Where the wood fumes up and the watery, flickering
rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is
tossed
About like a shadow buffeted in the throng
Of flames, a shadow that’s gone astray, and is lost.
REPROACH
HAD I but known yesterday,
Helen, you could discharge the ache
Out of the cloud;
Had I known yesterday you could take
The turgid electric ache away,
Drink it up with your proud
White body, as lovely white lightning
Is drunk from an agonised sky by the earth,
I might have hated you, Helen.
But since my limbs gushed full of fire,
Since from out of my blood and bone
Poured a heavy flame
To you, earth of my atmosphere, stone
Of my steel, lovely white flint of desire,
You have no name.
Earth of my swaying atmosphere,
Substance of my inconstant breath,
I cannot but cleave to you.
Since you have drunken up the drear
Painful electric storm, and death
Is washed from the blue
Of my eyes, I see you beautiful.
You are strong and passive and beautiful,
I come like winds that uncertain hover;
But you
Are the earth I hover over.
THE HANDS OF THE BETROTHED
HER tawny eyes are onyx of thoughtlessness,
Hardened they are like gems in ancient modesty;
Yea, and her mouth’s prudent and crude caress
Means even less than her many words to me.
Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax
clips
Two wild, dumb paws in anguish on the lonely
Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast
She puts me away, like a saleswoman whose mart is
Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong
hands
Heavier than mine, yet like leverets caught in
steel
When I hold them; my still soul understands
Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift
Like heavy birds from the morning stubble, to
settle
Upon me like sleeping birds, like birds that shift
Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee,
How strangely she tries to disown it, as it sinks
In my flesh and bone and forages into me,
How it stirs like a subtle stoat, whatever she
thinks!
And often I see her clench her fingers tight
And thrust her fists suppressed in the folds of her
skirt;
And sometimes, how she grasps her arms with her
bright
Big hands, as if surely her arms did hurt.
And I have seen her stand all unaware
Pressing her spread hands over her breasts, as she
Would crush their mounds on her heart, to kill in
there
The pain that is her simple ache for me.
Her strong hands take my part, the part of a man
To her; she crushes them into her bosom deep
Where I should lie, and with her own strong
span
Closes her arms, that should fold me in sleep.
Ah, and she puts her hands upon the wall,
Presses them there, and kisses her bright hands,
Then lets her black hair loose, the darkness fall
About her from her maiden-folded bands.
And sits in her own dark night of her bitter hair
Dreaming — God knows of what, for to me she’s
the same
Betrothed young lady who loves me, and takes care
Of her womanly virtue and of my good name.
EXCURSION
I WONDER, can the night go by;
Can this shot arrow of travel fly
Shaft-golden with light, sheer into the sky
Of a dawned to-morrow,
Without ever sleep delivering us
From each other, or loosing the dolorous
Unfruitful sorrow!
What is it then that you can see
That at the window endlessly
You watch the red sparks whirl and flee
And the night look through?
Your presence peering lonelily there
Oppresses me so, I can hardly bear
To share the train with you.
You hurt my heart-beats’ privacy;
I wish I could put you away from me;
I suffocate in this intimacy,
For all that I love you;
How I have longed for this night in the train,
Yet now every fibre of me cries in pain
To God to remove you.
But surely my soul’s best dream is still
That one night pouring down shall swill
Us away in an utter sleep, until
We are one, smooth-rounded.
Yet closely bitten in to me
Is this armour of stiff reluctancy
That keeps me impounded.
So, dear love, when another night
Pours on us, lift your fingers white
And strip me naked, touch me light,
Light, light all over.
For I ache most earnestly for your touch,
Yet I cannot move, however much
I would be your lover.
Night after night with a blemish of day
Unblown and unblossomed has withered away;
Come another night, come a new night, say
Will you pluck me apart?
Will you open the amorous, aching bud
Of my body, and loose the burning flood
That would leap to you from my heart?
PERFIDY
HOLLOW rang the house when I knocked on the door,
And I lingered on the threshold with my hand
Upraised to knock and knock once more:
Listening for the sound of her feet across the floor,
Hollow re-echoed my heart.
The low-hung lamps stretched down the road
With shadows drifting underneath,
With a music of soft, melodious feet
Quickening my hope as I hastened to meet
The low-hung light of her eyes.
The golden lamps down the street went out,
The last car trailed the night behind;
And I in the darkness wandered about
With a flutter of hope and of dark-shut doubt
In the dying lamp of my love.
Two brown ponies trotting slowly
Stopped at a dim-lit trough to drink:
The dark van drummed down the distance slowly;
While the city stars so dim and holy
Drew nearer to search through the streets.
A hastening car swept shameful past,
I saw her hid in the shadow,
I saw her step to the curb, and fast
Run to the silent door, where last
I had stood with my hand uplifted.
She clung to the door in her haste to enter,
> Entered, and quickly cast
It shut behind her, leaving the street aghast.
A SPIRITUAL WOMAN
CLOSE your eyes, my love, let me make you blind;
They have taught you to see
Only a mean arithmetic on the face of things,
A cunning algebra in the faces of men,
And God like geometry
Completing his circles, and working cleverly.
I’ll kiss you over the eyes till I kiss you blind;
If I can — if any one could.
Then perhaps in the dark you’ll have got what you
want to find.
You’ve discovered so many bits, with your clever
eyes,
And I’m a kaleidoscope
That you shake and shake, and yet it won’t come to
your mind.
Now stop carping at me. — But God, how I hate you!
Do you fear I shall swindle you?
