by Thomas Moore
But, when its points are gleaming round us,
Who can tell if they’re designed
To dazzle merely, or to wound us?
Pillowed on my Nora’s heart,
In safer slumber Love reposes —
Bed of peace! whose roughest part
Is but the crumpling of the roses.
Oh! my Nora Creina dear,
My mild, my artless Nora Creina,
Wit, though bright,
Hath no such light,
As warms your eyes, my Nora Creina.
I SAW THY FORM IN YOUTHFUL PRIME.
I saw thy form in youthful prime,
Nor thought that pale decay
Would steal before the steps of Time,
And waste its bloom away, Mary!
Yet still thy features wore that light,
Which fleets not with the breath;
And life ne’er looked more truly bright
Than in thy smile of death, Mary!
As streams that run o’er golden mines,
Yet humbly, calmly glide,
Nor seem to know the wealth that shines
Within their gentle tide, Mary!
So veiled beneath the simplest guise,
Thy radiant genius shone,
And that, which charmed all other eyes,
Seemed worthless in thy own, Mary!
If souls could always dwell above,
Thou ne’er hadst left that sphere;
Or could we keep the souls we love,
We ne’er had lost thee here, Mary!
Though many a gifted mind we meet,
Though fairest forms we see,
To live with them is far less sweet,
Than to remember thee, Mary!
BY THAT LAKE, WHOSE GLOOMY SHORE.1
By that Lake, whose gloomy shore
Sky-lark never warbles o’er,2
Where the cliff hangs high and steep,
Young St. Kevin stole to sleep.
“Here, at least,” he calmly said,
“Woman ne’er shall find my bed.”
Ah! the good Saint little knew
What that wily sex can do.”
’Twas from Kathleen’s eyes he flew, —
Eyes of most unholy blue!
She had loved him well and long
Wished him hers, nor thought it wrong.
Wheresoe’er the Saint would fly,
Still he heard her light foot nigh;
East or west, where’er he turned,
Still her eyes before him burned.
On the bold cliff’s bosom cast,
Tranquil now, he sleeps at last;
Dreams of heaven, nor thinks that e’er
Woman’s smile can haunt him there.
But nor earth nor heaven is free,
From her power, if fond she be:
Even now, while calm he sleeps,
Kathleen o’er him leans and weeps.
Fearless she had tracked his feet
To this rocky, wild retreat;
And when morning met his view,
Her mild glances met it, too.
Ah, your Saints have cruel hearts!
Sternly from his bed he starts,
And with rude, repulsive shock,
Hurls her from the beetling rock.
Glendalough, thy gloomy wave
Soon was gentle Kathleen’s grave!
Soon the Saint (yet ah! too late,)
Felt her love, and mourned her fate.
When he said, “Heaven rest her soul!”
Round the Lake light music stole;
And her ghost was seen to glide,
Smiling o’er the fatal tide.
1 This ballad is founded upon one of the many stories related of St. Kevin, whose bed in the rock is to be seen at Glendalough, a most gloomy and romantic spot in the county of Wicklow.
2 There are many other curious traditions concerning this Lake, which may be found in Giraldus, Colgan, etc.
SHE IS FAR FROM THE LAND.
She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.
She sings the wild song of her dear native plains,
Every note which he loved awaking; —
Ah! little they think who delight in her strains,
How the heart of the Minstrel is breaking.
He had lived for his love, for his country he died,
They were all that to life had entwined him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.
Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They’ll shine o’er her sleep, like a smile from the West,
From her own loved island of sorrow.
NAY, TELL ME NOT, DEAR.
Nay, tell me not, dear, that the goblet drowns
One charm of feeling, one fond regret;
Believe me, a few of thy angry frowns
Are all I’ve sunk in its bright wave yet.
Ne’er hath a beam
Been lost in the stream
That ever was shed from thy form or soul;
The spell of those eyes,
The balm of thy sighs,
Still float on the surface, and hallow my bowl,
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts that awaken the pilgrim’s zeal,
The bowl but brightens my love for thee.
They tell us that love in his fairy bower,
Had two blush-roses of birth divine;
He sprinkled the one with a rainbow shower,
But bathed the other with mantling wine.
