Fairy books played a great part in life. Grannie gave them to me for birthdays and Christmas. The Yellow Fairy Book, The Blue Fairy Book, and so on. I loved them all and read them again and again. Then there was a collection of animal stories, also by Andrew Lang, including one about Androcles and the Lion. I loved that too.
It must have been about then that I first embarked on a course of Mrs Molesworth, the leading writer of stories for children. They lasted me for many years, and I think, on re-reading them now, that they are very good. Of course children would find them old-fashioned nowadays, but they tell a good story and there is a lot of characterization in them. There was Carrots, just a little Boy, and Herr Baby for very young children, and various fairy story tales. I can still re-read The Cuckoo Clock and The Tapestry Room. My favourite of all, Four Winds Farm, I find uninteresting now and wonder why I loved it so much.
Reading story-books was considered slightly too pleasurable to be really virtuous. No story-books until after lunch. In the mornings you were supposed to find something ‘useful’ to do. Even to this day, if I sit down and read a novel after breakfast I have a feeling of guilt. The same applies to cards on a Sunday. I outgrew Nursie’s condemnation of cards as ‘the Devil’s picture books’, but ‘no cards on Sundays’ was a rule of the house, and in after years when playing bridge on a Sunday I never quite threw off a feeling of wickedness.
At some period before Nursie left, my mother and father went to America and were away some time. Nursie and I went to Ealing. I must have been several months there, fitting in very happily. The pillar of Grannie’s establishment was an old, wrinkled cook, Hannah. She was as thin as Jane was fat, a bag of bones with deeply lined face and stooped shoulders. She cooked magnificently. She also made homebaked bread three times a week, and I was allowed in the kitchen to assist and make my own little cottage loaves and twists. I only fell foul of her once, when I asked her what giblets were. Apparently giblets were things nicely brought up young ladies did not ask about. I tried to tease her by running to and fro in the kitchen saying, ‘Hannah, what are giblets? Hannah, for the third time, what are giblets?’ etc. I was removed by Nursie in the end and reproved, and Hannah would not speak to me for two days. After that I was much more careful how I transgressed her rules.
Some time during my stay at Ealing I must have been taken to the Diamond Jubilee for I came across a letter not long ago written from America by my father. It is couched in the style of the day, which was singularly unlike my father’s spoken words–letter-writing fell into a definite and sanctimonious pattern, whereas my father’s speech was usually jolly and slightly ribald.
You must be very very good to dear Auntie-Grannie, Agatha, because remember how very very good she has been to you, and the treats she gives you. I hear you are going to see this wonderful show which you will never forget, it is a thing to be seen only once in a lifetime. You must tell her how very grateful you are; how wonderful it is for you, I wish I could be there, and so does your mother. I know you will never forget it.
My father lacked the gift of prophecy, because I have forgotten it. How maddening children are! When I look back to the past, what do I remember? Silly little things about local sewing-women, the bread twists I made in the kitchen, the smell of Colonel F.’s breath–and what do I forget? A spectacle that somebody paid a great deal of money for me to see and remember. I feel very angry with myself. What a horrible, ungrateful child!
That reminds me of what I think was a coincidence so amazing that one is so inclined to say it could never have happened. The occasion must have been Queen Victoria’s funeral. Both Auntie-Grannie and Granny B. were going to see it. They had procured a window in a house somewhere near Paddington, and they were to meet each other there on the great day. At five in the morning, so as not to be late, Grannie rose in her house at Ealing, and in due course got to Paddington Station. That would give her, she calculated, a good three hours to get to her vantage point, and she had with her some fancy-work, some food and other necessities to pass the hours of waiting once she arrived there. Alas, the time she had allowed herself was not enough. The streets were crammed. Some time after leaving Paddington Station she was quite unable to make further headway. Two ambulance men rescued her from the crowd, and assured her that she couldn’t go on. ‘I must, but I must!’ cried Grannie, tears streaming down her face. ‘I’ve got my room, I’ve got my seat; the two first seats in the second window on the second floor, so that I can look down and see everything. I must!’ ‘It’s impossible, Ma’am, the streets are jammed, nobody has been able to get through for half an hour.’ Grannie wept more. The ambulance man kindly said, ‘You can’t see anything, I am afraid, Ma’am, but I’ll take you down this street to where our ambulance is and you can sit there, and they will make you a nice cup of tea.’ Grannie went with them, still weeping. By the ambulance was sitting a figure not unlike herself, also weeping, a monumental figure in black velvet and bugles. The other figure looked up–two wild cries rent the air: ‘Mary!’ ‘Margaret!’ Two gigantic bugle-shaking bosoms met.
