Complete Works of D.H. Lawrence

by D. H. Lawrence

  The flag hung from a pole under one of the windows of the top storey — the third floor. Up went the wriggling figure of the possessed youth. The cries of the crowd below were now wild, ragged ejaculations of excitement and encouragement. The youth seemed to be lifted up, almost magically on the intense upreaching excitement of the massed men below. He passed the ledge of the first floor, like a lizard he wriggled up and passed the ledge or coping of the second floor, and there he was, like an upward-climbing shadow, scrambling on to the coping of the third floor. The crowd was for a second electrically still as the boy rose there erect, cleaving to the wall with the tips of his fingers.

  But he did not hesitate for one breath. He was on his feet and running along the narrow coping that went across the house under the third floor windows, running there on that narrow footing away above the street, straight to the flag. He had got it — he had clutched it in his hand, a handful of it. Exactly like a great flame rose the simultaneous yell of the crowd as the boy jerked and got the flag loose. He had torn it down. A tremendous prolonged yell, touched with a snarl of triumph, and searing like a puff of flame, sounded as the boy remained for one moment with the flag in his hand looking down at the crowd below. His face was odd and elated and still. Then with the slightest gesture he threw the flag from him, and Aaron watched the gaudy remnant falling towards the many faces, whilst the noise of yelling rose up unheard.

  There was a great clutch and hiss in the crowd. The boy still stood unmoved, holding by one hand behind him, looking down from above, from his dangerous elevation, in a sort of abstraction.

  And the next thing Aaron was conscious of was the sound of trumpets. A sudden startling challenge of trumpets, and out of nowhere a sudden rush of grey-green carabinieri battering the crowd wildly with truncheons. It was so sudden that Aaron heard nothing any more. He only saw.

  In utmost amazement he saw the greeny-grey uniformed carabinieri rushing thick and wild and indiscriminate on the crowd: a sudden new excited crowd in uniforms attacking the black crowd, beating them wildly with truncheons. There was a seething moment in the street below. And almost instantaneously the original crowd burst into a terror of frenzy. The mob broke as if something had exploded inside it. A few black-hatted men fought furiously to get themselves free of the hated soldiers; in the confusion bunches of men staggered, reeled, fell, and were struggling among the legs of their comrades and of the carabinieri. But the bulk of the crowd just burst and fled — in every direction. Like drops of water they seemed to fly up at the very walls themselves. They darted into any entry, any doorway. They sprang up the walls and clambered into the ground-floor windows. They sprang up the walls on to window-ledges, and then jumped down again, and ran — clambering, wriggling, darting, running in every direction; some cut, blood on their faces, terror or frenzy of flight in their hearts. Not so much terror as the frenzy of running away. In a breath the street was empty.

  And all the time, there above on the stone coping stood the long-faced, fair-haired boy, while four stout carabinieri in the street below stood with uplifted revolvers and covered him, shouting that if he moved they would shoot. So there he stood, still looking down, still holding with his left hand behind him, covered by the four revolvers. He was not so much afraid as twitchily self-conscious because of his false position.

  Meanwhile down below the crowd had dispersed — melted momentaneously. The carabinieri were busy arresting the men who had fallen and been trodden underfoot, or who had foolishly let themselves be taken; perhaps half a dozen men, half a dozen prisoners; less rather than more. The sergeant ordered these to be secured between soldiers. And last of all the youth up above, still covered by the revolvers, was ordered to come down. He turned quite quietly, and quite humbly, cautiously picked his way along the coping towards the drain-pipe. He reached this pipe and began, in humiliation, to climb down. It was a real climb down.

  Once in the street he was surrounded by the grey uniforms. The soldiers formed up. The sergeant gave the order. And away they marched, the dejected youth a prisoner between them.

  Then were heard a few scattered yells of derision and protest, a few shouts of anger and derision against the carabinieri. There were once more gangs of men and groups of youths along the street. They sent up an occasional shout. But always over their shoulders, and pretending it was not they who shouted. They were all cowed and hang-dog once more, and made not the slightest effort to save the youth. Nevertheless, they prowled and watched, ready for the next time.

