by Cole Porter
Dreyfus, Max, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Du Barry Was a Lady, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv)
Du Bois, Raoul Pène, (i)
Duke, Vernon, (i), (ii)
Durante, Jimmy, (i), (ii), (iii), (iv), (v), (vi), (vii)
‘Easy to Love’, (i), (ii), (iii)
Eddy, Nelson, (i), (ii), (iii), (iv)
Eells, George, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)
Egan, Margaret (Tully), (i), (ii), (iii), (iv), (v), (vi)
Egypt, (i), (ii), (iii), (iv)
‘Experiment’, (i)
Fairbanks, Douglas Jr., (i), (ii), (iii), (iv), (v), (vi)
Fairbanks, Mary Lee, (i), (ii)
‘Farming’, (i), (ii), (iii)
Feldman, Charlie, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Feldman, Jean see Jean Howard
Fetter, Ted, (i)
Feuer, Cy, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii)
‘Fi, Fi, Fifi’, (i)
Fields, Dorothy, (i), (ii), (iii), (iv)
Fields, Herbert, (i), (ii), (iii), (iv)
Fields, Joseph, (i)
Fields, Lew, (i)
Fifty Million Frenchmen, (i), (ii), (iii), (iv)
Fisher, Eddie, (i)
Fontanne, Lynn, (i), (ii), (iii), (iv)
Franconia, (i), (ii)
Freedley, Vinton, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
‘Friendship’, (i), (ii), (iii)
‘From This Moment On’, (i)
Gabin, Jean, (i)
Gable, Clark, (i), (ii), (iii), (iv), (v)
Gabor, Jolie, (i)
Gainsborough, Thomas, (i)
Garbo, Greta, (i), (ii), (iii)
Gardiner, Reginald, (i)
Gardner, Isabella, (i)
Garland, Judy, (i), (ii), (iii), (iv), (v)
Gaxton, William, (i), (ii)
Gay Divorce, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)
Gaynor, Mitzi, (i)
Gear, Luella, (i), (ii)
Gershwin, George, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
Gershwin, Ira, (i), (ii)
Gibbs, Wolcott, (i), (ii), (iii)
Gilbert and Sullivan, (i), (ii), (iii)
Goetz, E. Ray, (i)
Goetz, Edie, (i), (ii), (iii), (iv)
Goetz, Harry, (i), (ii)
Goetz, William, (i), (ii), (iii)
Goldwyn, Frances, (i)
Goldwyn, Sam, (i), (ii), (iii), (iv)
Gone With the Wind, (i)
‘Goodbye, Little Dream, Goodbye’, (i), (ii)
Gordon, Max, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Grable, Betty, (i), (ii), (iii)
Grant, Cary, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)
Gray, Dolores, (i)
Greece, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
Green, Adolph, (i), (ii), (iii), (iv), (v), (vi)
Green, Johnny, (i), (ii), (iii), (iv)
Guys and Dolls, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Haines, Bill, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx)
Hammerstein, Oscar II, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)
Hanna, Leonard, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Hans Christian Andersen, (i)
Harburg, E. Y., (i), (ii), (iii)
Harms, T. B., (i), (ii), (iii), (iv), (v), (vi)
Hart, Kitty Carlisle, (i), (ii)
Hart, Lorenz, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Hart, Moss, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii)
Harvard, (i), (ii), (iii), (iv), (v), (vi)
Hays Code, (i), (ii)
Hearst, Millicent, (i), (ii), (iii), (iv)
Hearst, William Randolph, (i), (ii), (iii)
Hepburn, Audrey, (i)
Hepburn, Katharine, (i), (ii), (iii), (iv), (v)
Herbert, F. Hugh, (i), (ii), (iii)
High Society, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)
Hitchcock, Alfred, (i)
Hitchcock, Raymond, (i), (ii)
Hitchy-Koo of 1919, (i), (ii)
Hitchy-Koo of 1922, (i)
Holm, Hanya, (i), (ii), (iii)
Holman, Libby, (i)
Hoover, Herbert, (i), (ii)
Hope, Bob, (i), (ii), (iii), (iv), (v)
Hopper, Hedda, (i), (ii), (iii), (iv), (v)
Hot Mikado, The, (i)
Howard [Feldman], Jean, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii)
Hubler, Richard, (i), (ii), (iii), (iv), (v)
Hughes, Herbert, (i)
Hull, Helen, (i), (ii), (iii), (iv), (v), (vi)
Hull, Lytle, (i), (ii), (iii), (iv)
Hutton, Barbara, (i)
Hutton, Betty, (i), (ii), (iii), (iv), (v)
‘I Concentrate on You’, (i)
‘I Get a Kick out of You’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
