by Neil Gaiman
I’d never told her I loved her, or even that I fancied her. We were buddies.
I’d been at her house that evening: we sat in her room and played Rattus Norvegicus, the first Stranglers LP. It was the beginning of punk, and everything seemed so exciting: the possibilities, in music as in everything else, were endless. Eventually it was time for me to go home, and she decided to accompany me. We held hands, innocently, just pals, and we strolled the ten-minute walk to my house.
The moon was bright, and the world was visible and colorless, and the night was warm.
We got to my house. Saw the lights inside, and stood in the driveway, and talked about the band I was starting. We didn’t go in.
Then it was decided that I’d walk her home. So we walked back to her house.
She told me about the battles she was having with her younger sister, who was stealing her makeup and perfume. Louise suspected that her sister was having sex with boys. Louise was a virgin. We both were.
We stood in the road outside her house, under the sodium-yellow streetlight, and we stared at each other’s black lips and pale yellow faces.
We grinned at each other.
Then we just walked, picking quiet roads and empty paths. In one of the new housing estates, a path led us into the woodland, and we followed it.
The path was straight and dark, but the lights of distant houses shone like stars on the ground, and the moon gave us enough light to see. Once we were scared, when something snuffled and snorted in front of us. We pressed close, saw it was a badger, laughed and hugged and kept on walking.
We talked quiet nonsense about what we dreamed and wanted and thought.
And all the time I wanted to kiss her and feel her breasts, and maybe put my hand between her legs.
Finally I saw my chance. There was an old brick bridge over the path, and we stopped beneath it. I pressed up against her. Her mouth opened against mine.
Then she went cold and stiff, and stopped moving.
“Hello,” said the troll.
I let go of Louise. It was dark beneath the bridge, but the shape of the troll filled the darkness.
“I froze her,” said the troll, “so we can talk. Now: I’m going to eat your life.”
My heart pounded, and I could feel myself trembling. “No.”
“You said you’d come back to me. And you have. Did you learn to whistle?”
“Yes.”
“That’s good. I never could whistle.” It sniffed, and nodded. “I am pleased. You have grown in life and experience. More to eat. More for me.”
I grabbed Louise, a taut zombie, and pushed her forward. “Don’t take me. I don’t want to die. Take her. I bet she’s much tastier than me. And she’s two months older than I am. Why don’t you take her?”
The troll was silent.
It sniffed Louise from toe to head, snuffling at her feet and crotch and breasts and hair.
Then it looked at me.
“She’s an innocent,” it said. “You’re not. I don’t want her. I want you.”
I walked to the opening of the bridge and stared up at the stars in the night.
“But there’s so much I’ve never done,” I said, partly to myself. “I mean, I’ve never. Well, I’ve never had sex. And I’ve never been to America. I haven’t . . .” I paused. “I haven’t done anything. Not yet.”
The troll said nothing.
“I could come back to you. When I’m older.” The troll said nothing.
“I will come back. Honest I will.”
“Come back to me?” said Louise. “Why? Where are you going?”
I turned around. The troll had gone, and the girl I had thought I loved was standing in the shadows beneath the bridge.
“We’re going home,” I told her. “Come on.”
We walked back and never said anything.
She went out with the drummer in the punk band I started, and, much later, married someone else. We met once, on a train, after she was married, and she asked me if I remembered that night.
I said I did.
“I really liked you, that night, Jack,” she told me. “I thought you were going to kiss me. I thought you were going to ask me out. I would have said yes. If you had.”
“But I didn’t.”
“No,” she said. “You didn’t.” Her hair was cut very short. It didn’t suit her.
I never saw her again. The trim woman with the taut smile was not the girl I had loved, and talking to her made me feel uncomfortable.
I MOVED TO London, and then, some years later, I moved back again, but the town I returned to was not the town I remembered: there were no fields, no farms, no little flint lanes; and I moved away as soon as I could, to a tiny village ten miles down the road.
I moved with my family—I was married by now, with a toddler—into an old house that had once, many years before, been a railway station. The tracks had been dug up, and the old couple who lived opposite us used it to grow vegetables.
I was getting older. One day I found a gray hair; on another, I heard a recording of myself talking, and I realized I sounded just like my father.
I was working in London, doing A&R for one of the major record companies. I was commuting into London by train most days, coming back some evenings.
I had to keep a small flat in London; it’s hard to commute when the bands you’re checking out don’t even stagger onto the stage until midnight. It also meant that it was fairly easy to get laid, if I wanted to, which I did.
I thought that Eleanora—that was my wife’s name; I should have mentioned that before, I suppose—didn’t know about the other women; but I got back from a two-week jaunt to New York one winter’s day, and when I arrived at the house it was empty and cold.
She had left a letter, not a note. Fifteen pages, neatly typed, and every word of it was true. Including the PS, which read: You really don’t love me. And you never did.
I put on a heavy coat, and I left the house and just walked, stunned and slightly numb.
There was no snow on the ground, but there was a hard frost, and the leaves crunched under my feet as I walked. The trees were skeletal black against the harsh gray winter sky.