  So, away went the prisoner and the grey-green soldiers, and the street was left to the little gangs and groups of hangdog, discontented men, all thoroughly out of countenance. The scene was ended.

  Aaron looked round, dazed. And then for the first time he noticed, on the next balcony to his own, two young men: young gentlemen, he would have said. The one was tall and handsome and well-coloured, might be Italian. But the other with his pale thin face and his rimless monocle in his eye, he was surely an Englishman. He was surely one of the young officers shattered by the war. A look of strange, arch, bird-like pleasure was on his face at this moment: if one could imagine the gleaming smile of a white owl over the events that had just passed, this was the impression produced on Aaron by the face of the young man with the monocle. The other youth, the ruddy, handsome one, had knitted his brows in mock distress, and was glancing with a look of shrewd curiosity at Aaron, and with a look of almost self-satisfied excitement first to one end of the street, then to the other.

  “But imagine, Angus, it’s all over!” he said, laying his hand on the arm of the monocled young man, and making great eyes — not without a shrewd glance in Aaron’s direction.

  “Did you see him fall!” replied Angus, with another strange gleam.

  “Yes. But was he HURT — ?”

  “I don’t know. I should think so. He fell right back out of that on to those stones!”

  “But how perfectly AWFUL! Did you ever see anything like it?”

  “No. It’s one of the funniest things I ever did see. I saw nothing quite like it, even in the war — ”

  Here Aaron withdrew into his room. His mind and soul were in a whirl. He sat down in his chair, and did not move again for a great while. When he did move, he took his flute and played he knew not what. But strange, strange his soul passed into his instrument. Or passed half into his instrument. There was a big residue left, to go bitter, or to ferment into gold old wine of wisdom.

  He did not notice the dinner gong, and only the arrival of the chamber-maid, to put the wash-table in order, sent him down to the restaurant. The first thing he saw, as he entered, was the two young Englishmen seated at a table in a corner just behind him. Their hair was brushed straight back from their foreheads, making the sweep of the head bright and impeccable, and leaving both the young faces clear as if in cameo. Angus had laid his monocle on the table, and was looking round the room with wide, light-blue eyes, looking hard, like some bird-creature, and seeming to see nothing. He had evidently been very ill: was still very ill. His cheeks and even his jaw seemed shrunken, almost withered. He forgot his dinner: or he did not care for it. Probably the latter.

  “What do you think, Francis,” he said, “of making a plan to see Florence and Sienna and Orvieto on the way down, instead of going straight to Rome?” He spoke in precise, particularly-enunciated words, in a public-school manner, but with a strong twang of South Wales.

  “Why, Angus,” came the graceful voice of Francis, “I thought we had settled to go straight through via Pisa.” Francis was graceful in everything — in his tall, elegant figure, in the poses of his handsome head, in the modulation of his voice.

  “Yes, but I see we can go either way — either Pisa or Florence. And I thought it might be nice to look at Florence and Sienna and Orvieto. I believe they’re very lovely,” came the soft, precise voice of Angus, ending in a touch of odd emotion on the words “very lovely,” as if it were a new experience to him to be using them.

 
; “I’m SURE they’re marvellous. I’m quite sure they’re marvellously beautiful,” said Francis, in his assured, elegant way. “Well, then, Angus — suppose we do that, then? — When shall we start?”

  Angus was the nervous insister. Francis was quite occupied with his own thoughts and calculations and curiosity. For he was very curious, not to say inquisitive. And at the present moment he had a new subject to ponder.

  This new subject was Aaron, who sat with his back to our new couple, and who, with his fine sharp ears, caught every word that they said. Aaron’s back was broad enough, and his shoulders square, and his head rather small and fairish and well-shaped — and Francis was intrigued. He wanted to know, was the man English. He looked so English — yet he might be — he might perhaps be Danish, Scandinavian, or Dutch. Therefore, the elegant young man watched and listened with all his ears.

  The waiter who had brought Aaron his soup now came very free and easy, to ask for further orders.

  “What would you like to drink? Wine? Chianti? Or white wine? Or beer?” — The old-fashioned “Sir” was dropped. It is too old-fashioned now, since the war.

