by Jodi Picoult
"And the time she almost married his twin by mistake," Kate adds.
"Don't forget when he died in the boat accident. For two months, anyway." My mother joins the conversation, and I remember that she used to watch this soap, too, sitting with Kate in the hospital.
For the first time, Kate seems to notice my mother's outfit. "What are you wearing?"
"Oh. Something I'm sending back." She stands up in front of me so that I can undo her zipper. This mail-order compulsion, for any other mother, would be a wake-up call for therapy; for my mom, it would probably be considered a healthy break. I wonder if it's putting on someone else's skin for a while that she likes so much, or if it's the option of being able to send back a circumstance that just doesn't suit you. She looks at Kate, hard. "You're sure nothing hurts?"
After my mother leaves, Kate sinks a little. That's the only way to describe it--how fast color drains from her face, how she disappears against the pillows. As she gets sicker, she fades a little more, until I am afraid one day I will wake up and not be able to see her at all. "Move," Kate orders. "You're blocking the picture."
So I go to sit on my own bed. "It's only the coming attractions."
"Well, if I die tonight I want to know what I'm missing."
I fluff my pillows up under my head. Kate, as usual, has swapped so that she has all the funchy ones that don't feel like rocks under your neck. She's supposed to deserve this, because she's three years older than me or because she's sick or because the moon is in Aquarius--there's always a reason. I squint at the television, wishing I could flip through the stations, knowing I don't have a prayer. "Preston looks like he's made out of plastic."
"Then why did I hear you whispering his name last night into your pillow?"
"Shut up," I say.
"You shut up." Then Kate smiles at me. "He probably is gay, though. Quite a waste, considering the Fitzgerald sisters are--" Wincing, she breaks off mid-sentence, and I roll toward her.
"Kate?"
She rubs her lower back. "It's nothing."
It's her kidneys. "Want me to get Mom?"
"Not yet." She reaches between our beds, which are just far apart enough for us to touch each other if we both try. I hold out my hand, too. When we were little we'd make this bridge and try to see how many Barbies we could get to balance on it.
Lately, I have been having nightmares, where I'm cut into so many pieces that there isn't enough of me to be put back together.
*
My father says that a fire will burn itself out, unless you open a window and give it fuel. I suppose that's what I'm doing, when you get right down to it; but then again, my dad also says that when flames are licking at your heels you've got to break a wall or two if you want to escape. So when Kate falls asleep from her meds I take the leather binder I keep between my mattress and box spring and go into the bathroom for privacy. I know Kate's been snooping--I rigged up a red thread between the zipper's teeth to let me know who was prying into my stuff without my permission, but even though the thread's been torn there's nothing missing inside. I turn on the water in the bathtub so it sounds like I'm in there for a reason, and sit down on the floor to count.
If you add in the twenty dollars from the pawnshop, I have $136.87. It's not going to be enough, but there's got to be a way around that. Jesse didn't have $2,900 when he bought his beat-up Jeep, and the bank gave him some kind of loan. Of course, my parents had to sign the papers, too, and I doubt they're going to be willing to do that for me, given the circumstances. I count the money a second time, just in case the bills have miraculously reproduced, but math is math and the total stays the same. And then I read the newspaper clippings.
Campbell Alexander. It's a stupid name, in my opinion. It sounds like a bar drink that costs too much, or a brokerage firm. But you can't deny the man's track record.
To reach my brother's room, you actually have to leave the house, which is exactly the way he likes it. When Jesse turned sixteen he moved into the attic over the garage--a perfect arrangement, since he didn't want my parents to see what he was doing and my parents didn't really want to see. Blocking the stairs to his place are four snow tires, a small wall of cartons, and an oak desk tipped onto its side. Sometimes I think Jesse sets up these obstacles himself, just to make getting to him more of a challenge.
I crawl over the mess and up the stairs, which vibrate with the bass from Jesse's stereo. It takes nearly five whole minutes before he hears me knocking. "What?" he snaps, opening the door a crack.
