GENESIS 25
ties, all bare-chested and unashamed. They were very busy with the animal in the fire, pulling it to pieces now and mixing it with something steaming in a pot. Whenever they bent over, their heavy breasts swung down like balloons full of water. I kept my eyes turned away from them, and from the naked childrea who clung to their long draped skirts. I kept glancing over at Father, wondering, Am I the only one getting shocked to smithereens here? He had that narrow-eyed, lockjawed look like he was starting to get steamed up, but you never know exactly where that's going to lead. Mostly someplace where you wish you were anyplace but.
After a good long hootenanny of so-called hymns shouted back and forth, the burnt offering was out of the fire and into the frying pan so to speak, all mixed up into a gray-looking, smoldering stew. They started plunking it down in front of us in tin plates or bowls. The spoons they gave us were big old metal soup ladles, which I knew would never fit into my mouth. I have such a small mouth, my wisdom teeth are coming in all sigoggling. I looked around for someone to trade spoons with, but lo and behold, nobody but our family even had any kind of a spoon at all! What the others aimed to do with their food, I wouldn't hazard to guess. Most of them were still waiting to get served, like birds in the wilderness. They held up their empty metal bowls or hubcaps or whatnot and cheerfully beat them like drums. It sounded like an entire junkyard orchestra, because everybody's plate was different. Ruth May just had a little tiny cup, which I knew she would resent because it made her seem more of a baby.
In all the ruckus, somebody was talking English. It just dawned on rne all of a sudden. It was near about impossible to make out what was going on, because people all around us were singing, dancing, banging their plates, waving their arms back and forth like trees in a hurricane. But up by the bonfire where they were cooking, a coal-black man in a yellow shirt with the sleeves rolled up was gesturing towards us and hollowing at the top of his lungs: "Welcome! We welcome you!"
There was another man behind him, much older and dressed just out of this world, with a tall hat and glasses and a cloth drapery dress
THE POISONWOOD BIBLE 26
and swishing an animal's tail back and forth. He hollowed something in their language and everybody began to pipe down just a hair.
"Reverend and Mrs. Price and your children!" cried the younger man in the yellow shirt. "You are welcome to our feast. Today we have killed a goat to celebrate your coming. Soon your bellies will be full vith ourfufupili-pili."
At that, why, the half-naked women behind him just burst out clapping and cheering, as if they could no longer confine their enthusiasm for a dead goat.. , - ->
"Reverend Price," the man said, "please offer with us a word of thanks for this feast."
He gestured for Father to come forward, but Father needed no invitation, it seems. He was already on his feet, away up on his chair, so he looked ten feet tall. He was in his shirtsleeves, which was not an unusual sight as he's one of those men that's easy in his body and in the heat of a sermon will often throw off his suit jacket. His pleated black trousers were belted tight but his chest and shoulders looked just huge. I'd almost forgotten, he still carried numerous deadly weapons under that clean white shirt.
Slowly Father raised one arm above his head like one of those gods they had in Roman times, fixing to send down the thunderbolts and the lightning. Everyone looked up at him, smiling, clapping, waving their arms over their heads, bare bosoms and all. Then he began to speak. It was not so much a speech as a rising storm.
"The Lord rideth," he said, low and threatening, "upon a swift cloud, and shall come into Egypt."
Hurray! they all cheered, but I felt a knot in my stomach. He was getting that look he gets, oh boy, like Here comes Moses tramping down off of Mount Syanide with ten fresh ways to wreck your life.
"Into Egypt," he shouted in his rising singsong preaching voice that goes high and low, then higher and lower, back and forth like a saw ripping into a tree trunk, "and every corner of the earth where His light," Father paused, glaring all about him, "where His light has yet to fall!". .. . . . , . r
GENESIS 27
He paused for breath and began again, swaying ever so faintly as he sang out: "The Lord rideth in the person of His angels of mercy, His emissaries of holiness into the titles on the plain, where Lot dwelled amongst the sinnersl"
The cheers were slowing down. He had everybody's attention now.: ,
"And Lot said unto the sinners who crowded at his door, I pray ye, brethren, do not do so wickedly] For the sinners of Sodom pressed their evil will against the entrance to his household!'