  “What SHOULD I drink?” said Aaron, whose acquaintance with wines was not very large.

  “Half-litre of Chianti: that is very good,” said the waiter, with the air of a man who knew only too well how to bring up his betters, and train them in the way they should go.

  “All right,” said Aaron.

  The welcome sound of these two magic words, All Right! was what the waiter most desired. “All right! Yes! All Right!” This is the pith, the marrow, the sum and essence of the English language to a southerner. Of course it is not all right. It is Or-rye — and one word at that. The blow that would be given to most foreign waiters, if they were forced to realize that the famous orye was really composed of two words, and spelt all right, would be too cruel, perhaps.

  “Half litre Chianti. Orye,” said the waiter. And we’ll let him say it.

  “ENGLISH!” whispered Francis melodramatically in the ear of Angus. “I THOUGHT so. The flautist.”

  Angus put in his monocle, and stared at the oblivious shoulders of Aaron, without apparently seeing anything. “Yes. Obviously English,” said Angus, pursing like a bird.

  “Oh, but I heard him,” whispered Francis emphatically. “Quite,” said Angus. “But quite inoffensive.”

  “Oh, but Angus, my dear — he’s the FLAUTIST. Don’t you remember? The divine bit of Scriabin. At least I believe it was Scriabin. — But PERFECTLY DIVINE!!! I adore the flute above all things — ” And Francis placed his hand on Angus’ arm, and rolled his eyes — Lay this to the credit of a bottle of Lacrimae Cristi, if you like.

  “Yes. So do I,” said Angus, again looking archly through the monocle, and seeing nothing. “I wonder what he’s doing here.”

  “Don’t you think we might ASK him?” said Francis, in a vehement whisper. “After all, we are the only three English people in the place.”

  “For the moment, apparently we are,” said Angus. “But the English are all over the place wherever you go, like bits of orange peel in the street. Don’t forget that, Francesco.”

  “No, Angus, I don’t. The point is, his flute is PERFECTLY DIVINE — and he seems quite attractive in himself. Don’t you think so?”

  “Oh, quite,” said Angus, whose observations had got no further than the black cloth of the back of Aaron’s jacket. That there was a man inside he had not yet paused to consider.

  “Quite a musician,” said Francis.

  “The hired sort,” said Angus, “most probably.”

  “But he PLAYS — he plays most marvellously. THAT you can’t get away from, Angus.”

  “I quite agree,” said Angus.

  “Well, then? Don’t you think we might hear him again? Don’t you think we might get him to play for us? — But I should love it more than anything.”

  “Yes, I should, too,” said Angus. “You might ask him to coffee and a liqueur.”

  “I should like to — most awfully. But do you think I might?”

  “Oh, yes. He won’t mind being offered a coffee and liqueur. We can give him something decent — Where’s the waiter?” Angus lifted his pinched, ugly bare face and looked round with weird command for the waiter. The waiter, having not much to do, and feeling ready to draw these two weird young birds, allowed himself to be summoned.

  “Where’s the wine list? What liqueurs have you got?” demanded Angus abruptly.

  The waiter rattled off a list, beginning with Strega and ending with cherry brandy.

  “Grand Marnier,” said Angus. “And leave the bottle.”

  Then he looked with arch triumph at Francis, like a wicked bird. Francis bit his finger moodily, and glowered with handsome, dark-blue uncertain eyes at Mr. Aaron, who was just surveying the Frutte, which consisted of two rather old pomegranates and various pale yellow apples, with a sprinkling of withered dried figs. At the moment, they all looked like a Natura Morta arrangement.

  “But do you think I might — ?” said Francis moodily. Angus pursed his lips with a reckless brightness.

  “Why not? I see no reason why you shouldn’t,” he said. Whereupon Francis cleared his throat, disposed of his serviette, and rose to his feet, slowly but gracefully. Then he composed himself, and took on the air he wished to assume at the moment. It was a nice degage air, half naive and half enthusiastic. Then he crossed to Aaron’s table, and stood on one lounging hip, gracefully, and bent forward in a confidential manner, and said:

  “Do excuse me. But I MUST ask you if it was you we heard playing the flute so perfectly wonderfully, just before dinner.”