V
Thinking over what gave me most pleasure in my childhood I should be inclined to place first and foremost, my hoop. A simple affair, in all conscience, costing–how much? Sixpence? A shilling? Certainly not more.
And what an inestimable boon to parents, nurses, and servants. On fine days, Agatha goes out into the garden with her hoop and is no more trouble to anyone until the hour for a meal arrives–or, more accurately, until hunger makes itself felt.
My hoop was to me in turn a horse, a sea monster, and a railway train. Beating my hoop round the garden paths, I was a knight in armour on a quest, a lady of the court exercising my white palfrey, Clover (of The Kittens) escaping from imprisonment–or, less romantically, I was engine driver, guard, or passenger, on three railways of my own devising.
There were three distinct systems: the Tubular Railway, with eight stations and circling three quarters of the garden; the Tub Railway, a short line, serving the kitchen garden only and starting from a large tub of water with a tap under a pine tree; and the Terrace Railway, which encircled the house. Only a short while ago I came across in an old cupboard a sheet of cardboard on which sixty odd years before I had drawn a rough plan of all these railways.
I cannot conceive now why I so enjoyed beating my hoop along, stopping, calling out ‘Lily of the Valley Bed. Change for the Tubular Railway here. Tub. Terminus. All change.’ I did it for hours. It must have been very good exercise. I also practised diligently the art of throwing my hoop so that it returned to me, a trick in which I had been instructed by one of our visiting naval officer friends. I could not do it at all at first, but by long and arduous practice I got the hang of it, and was thereafter immensely pleased with myself.
On wet days there was Mathilde. Mathilde was a large American Rocking Horse which had been given to my sister and brother when they were children in America. It had been brought back to England and now, a battered wreck of its former self, sans mane, sans paint, sans tail, etc., was ensconced in a small greenhouse which adjoined the house on one side–quite distinct from The Conservatory, a grandiloquent erection, containing pots of begonias, geraniums, tiered stands of every kind of fern, and several large palm trees. This small greenhouse, called, I don’t know why, K.K. (or possibly Kai Kai?) was bereft of plants and housed instead croquet mallets, hoops, balls, broken garden chairs, old painted iron tables, a decayed tennis net and Mathilde.
Mathilde had a splendid action–much better than that of any English rocking horse I have ever known. She sprang forwards and back, upwards and down, and ridden at full pressure was liable to unseat you. Her springs, which needed oiling, made a terrific groaning, and added to the pleasure and danger. Splendid exercise again. No wonder I was a skinny child.
As companion to Mathilde in Kai Kai was Truelove–also of trans-atlantic origin. Truelove was a small painted horse and cart with pedals. Presumably from long years of disuse, the pedals wer
e no longer workable. Large applications of oil might have done the trick–but there was an easier way of making Truelove serviceable. Like all gardens in Devon, our garden was on a slope. My method was to pull Truelove to the top of a long grassy slope, settle myself carefully, utter an encouraging sound, and off we went; slowly at first, gathering momentum whilst I braked with my feet, so that we came to rest under the monkey puzzle at the bottom of the garden. Then I would pull Truelove back up to the top and start down once more.
I discovered in later years that it had been a great source of amusement to my future brother-in-law to see this process enacted, for sometimes an hour at a time, always in perfect solemnity.