I shuddered. Naturally I knew Chapter 19 of Genesis, which he'd made us copy out time and again. I detest the part where Lot offered his own virgin daughters to the rabble of sinners, to do with as they might, just so they'd forget about God's angels that were visiting and leave them be. What kind of a trade is that? And his poor wife, of course, got turned to a pillar of salt.
But Father skipped over all that and went straight to the dire consequences: "The emissaries of the Lord smote the sinners, who had come heedless to the sight of God, heedless in their nakedness''
Then he stopped, just froze perfectly still. With one of his huge hands he reached out to the congregation, pulling them in. With the other, he pointed at a woman near the fire. Her big long breasts lay flat on her chest like they'd been pressed down with an iron, but she did seem heedless of it. She was toting a long-legged child all straddly on her hip, and with her free hand was scratching at her short hair. She looked around nervously, for every pair of eyes in the place had followed Father's accusing gaze straight to her nakedness. She bounced her knees, shifting the big child upwards on her hip. His head lolled. He had hair that stood out in reddish tufts and he looked dazed. For an eternity of silence the mother stood there in the spotlight, drawing her head back on her neck in fear and puzzlement. Finally she turned around and picked up a long wooden spoon and went to poking at the stew kettle.
"Nakedness," Father repeated, "and darkness of the soul! For we shall destroy this place where the loud clamor of the sinners is waxen great before the face of the Lord.",
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No one sang or cheered anymore. Whether or not they understood the meaning of "loud clamor," they didn't dare be making one now. They did not even breathe, or so it seemed. Father can get a good deal across with just his tone of voice, believe you me. The woman with the child on her hip kept her back turned, tending to the food.
"And Lot went out and spake unto those that were worthy" Now Father was using his gentler, simmering-down tone. "And Lot said unto them, 'Up! Get ye out from this place of darknessl Arise and come forward into a brighter land!'
"O Lord, let us pray," he concluded, landing abruptly back down on earth. "Lord, grant that the worthy among us here shall rise above wickedness and come out of the darkness into the wondrous light of our Holy Father. Amen."
All faces were still set on my father, as if they all were shiny, dark plants and his red head was the sun. But their expressions had fallen in slow motion from joy to confusion to dismay. Now, as the spell broke, people began to mutter and move about. A few women lifted up their wraparound sarongs and tied them in front, to cover their breasts. Others gathered up their bare-bottomed children and moved out into the darkness. I guess they were going home to bed without any supper.
The air above our heads grew perfectly quiet. There was not a peep to be heard but katydid noises outside in the deep, black night.
Well, there was nothing now but to dig in. With everyone's eyes upon us, my sisters and I picked up our big metal spoons. The food they'd set before us was a stew that tasted like pure nothing, just wet clumps stuffed in my mouth that I would have to chew into glue. Once I took it in, though, the very first bite slowly grew to a powerful burn on my tongue. It scorched my eardrums from the inside. Tears ran from my eyes and I couldn't swallow. This was going to be the start of a real crying j
ag, I had the feeling, for a girl whose only hopes for the year were a sweet-sixteen party and a pink mohair twin set.
Ruth May choked out loud and made a horrible face. Mother leaned over, to slap her on the back, I thought, but instead she whis-
GENESIS 29
pered at us in the awfulest, hissing voice: "Girls, you be polite, do you hear me? I'm sorry but if you spit that out I will thrash you to an inch of your lives."
This was Mother, who'd never laid a hand on us in all our lives! Oh, I got the picture, right there, our first night in Africa. I sat breathing through my nose, holding in my mouth the pure, awful slavor of something on fire and a bristle of stiff hairs from the burnt hide of a dead goat. I shut my eyes tight, but even so, the tears ran down. I wept for the sins of all who had brought my family to this dread dark shore.
Adah Price
SUNRISE TANTALIZE, evil eyes hypnotize: that is the morning, Congo pink. Any morning, every morning. Blossomy rose-color birdsong air streaked sour with breakfast cookfrres. A wide red plank of dirt�the so-called road�flat-out in front of us, continuous in theory from here to somewhere distant. But the way I see it through my Adah eyes it is a flat plank clipped into pieces, rectangles and trapezoids, by the skinny black-line shadows of tall palm trunks. Through Adah eyes, oh the world is a-boggle with colors and shapes competing for a half-brain's attention.The parade never stops. Into the jangled pieces of road little jungle roosters step from the bush, karkadoodling. They jerk up their feet with cocky roosterness as if they have not yet heard about the two-legged beasts who are going to make slaves of their wives.