I walked down the side of the road. Cars passed me, traveling to and from London. Once I tripped on a branch, half-hidden in a heap of brown leaves, ripping my trousers, cutting my leg.
I reached the next village. There was a river at right angles to the road, and a path I’d never seen before beside it, and I walked down the path, and stared at the partly frozen river. It gurgled and plashed and sang.
The path led off through fields; it was straight and grassy.
I found a rock, half-buried, on one side of the path. I picked it up, brushed off the mud. It was a melted lump of purplish stuff, with a strange rainbow sheen to it. I put it into the pocket of my coat and held it in my hand as I walked, its presence warm and reassuring.
The river meandered away across the fields, and I walked on in silence.
I had walked for an hour before I saw houses—new and small and square—on the embankment above me.
And then I saw the bridge, and I knew where I was: I was on the old railway path, and I’d been coming down it from the other direction.
There were graffiti painted on the side of the bridge: FUCK and BARRY LOVES SUSAN and the omnipresent NF of the National Front. I stood beneath the bridge in the red brick arch, stood among the ice cream wrappers, and the crisp packets and the single, sad, used condom, and watched my breath steam in the cold afternoon air.
The blood had dried into my trousers.
Cars passed over the bridge above me; I could hear a radio playing loudly in one of them.
“Hello?” I said, quietly, feeling embarrassed, feeling foolish. “Hello?”
There was no answer. The wind rustled the crisp packets and the leaves.
“I came back. I said I would. And I did. Hello?”
Silence.
I began to cry then, stupidly, si
lently, sobbing under the bridge.
A hand touched my face, and I looked up.
“I didn’t think you’d come back,” said the troll.
He was my height now, but otherwise unchanged. His long gonk hair was unkempt and had leaves in it, and his eyes were wide and lonely.
I shrugged, then wiped my face with the sleeve of my coat. “I came back.”
Three kids passed above us on the bridge, shouting and running.
“I’m a troll,” whispered the troll, in a small, scared voice. “Fol rol de ol rol.”
He was trembling.
I held out my hand and took his huge clawed paw in mine. I smiled at him. “It’s okay,” I told him. “Honestly. It’s okay.”
The troll nodded.
He pushed me to the ground, onto the leaves and the wrappers and the condom, and lowered himself on top of me. Then he raised his head, and opened his mouth, and ate my life with his strong sharp teeth.
WHEN HE WAS finished, the troll stood up and brushed himself down. He put his hand into the pocket of his coat and pulled out a bubbly, burnt lump of clinker rock.
He held it out to me.
“This is yours,” said the troll.
I looked at him: wearing my life comfortably, easily, as if he’d been wearing it for years. I took the clinker from his hand, and sniffed it. I could smell the train from which it had fallen, so long ago. I gripped it tightly in my hairy hand.
“Thank you,” I said.
“Good luck,” said the troll.
“Yeah. Well. You too.”
The troll grinned with my face.
It turned its back on me and began to walk back the way I had come, toward the village, back to the empty house I had left that morning; and it whistled as it walked.
I’ve been here ever since. Hiding. Waiting. Part of the bridge.
I watch from the shadows as the people pass: walking their dogs, or talking, or doing the things that people do. Sometimes people pause beneath my bridge, to stand, or piss, or make love. And I watch them, but say nothing; and they never see me.
Fol rol de ol rol.
I’m just going to stay here, in the darkness under the arch. I can hear you all out there, trip-trapping, trip-trapping over my bridge.
Oh yes, I can hear you.
But I’m not coming out.
Snow, Glass, Apples
1994
I DO NOT KNOW what manner of thing she is. None of us do. She killed her mother in the birthing, but that’s never enough to account for it.
They call me wise, but I am far from wise, for all that I foresaw fragments of it, frozen moments caught in pools of water or in the cold glass of my mirror. If I were wise I would not have tried to change what I saw. If I were wise I would have killed myself before ever I encountered her, before ever I caught him.
Wise, and a witch, or so they said, and I’d seen his face in my dreams and in reflections for all my life: sixteen years of dreaming of him before he reined his horse by the bridge that morning and asked my name. He helped me onto his high horse and we rode together to my little cottage, my face buried in the gold of his hair. He asked for the best of what I had; a king’s right, it was.
His beard was red-bronze in the morning light, and I knew him, not as a king, for I knew nothing of kings then, but as my love. He took all he wanted from me, the right of kings, but he returned to me on the following day and on the night after that: his beard so red, his hair so gold, his eyes the blue of a summer sky, his skin tanned the gentle brown of ripe wheat.
His daughter was only a child: no more than five years of age when I came to the palace. A portrait of her dead mother hung in the princess’s tower room: a tall woman, hair the color of dark wood, eyes nut-brown. She was of a different blood to her pale daughter.
The girl would not eat with us.
I do not know where in the palace she ate.
I had my own chambers. My husband the king, he had his own rooms also. When he wanted me he would send for me, and I would go to him, and pleasure him, and take my pleasure with him.
One night, several months after I was brought to the palace, she came to my rooms. She was six. I was embroidering by lamplight, squinting my eyes against the lamp’s smoke and fitful illumination. When I looked up, she was there.