Soon did the buds,
That drank of the floods
Distilled by the rainbow, decline and fade;
While those which the tide
Of ruby had dyed
All blushed into beauty, like thee, sweet maid!
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts, that awaken the pilgrim’s zeal,
The bowl but brightens my love for thee.
AVENGING AND BRIGHT.
Avenging and bright fall the swift sword of Erin1
On him who the brave sons of Usna betrayed!
For every fond eye he hath wakened a tear in,
A drop from his heart-wounds shall weep o’er her blade.
By the red cloud that hung over Conor’s dark dwelling,2
When Ulad’s3 three champions lay sleeping in gore —
By the billows of war, which so often, high swelling,
Have wafted these heroes to victory’s shore —
We swear to revenge them! — no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute and our fields shall lie wasted,
Till vengeance is wreaked on the murderer’s head.
Yes, monarch! tho’ sweet are our home recollections,
Tho’ sweet are the tears that from tenderness fall;
Tho’ sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
1 The words of this song were suggested by the very ancient Irish story called “Deirdri, or the Lamentable Fate of the Sons of Usnach.” The treachery of Conor, King of Ulster, in putting to death the three sons of Usna, was the cause of a desolating war against Ulster, which terminated in the destruction of Eman.
2 “Oh Nasi! view that cloud that I here see in the sky! I see over Eman-green a chilling cloud of blood-tinged red.” — Deirdri’s Song.
3 Ulster.
WHAT THE BEE IS TO THE FLOWERET.
HE.
What the bee is to the floweret,
>
When he looks for honey-dew,
Thro’ the leaves that close embower it,
That, my love, I’ll be to you.
SHE.
What the bank, with verdure glowing,
Is to waves that wander near,
Whispering kisses, while they’re going,
That I’ll be to you, my dear.
SHE.
But they say, the bee’s a rover,
Who will fly, when sweets are gone;
And, when once the kiss is over,
Faithless brooks will wander on.
HE.
Nay, if flowers will lose their looks,
If sunny banks will wear away,
Tis but right that bees and brooks
Should sip and kiss them while they may.
LOVE AND THE NOVICE.
“Here we dwell, in holiest bowers,
“Where angels of light o’er our orisons bend;
“Where sighs of devotion and breathings of flowers
“To heaven in mingled odor ascend.
“Do not disturb our calm, oh Love!
“So like is thy form to the cherubs above,
“It well might deceive such hearts as ours.”
Love stood near the Novice and listened,
And Love is no novice in taking a hint;
His laughing blue eyes soon with piety glistened;
His rosy wing turned to heaven’s own tint.
“Who would have thought,” the urchin cries,
“That Love could so well, so gravely disguise
“His wandering wings and wounding eyes?”
Love now warms thee, waking and sleeping,
Young Novice, to him all thy orisons rise.
He tinges the heavenly fount with his weeping,
He brightens the censer’s flame with his sighs.
Love is the Saint enshrined in thy breast,
And angels themselves would admit such a guest,
If he came to them clothed in Piety’s vest.
THIS LIFE IS ALL CHECKERED WITH PLEASURES AND WOES
This life is all checkered with pleasures and woes,
That chase one another like waves of the deep, —
Each brightly or darkly, as onward it flows,
Reflecting our eyes, as they sparkle or weep.
So closely our whims on our miseries tread,
That the laugh is awaked ere the tear can be dried;
And, as fast as the rain-drop of Pity is shed.
The goose-plumage of Folly can turn it aside.
But pledge me the cup — if existence would cloy,
With hearts ever happy, and heads ever wise,
Be ours the light Sorrow, half-sister to Joy,
And the light, brilliant Folly that flashes and dies.
When Hylas was sent with his urn to the fount,
Thro’ fields full of light, and with heart full of play,
Light rambled the boy, over meadow and mount,
And neglected his task for the flowers on the way.
Thus many, like me, who in youth should have tasted
The fountain that runs by Philosophy’s shrine,
Their time with the flowers on the margin have wasted,
And left their light urns all as empty as mine.
But pledge me the goblet; — while Idleness weaves
These flowerets together, should Wisdom but see
One bright drop or two that has fallen on the leaves
From her fountain divine, ’tis sufficient for me.
OH THE SHAMROCK.
