A Clockwork Orange

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A Clockwork Orange Page 10

by Anthony Burgess


  What happened now was that one white-coated veck strapped my gulliver to a like head-rest, singing to himself all the time some vonny cally pop-song. 'What's this for?' I said. And this veck replied, interrupting his like song an instant, that it was to keep my gulliver still and make me look at the screen. 'But,' I said, 'I want to look at the screen. I've been brought here to viddy films and viddy films I shall.' And then the other white-coat veck (there were three altogether, one of them a devotchka who was like sitting at the bank of meters and twiddling with knobs) had a bit of a smeck at that. He said:

  'You never know. Oh, you never know. Trust us, friend. It's better this way.' And then I found they were strapping my rookers to the chair-arms and my nogas were like stuck to a foot-rest. It seemed a bit bezoomny to me but I let them get on with what they wanted to get on with. If I was to be a free young malchick again in a fortnight's time I would put up with much in the meantime, O my brothers. One veshch I did not like, though, was when they put like clips on the skin of my forehead, so that my top glaz-lids were pulled up and up and up and I could not shut my glazzies no matter how I tried. I tried to smeck and said: 'This must be a real horrorshow film if you're so keen on my viddying it.' And one of the white-coat vecks said, smecking:

  'Horrorshow is right, friend. A real show of horrors.' And then I had like a cap stuck on my gulliver and I could viddy all wires running away from it, and they stuck a like suction pad on my belly and one on the old tick-tocker, and I could just about viddy wires running away from those. Then there was the shoom of a door opening and you could tell some very important chelloveck was coming in by the way the white-coated under-vecks went all stiff. And then I viddied this Dr Brodsky. He was a malenky veck, very fat, with all curly hair curling all over his gulliver, and on his spuddy nose he had very thick otchkies. I could just viddy that he had a real horrorshow suit on, absolutely the heighth of fashion, and he had a like very delicate and subtle von of operating-theatres coming from him. With him was Dr Branom, all smiling like as though to give me confidence. 'Everything ready?' said Dr Brodsky in a very breathy goloss. Then I could slooshy voices saying Right right right from like a distance, then nearer to, then there was a quiet like humming shoom as though things had been switched on. And then the lights went out and there was Your Humble Narrator And Friend sitting alone in the dark, all on his frightened oddy knocky, not able to move nor shut his glazzies nor anything. And then, O my brothers, the film-show started off with some very gromky atmosphere music coming from the speakers, very fierce and full of discord. And then on the screen the picture came on, but there was no title and no credits. What came on was a street, as it might have been any street in any town, and it was a real dark nochy and the lamps were lit. It was a very good like professional piece of sinny, and there were none of these flickers and blobs you get, say, when you viddy one of these dirty films in somebody's house in a back street. All the time the music bumped out, very like sinister. And then you could viddy an old man coming down the street, very starry, and then there leaped out on this starry veck two malchicks dressed in the heighth of fashion, as it was at this time (still thin trousers but no like cravat any more, more of a real tie), and then they started to filly with him. You could slooshy his screams and moans, very realistic, and you could even get the like heavy breathing and panting of the two tolchocking malchicks. They made a real pudding out of this starry veck, going crack crack crack at him with their fisty rookers, tearing his platties off and then finishing up by booting his nagoy plott (this lay all krovvy-red in the grahzny mud of the gutter) and then running off very skorry. Then there was the close-up gulliver of this beaten-up starry veck, and the krovvy flowed beautiful red. It's funny how the colours of the like real world only seem really real when you viddy them on the screen.

  Now all the time I was watching this I was beginning to get very aware of a like not feeling all that well, and this I put down to the under-nourishment and my stomach not quite ready for the rich pishcha and vitamins I was getting here. But I tried to forget this, concentrating on the next film which came on at once, my brothers, without any break at all. This time the film like jumped right away on a young devotchka who was being given the old in-out by first one malchick then another then another then another, she creeching away very gromky through the speakers and like very pathetic and tragic music going on at the same time. This was real, very real, though if you thought about it properly you couldn't imagine lewdies actually agreeing to having all this done to them in a film, and if these films were made by the Good or the State you couldn't imagine them being allowed to take these films without like interfering with what was going on. So it must have been very clever what they call cutting or editing or some such veshch. For it was very real. And when it came to the sixth or seventh malchick leering and smecking and then going into it and the devotchka creeching on the sound-track like bezoomny, then I began to feel sick. I had like pains all over and felt I could sick up and at the same time not sick up, and I began to feel like in distress, O my brothers, being fixed rigid too on this chair. When this bit of film was over I could slooshy the goloss of this Dr Brodsky from over by the switchboard saying: 'Reaction about twelve point five? Promising, promising.'