"Can I come in?"
He thinks twice, then steps back to let me enter. The room is a sea of dirty clothes and magazines and leftover Chinese take-out cartons; it smells like the sweaty tongue of a hockey skate. The only neat spot is the shelf where Jesse keeps his special collection--a Jaguar's silver mascot, a Mercedes symbol, a Mustang's horse--hood ornaments that he told me he just found lying around, although I'm not dumb enough to believe him.
Don't get me wrong--it isn't that my parents don't care about Jesse or whatever trouble he's gotten himself mixed up in. It's just that they don't really have time to care about it, because it's a problem somewhere lower on the totem pole.
Jesse ignores me, going back to whatever he was doing on the far side of the mess. My attention is caught by a Crock-Pot--one that disappeared out of the kitchen a few months ago--which now sits on top of Jesse's TV with a copper tube threaded out of its lid and down through a plastic milk jug filled with ice, emptying into a glass Mason jar. Jesse may be a borderline delinquent, but he's brilliant. Just as I'm about to touch the contraption, Jesse turns around. "Hey!" He fairly flies over the couch to knock my hand away. "You'll screw up the condensing coil."
"Is this what I think it is?"
A nasty grin itches over his face. "Depends on what you think it is." He jimmies out the Mason jar, so that liquid drips onto the carpet. "Have a taste."
For a still made out of spit and glue, it produces pretty potent moonshine whiskey. An inferno races so fast through my belly and legs I fall back onto the couch. "Disgusting," I gasp.
Jesse laughs and takes a swig, too, although for him it goes down easier. "So what do you want from me?"
"How do you know I want something?"
"Because no one comes up here on a social call," he says, sitting on the arm of the couch. "And if it was something about Kate, you would've already told me."
"It is about Kate. Sort of." I press the newspaper clippings into my brother's hand; they'll do a better job explaining than I ever could. He scans them, then looks me right in the eye. His are the palest shade of silver, so surprising that sometimes when he stares at you, you can completely forget what you were planning to say.
"Don't mess with the system, Anna," he says bitterly. "We've all got our scripts down pat. Kate plays the Martyr. I'm the Lost Cause. And you, you're the Peacekeeper."
He thinks he knows me, but that goes both ways--and when it comes to friction, Jesse is an addict. I look right at him. "Says who?"
*
Jesse agrees to wait for me in the parking lot. It's one of the few times I can recall him doing anything I tell him to do. I walk around to the front of the building, which has two gargoyles guarding its entrance.
Campbell Alexander, Esquire's office is on the third floor. The walls are paneled with wood the color of a chestnut mare's coat, and when I step onto the thick Oriental rug on the floor, my sneakers sink an inch. The secretary is wearing black pumps so shiny I can see my own face in them. I glance down at my cutoffs and the Keds that I tattooed last week with Magic Markers when I was bored.
The secretary has perfect skin and perfect eyebrows and honeybee lips, and she's using them to scream bloody murder at whoever's on the other end of the phone. "You cannot expect me to tell a judge that. Just because you don't want to hear Kleman rant and rave doesn't mean that I have to . . . no, actually, that raise was for the exceptional job I do and the crap I put up with on a daily basis, and as a matter of fact, whi
le we're on--" She holds the phone away from her ear; I can make out the buzz of disconnection. "Bastard," she mutters, and then seems to realize I'm standing three feet away. "Can I help you?"
She looks me over from head to toe, rating me on a general scale of first impressions, and finding me severely lacking. I lift my chin and pretend to be far more cool than I actually am. "I have an appointment with Mr. Alexander. At four o'clock."
"Your voice," she says. "On the phone, you didn't sound quite so . . ."
Young?
She smiles uncomfortably. "We don't try juvenile cases, as a rule. If you'd like I can offer you the names of some practicing attorneys who--"
I take a deep breath. "Actually," I interrupt, "you're wrong. Smith v. Whately, Edmunds v. Womens and Infants Hospital, and Jerome v. the Diocese of Providence all involved litigants under the age of eighteen. All three resulted in verdicts for Mr. Alexander's clients. And those were just in the past year."
