And the game went on while the vivace lasted. Up and down bounced the plump Colonel on his chair, kicking with his bright, black-patent toe higher and higher, getting quite enthusiastic over his jig. Rosy and unabashed, he was worthy of the great nation he belonged to. The broad-seated Empire chair showed no signs of giving way. Let him enjoy himself, away there across the yellow Sahara of this silk-panelled salon. Aaron felt quite cheered up.
“Well, now,” he thought to himself, “this man is in entire command of a very important branch of the British Service in Italy. We are a great race still.”
But Lady Franks must have twigged. Her playing went rather stiff. She came to the end of the vivace movement, and abandoned her piece.
“I always prefer Schumann in his vivace moods,” said Aaron.
“Do you?” said Lady Franks. “Oh, I don’t know.”
It was now the turn of Arthur’s wife to sing. Arthur seemed to get further away: if it was possible, for he was at the remotest remote end of the room, near the gallery doors. The Colonel became quiet, pensive. The Major’s wife eyed the young woman in white lace, and seemed not to care for lace. Arthur seemed to be trying to push himself backwards through the wall. Lady Franks switched on more lights into the vast and voluminous crystal chandelier which hung like some glory-cloud above the room’s centre. And Arthur’s wife sang sweet little French songs, and Ye Banks and Braes, and Caro mio ben, which goes without saying: and so on. She had quite a nice voice and was quite adequately trained. Which is enough said. Aaron had all his nerves on edge.
Then he had to play the flute. Arthur strolled upstairs with him, arm-in-arm, where he went to fetch his instrument.
“I find music in the home rather a strain, you know,” said Arthur.
“Cruel strain. I quite agree,” said Aaron.
“I don’t mind it so much in the theatre — or even a concert — where there are a lot of other people to take the edge off — But after a good dinner — ”
“It’s medicine,” said Aaron.
“Well, you know, it really is, to me. It affects my inside.” Aaron laughed. And then, in the yellow drawing-room, blew into his pipe and played. He knew so well that Arthur, the Major, the Major’s wife, the Colonel, and Sir William thought it merely an intolerable bore. However, he played. His hostess even accompanied him in a Mozart bit.
CHAPTER XIV. XX SETTEMBRE
Aaron was awakened in the morning by the soft entrance of the butler with the tray: it was just seven o’clock. Lady Franks’ household was punctual as the sun itself.
But our hero roused himself with a wrench. The very act of lifting himself from the pillow was like a fight this morning. Why? He recognized his own wrench, the pain with which he struggled under the necessity to move. Why shouldn’t he want to move? Why not? Because he didn’t want the day in front — the plunge into a strange country, towards nowhere, with no aim in view. True, he said that ultimately he wanted to join Lilly. But this was hardly more than a sop, an excuse for his own irrational behaviour. He was breaking loose from one connection after another; and what for? Why break every tie? Snap, snap, snap went the bonds and ligatures which bound him to the life that had formed him, the people he had loved or liked. He found all his affections snapping off, all the ties which united him with his own people coming asunder. And why? In God’s name, why? What was there instead?
There was nothingness. There was just himself, and blank nothingness. He had perhaps a faint sense of Lilly ahead of him; an impulse in that direction, or else merely an illusion. He could not persuade himself that he was seeking for love, for any kind of unison or communion. He knew well enough that the thought of any loving, any sort of real coming together between himself and anybody or anything, was just objectionable to him. No — he was not moving towards anything: he was moving almost violently away from everything. And that was what he wanted. Only that. Only let him not run into any sort of embrace with anything or anybody — this was what he asked. Let no new connection be made between himself and anything on earth. Let all old connections break. This was his craving.
Yet he struggled under it this morning as under the lid of a tomb. The terrible sudden weight of inertia! He knew the tray stood ready by the bed: he knew the automobile would be at the door at eight o’clock, for Lady Franks had said so, and he half divined that the servant had also said so: yet there he lay, in a kind of paralysis in this bed. He seemed for the moment to have lost his will. Why go forward into more nothingness, away from all that he knew, all he was accustomed to and all he belonged to?