  Then we shot straight into another lomtick of film, and this time it was of just a human litso, a very like pale human face held still and having different nasty veshches done to it. I was sweating a malenky bit with the pain in my guts and a horrible thirst and my gulliver going throb throb throb, and it seemed to me that if I could not viddy this bit of film I would perhaps be not so sick. But I could not shut my glazzies, and even if I tried to move my glaz-balls about I still could not get like out of the line of fire of this picture. So I had to go on viddying what was being done and hearing the most ghastly creechings coming from this litso. I knew it could not really be real, but that made no difference. I was heaving away but could not sick, viddying first a britva cut out an eye, then slice down the cheek, then go rip rip rip all over, while red krovvy shot on to the camera lens. Then all the teeth were like wrenched out with a pair of pliers, and the creeching and the blood were terrific. Then I slooshied this very pleased goloss of Dr Brodsky going: 'Excellent, excellent, excellent.'

  The next lomtick of film was of an old woman who kept a shop being kicked about amid very gromky laughter by a lot of malchicks, and these malchicks broke up the shop and then set fire to it. You could viddy this poor starry ptitsa trying to crawl out of the flames, screaming and creeching, but having had her leg broke by these malchicks kicking her she could not move. So then all the flames went roaring round her, and you could viddy her agonized litso like appealing through the flames and then disappearing in the flames, and then you could slooshy the most gromky and agonized and agonizing screams that ever came from a human goloss. So this time I knew I had to sick up, so I creeched:

  'I want to be sick. Please let me be sick. Please bring something for me to be sick into.' But this Dr Brodsky called back:

  'Imagination only. You've nothing to worry about. Next film coming up.' That was perhaps meant to be a joke, for I heard a like smeck coming from the dark. And then I was forced to viddy a most nasty film about Japanese torture. It was the 1939-45 War, and there were soldiers being fixed to trees with nails and having fires lit under them and having their yarbles cut off, and you even viddied a gulliver being sliced off a soldier with a sword, and then with his head rolling about and the rot and the glazzies looking alive still, the plott of this soldier actually ran about, krovvy like a fountain out of the neck, and then it dropped, and all the time there was very very loud laughter from the Japanese. The pains I felt now in my belly and the headache and the thirst were terrible, and they all seemed to be coming out of the screen. So I creeched:

  'Stop the film! Please, please stop it! I can't stand any more.' And then the goloss of this Dr Brodsky said:

  'Stop it? Stop it, did you say? Why, we've hardly started.' And he and the others smecked quit
e loud.

  5

  I do not wish to describe, brothers, what other horrible veshches I was like forced to viddy that afternoon. The like minds of this Dr Brodsky and Dr Branom and the others in white coats, and remember there was this devotchka twiddling with the knobs and watching the meters, they must have been more cally and filthy than any prestoopnick in the Staja itself. Because I did not think it was possible for any veck to even think of making films of what I was forced to viddy, all tied to this chair and my glazzies made to be wide open. All I could do was to creech very gromky for them to turn it off, turn it off, and that like part drowned the noise of dratsing and fillying and also the music that went with it all. You can imagine it was a like a terrible relief when I'd viddied the last bit of film and this Dr Brodsky said, in a very yawny and bored like goloss: 'I think that should be enough for Day One, don't you, Branom?' And there I was with the lights switched on, my gulliver throbbing like a bolshy big engine that makes pain, and my rot all dry and cally inside, and feeling I could like sick up every bit of pishcha I had ever eaten, O my brothers, since the day I was like weaned. 'All right,' said this Dr Brodsky, 'he can be taken back to his bed.' Then he like patted me on the pletcho and said: 'Good, good. A very promising start,' grinning all over his litso, then he like waddled out, Dr Branom after him, but Dr Branom gave me a like very droogy and sympathetic type smile as though he had nothing to do with all this veshch but was like forced into it as I was.