Do you think if you take me as I am, that that will
abate you
Somehow? — so sad, so intrinsic, so spiritual, yet so
cautious, you
Must have me all in your will and your consciousness —
I hate you.
MATING
ROUND clouds roll in the arms of the wind,
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.
Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.
In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,
Seven toads that meet in the dusk to share
The darkness that interweaves
The sky and earth and water and live things everywhere.
Look now, through the woods where the beech-green
spurts
Like a storm of emerald snow, look, see
A great bay stallion dances, skirts
The bushes sumptuously,
Going outward now in the spring to his brief deserts.
Ah love, with your rich, warm face aglow,
What sudden expectation opens you
So wide as you watch the catkins blow
Their dust from the birch on the blue
Lift of the pulsing wind — ah, tell me you know!
Ah, surely! Ah, sure from the golden sun
A quickening, masculine gleam floats in to all
Us creatures, people and flowers undone,
Lying open under his thrall,
As he begets the year in us. What, then, would you
shun?
Why, I should think that from the earth there fly
Fine thrills to the neighbour stars, fine yellow beams
Thrown lustily off from our full-blown, high
Bursting globe of dreams,
To quicken the spheres that are virgin still in the sky.
Do you not hear each morsel thrill
With joy at travelling to plant itself within
The expectant one, therein to instil
New rapture, new shape to win,
From the thick of life wake up another will?
Surely, and if that I would spill
The vivid, ah, the fiery surplus of life,
From off my brimming measure, to fill
You, and flush you rife
With increase, do you call it evil, and always evil?
A LOVE SONG
REJECT me not if I should say to you
I do forget the sounding of your voice,
I do forget your eyes that searching through
The mists perceive our marriage, and rejoice.
Yet, when the apple-blossom opens wide
Under the pallid moonlight’s fingering,
I see your blanched face at my breast, and hide
My eyes from diligent work, malingering.
Ah, then, upon my bedroom I do draw
The blind to hide the garden, where the moon
Enjoys the open blossoms as they straw
Their beauty for his taking, boon for boon.
And I do lift my aching arms to you,
And I do lift my anguished, avid breast,
And I do weep for very pain of you,
And fling myself at the doors of sleep, for rest.
And I do toss through the troubled night for you,
Dreaming your yielded mouth is given to mine,
Feeling your strong breast carry me on into
The peace where sleep is stronger even than wine.
BROTHER AND SISTER
THE shorn moon trembling indistinct on her path,
Frail as a scar upon the pale blue sky,
Draws towards the downward slope; some sorrow
hath
Worn her down to the quick, so she faintly fares
Along her foot-searched way without knowing why
She creeps persistent down the sky’s long stairs.
Some say they see, though I have never seen,
The dead moon heaped within the new moon’s arms;
For surely the fragile, fine young thing had been
Too heavily burdened to mount the heavens so.
But my heart stands still, as a new, strong dread
alarms
Me; might a young girl be heaped with such shadow
of woe?
Since Death from the mother moon has pared us
down to the quick,
And cast us forth like shorn, thin moons, to travel
An uncharted way among the myriad thick
Strewn stars of silent people, and luminous litter
Of lives which sorrows like mischievous dark mice
chavel
To nought, diminishing each star’s glitter,
Since Death has delivered us utterly, naked and
white,
Since the month of childhood is over, and we stand
alone,
Since the beloved, faded moon that set us alight
Is delivered from us and pays no heed though we
moan
In sorrow, since we stand in bewilderment, strange
And fearful to sally forth down the sky’s long range.
We may not cry to her still to sustain us here,
We may not hold her shadow back from the dark.
Oh, let us here forget, let us take the sheer
Unknown that lies before us, bearing the ark
Of the covenant onwards where she cannot go.
Let us rise and leave her now, she will never know.
AFTER MANY DAYS
I WONDER if with you, as it is with me,
If under your slipping words, that easily flow
About you as a garment, easily,
Your violent heart beats to and fro!
Long have I waited, never once confessed,
Even to myself, how bitter the separation;
Now, being come again, how make the best
Reparation?
If I could cast this clothing off from me,
If I could lift my naked self to you,
Or if only you would repulse me, a wound would be
Good; it would let the ache come through.
But that you hold me still so kindly cold
Aloof my flaming heart will not allow;
Yea, but I loathe you that you should withhold
Your pleasure now.
BLUE
THE earth again like a ship steams out of the dark
sea over
The edge of the blue, and the sun stands up to see
us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness,
stripped
And quailing here in the sunshine, delivered from
haunting
The night unsounded whereon our days are shipped.
Feeling myself undawning, the day’s light playing
upon me,
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled
and racked.
I with the night on my lips, I sigh with the silence
of death;
And what do I care though the very stones should
cry me unreal, though the clouds
Shine in conceit of substance upon me, who am less
than the rain.
Do I not know the darkness within them? What
are they but shrouds?
The clouds go down the sky with a wealthy ease
Casting a shadow of scorn upon me for my share in
death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift
on the breeze.
Yea, though the very clouds have vantage over
me,
Enjoying their glancing flight, though my love is
dead,
I still am not homeless here, I’ve a tent by day
Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness Which vibrates untouched and virile through the grandeur of night, But which, when dawn crows challenge, assaulting the vivid motes Of living darkness, bursts fretfully, and is bright:
Runs like a fretted arc-lamp into light,
Stirred by conflict to shining, which else
Were dark and whole with the night.
Runs to a fret of speed like a racing wheel,
Complete Works of D.H. Lawrence Page 825