However, with a click he sat up. And the very instant he had poured his coffee from the little silver coffee-pot into his delicate cup, he was ready for anything and everything. The sense of silent adventure took him, the exhilarated feeling that he was fulfilling his own inward destiny. Pleasant to taste was the coffee, the bread, the honey — delicious.
The man brought his clothes, and again informed him that the automobile would be at the door at eight o’clock: or at least so he made out.
“I can walk,” said Aaron.
“Milady ha comandato l’automobile,” said the man softly.
It was evident that if Milady had ordered it, so it must be.
So Aaron left the still-sleeping house, and got into the soft and luxurious car. As he dropped through the park he wondered that Sir William and Lady Franks should be so kind to him: a complete stranger. But so it was. There he sat in their car. He wondered, also, as he ran over the bridge and into the city, whether this soft-running automobile would ever rouse the socialistic bile of the work-people. For the first time in his life, as he sat among the snug cushions, he realised what it might be to be rich and uneasy: uneasy, even if not afraid, lurking there inside an expensive car. — Well, it wasn’t much of a sensation anyhow: and riches were stuffy, like wadded upholstery on everything. He was glad to get out into the fresh air of the common crowd. He was glad to be in the bleak, not-very-busy station. He was glad to be part of common life. For the very atmosphere of riches seems to be stuffed and wadded, never any real reaction. It was terrible, as if one’s very body, shoulders and arms, were upholstered and made cushiony. Ugh, but he was glad to shake off himself the atmosphere of wealth and motor-cars, to get out of it all. It was like getting out of quilted clothes.
“Well,” thought Aaron, “if this is all it amounts to, to be rich, you can have riches. They talk about money being power. But the only sort of power it has over me is to bring on a kind of numbness, which I fairly hate. No wonder rich people don’t seem to be really alive.”
The relief of escaping quite took away his self-conscious embarrassment at the station. He carried his own bags, bought a third-class ticket, and got into the train for Milan without caring one straw for the comments or the looks of the porters.
It began to rain. The rain ran across the great plain of north Italy. Aaron sat in his wood-seated carriage and smoked his pipe in silence, looking at the thick, short Lombards opposite him without heeding them. He paid hardly any outward attention to his surroundings, but sat involved in himself.
In Milan he had been advised to go to the Hotel Britannia, because it was not expensive, and English people went there. So he took a carriage, drove round the green space in front of Milan station, and away into the town. The streets were busy, but only half-heartedly so.
It must be confessed that every new move he made was rather an effort. Even he himself wondered why he was struggling with foreign porters and foreign cabmen, being talked at and not understanding a word. But there he was. So he went on with it.
The hotel was small and congenial. The hotel porter answered in English. Aaron was given a little room with a tiny balcony, looking on to a quiet street. So, he had a home of his own once more. He washed, and then counted his money. Thirty-seven pounds he had: and no more. He stood on the balcony and looked at the people going by below. Life seems to be moving so quick, when one looks down on it from above.
Acro
ss the road was a large stone house with its green shutters all closed. But from the flagpole under the eaves, over the central window of the uppermost floor — the house was four storeys high — waved the Italian flag in the melancholy damp air. Aaron looked at it — the red, white and green tricolour, with the white cross of Savoy in the centre. It hung damp and still. And there seemed a curious vacancy in the city — something empty and depressing in the great human centre. Not that there was really a lack of people. But the spirit of the town seemed depressed and empty. It was a national holiday. The Italian flag was hanging from almost every housefront.
It was about three o’clock in the afternoon. Aaron sat in the restaurant of the hotel drinking tea, for he was rather tired, and looking through the thin curtains at the little square outside, where people passed: little groups of dark, aimless-seeming men, a little bit poorer looking — perhaps rather shorter in stature — but very much like the people in any other town. Yet the feeling of the city was so different from that of London. There seemed a curious emptiness. The rain had ceased, but the pavements were still wet. There was a tension.