Congo sprawls on the middle of the world. Sun rises, sun sets, six o'clock exactly. Everything that conies of morning undoes itself before nightfall: rooster -walks back into forest, fires die down, birds coo-coo-coo, sun sinks away, sky bleeds, passes out, goes dark, nothing exists.Ashes to ashes.
Kilanga village runs along the Kwilu River as a long row of little mud houses set after-one-the-other beside a lone red snake of dirt road. Rising up all round us, trees and bamboo. Leah and I as babies had a long, hodgepodge string of unmatched beads for dress-up which would break when we fought over it and fly into a snaking line of odds and ends in the dirt. That is how Kilanga looked from the airplane. Every red mud house squats in the middle of its red dirt yard, for the ground in the village is cleared hairless as a brick.
:GENESIS 31
The better to spy and kill our friends the snakes when they come calling, we are told. So Kilanga is a long low snake break clearing. In a long row the dirt huts all kneel facing east, as if praying for the staved-off collapse�not toward Mecca exactly but east toward the village's one road and the river and behind all that, the pink sunrise surprise.
The church building, scene of our recent feast, resides at one end of the village. At the other end, our own house. And so when the Price family strolls to church we are able en route to peer straight into each and every villager's house. Every house has only a single square room and a thatched roof, under which might dwell the likes of Robinson Crusoe. But no one here stays under a roof. It is in the front yards�all the world's a stage of hard red dirt under bare foot�where tired thin women in every thinkable state of dress and disrepair poke sticks into their little fires and cook. Clumps of children stonethrowing outflowing rush upon terrified small goats, scattering them across the road so that the goats may tiptoe back and be chased again. Men sit on buckets and stare at whatsoever passes by. The usual bypasser is a woman sauntering slowly down the road with bundles upon bundles balanced on her head. These women are pillars of wonder, defying gravity while wearing the ho-hum aspect of perfect tedium. They can sit, stand, talk, shake a stick at a drunk man, reach around their backs to fetch forth a baby to nurse, all without dropping their piled-high bundles upon bundles. They are like ballet dancers entirely unaware they are on stage. I cannot take my eyes from them.
Whenever a woman leaves her wide-open-to-the-world yard to work her field or saunter off on an errand, first she must make herself decent. To do this, even though she is already wearing a wraparound skirt, she will go and get another large square of cloth from the house, which she wraps around her first skirt�covering her legs right down to the instep of her foot�into a long, narrow sarong tied below her bare breasts. The cloths are brightly printed and worn together in jangling mixtures that ring in my ears: pink gingham with orange plaid, for example. Loose-joint breaking-point
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colors, and whether you find them beautiful or find them appalling, they do make the women seem more festive, and less exhausted.
Backdrop to the Kilanga pageant, rising up behind the houses, a tall wall of elephant grass obscures our view of anything but the distance. The sun suspended above it in the afternoon is a pink, round dot in the distant white haze you may stare at and never go blind. The real earth where the real sun shines seems to be somewhere else, far from here. And to the east of us, behind the river, a rising rumple of dark green hills folded on each other like a great old tablecloth, receding to pale hazy blue. "Looming like the Judgment," says our mother, pausing to wipe her damp forehead with the back of her hand.
"It's a place right out of a storybook," my twin sister, Leah, loves to declare in response, opening her eyes wide and sticking her short hair behind her ears as if to hear and see every little thing oh so much better. "And yet this is our own family, the Prices, living here!"
Next comes this observation from my sister Ruth May: "Nobody here's got very many teeth." And finally, from Rachel: "Jeez oh man, �wake me up when it's over." And so the Price family passes its judgments. All but Adah. Adah unpasses her judgments. I am the one who does not speak.
