To Live Again and the Second Trip: The Complete Novels

by Robert Silverberg

  “But where? Upstairs, you said.”

  “The people’s co-op, moron,” the fat girl said. “Where else? Where else do you think?” And strode away.

  14

  THE PEOPLE’S CO-OP, MORON. Where else? Leaving his laden tray, he went outside and looked around. Of course: there was a hotel associated with the restaurant. Or vice-versa. They shared the building. Stark green-tiled facade; a separate entrance for the hotel, escalator going up, the office on the second floor. In a wide low empty lobby, much too brightly lit, a directory screen offered sketchy information about the present residents of the building. Macy, frowning, checked the M column first. Moore, Lissa? Not there. He glanced at L and, yes, there was an entry for “Lisa,” nothing else, no surname, checked in June 3, eleven p.m., room 1114. There’s a girl upstairs needs some help from you. And how to get upstairs?

  A door to his left opened and a blind man came in, moving confidently and swiftly around table and chairs and other obstacles. The sonar mounted in his headband going boing boing boing. Tan jacket, yellow pants, fleshy face, eyes half-closed showing only the whites. “Excuse me,” Macy said, “can you tell me where the liftshaft is?” The blind man, without stopping, pointed over his right shoulder and said. “Elevator’s back there,” and disappeared through a door to Macy’s right. Macy went through the other door. Elevator. Eleventh floor. Up.

  Room 1114.

  No fancy communication or scanning devices here, just a plain wooden door. He knocked and got no response from within. He knocked again. “Lissa? It’s me, Paul.” Knock knock. Silence. As he stood there, puzzled, a girl stepped out of the room across the hall, a thin bony girl, naked and casual about it, towel draped over one shoulder, ribs prominent, hipbones sharp, small pointed breasts.

  “Looking for Lisa?” she asked, and when Macy nodded the girl said, “She’s in there. Go on in.”

  “I knocked. She didn’t answer.”

  “No, she won’t answer. Just go on in.”

  “The door—”

  “No locks here, brother.” The girl winked and sauntered down the hall. Her backbone standing sharply out against her skin. Pushing open another door; sound of water running, from within; the showerroom, Macy guessed. No locks here, brother. Okay. He tried the door of room 1114 and found that it was indeed open.

  “Lissa?” he said.

  This was what he imagined a jail cell would be like. His room at the Rehab Center had been palatial by comparison. A low narrow bed—a cot, really. A flimsy green plastic chair. A small squat brown dresser. A chipped yellow-white washstand. A grimy sliver of window. Bare flooring; cruel naked lights. Lissa was naked too, slouched on the bed, knees up, arms locked across them. She looked gaunt, almost frail, as if she had dropped eight or ten pounds in the thirty-six hours since he last had seen her. Her hair was a knotted mess and her eyes were red and raw. The room reeked of sweat. Her clothes lay in a heap near the window; the closet, its door ajar, was empty; near the washstand stood the big dilapidated green suitcase that she had used in bringing her things from her apartment to his, and from his place to here. Its sides bulged: she hadn’t bothered to unpack. As he entered, her head moved slowly in his direction, and she looked at him and did not look. And her head moved back so that she stared again at the brown dresser.

  Macy walked past the foot of the bed and tried to open the window, but there was no way of doing it. He spoke her name again; she gave no sign of hearing him. Crouching beside her, he took one of her feet in his hand, lifted it six inches, watched it drop heavily back, and slid the hand upward to the meaty part of her calf. Her skin blazed. Fever was consuming her. His hand went to her thigh. His fingertips dug in high, just below the curling auburn thatch, but she took no notice. He shook her thigh. Nothing. He stroked her breasts, he cupped one. Nothing. He rubbed the tip of his thumb back and forth over the nipple. Zero. He fanned his fingers in front of her eyes. She blinked once, absently. “Lissa?” he said a third time. She was gone, lost, cocooned in introspection. Beyond his reach. Anyone could do anything to her now and probably she wouldn’t react. How to break through? No way. No way.

  He stood by the window with his back to her.

  A long time later she said, voice thin and distant, “The talking in my head was driving me crazy. Bouncing off the walls. I couldn’t stay.”

  He swung around to face her. She was wholly expressionless. Still staring at the dresser. Her words might have been those of a ventriloquist. “You didn’t need to run away,” he said. “I was trying to help you.”

  “You had no help to give. And I couldn’t help you either. We were destroying each other.”

  “No.”

  “I opened you to Hamlin.”

  “It doesn’t matter. We needed each other.”

  “I needed to go,” she said. “I was choking there, I had to get out. So I went. So I came here.”

  “Why?”