Suddenly there was a noise of two shots, fired in rapid succession. Aaron turned startled to look into the quiet piazza. And to his amazement, the pavements were empty, not a soul was in sight. Two minutes before the place was busy with passers-by, and a newspaper man selling the Corriere, and little carriages rattling through. Now, as if by magic, nobody, nothing. It was as if they had all melted into thin air.
The waiter, too, was peeping behind the curtain. A carriage came trotting into the square — an odd man took his way alone — the traffic began to stir once more, and people reappeared as suddenly as they had disappeared. Then the waiter ran hastily and furtively out and craned his neck, peering round the square. He spoke with two youths — rather loutish youths. Then he returned to his duty in the hotel restaurant.
“What was it? What were the shots?” Aaron asked him.
“Oh — somebody shooting at a dog,” said the man negligently.
“At a dog!” said Aaron, with round eyes.
He finished his tea, and went out into the town. His hotel was not far from the cathedral square. Passing through the arcade, he came in sight of the famous cathedral with its numerous spines pricking into the afternoon air. He was not as impressed as he should have been. And yet there was something in the northern city — this big square with all the trams threading through, the little yellow Continental trams: and the spiny bulk of the great cathedral, like a grey-purple sea-urchin with many spines, on the one side, the ornamental grass-plots and flower beds on the other: the big shops going all along the further strands, all round: and the endless restless nervous drift of a north Italian crowd, so nervous, so twitchy; nervous and twitchy as the slipping past of the little yellow tram-cars; it all affected him with a sense of strangeness, nervousness, and approaching winter. It struck him the people were afraid of themselves: afraid of their own souls, and that which was in their own souls.
Turning up the broad steps of the cathedral, he entered the famous building. The sky had cleared, and the freshened light shone coloured in living tablets round the wonderful, towering, rose-hearted dusk of the great church. At some altars lights flickered uneasily. At some unseen side altar mass was going on, and a strange ragged music fluttered out on the incense-dusk of the great and lofty interior, which was all shadow, all shadow, hung round with jewel tablets of light. Particularly beautiful the great east bay, above the great altar. And all the time, over the big-patterned marble floor, the faint click and rustle of feet coming and going, coming and going, like shallow uneasy water rustled back and forth in a trough. A white dog trotted pale through the under-dusk, over the pale, big-patterned floor. Aaron came to the side altar where mass was going on, candles ruddily wavering. There was a small cluster of kneeling women — a ragged handful of on-looking men — and people wandering up and wandering away, young women with neatly dressed black hair, and shawls, but without hats; fine young women in very high heels; young men with nothing to do; ragged men with nothing to do. All strayed faintly clicking over the slabbed floor, and glanced at the flickering altar where the white-surpliced boys were curtseying and the white-and-gold priest bowing, his hands over his breast, in the candle-light. All strayed, glanced, lingered, and strayed away again, as if the spectacle were not sufficiently holding. The bell chimed for the elevation of the Host. But the thin trickle of people trickled the same, uneasily, over the slabbed floor of the vastly-upreaching shadow-foliaged cathedral.
The smell of incense in his nostrils, Aaron went out again by a side door, and began to walk along the pavements of the cathedral square, looking at the shops. Some were closed, and had little notices pinned on them. Some were open, and seemed half-stocked with half-elegant things. Men were carrying newspapers. In the cafes a few men were seated drinking vermouth. In the doorway of the restaurants waiters stood inert, looking out on the streets. The curious heart-eating ennui of the big town on a holiday came over our hero. He felt he must get out, whatever happened. He could not bear it.
So he went back to his hotel and up to his room. It was still only five o’clock. And he did not know what to do with himself. He lay down on the bed, and looked at the painting on his bedroom ceiling. It was a terrible business in reckitt’s blue and browny gold, with awful heraldic beasts, rather worm-wriggly, displayed in a blue field.
