Complete Works of D.H. Lawrence

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Complete Works of D.H. Lawrence Page 578

by D. H. Lawrence


  “So — well! — you understand, don’t you? And if you’re willing — you’ll come to me, won’t you? — just naturally, as you used to come and go to church with me? — and it won’t be — it won’t be me coaxing you — reluctant? Will it?”

  They had halted in front of a stile which they would have to climb. She turned to him in silence, and put up her face to him. He took her in his arms, and kissed her, and felt the night mist with which his moustache was drenched, and he bent his head and rubbed his face on her shoulder, and then pressed his lips on her neck. For a while they stood in silence, clasped together. Then he heard her voice, muffled in his shoulder, saying:

  “But — but, you know — it’s much harder for the woman — it means something so different for a woman.”

  “One can be wise,” he answered, slowly and gently. “One need not blunder into calamities.”

  She was silent for a time. Then she spoke again.

  “Yes, but — if it should be — you see — I couldn’t bear it.”

  He let her go, and they drew apart, and the embrace no longer choked them from speaking. He recognised the woman defensive, playing the coward against her own inclinations, and even against her knowledge.

  “If — if!” he exclaimed sharply, so that she shrank with a little fear. “There need be no ifs — need there?”

  “I don’t know,” she replied, reproachfully, very quietly.

  “If I say so — ” he said, angry with her mistrust. Then he climbed the stile, and she followed.

  “But you do know,” he exclaimed. “I have given you books — ”

  “Yes, but — ”

  “But what?” He was getting really angry.

  “It’s so different for a woman — you don’t know.”

  He did not answer this. They stumbled together over the mole-hills, under the oak trees.

  “And look — how we should have to be — creeping together in the dark — ”

  This stung him; at once, it was as if the glamour went out of life. It was as if she had tipped over the fine vessel that held the wine of his desire, and had emptied him of all his vitality. He had played a difficult, deeply-moving part all night, and now the lights suddenly switched out, and there was left only weariness. He was silent, tired, very tired, bodily and spiritually. They walked across the wide, dark meadow with sunken heads. Suddenly she caught his arm.

  “Don’t be cold with me!” she cried.

  He bent and kissed in acknowledgment the lips she offered him for love.

  “No,” he said drearily; “no, it is not coldness — only — I have lost hold — for to-night.” He spoke with difficulty. It was hard to find a word to say. They stood together, apart, under the old thorn tree for some minutes, neither speaking. Then he climbed the fence, and stood on the highway above the meadow.

  At parting also he had not kissed her. He stood a moment and looked at her. The water in a little brook under the hedge was running, chuckling with extraordinary loudness: away on Nethermere they heard the sad, haunting cry of the wild-fowl from the North. The stars still twinkled intensely. He was too spent to think of anything to say; she was too overcome with grief and fear and a little resentment. He looked down at the pale blotch of her face upturned from the low meadow beyond the fence. The thorn boughs tangled above her, drooping behind her like the roof of a hut. Beyond was the great width of the darkness. He felt unable to gather his energy to say anything vital.

  “Good-bye,” he said. “I’m going back — on Saturday. But — you’ll write to me. Good-bye.”

  He turned to go. He saw her white uplifted face vanish, and her dark form bend under the boughs of the tree, and go out into the great darkness. She did not say good-bye.

  GOOSE FAIR

  I

  Through the gloom of evening, and the flare of torches of the night before the fair, through the still fogs of the succeeding dawn came paddling the weary geese, lifting their poor feet that had been dipped in tar for shoes, and trailing them along the cobble-stones into the town. Last of all, in the afternoon, a country girl drove in her dozen birds, disconsolate because she was so late. She was a heavily built girl, fair, with regular features, and yet unprepossessing. She needed chiselling down, her contours were brutal. Perhaps it was weariness that hung her eyelids a little lower than was pleasant. When she spoke to her clumsily lagging birds it was in a snarling nasal tone. One of the silly things sat down in the gutter and refused to move. It looked very ridiculous, but also rather pitiful, squat there with its head up, refusing to be urged on by the ungentle toe of the girl. The latter swore heavily, then picked up the great complaining bird, and fronting her road stubbornly, drove on the lamentable eleven.