‘I Love Paris’, (i), (ii), (iii)
‘I Love You’, (i)
‘I Love You, Samantha’, (i), (ii), (iii), (iv)
‘In the Still of the Night’, (i), (ii)
‘It’s All Right With Me’, (i), (ii)
‘It Was Great Fun the First Time’, (i), (ii)
‘I’ve Got You Under My Skin’, (i), (ii), (iii), (iv), (v), (vi)
Jamaica, (i)
Jenks, Almet, (i)
Jennings, Oliver, (i), (ii), (iii), (iv), (v)
Jolson, Al, (i), (ii), (iii)
‘Josephine’, (i), (ii), (iii)
Jubilee, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix)
‘Just One of Those Things’, (i), (ii), (iii), (iv)
Kanin, Garson, (i)
Kaufman, George S., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
Kaye, Danny, (i), (ii), (iii), (iv), (v)
Kaye, Sylvia Fine, (i), (ii)
Kelly, Gene, (i), (ii), (iii), (iv), (v), (vi), (vii)
Kelly, George, (i)
Kelly, Grace, (i), (ii), (iii), (iv), (v)
Kelly, Orry, (i), (ii)
Kelly, Ray, (i), (ii)
Kern, Betty, (i)
Kern, Eva, (i)
Kern, Jerome, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Kesler, Lew, (i), (ii), (iii), (iv), (v)
Kidd, Michael, (i)
Kilgallen, Dorothy, (i), (ii)
Kimball, Robert, (i), (ii), (iii)
King and I, The, (i), (ii), (iii)
Kirk, Lisa, (i), (ii), (iii)
Kirsten, Dorothy, (i)
Kiss Me, Kate
film version, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)
stage versions, (i), (ii),
(iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv)
television versions, (i), (ii)
Knight, June, (i), (ii)
Knopf, Alfred, (i), (ii), (iii)
Kochno, Boris, (i), (ii), (iii), (iv)
Koechlin, Charles, (i)
Korda, Alexander, (i), (ii)
Lahr, Bert, (i), (ii), (iii), (iv), (v), (vi), (vii)
Lamarr, Hedy, (i), (ii), (iii)
Lane, Burton, (i), (ii), (iii)
Lang, Harold, (i), (ii)
Langford, Frances, (i), (ii), (iii), (iv), (v), (vi), (vii)
Lawrence, Gertrude, (i), (ii), (iii)
Lazar, Irving, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)
Leave it to Me!, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Leigh, Vivien, (i)
Lerner, Alan Jay, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Les Girls, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
‘Let’s Do It’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)
Let’s Face It!, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
Lewine, Richard, (i), (ii), (iii), (iv)
Liberty Music Shop, (i)
Lieberson, Goddard, (i), (ii), (iii), (iv), (v)
Liebman, Max, (i)
Lifar, Serge, (i), (ii), (iii)
Lillie, Beatrice, (i), (ii), (iii), (iv), (v), (vi)
Lilo, (i)
Lindsay, Howard, (i), (ii), (iii), (iv), (v), (vi), (vii)
‘Live and Let Live’, (i)
Loesser, Frank, (i), (ii), (iii), (iv), (v), (vi)
Loewe, Frederick, (i), (ii), (iii)
Logan, Joshua, (i)
Loos, Anita, (i), (ii)
Loring, Eugene, (i)
‘Love For Sale’, (i), (ii), (iii)
‘Love of My Life’, (i), (ii)
Lubitsch, Ernst, (i)
Luce, Claire, (i),
Luce, Clare Boothe, (i), (ii), (iii)
Lunt, Alfred, (i), (ii), (iii), (iv), (v)
Lyons, Arthur, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
MacGrath, Leueen, (i), (ii), (iii), (iv), (v), (vi), (vii)
Madden, Richard, (i), (ii), (iii), (iv), (v), (vi)
Mainbocher, (i), (ii), (iii), (iv)
‘Make It Another Old–Fashioned Please’, (i)
Marbury, Elizabeth, (i)
Markova, Alicia, (i)
Martin, Ernest, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv)
Martin, John, (i)
Martin, Mary, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)
Maxwell, Elsa, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii)
Mayer, Louis B., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Mayfair and Montmartre, (i)
McCarthy, Joseph, (i)
Mendl, Sir Charles, (i), (ii), (iii)
Mercer, Johnny, (i), (ii), (iii), (iv), (v), (vi)
Mercer, Mabel, (i)
Merman, Ethel, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii)
Mexican Hayride, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)
MGM, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii)
Mielziner, Jo, (i), (ii)
Milan, (i), (ii), (iii)