As he lay thinking of nothing and feeling nothing except a certain weariness, or dreariness, or tension, or God-knows-what, he heard a loud hoarse noise of humanity in the distance, something frightening. Rising, he went on to his little balcony. It was a sort of procession, or march of men, here and there a red flag fluttering from a man’s fist. There had been a big meeting, and this was the issue. The procession was irregular, but powerful, men four abreast. They emerged irregularly from the small piazza to the street, calling and vociferating. They stopped before a shop and clotted into a crowd, shouting, becoming vicious. Over the shop-door hung a tricolour, a national flag. The shop was closed, but the men began to knock at the door. They were all workmen, some in railway men’s caps, mostly in black felt hats. Some wore red cotton neck-ties. They lifted their faces to the national flag, and as they shouted and gesticulated Aaron could see their strong teeth in their jaws. There was something frightening in their lean, strong Italian jaws, something inhuman and possessed-looking in their foreign, southern-shaped faces, so much more formed and demon-looking than northern faces. They had a demon-like set purpose, and the noise of their voices was like a jarring of steel weapons. Aaron wondered what they wanted. There were no women — all men — a strange male, slashing sound. Vicious it was — the head of the procession swirling like a little pool, the thick wedge of the procession beyond, flecked with red flags.
A window opened above the shop, and a frowsty-looking man, yellow-pale, was quickly and nervously hauling in the national flag. There were shouts of derision and mockery — a great overtone of acrid derision — the flag and its owner ignominiously disappeared. And the procession moved on. Almost every shop had a flag flying. And every one of these flags now disappeared, quickly or slowly, sooner or later, in obedience to the command of the vicious, derisive crowd, that marched and clotted slowly down the street, having its own way.
Only one flag remained flying — the big tricolour that floated from the top storey of the house opposite Aaron’s hotel. The ground floor of this house consisted of shop-premises — now closed. There was no sign of any occupant. The flag floated inert aloft.
The whole crowd had come to a stop immediately below the hotel, and all were now looking up at the green and white and red tricolour which stirred damply in the early evening light, from under the broad eaves of the house opposite. Aaron looked at the long flag, which drooped almost unmoved from the eaves-shadow, and he half expected it to furl itself up of its own accord, in obedience to the will of the masses. Then he looked down at the packed black shoulders of the mob below, and
at the curious clustering pattern of a sea of black hats. He could hardly see anything but hats and shoulders, uneasily moving like boiling pitch away beneath him. But the shouts began to come up hotter and hotter. There had been a great ringing of a door-bell and battering on the shop-door. The crowd — the swollen head of the procession — talked and shouted, occupying the centre of the street, but leaving the pavement clear. A woman in a white blouse appeared in the shop-door. She came out and looked up at the flag and shook her head and gesticulated with her hands. It was evidently not her flag — she had nothing to do with it. The leaders again turned to the large house-door, and began to ring all the bells and to knock with their knuckles. But no good — there was no answer. They looked up again at the flag. Voices rose ragged and ironical. The woman explained something again. Apparently there was nobody at home in the upper floors — all entrance was locked — there was no caretaker. Nobody owned the flag. There it hung under the broad eaves of the strong stone house, and didn’t even know that it was guilty. The woman went back into her shop and drew down the iron shutter from inside.
The crowd, nonplussed, now began to argue and shout and whistle. The voices rose in pitch and derision. Steam was getting up. There hung the flag. The procession crowded forward and filled the street in a mass below. All the rest of the street was empty and shut up. And still hung the showy rag, red and white and green, up aloft.
Suddenly there was a lull — then shouts, half-encouraging, half-derisive. And Aaron saw a smallish-black figure of a youth, fair-haired, not more than seventeen years old, clinging like a monkey to the front of the house, and by the help of the heavy drain-pipe and the stone-work ornamentation climbing up to the stone ledge that ran under ground-floor windows, up like a sudden cat on to the projecting footing. He did not stop there, but continued his race like some frantic lizard running up the great wall-front, working away from the noise below, as if in sheer fright. It was one unending wriggling movement, sheer up the front of the impassive, heavy stone house.
Complete Works of D.H. Lawrence Page 324