Thro’ Erin’s Isle,
To sport awhile,
As Love and Valor wandered,
With Wit, the sprite,
Whose quiver bright
A thousand arrows squandered.
Where’er they pass,
A triple grass1
Shoots up, with dew-drops streaming.
As softly green
As emeralds seen
Thro’ purest crystal gleaming.
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf.
Of Bard and Chief,
Old Erin’s native Shamrock!
Says Valor, “See,
“They spring for me,
“Those leafy gems of morning!” —
Says Love, “No, no,
“For me they grow,
“My fragrant path adorning.”
But Wit perceives
The triple leaves,
And cries, “Oh! do not sever
“A type, that blends
“Three godlike friends,
“Love, Valor, Wit, for ever!”
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin’s native Shamrock!
So firmly fond
May last the bond,
They wove that morn together,
And ne’er may fall
One drop of gall
On Wit’s celestial feather.
May Love, as twine
His flowers divine.
Of thorny falsehood weed ’em;
May Valor ne’er
His standard rear
Against the cause of Freedom!
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin’s native Shamrock!
1 It is said that St. Patrick, when preaching the Trinity to the Pagan Irish, used to illustrate his subject by reference to that species of trefoil called in Ireland by the name of the Shamrock; and hence, perhaps, the Island of Saints adopted this plant as her national emblem. Hope, among the ancients, was sometimes represented as a beautiful child, standing upon tiptoes, and a trefoil or three-colored grass in her hand.
AT THE MID HOUR OF NIGHT
At the mid hour of night, when stars are weeping, I fly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air,
To revisit past scenes of delight, thou wilt come to me there,
And tell me our love is remembered, even in the sky.
Then I sing the wild song ’twas once such pleasure to hear
When our voices commingling breathed, like one, on the ear;
And, as Echo far off thro’ the vale my sad orison rolls,
I think, oh my love! ’tis thy voice from the Kingdom of Souls,1
Faintly answering still the notes that once were so dear.
1 “There are countries.” says Montaigne, “where they believe the souls of the happy live in all manner of liberty, in delightful fields; and there it is those souls, repeating the words we utter, which we call Echo.”
ONE BUMPER AT PARTING.
One bumper at parting! — tho’ many
Have circled the board since we met,
The fullest, the saddest of any
Remains to be crowned by us yet.
The sweetness that pleasure hath in it,
Is always so slow to come forth,
That seldom, alas, till the minute
It dies, do we know half its worth.
But come, — may our life’s happy measure
Be all of such moments made up;
They’re born on the bosom of Pleasure,
They die midst the tears of the cup.
’Tis onward we journey, how pleasant
To pause and inhabit awhile
Those few sunny spots, like the present,
That mid the dull wilderness smile!
But Time, like a pitiless master,
Cries “Onward!” and spurs the gay hours —
Ah, never doth Time travel faster,
Than when his way lies among flowers.
But come — may our life’s happy measure
Be all of such moments made up;
They’re born on the bosom of Pleasure,
They die
midst the tears of the cup.
We saw how the sun looked in sinking,
The waters beneath him how bright;
And now, let our farewell of drinking
Resemble that farewell of light.
You saw how he finished, by darting
His beam o’er a deep billow’s brim —
So, fill up, let’s shine at our parting,
In full liquid glory, like him.
And oh! may our life’s happy measure
Of moments like this be made up,
’Twas born on the bosom of Pleasure,
It dies mid the tears of the cup.
‘TIS THE LAST ROSE OF SUMMER.
OR
THE LAST ROSE OF SUMMER.
’Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,
Or give sigh for sigh.
I’ll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping.
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o’er the bed,
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow,
When friendships decay,
And from Love’s shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?
THE YOUNG MAY MOON.
The young May moon is beaming, love,
The glow-worm’s lamp is gleaming, love,
How sweet to rove
Through Morna’s grove,
When the drowsy world is dreaming, love!
Then awake! — the heavens look bright, my dear,
’Tis never too late for delight, my dear,
And the best of all ways
To lengthen our days,
Is to steal a few hours from the night, my dear!
Now all the world is sleeping, love,
But the Sage, his star-watch keeping, love,
And I, whose star,
More glorious far,
Is the eye from that casement peeping, love.
Then awake! — till rise of sun, my dear,
The Sage’s glass we’ll shun, my dear,