Our Father speaks for all of us, as far as I can see. And he is at the moment not saying much. His hammer turned out to be a waste of two or three good pounds, because there appear to be no nails in the mud-and-thatch town of Kilanga.The wide-open building that serves as church and school was built of concrete-block pillars holding up a. roof of palm thatch and billowy clouds of scarlet bougainvillea. By now it all seems more or less welded together by its own decay. Our house is also mud, thatch, cement, and flowering vines. Leah in her earnest way helped him scout around for a project, but alas he found nothing worth pounding at, anywhere. This was a great disappointment to Our Father, who likes to repair things between Sundays.
Yet here we are to stay. The bush plane that dropped down into the field to leave us here went right away again, and there will be no more coming-going until that same plane returns again. We asked
; . : GENESIS 33 >
about the dirt road through the village and were told it stretched all the way to Leopoldville. I doubt it. A short way on either side of our village the road falls into a frenzy of hard dirt ruts that look like ocean waves frozen solid in the middle of a tempest. Our Father says in the great beyond nearby there are probably swamps you could sink a battleship in, not to mention a mere automobile. We do see vestigial signs of automobiles in our village, but they resemble the signs of life you would dig up in a graveyard if you were inclined to that pastime. Which is to say: parts dead and rusted, scattered around and used not for transportation but for anything but. On a walk one day with Our Father he pointed out for his daughters' edification a carburetor air-filter lid boiling a family's dinner over a cookfire, and a Jeep muffler being put to use by six boys at once, as a drum.
The Kwilu River is the throughway here: Kwilu, a word without a single rhyme. Nearly a prelude, but not quite. Kwilu. It troubles me, this dubious escape route. It sits unanswered like a half-phrase of music on my ear.
Our Father claims the Kwilu is navigable downstream from here all the way to where it joins the Congo River; upstream, one may go only as far as the high, scenic cataracts that thunder just to the south of us. In other words, we have arrived very nearly at the end of the earth. We sometimes do see the odd boat passing by, but only carrying people from nearby villages exa
ctly like this one. For news or mail or evidence of what Rachel calls The Pale Which We Are Way Beyond, we wait for the rough-and-ready airplane pilot, Mr. Eeben Axelroot. He is reliable in the following way: if they say he is coming on Monday, it will be Thursday, Friday, or not at all.
Like the village road and the river, nothing here really continues to its end. The Congo is only a long path that takes you from one hidden place to another. Palm trees stand alongside of it looking down at you in shock, like too-tall, frightened women with upright hair. Nevertheless, I am determined I will walk that path, even though I do not walk fast or well. My right side drags. I was born with half my brain dried up like a prune, deprived of blood by an unfortunate fetal mishap. My twin sister, Leah, and I are identical in theory, just as in
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theory we are all made in God's image. Leah and Adah began our life as images mirror perfect. We have the same eyes dark and chestnut hair. But I am a lame gallimaufry and she remains perfect.
Oh, I can easily imagine the fetal mishap: we were inside the womb together dum-de-dum when Leah suddenly turned and declared, Adah you are just too slow. I am taking all the nourishment here and going on ahead. She grew strong as I grew weak. (Yes! Jesus loves me!) And so it came to pass, in the Eden of our mother's womb, I was cannibalized by my sister.
Officially my condition is called hemiplegia. Hemi is half, hemisphere, hemmed-in, hemlock, hem and haw. Plegia is the cessation of motion. After our complicated birth, physicians in Atlanta pronounced many diagnoses on my asymmetrical brain, including Wer-nicke's and Broca's aphasia, and sent my parents home over the icy roads on Christmas Eve with one-half a set of perfect twins and the prediction that I might possibly someday learn to read but would never speak a word. My parents seem to have taken this well in stride. I am sure the Reverend explained to his exhausted wife that it was the will of God, who could plainly see�with these two additional girls so close after the first one�our house had enough females in it now to fill it up with blabber. They did not even have Ruth May yet, but did have a female dog that howled, Our Father still likes to say, Like One Too Many Sopranos in Church. The Dog that Broke The Camel's Back, he also calls it. Our Father probably interpreted Broca's aphasia as God's Christmas bonus to one of His worthier employees.
I am prone to let the doctors' prophecy rest and keep my thoughts to myself. Silence has many advantages. When you do not speak, other people presume you to be deaf or feeble-minded and promptly make a show of their own limitations. Only occasionally do I find I have to break my peace: shout or be lost in the shuffle. But mostly am lost in the shuffle. I write and draw in my notebook and read anything I please.
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