  “To hide. To rest.” Murmured words, windsounds. “Go away, now. I have the voices again. The pressure building up. Can’t you feel it? The pressure. The pressure building up.”

  He caught her hand in his. The fever raging. The muscles of her arm entirely limp. Like holding a length of rope. “You’re ill, Lissa, physically ill. Let me get a doctor for you.” He wasn’t sure she heard him. Floating away from him again. “I’ll call a doctor,” he said. “All right.”

  Her eyes like glass spheres. She was adrift, heading out on the tide. He shook her, he fondled her, he talked to her. Zero. Talked at her. An urgent torrent. Flooding her with words, trying to talk her back into some sort of contact with him. Come on, snap out of it. Telling her of love, of need, of second starts, of new tomorrows, of shared anguishes, of an end to self-pity and vulnerability. Anything. Inspirational words. The old sunny platitudes. Why not tell her such things? To reach her. We’ll go far away and try again, you and me, me and you. A whole world of happiness. Come, Lissa. Come.

  Knowing that he is losing her, moment by moment. Has lost her. A million million miles away on her planetoid of ice. Yet he continued. Striving to pour his frantic energy into her, to fill her with enough stamina to return and rise. Visions of hope, daydreams of health and joy. A shimmering rainbow curving across the room from door to window. On and on and on, his voice growing rasping and edgy and desperate, Lissa paying no attention; the ice now entombed her, she could only dimly be seen within the sparkling wall of the glacier. He was tiring. Why go on? She didn’t want to hear this.

  He became angry with her, hostile, irritated, begrudging her the resources of strength she was draining from him. And for what, this tremendous effort of his? What good? Everything he gave her the fever ate. She was the conduit through which his energies rushed uselessly into a shoreless sea. Now there was loud in him the voice of temptation, telling him to leave her while he still could, to forget her, to make his own difficult way through the world without dragging her on his back.

  You owe her nothing. You have troubles of your own, many of them caused by her. Why this quixotic desire to rescue and repair her? Let her sink. Let her fry. Let her freeze. Let her stew. Go. She told you to go: therefore go. This shabby burned-out girl with her implausible affliction, her ESP. Her chattering angry voices. The necklace of grime on her chest. Vacant glassy eyes. Go.

  To this Macy answered, not releasing Lissa’s sweating palm, that he would hear no counsel of defeat, nor would he abandon her now. He went on urging her to come out of her trance; he pleaded with her not to give up. Here I am: take strength from me. Let me be your shield and your support. He conceived the notion of hauling her from the bed and carrying her out of the room, to that shower in the hall, where he would let the cool cleansing water sluice her from her lethargy. He naked beside her as the purifying deluge descended.

  Up, then. To the shower. Grunting, he seized her by the shoulders, but her body was a dead weight and there was suddenly a terrific fiery bolus in his chest and a band of hot steel across his forehead, and he realized that she
had already drained too much from him, that he was no longer strong enough to lift her. He let her fall back and collapsed across her, panting. His eyes were wet, he knew not whether from pain or despair or frustration or rage. Saving her was beyond him. He was too weak. He was too weary. He was too empty. He had given all he could give, and it had not been enough, and now he could give no more. Perhaps if I rest. Perhaps in a little while.

  But he knew he was being foolish. He was drained. He would not soon recover. And now, too, he knew who it was who had tempted him to turn back before reaching this point, for he felt the presence hot within him, rising, expanding, glowing, the dark presence of his other self coming forth from his hidden lair, whispering wordlessly to him, crooning, inviting him to yield.

  Shall I fight him? Can I fight him? I must. I must. Macy readied himself to resist Searching the corridors of his soul for forgotten reservoirs of strength. But he feared it was too late, that the takeover was already beginning. Already he felt a familiar sensation, a prickling at the back of his neck, a tingling, a mild stiffening of the skin. The unseen fingers were at work, stroking the lobes of his brain, caressing the prominences and corrugations. Inviting him to yield. Yes. Yes. Temptation. An end to turmoil and torment No, Macy said, I will not let you have me.

  He attempted to get to his feet, but the best he could manage was to roll heavily free of Lissa and lie beside her. She seemed to be unconscious. A sleep beyond all dreams. How peaceful she looks. And I could sleep that sleep. Come, said the voiceless voice in wordless words, let me enfold you, let me supplant you. Let there no longer be struggle between us. Give way to me. No! You will not have me!

  And Macy reached out toward Lissa, seeking her, asking alliance. The two of us against him. We can strike at him, we can destroy him. Lissa was a million miles away. Her planetoid of ice. The cold light of the distant sun dancing on the walls of the glacier. The tempter said, You see, there is no help to be had from her. Now is the time. Step aside for me. Be realistic, Macy, be realistic!