  No one had noticed her. This afternoon the women were not sitting chatting on their doorsteps, seaming up the cotton hose, or swiftly passing through their fingers the piled white lace; and in the high dark houses the song of the hosiery frames was hushed: “Shackety-boom, Shackety-shackety-boom, Z — zzz!” As she dragged up Hollow Stone, people returned from the fair chaffed her and asked her what o’clock it was. She did not reply, her look was sullen. The Lace Market was quiet as the Sabbath: even the great brass plates on the doors were dull with neglect. There seemed an afternoon atmosphere of raw discontent. The girl stopped a moment before the dismal prospect of one of the great warehouses that had been gutted with fire. She looked at the lean, threatening walls, and watched her white flock waddling in reckless misery below, and she would have laughed out loud had the wall fallen flat upon them and relieved her of them. But the wall did not fall, so she crossed the road, and walking on the safe side, hurried after her charge. Her look was even more sullen. She remembered the state of trade — Trade, the invidious enemy; Trade, which thrust out its hand and shut the factory doors, and pulled the stockingers off their seats, and left the web half-finished on the frame; Trade, which mysteriously choked up the sources of the rivulets of wealth, and blacker and more secret than a pestilence, starved the town. Through this morose atmosphere of bad trade, in the afternoon of the first day of the fair, the girl strode down to the Poultry with eleven sound geese and one lame one to sell.

  The Frenchmen were at the bottom of it! So everybody said, though nobody quite knew how. At any rate, they had gone to war with the Prussians and got beaten, and trade was ruined in Nottingham!

  A little fog rose up, and the twilight gathered around. Then they flared abroad their torches in the fair, insulting the night. The girl still sat in the Poultry, and her weary geese unsold on the stones, illuminated by the hissing lamp of a man who sold rabbits and pigeons and such-like assorted live-stock.

  II

  In another part of the town, near Sneinton Church, another girl came to the door to look at the night. She was tall and slender, dressed with the severe accuracy which marks the girl of superior culture. Her hair was arranged with simplicity about the long, pale, cleanly cut face. She leaned forward very slightly to glance down the street, listening. She very carefully preserved the appearance of having come quite casually to the door, yet she lingered and lingered and stood very still to listen when she heard a footstep, but when it proved to be only a common man, she drew herself up proudly and looked with a small smile over his head. He hesitated to glance into the open hall, lighted so spaciously with a scarlet-shaded lamp, and at the slim girl in brown silk lifted up before the light. But she, she looked over his head. He passed on.

  Presently she started and hung in suspense. Somebody was crossing the road. She ran down the steps in a pretty welcome, not effuse, saying in quick, but accurately articulated words: “Will! I began to think you’d gone to the fair. I came out to listen to it. I felt almost sure you’d gone. You’re coming in, aren’t you?” She waited a moment anxiously. “We expect you to dinner, you know,” she added wistfully.

  The man, who had a short face and spoke with his lip curling up on one side, in a drawling speech with ironically exaggerated intonation, replied after a short hesit
ation:

  “I’m awfully sorry, I am, straight, Lois. It’s a shame. I’ve got to go round to the biz. Man proposes — the devil disposes.” He turned aside with irony in the darkness.

  “But surely, Will!” remonstrated the girl, keenly disappointed.

  “Fact, Lois! — I feel wild about it myself. But I’ve got to go down to the works. They may be getting a bit warm down there, you know” — he jerked his head in the direction of the fair. “If the Lambs get frisky! — they’re a bit off about the work, and they’d just be in their element if they could set a lighted match to something — ”

  “Will, you don’t think — !” exclaimed the girl, laying her hand on his arm in the true fashion of romance, and looking up at him earnestly.

  “Dad’s not sure,” he replied, looking down at her with gravity. They remained in this attitude for a moment, then he said:

  “I might stop a bit. It’s all right for an hour, I should think.”