  The voice was confidential and ingratiating. Aaron, relieved from the world’s stress and seeing life anew in the rosy glow of half a litre of good old Chianti — the war was so near but gone by — looked up at the dark blue, ingenuous, well-adapted eyes of our friend Francis, and smiling, said:

  “Yes, I saw you on the balcony as well.”

  “Oh, did you notice us?” plunged Francis. “But wasn’t it an extraordinary affair?”

  “Very,” said Aaron. “I couldn’t make it out, could you?”

  “Oh,” cried Francis. “I never try. It’s all much too new and complicated for me. — But perhaps you know Italy?”

  “No, I don’t,” said Aaron.

  “Neither do we. And we feel rather stunned. We had only just arrived — and then — Oh!” Francis put up his hand to his comely brow and rolled his eyes. “I feel perfectly overwhelmed with it still.”

  He here allowed himself to sink friendlily into the vacant chair opposite Aaron’s.

  “Yes, I thought it was a bit exciting,” said Aaron. “I wonder what will become of him — ”

  “ — Of the one who climbed for the flag, you mean? No! — But wasn’t it perfectly marvellous! Oh, incredible, quite incredible! — And then your flute to finish it all! Oh! I felt it only wanted that. — I haven’t got over it yet. But your playing was MARVELLOUS, really marvellous. Do you know, I can’t forget it. You are a professional musician, of course.”

  “If you mean I play for a living,” said Aaron. “I have played in orchestras in London.”

  “Of course! Of course! I knew you must be a professional. But don’t you give private recitals, too?”

  “No, I never have.”

  “Oh!” cried Francis, catching his breath. “I can’t believe it. But you play MARVELLOUSLY! Oh, I just loved it, it simply swept me away, after that scene in the street. It seemed to sum it all up, you know.”

  “Did it,” said Aaron, rather grimly.

  “But won’t you come and have coffee with us at our table?” said Francis. “We should like it most awfully if you would.”

  “Yes, thank you,” said Aaron, half-rising.

  “But you haven’t had your dessert,” said Francis, laying a fatherly detaining hand on the arm of the other man. Aaron looked at the detaining hand.

  “The dessert isn’t much to stop for,�
�� he said. “I can take with me what I want.” And he picked out a handful of dried figs.

  The two went across to Angus’ table.

  “We’re going to take coffee together,” said Francis complacently, playing the host with a suave assurance that was rather amusing and charming in him.

  “Yes. I’m very glad,” said Angus. Let us give the show away: he was being wilfully nice. But he was quite glad; to be able to be so nice. Anything to have a bit of life going: especially a bit of pleased life. He looked at Aaron’s comely, wine-warmed face with gratification.

  “Have a Grand Marnier,” he said. “I don’t know how bad it is. Everything is bad now. They lay it down to the war as well. It used to be quite a decent drink. What the war had got to do with bad liqueurs, I don’t know.”

  Aaron sat down in a chair at their table.

  “But let us introduce ourselves,” said Francis. “I am Francis — or really Franz Dekker — And this is Angus Guest, my friend.”

  “And my name is Aaron Sisson.”

  “What! What did you say?” said Francis, leaning forward. He, too, had sharp ears.

  “Aaron Sisson.”

  “Aaron Sisson! Oh, but how amusing! What a nice name!”

  “No better than yours, is it?”

  “Mine! Franz Dekker! Oh, much more amusing, I think,” said Francis archly.

  “Oh, well, it’s a matter of opinion. You’re the double decker, not me.”

  “The double decker!” said Francis archly. “Why, what do you mean! — ” He rolled his eyes significantly. “But may I introduce my friend Angus Guest.”

  “You’ve introduced me already, Francesco,” said Angus.

  “So sorry,” said Francis.

  “Guest!” said Aaron.

  Francis suddenly began to laugh.

  “May he not be Guest?” he asked, fatherly.

  “Very likely,” said Aaron. “Not that I was ever good at guessing.”

  Francis tilted his eyebrows. Fortunately the waiter arrived with the coffee.