Milhaud, Darius, (i), (ii)
Miller, Gilbert, (i), (ii), (iii), (iv), (v)
Miller, Kitty, (i), (ii), (iii), (iv)
Miller, Marilyn, (i)
Mississippi Belle, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
‘Miss Otis Regrets’, (i), (ii)
‘Mister and Missus Fitch’, (i), (ii)
Molnar, Ferenc, (i), (ii)
Monroe, Marilyn, (i)
Montgomery, Robert, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi)
Moore, Grace, (i), (ii)
Moore, Margaret, (i), (ii), (iii), (iv), (v), (vi), (vii)
Moore, Victor, (i), (ii)
Morison, Patricia, (i), (ii), (iii), (iv), (v), (vi), (vii)
Moses, Grandma, (i), (ii), (iii), (iv), (v)
Mountbatten, Philip (Duke of Edinburgh), (i)
Murphy, Gerald, (i), (ii), (iii), (iv), (v)
Musgrove, Stanley, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi)
My Fair Lady, (i), (ii), (iii), (iv), (v), (vi), (vii)
‘My Heart Belongs to Daddy’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
Nathan, George Jean, (i), (ii)
Neff, Hildegard, (i)
Niarchos, Stavros, (i), (ii), (iii), (iv), (v), (vi), (vii)
Nichols, Lewis, (i)
‘Night and Day’ (song), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Night and Day (film), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi)
Ninotchka, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Novotna, Jarmila, (i)
‘Now You Has Jazz,’ (i), (ii), (iii), (iv), (v)
Nymph Errant, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)
Oberon, Merle, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Obolensky, Prince Sergei, (i), (ii)
Oelrichs, Dorothy, (i), (ii), (iii), (iv)
Oelrichs, Herman, (i), (ii)
Oklahoma!, (i), (ii), (iii), (iv), (v), (vi), (vii)
One Touch of Venus, (i), (ii), (iii)
opera, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx)
Out of This World, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii)
Paley [Wilson], Natalia [Natasha], (i), (ii), (iii), (iv), (v), (vi)
Paley, William S., (i), (ii), (iii)
Panama Hattie, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv)
Paris, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii)
Paris (musical), (i), (ii), (iii), (iv)
Parsons, Humphrey, (i)
Parsons, Louella, (i), (ii), (iii), (iv), (v), (vi)
Pearman, Michael, (i), (ii), (iii), (iv), (v)
Perelman, S. J., (i), (ii), (iii), (iv), (v)
<
br /> Peru (Indiana), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)
Pirate, The, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Pons, Lily, (i)
Porter, Cole
and advertising, (i), (ii), (iii), (iv)
aptitude for music and music lessons, (i), (ii), (iii), (iv), (v)
and art, (i), (ii), (iii), (iv), (v), (vi)
casting singers/actors, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)
and censorship, (i), (ii), (iii), (iv)
and charity, (i), (ii), (iii), (iv), (v)
compositional process/working methods/text revision, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii)
exploitation of songs, (i), (ii), (iii), (iv), (v)
finances, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii)
health, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)
ideas about/conception of musical comedy, (i), (ii), (iii), (iv)
interviews/writings (other than letters), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
performance practice, (i), (ii), (iii), (iv), (v)
politics, (i)
residence in Paris (13, rue Monsieur), (i), (ii), (iii)
travels (outside USA and Europe), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
war-time activities, (i), (ii)
Porter, Kate (mother), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii)
Porter, Linda (wife), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii), (lxiii), (lxiv), (lxv), (lxvi), (lxvii), (lxviii), (lxix), (lxx), (lxxi), (lxxii), (lxxiii), (lxxiv), (lxxv), (lxxvi), (lxxvii), (lxxviii), (lxxix), (lxxx), (lxxxi), (lxxxii), (lxxxiii), (lxxxiv), (lxxxv), (lxxxvi), (lxxxvii), (lxxxviii)
Porter, Samuel (father), (i), (ii)
Pot of Gold, The, (i)