  She looked at him earnestly, then said in tones of deep disappointment and of fortitude: “No, Will, you must go. You’d better go — ”

  “It’s a shame!” he murmured, standing a moment at a loose end. Then, glancing down the street to see he was alone, he put his arm round her waist and said in a difficult voice: “How goes it?”

  She let him keep her for a moment, then he kissed her as if afraid of what he was doing. They were both uncomfortable.

  “Well — !” he said at length.

  “Good night!” she said, setting him free to go.

  He hung a moment near her, as if ashamed. Then “Good night,” he answered, and he broke away. She listened to his footsteps in the night, before composing herself to turn indoors.

  “Helloa!” said her father, glancing over his paper as she entered the dining-room. “What’s up, then?”

  “Oh, nothing,” she replied, in her calm tones. “Will won’t be here to dinner tonight.”

  “What, gone to the fair?”

  “No.”

  “Oh! What’s got him then?”

  Lois looked at her father, and answered:

  “He’s gone down to the factory. They are afraid of the hands.”

  Her father looked at her closely.

  “Oh, aye!” he answered, undecided, and they sat down to dinner.

  III

  Lois returned very early. She had a fire in her bedroom. She drew the curtains and stood holding aside a heavy fold, looking out at the night. She could see only the nothingness of the fog; not even the glare of the fair was evident, though the noise clamoured small in the distance. In front of everything she could see her own faint image. She crossed to the dressing-table, and there leaned her face to the mirror, and looked at herself. She looked a long time, then she rose, changed her dress for a dressing-jacket, and took up Sesame and Lilies.

  Late in the night she was roused from sleep by a bustle in the house. She sat up and heard a hurrying to and fro and the sound of anxious voices. She put on her dressing-gown and went out to her mother’s room. Seeing her mother at the head of the stairs, she said in her quick, clean voice:

  “Mother, what it it?”

  “Oh, child, don’t ask me! Go to bed, dear, do! I shall surely be worried out of my life.”

  “Mother, what is it?” Lois was sharp and emphatic.

  “I hope your father won’t go. Now I do hope your father won’t go. He’s got a cold as it is.”

  “Mother, tell me what is it?” Lois took her mother’s arm.

  “It’s Selby’s. I should have thought you would have heard the fire-engine, and Jack isn’t in yet. I hope we’re safe!” Lois returned to her bedroom and dressed. She coiled her plaited hair, and having put on a cloak, left the house.

  She hurried along under the fog-dripping trees towards the meaner part of the town. When she got near, she saw a glare in the fog, and closed her lips tight. She hastened on till she was in the crowd. With peaked, noble face she watched the fire. Then she looked a little wildly over the fire-reddened faces in the crowd, and catching sight of her father, hurried to him.

  “Oh, Dadda — is he safe? Is Will safe — ?”

  “Safe, aye, why not? You’ve no business here. Here, here’s Sampson, he’ll take you home. I’ve enough to bother me; there’s my own place to watch. Go home now, I can’t do with you here.”

  “Have you seen Will?” she asked.

  “Go home — Sampson, just take Miss Lois home — now!”

  “You don’t really know where he is — father?”

  “Go home now — I don’t want you here — ” her father ordered peremptorily.

  The tears sprang to Lois’ eyes. She looked at the fire and the tears were quickly dried by fear. The flames roared and struggled upward. The great wonder of the fire made her forget even her indignation at her father’s light treatment of herself and of her lover. There was a crashing and bursting of timber, as the first floor fell in a mass into the blazing gulf, splashing the fire in all directions, to the terror of the crowd. She saw the steel of the machines growing white-hot and twisting like flaming letters. Piece after piece of the flooring gave way, and the machines dropped in red ruin as the wooden framework burned out. The air became unbreathable; the fog was swallowed up: sparks went rushing up as if they would burn the dark heavens; sometimes cards of lace went whirling into the gulf of the sky, waving with wings of fire. It was dangerous to stand near this great cup of roaring destruction.