“Princess?”
She said nothing. Her eyes were black as coal, black as her hair; her lips were redder than blood. She looked up at me and smiled. Her teeth seemed sharp, even then, in the lamplight.
“What are you doing away from your room?”
“I’m hungry,” she said, like any child.
It was winter, when fresh food is a dream of warmth and sunlight; but I had strings of whole apples, cored and dried, hanging from the beams of my chamber, and I pulled an apple down for her.
“Here.”
Autumn is the time of drying, of preserving, a time of picking apples, of rendering the goose fat. Winter is the time of hunger, of snow, and of death; and it is the time of the midwinter feast, when we rub the goose fat into the skin of a whole pig, stuffed with that autumn’s apples; then we roast it or spit it, and we prepare to feast upon the crackling.
She took the dried apple from me and began to chew it with her sharp yellow teeth.
“Is it good?”
She nodded. I had always been scared of the little princess, but at that moment I warmed to her and, with my fingers, gently, I stroked her cheek. She looked at me and smiled—she smiled but rarely—then she sank her teeth into the base of my thumb, the Mound of Venus, and she drew blood.
I began to shriek, from pain and from surprise, but she looked at me and I fell silent.
The little princess fastened her mouth to my hand and licked and sucked and drank. When she was finished, she left my chamber. Beneath my gaze the cut that she had made began to close, to scab, and to heal. The next day it was an old scar: I might have cut my hand with a pocketknife in my childhood.
I had been frozen by her, owned and dominated. That scared me, more than the blood she had fed on. After that night I locked my chamber door at dusk, barring it with an oaken pole, and I had the smith forge iron bars, which he placed across my windows.
My husband, my love, my king, sent for me less and less, and when I came to him he was dizzy, listless, confused. He could no longer make love as a man makes love, and he would not permit me to pleasure him with my mouth: the one time I tried, he started violently, and began to weep. I pulled my mouth away and held him tightly until the sobbing had stopped, and he slept, like a child.
I ran my fingers across his skin as he slept. It was covered in a multitude of ancient scars. But I could recall no scars from the days of our courtship, save one, on his side, where a boar had gored him when he was a youth.
Soon he was a shadow of the man I had met and loved by the bridge. His bones showed, blue and white, beneath his skin. I was with him at the last: his hands were cold as stone, his eyes milky blue, his hair and beard faded and lusterless and limp. He died unshriven, his skin nipped and pocked from head to toe with tiny, old scars.
He weighed near to nothing. The ground was frozen hard, and we could dig no grave for him, so we made a cairn of rocks and stones above his body, as a memorial only, for there was little enough of him left to protect from the hunger of the beasts and the birds.
So I was queen.
And I was foolish, and young—eighteen summers had come and gone since first I saw daylight—and I did not do what I would do, now.
If it were today, I would have her heart cut out, true. But then I would have her head and arms and legs cut off. I would have them disembowel her. And then I would watch in the town square as the hangman heated the fire to white-heat with bellows, watch unblinking as he consigned each part of her to the fire. I would have archers around the square, who would shoot any bird or animal that came close to the flames, any raven or dog or hawk or rat. And I would not close my eyes until the princess was ash, and a gentle wind could s
catter her like snow.
I did not do this thing, and we pay for our mistakes.
They say I was fooled; that it was not her heart. That it was the heart of an animal—a stag, perhaps, or a boar. They say that, and they are wrong.
And some say (but it is her lie, not mine) that I was given the heart, and that I ate it. Lies and half-truths fall like snow, covering the things that I remember, the things I saw. A landscape, unrecognizable after a snowfall; that is what she has made of my life.
There were scars on my love, her father’s thighs, and on his ballock-pouch, and on his male member, when he died.
I did not go with them. They took her in the day, while she slept, and was at her weakest. They took her to the heart of the forest, and there they opened her blouse, and they cut out her heart, and they left her dead, in a gully, for the forest to swallow. The forest is a dark place, the border to many kingdoms; no one would be foolish enough to claim jurisdiction over it. Outlaws live in the forest. Robbers live in the forest, and so do wolves. You can ride through the forest for a dozen days and never see a soul; but there are eyes upon you the entire time.
They brought me her heart. I know it was hers—no sow’s heart or doe’s would have continued to beat and pulse after it had been cut out, as that one did.
I took it to my chamber.
I did not eat it: I hung it from the beams above my bed, placed it on a length of twine that I strung with rowan berries, orange-red as a robin’s breast, and with bulbs of garlic.
Outside the snow fell, covering the footprints of my huntsmen, covering her tiny body in the forest where it lay.
I had the smith remove the iron bars from my windows, and I would spend some time in my room each afternoon through the short winter days, gazing out over the forest, until darkness fell.
There were, as I have already stated, people in the forest. They would come out, some of them, for the Spring Fair: a greedy, feral, dangerous people; some were stunted—dwarfs and hunchbacks; others had the huge teeth and vacant gazes of idiots; some had fingers like flippers or crab claws. They would creep out of the forest each year for the Spring Fair, held when the snows had melted.