When Nursie left I was, naturally, at a loss for a playmate. I wandered disconsolately about until the hoop solved my problem. Like all children I went round trying to induce people to play with me–first my mother, then the servants. But in those days, if there was no one whose business it was to play with children then the child had to play by itself. The servants were good-natured, but they had their work to do–plenty of it–and so it would be: ‘Now run away, Miss Agatha. I’ve got to get on with what I’m doing.’ Jane was usually good for a handful of sultanas, or a slice of cheese, but suggested firmly that these should be consumed in the garden.
So it was that I made my own world and my own playmates. I really do think that it was a good thing. I have never, all through my life, suffered from the tedium of ‘nothing to do’. An enormous number of women do. They suffer from loneliness and boredom. To have time on their hands is a nightmare and not a delight. If things are constantly being done to amuse you, naturally you expect it. And when nothing is done for you, you are at a loss.
I suppose it is because nearly all children go to school nowadays, and have things arranged for them, that they seem so forlornly unable to produce their own ideas in holiday time. I am always astonished when children come to me and say: ‘Please. I’ve nothing to do.’ With an air of desperation I point out:
‘But you’ve got a lot of toys, haven’t you?’
‘Not really.’
‘But you’ve got two trains. And lorries, and a painting set. And blocks. Can’t you play with some of them?’
‘But I can’t play by myself with them.’
‘Why not? I know. Paint a picture of a bird, then cut it out and make a cage with the blocks, and put the bird in the cage.’
The gloom brightens and there is peace for nearly ten minutes.
Looking back over the past, I become increasingly sure of one thing. My tastes have remained fundamentally the same. What I liked playing with as a child, I have liked playing with later in life.
Houses, for instance.
I had, I suppose, a reasonable amount of toys: a dolls’ bed with real sheets and blankets and the family building bricks, handed down by my elder sister and brother. Many of my playthings were extemporised. I cut pictures out of old illustrated magazines and pasted them into scrap-books made of brown paper. Odd rolls of wallpaper were cut and pasted over boxes. It was all a long, leisurely process.
But my principal source of indoor amusement was undoubtedly my dolls’ house. It was the usual type of painted affair, with a front that swung open, revealing kitchen, sitting-room and hall downstairs, two bedrooms and bathroom upstairs. That is, it began that way. The furniture was acquired, piece by piece. There was an enormous range of dolls’ furniture in the shops then, quite cheap in price. My pocket money was, for those days, rather large. It consisted of what copper coins father happened to have in his possession every morning. I would visit him in his dressing-room, say good morning, and then turn to the dressing-table to see what Fate had decreed for me on that particular day. Twopence? Fivepence? Once a whole elevenpence! Some days, no coppers at all. The uncertainty made it rather exciting.
My purchases were always much the same. Some sweets–boiled sweets, the only kind my mother considered healthy–purchased from Mr Wylie who had a shop in Tor. The sweets were made on the premises, and as you came in through the shop door you knew at once what was being made that day. The rich smell of boiling toffee, the sharp odour of peppermint rock, the elusive smell of pineapple, barleysugar (dull), which practically didn’t smell at all, and the almost overpowering odour when pear drops were in process of manufacture.
Everything cost eightpence a pound. I spent about fourpence a week–one pennyworth of four different kinds. Then there was a penny to be donated for the Waifs and Strays (money-box on the hall table); from September onwards a few pence were salted away to save up for such Christmas presents as would be bought, not made. The rest went towards the furnishing and equipping of my dolls’ house.
I can still remember the enchantment of the things there were to buy. Food, for instance. Little cardboard platters of roast chicken, eggs and bacon, a wedding cake, a leg of lamb, apples and oranges, fish, trifle, plum pudding. There were plate baskets with knives, forks and spoons. There were tiny sets of glasses. Then there was the furniture proper. My drawing-room had a suite of blue satin chairs, to which I added by degrees a sofa and a rather grand gilded armchair. There were dressing-tables with mirrors, round polished dinner-tables, and a hideous orange brocade dining-room suite. There were lamps and epergnes and bowls of flowers. Then there were all the household implements, brushes and dustpans, brooms and pails and kitchen saucepans.