  Sampson, the grey old manager of Buxton and Co’s, led her away as soon as she would turn her face to listen to him. He was a stout, irritable man. He elbowed his way roughly through the crowd, and Lois followed him, her head high, her lips closed. He led her for some distance without speaking, then at last, unable to contain his garrulous irritability, he broke out:

  “What do they expect? What can they expect? They can’t expect to stand a bad time. They spring up like mushrooms as big as a house-side, but there’s no stability in ‘em. I remember William Selby when he’d run on my errands. Yes, there’s some as can make much out of little, and there’s some as can make much out of nothing, but they find it won’t last. William Selby’s sprung up in a day, and he’ll vanish in a night. You can’t trust to luck alone. Maybe he thinks it’s a lucky thing this fire has come when things are looking black. But you can’t get out of it as easy as that. There’s been a few too many of ‘em. No, indeed, a fire’s the last thing I should hope to come to — the very last!”

  Lois hurried and hurried, so that she brought the old manager panting in distress up the steps of her home. She could not bear to hear him talking so. They could get no one to open the door for some time. When at last Lois ran upstairs, she found her mother dressed, but all unbuttoned again, lying back in the chair in her daughter’s room, suffering from palpitation of the heart, with Sesame and Lilies crushed beneath her. Lois administered brandy, and her decisive words and movements helped largely to bring the good lady to a state of recovery sufficient to allow of her returning to her own bedroom.

  Then Lois locked the door. She glanced at her fire-darkened face, and taking the flattened Ruskin out of the chair, sat down and wept. After a while she calmed herself, rose, and sponged her face. Then once more on that fatal night she prepared for rest. Instead, however, or retiring, she pulled a silk quilt from her disordered bed and wrapping it round her, sat miserably to think. It was two o’clock in the morning.

  IV

  The fire was sunk to cold ashes in the grate, and the grey morning was creeping through the half-opened curtains like a thing ashamed, when Lois awoke. It was painful to move her head: her neck was cramped. The girl awoke in full recollection. She sighed, roused herself and pulled the quilt closer about her. For a little while she sat and mused. A pale, tragic resignation fixed her face like a mask. She remembered her father’s irritable answer to her question concerning her lover’s safety — ”Safe, aye — why not?” She knew that he suspected the factory of having been purposely set on fire. But then, he ha
d never liked Will. And yet — and yet — Lois’ heart was heavy as lead. She felt her lover was guilty. And she felt she must hide her secret of his last communication to her. She saw herself being cross-examined — ”When did you last see this man?” But she would hide what he had said about watching at the works. How dreary it was — and how dreadful. Her life was ruined now, and nothing mattered any more. She must only behave with dignity, and submit to her own obliteration. For even if Will were never accused, she knew in her heart he was guilty. She knew it was over between them.

  It was dawn among the yellow fog outside, and Lois, as she moved mechanically about her toilet, vaguely felt that all her days would arrive slowly struggling through a bleak fog. She felt an intense longing at this uncanny hour to slough the body’s trammelled weariness and to issue at once into the new bright warmth of the far Dawn where a lover waited transfigured; it is so easy and pleasant in imagination to step out of the chill grey dampness of another terrestrial daybreak, straight into the sunshine of the eternal morning! And who can escape his hour? So Lois performed the meaningless routine of her toilet, which at last she made meaningful when she took her black dress, and fastened a black jet brooch at her throat.

  Then she went downstairs and found her father eating a mutton chop. She quickly approached and kissed him on the forehead. Then she retreated to the other end of the table. Her father looked tired, even haggard.

  “You are early,” he said, after a while. Lois did not reply. Her father continued to eat for a few moments, then he said:

  “Have a chop — here’s one! Ring for a hot plate. Eh, what? Why not?”

  Lois was insulted, but she gave no sign. She sat down and took a cup of coffee, making no pretence to eat. Her father was absorbed, and had forgotten her.

  “Our Jack’s not come home yet,” he said at last.

  Lois stirred faintly. “Hasn’t he?” she said.

 

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