The secretary blinks at me. Then a slow smile toasts her face, as if she's decided she just might like me after all. "Come to think of it, why don't you just wait in his office?" she suggests, and she stands up to show me the way.
*
Even if I spend every minute of the rest of my life reading, I do not believe that I will ever manage to consume the sheer number of words routed high and low on the walls of Campbell Alexander, Esquire's office. I do the math--if there are 400 words or so on every page, and each of those legal books are 400 pages, and there are twenty on a shelf and six shelves per bookcase--why, you're pushing nineteen million words, and that's only partway across the room.
I'm alone in the office long enough to note that his desk is so neat, you could play Chinese football on the blotter; that there is not a single photo of a wife or a kid or even himself; and that in spite of the fact that the room is spotless, there's a mug full of water sitting on the floor.
I find myself making up explanations: it's a swimming pool for an army of ants. It's some kind of primitive humidifier. It's a mirage.
I've nearly convinced myself about that last one, and am leaning over to touch it to see if it's real, when the door bursts open. I practically fall out of my chair and that puts me eye to eye with an incoming German shepherd, which spears me with a look and then marches over to the mug and starts to drink.
Campbell Alexander comes in, too. He's got black hair and he's at least as tall as my dad--six feet--with a right-angle jaw and eyes that look frozen over. He shrugs out of a suit jacket and hangs it neatly on the back of the door, then yanks a file out of a cabinet before moving to his desk. He never makes eye contact with me, but he starts talking all the same. "I don't want any Girl Scout cookies," Campbell Alexander says. "Although you do get Brownie points for tenacity. Ha." He smiles at his own joke.
"I'm not selling anything."
He glances at me curiously, then pushes a button on his phone. "Kerri," he says when the secretary answers. "What is this doing in my office?"
"I'm here to retain you," I say.
The lawyer releases the intercom button. "I don't think so."
"You don't even know if I have a case."
I take a step forward; so does the dog. For the first time I realize it's wearing one of those vests with a red cross on it, like a St. Bernard that might carry rum up a snowy mountain. I automatically reach out to pet him. "Don't," Alexander says. "Judge is a service dog."
My hand goes back to my side. "But you aren't blind."
"Thank you for pointing that out to me."
"So what's the matter with you?"
The minute I say it, I want to take it back. Haven't I watched Kate field this question from hundreds of rude people?
"I have an iron lung," Campbell Alexander says curtly, "and the dog keeps me from getting too close to magnets. Now, if you'd do me the exalted honor of leaving, my secretary can find you the name of someone who--"
But I can't go yet. "Did you really sue God?" I take out all the newspaper clippings, smooth them on the bare desk.
A muscle tics in his cheek, and then he picks up the article lying on top. "I sued the Diocese of Providence, on behalf of a kid in one of their orphanages who needed an experimental treatment involving fetal tissue, which they felt violated Vatican II. However, it makes a much better headline to say that a nine-year-old is suing God for being stuck with the short end of the straw in life." I just stare at him. "Dylan Jerome," the lawyer admits, "wanted to sue God for not caring enough about him."
A rainbow might as well have cracked down the middle of that big mahogany desk. "Mr. Alexander," I say, "my sister has leukemia."
"I'm sorry to hear that. But even if I were willing to litigate against God again, which I'm not, you can't bring a lawsuit on someone else's behalf."
There is way too much to explain--my own blood seeping into my sister's veins; the nurses holding me down to stick me for white cells Kate might borrow; the doctor saying they didn't get enough the first time around. The bruises and the deep bone ache after I gave up my marrow; the shots that sparked more stem cells in me, so that there'd be extra for my sister. The fact that I'm not sick, but I might as well be. The fact that the only reason I was born was as a harvest crop for Kate. The fact that even now, a major decision about me is being made, and no one's bothered to ask the one person who most deserves it to speak her opinion.
