lot! There begins to be more room. Anna comes down blushing and very shy, to be viewed in her white silk and her veil. Her mother-in-law surveys her objectively, twitches the white train, arranges the folds of the veil and asserts herself.
Loud exclamations from the window that the bridegroom’s carriage has just passed.
“Where’s your hat, father, and your gloves?” cries the bride, stamping her white slipper, her eyes flashing through her veil. He hunts round-his hair is ruffled. Everybody has gone but the bride and her father. He is ready-his face very red and daunted. Tilly dithers in the little porch, waiting to open the door. A waiting woman walks round Anna, who asks:
“Am I all right?”
She is ready. She bridles herself and looks queenly. She waves her hand sharply to her father:
“Come here!”
He goes. She puts her hand very lightly on hi
s arm, and holding her bouquet like a shower, stepping, oh, very graciously, just a little impatient with her father for being so red in the face, she sweeps slowly past the fluttering Tilly, and down the path. There are hoarse shouts at the gate, and all her floating foamy whiteness passes slowly into the cab.
Her father notices her slim ankle and foot as she steps up: a child’s foot. His heart is hard with tenderness. But she is in ecstasies with herself for making such a lovely spectacle. All the way she sat flamboyant with bliss because it was all so lovely. She looked down solicitously at her bouquet: white roses and lilies-of-the-valley and tube-roses and maidenhair fern-very rich and cascade-like.
Her father sat bewildered with all this strangeness, his heart was so full it felt hard, and he couldn’t think of anything.
The church was decorated for Christmas, dark with evergreens, cold and snowy with white flowers. He went vaguely down to the altar. How long was it since he had gone to be married himself? He was not sure whether he was going to be married now, or what he had come for. He had a troubled notion that he had to do something or other. He saw his wife’s bonnet, and wondered why she wasn’t there with him.
They stood before the altar. He was staring up at the east window, that glowed intensely, a sort of blue purple: it was deep blue glowing, and some crimson, and little yellow flowers held fast in veins of shadow, in a heavy web of darkness. How it burned alive in radiance among its black web.
“Who giveth this woman to be married to this man?” He felt somebody touch him. He started. The words still re-echoed in his memory, but were drawing off.
“Me,” he said hastily.
Ann bent her head and smiled in her veil. How absurd he was.
Brangwen was staring away at the burning blue window at the back of the altar, and wondering vaguely, with pain, if he ever should get old, if he ever should feel arrived and established. He was here at Anna’s wedding. Well, what right had he to feel responsible, like a father? He was still as unsure and unfixed as when he had married himself. His wife and he! With a pang of anguish he realised what uncertainties they both were. He was a man of forty-five. Forty-five! In five more years fifty. Then sixty-then seventy-then it was finished. My God-and one still was so unestablished!
Complete Works of D.H. Lawrence Page 126