  Anyhow, they freed my plott from the chair and they let go the skin above my glazzies so that I could open and shut them again, and I shut them, O my brothers, with the pain and throb in my gulliver, and then I was like carried to the old wheelchair and taken back to my malenky bedroom, the under-veck who wheeled me singing away at some hound-and-horny popsong so that I like snarled: 'Shut it, thou,' but he only smecked and said: 'Never mind, friend,' and then sang louder. So I was put into the bed and still felt bolnoy but could not sleep, but soon I started to feel that soon I might start to feel that I might soon start feeling just a malenky bit better, and then I was brought some nice hot chai with plenty of moloko and sakar and, peeting that, I knew that that like horrible nightmare was in the past and all over. And then Dr Branom came in, all nice and smiling. He said:

  'Well, by my calculations you should be starting to feel all right again. Yes?'

  'Sir,' I said, like wary. I did not quite kopat what he was getting at govoreeting about calculations, seeing that getting better from feeling bolnoy is like your own affair and nothing to do with calculations. He sat down, all nice and droogy, on the bed's edge and said:

  'Dr Brodsky is pleased with you. You had a very positive response. Tomorrow, of course, there'll be two sessions, morning and afternoon, and I should imagine that you'll be feeling a bit limp at the end of the day. But we have to be hard on you, you have to be cured.' I said:

  'You mean I have to sit through--? You mean I have to look at--? Oh, no,' I said. 'It was horrible.'

  'Of course it was horrible,' smiled Dr Branom. 'Violence is a very horrible thing. That's what you're learning now. Your body is learning it.'

  'But,' I said, 'I don't understand. I don't understand about feeling sick like I did. I never used to feel sick before. I used to feel like very the opposite. I mean, doing it or watching it I used to feel real horrorshow. I just don't understand why or how or what--'

  'Life is a very wonderful thing,' said Dr Branom in a like very holy goloss. 'The processes of life, the make-up of the human organism, who can fully understand these miracles? Dr Brodsky is, of course, a remarkable man. What is happening to you now is what should happen to any healthy human organism contemplating the actions of the forces of evil, the workings of the principle of destruction. You are being made sane, you are being made healthy.'

  'That I will not have,' I said, 'nor can understand at all. What you've been doing is to make me feel very very ill.'

  'Do you feel ill now?' he said, still with the old droogy smile on his litso. 'Drinking tea, resting, having a quiet chat with a friend--surely you're not feeling anything but well?'

  I like listened and felt for pain and sickness in my gulliver and plott, in a like cautious way, but it was true, brothers, that I felt real horrorshow and even wanting my dinner. 'I don't get it,' I said. 'You must be doing something to me to make me feel ill.' And I sort of frowned about that, thinking.

  'You felt ill this afternoon,' he said, 'because you're getting better. When we're healthy we respond to the presence of the hateful with fear and nausea. You're becoming healthy, that's all. You'll be healthier still this time tomorrow.' Then he patted me on the noga and went out, and I tried to puzzle the whole veshch out as best I could. What it seemed to me was that the wires and other veshches that were fixed to my plott perhaps were making me feel ill, and that it was all a trick really. I was still puzzling out all this and wondering whether I should refuse to be strapped down to this chair tomorrow and start a real bit of dratsing with them all, because I had my rights, when another chelloveck came in to see me. He was a like smiling starry veck who said he was what he called the Discharge Officer, and he carried a lot of bits of paper with him. He said:

  'Where will you go when you leave here?' I hadn't really thought about that sort of veshch at all, and it only now really began to dawn on me that I'd be a fine free malchick very soon, and then I viddied that would only be if I played it everybody's way and did not start any dratsing and creeching and refusing and so on. I said:

  'Oh, I shall go home. Back to my pee and em.'

  'Your--?' He didn't get nadsat-talk at all, so I said:

  'To my parents in the dear old flatblock.'

  'I see,' he said. 'And when did you last have a visit from your parents?'

  'A month,' I said, 'very near. They like suspended visiting-day for a bit because of one prestoopnick getting some blasting-powder smuggled in across the wires from his ptitsa. A real cally trick to play on the innocent, like punishing them as well. So it's like near a month since I had a visit.'