There's way too much to explain, and so I do the best I can. "It's not God. Just my parents," I say. "I want to sue them for the rights to my own body."
CAMPBELL
WHEN YOU ONLY HAVE A HAMMER, everything looks like a nail.
This is something my father, the first Campbell Alexander, used to say; it is also in my opinion the cornerstone of the American civil justice system. Simply put, people who have been backed into a corner will do anything to fight their way to the center again. For some, this means throwing punches. For others, it means instigating a lawsuit. And for that, I'm especially grateful.
On the periphery of my desk Kerri has arranged my messages the way I prefer--urgent ones written on green Post-its, less pressing matters on yellow ones, lined up in neat columns like a double game of solitaire. One phone number catches my eye, and I frown, moving the green Post-it to the yellow side instead. Your mother called four times!!! Kerri has written. On second thought, I rip the Post-it in half and send it sailing into the trash.
The girl sitting across from me waits for an answer, one I'm deliberately withholding. She says she wants to sue her parents, like every other teenager on the planet. But she wants to sue for the rights to her own body. It is exactly the kind of case I avoid like the Black Plague--one which requires far too much effort and client baby-sitting. With a sigh, I get up. "What did you say your name was?"
"I didn't." She sits a little straighter. "It's Anna Fitzgerald."
I open the door and bellow for my secretary. "Kerri! Can you get the Planned Parenthood number for Ms. Fitzgerald?"
"What?" When I turn around, the kid is standing. "Planned Parenthood?"
"Look, Anna, here's a little advice. Instigating a lawsuit because your parents won't let you get birth control pills or go to an abortion clinic is like using a sledgehammer to kill a mosquito. You can save your allowance money and go to Planned Parenthood; they're far better equipped to deal with your problem."
For the first time since I've entered my office, I really, truly look at her. Anger glows around this kid like electricity. "My sister is dying, and my mother wants me to donate one of my kidneys to her," she says hotly. "Somehow I don't think a handful of free condoms is going to take care of that."
You know how every now and then, you have a moment where your whole life stretches out ahead of you like a forked road, and even as you choose one gritty path you've got your eyes on the other the whole time, certain that you're making a mistake? Kerri approaches, holding out a strip of paper with the number I've asked for, but I close the door without taking it and walk back to my desk. "No one can make you don
ate an organ if you don't want to."
"Oh, really?" She leans forward, counting off on her fingers. "The first time I gave something to my sister, it was cord blood, and I was a newborn. She has leukemia--APL--and my cells put her into remission. The next time she relapsed, I was five and I had lymphocytes drawn from me, three times over, because the doctors never seemed to get enough of them the first time around. When that stopped working, they took bone marrow for a transplant. When Kate got infections, I had to donate granulocytes. When she relapsed again, I had to donate peripheral blood stem cells."
This girl's medical vocabulary would put some of my paid experts to shame. I pull a legal pad out of a drawer. "Obviously, you've agreed to be a donor for your sister before."
She hesitates, then shakes her head. "Nobody ever asked."
"Did you tell your parents you don't want to donate a kidney?"
"They don't listen to me."
"They might, if you mentioned this."
She looks down, so that her hair covers her face. "They don't really pay attention to me, except when they need my blood or something. I wouldn't even be alive, if it wasn't for Kate being sick."
An heir and a spare: this was a custom that went back to my ancestors in England. It sounded callous--having a subsequent child just in case the first one happens to die--yet it had been eminently practical once. Being an afterthought might not sit well with this kid, but the truth is that children are conceived for less than admirable reasons every single day: to glue a bad marriage together; to keep the family name alive; to mold in a parent's own image. "They had me so that I could save Kate," the girl explains. "They went to special doctors and everything, and picked the embryo that would be a perfect genetic match."
There had been ethics courses in law school, but they were generally regarded as either a gut or an oxymoron, and I usually skipped them. Still, anyone who tuned in periodically to CNN would know about the controversies of stem cell research. Spare-parts babies, designer infants, the science of tomorrow to save the children of today.