Soon my dolls’ house looked more like a furniture storehouse. Could I–could I, possibly–have another dolls’ house?
Mother did not think that any little girl ought to have two dolls’ houses. But why not, she suggested, inspired, use a cupboard. So I acquired a cupboard, and it was a wild success. A big room at the top of the house, originally built on by my father to provide two extra bedrooms, was so much enjoyed in its bare state by my sister and brother as a playroom that that is what it remained. The walls were more or less lined with books and cupboards, the centre conveniently free and empty. I was allotted a cupboard with four shelves, part of a built-in fitment against the wall. My mother found various nice pieces of wall-paper which could be pasted on the shelves as carpets. The original dolls’ house stood on top of the cupboard, so that I now had a six-storied house.
My house, of course, needed a family to live in it. I acquired a father and mother, two children and a maid, the kind of doll that has a china head and bust and malleable sawdust limbs. Mother sewed some clothes on them, from odd bits of stuff she had. She even fixed with glue a small black beard and moustache to the face of the father. Father, mother, two children and a maid. It was perfect. I don’t remember their having any particular personalities–they never became people to me, they existed only to occupy the house. But it really looked right when you sat the family round the dinner table. Plates, glasses, roast chicken, and a rather peculiar pink pudding were served at the first meal.
An additional enjoyment was housemoving. A stout cardboard box was the furniture van. The furniture was loaded into it, it was drawn round the room by a string several times, and then ‘arrived at the new house’. (This happened at least once a week.)
I can see quite plainly now that I have continued to play houses ever since. I have gone over innumerable houses, bought houses, exchanged them for other houses, furnished houses, decorated houses, made structural alterations to houses. Houses! God bless houses!
But to go back to memories. What odd things really, when one collects them all together, one does remember out of one’s life. One remembers happy occasions, one remembers–very vividly, I think–fear. Oddly enough pain and unhappiness are hard to recapture. I do not mean exactly that I do not remember them–I can, but without feeling them. Where they are concerned I am in the first stage. I say, ‘There was Agatha being terribly unhappy. There was Agatha having toothache.’ But I don’t feel the unhappiness or the toothache. On the other hand, one day the sudden smell of lime trees brings the past back, and suddenly I remember a day spent near the lime trees, the pleasure with which I threw myself down on the grou
nd, the smell of hot grass, and the suddenly lovely feeling of summer; a cedar tree nearby and the river beyond…The feeling of being at one with life. It comes back in that moment. Not only a remembered thing of the mind but the feeling itself as well.
I remember vividly a field of buttercups. I must have been under five, since I walked there with Nursie. It was when we were at Ealing, staying with Auntie-Grannie. We went up a hill, past St. Stephen’s Church. It was then nothing but fields, and we came to one special field, crammed with golden buttercups. We went to it–that I do know–quite often. I don’t know if my memory of it is of the first time we went there or a later occasion, but the loveliness of it I do remember and feel. It seems to me that for many years now I have never seen a field of buttercups. I have seen a few buttercups in a field, but that is all. A great field full of golden buttercups in early summer is something indeed. I had it then, I have it with me now.
What has one enjoyed most in life? I daresay it varies with different people. For my own part, remembering and reflecting, it seems that it is almost always the quiet moments of everyday life. Those are the times, certainly, when I have been happiest. Adorning Nursie’s old grey head with blue bows, playing with Tony, making a parting with a comb down his broad back, galloping on what I feel to be real horses across the river my fancy has set in the garden. Following my hoop through the stations of the Tubular Railway. Happy games with my mother. My mother, later, reading Dickens to me, gradually getting sleepy, her spectacles half falling off her nose and her head dropping forward, and myself saying in an agonised voice. ‘Mother, you’re going to sleep’, to which my mother with great dignity replies, ‘Nothing of the kind, darling. I am not in the least sleepy!’ A few minutes later she would be asleep. I remember feeling how ridiculous she looked with her spectacles slipping off her nose and how much I loved her at that moment.
An Autobiography Page 7