  'I see,' said this veck. 'And have your parents been informed of your transfer and impending release?' That had a real lovely zvook that did, that slovo release. I said:

  'No.' Then I said: 'It will be a nice surprise for them, that, won't it? Me just walking in through the door and saying: "Here I am, back, a free veck again." Yes, real horrorshow.'

  'Right,' said the Discharge Officer veck, 'we'll leave it at that. So long as you have somewhere to live. Now, there's the question of your having a job, isn't there?' And he showed me this long list of jobs I could have, but I thought, well, there would be time enough for that. A nice malenky holiday first. I could do a crasting job soon as I got out and fill the old carmans with pretty polly, but I would have to be very careful and I would have to do the job all on my oddy knocky. I did not trust so-called droogs any more. So I told this veck to leave it a bit and we would govoreet about it again. He said right right right, then got ready to leave. He showed himself to be a very queer sort of a veck, because what he did now was to like giggle and then say: 'Would you like to punch me in the face before I go?' I did not think I could possibly have slooshied that right, so I said:

  'Eh?'

  'Would you,' he giggled, 'like to punch me in the face before I go?' I frowned like at that, very puzzled, and said:

  'Why?'

  'Oh,' he said, 'just to see how you're getting on.' And he brought his litso real near, a fat grin all over his rot. So I fisted up and went smack at this litso, but he pulled himself away real skorry, grinning still, and my rooker just punched air. Very puzzling, this was, and I frowned as he left, smecking his gulliver off. And then, my brothers, I felt real sick again, just like in the afternoon, just for a couple of minootas. It then passed off skorry, and when they brought my dinner in I found I had a fair appetite and was ready to crunch away at the roast chicken. But it was funny that starry chelloveck asking for a tolchock in the litso. And it was funny feeling sick like that.
>
  What was even funnier was when I went to sleep that night, O my brothers. I had a nightmare, and, as you might expect, it was of one of those bits of film I'd viddied in the afternoon. A dream or nightmare is really only like a film inside your gulliver, except that it is as though you could walk into it and be part of it. And this is what happened to me. It was a nightmare of one of the bits of film they showed me near the end of the afternoon like session, all of smecking malchicks doing the ultra-violent on a young ptitsa who was creeching away in her red red krovvy, her platties all razrezzed real horrorshow. I was in this fillying about, smecking away and being like the ringleader, dressed in the heighth of nadsat fashion. And then at the heighth of all this dratsing and tolchocking I felt like paralysed and wanting to be very sick, and all the other malchicks had a real gromky smeck at me. Then I was dratsing my way back to being awake all through my own krovvy, pints and quarts and gallons of it, and then I found myself in my bed in this room. I wanted to be sick, so I got out of the bed all trembly so as to go off down the corridor to the old vaysay. But, behold, brothers, the door was locked. And turning round I viddied for like the first raz that there were bars on the window. And so, as I reached for the like pot in the malenky cupboard beside the bed, I viddied that there would be no escaping from any of all this. Worse, I did not dare to go back into my own sleeping gulliver. I soon found I did not want to be sick after all, but then I was poogly of getting back into bed to sleep. But soon I fell smack into sleep and did not dream any more.

  6

  'Stop it, stop it, stop it,' I kept on creeching out. 'Turn it off, you grahzny bastards, for I can stand no more.' It was the next day, brothers, and I had truly done my best morning and afternoon to play it their way and sit like a horrorshow smiling co-operative malchick in the chair of torture while they flashed nasty bits of ultra-violence on the screen, my glazzies clipped open to viddy all, my plott and rookers and nogas fixed to the chair so I could not get away. What I was being made to viddy now was not really a veshch I would have thought to be too bad before, it being only three or four malchicks crasting in a shop and filling their carmans with cutter, at the same time fillying about with the creeching starry ptitsa running the shop, tolchocking her and letting the red red krovvy flow. But the throb and like crash crash crash crash in my gulliver and the wanting to sick and the terrible dry rasping thirstiness in my rot, all were worse than yesterday. 'Oh, I've had enough,' I cried. 'It's not fair, you vonny sods,' and I tried to struggle out of the chair but it was not possible, me being as good as stuck to it.

 

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