  Macy attempted to be realistic. Where shall I go? How shall I fight? Who shall I be? And saw how little hope there was. He could not save himself. He had not been designed for this sort of stress. They had sent him on this second trip laden with an impossible burden, and was it then any surprise that the trip was a bummer? Let us end it. Let us fight no more. He would rest, he would close himself to struggling and hoping, he would surrender. The odds were too high against him. Outside waited Gomez, the van, the long cold needles, the drugs, all the machinery of deconstruction. Inside lurked Hamlin. Beside him lay this shattered girl. All right. I yield. I will fight no more.

  —Then get out of the way, Hamlin said, and let me become you.

  The mixing of selves was beginning. The dissolving, the blending. Paul Hamlin. Nat Macy. I am he. He is I. Maelstrom. Blinded by churning debris raining upon them out of their entangled pasts. A holocaust of dislocated events. As we dissolve into one another. Jeanie Grossman beneath the snows of Mount Rainier. And the girl with the long straight silken golden hair. Look, all through history girls have been posing for famous artists. Let me show you these charts, ma’am, explaining the special advantages of our encyclopedia. Why should you go to art school? My boy, you are already a master! Members of the class of ’93, welcome to the UCLA campus. Hey, no, officer! Put that stunner down! I surrender, damn you, I surrender! I’ll go peacefully! It isn’t a matter of opinion, it’s a matter of voltage thresholds. A voltage doesn’t lie. Amperes don’t have opinions. Resistances don’t fuck around with you for sly tactical reasons. We’re dealing in objective facts, and the objective facts tell me that Nat Hamlin has been wiped out. One-and-two-and-one-and-two. Proudly down the goddam street. Your new career. Your new life. Shqkm. Vtpkp. Smss! Grgg! Will the defendant please rise. Nathaniel James Hamlin you have heard the verdict of your peers. Don’t play around with me. I know you’re Nat Hamlin. You’re looking good, Nat THE TORMENTS OF FAME. THE DAY THE MUSEUM BOUGHT EVERYTHING. MY NAME IS LISSA. No! Come back! Paul! Paul! Nat! Paul Hamlin. Nat Macy. We are becoming one. We are dissolving each into each. I will be you and you will be nothing. And there will be peace at last

  Lissa! LISSA!

  Abruptly the sky darkened and without warning bolts of lightning flashed and terrible thunder came and a sword swept down, trailing streamers of fire, to cleave the hemispheres of his brain one from the other. Between the two there loomed an unbridgeable gap, and on the far side of it Macy beheld Hamlin, stunned, dazed, wandering through a charred and blasted meadow as lightning struck all about him. That sudden fierce blow had severed all connection between them just at the instant of merger. I am Paul Macy. He is Nat Hamlin. And the crashing of the lightning. Blinding white streaks splitting the sky. Is that Lissa up there? Yes. Yes. Yes. Yes. She hurls the bolts. Crash! Crash! Hamlin tries to dodge. Across the great gulf drifts the scent of burning flesh. He is wounded. He moves more slowly. Crash! She has hemmed him in by a zone of fire on every side. Now Hamlin offers resistance. He shakes his fist; he shouts; he seizes her bolts and hurls them back at her. But each act of defiance brings redoubled furies out of the heavens. Her aim is deadly. Lightning spears his toes. Lightning licks at his heels. He hops. He dances. He screams in rage and then in pain. His arm is blackened by a bolt; he can no longer return her shafts. Now he writhes on the smouldering earth; now he shrieks for mercy. But there will be no mercy. Lissa is the avenging goddess. Hamlin will be destroyed.

  But what’s this? In the moment of triumph she tires. She weakens. The bolts lose intensity, and Hamlin still lives! He regains strength. She cries out for help. Paul, Paul, Paul, Paul. Yes, he replies, from his place beyond the zone of combat. Hamlin has risen. He is hideously disfigured, he is maimed and ruined, but yet there is demonic power in him, and now he lashes back at her, trying to bring her tumbling down to his own level. Crackling energies climb the sky. Help me, Paul!

  And Macy opens himself to her, letting her take from him whatever she must have, and he arms her so that she can return to the attack. Again her lightnings flash. Again Hamlin howls. His thrusts are beaten back. He cannot fight on. He falls. A bolt pierces his back. He twists and coils in frightful convulsions. Lissa transfixes him again. Again. He is burning. He is dying. The odor of charred flesh on the wind. The sky is a sheet of white fire. She is spending herself, emptying herself, to eradicate him. She is cutting him to pieces.

  Hamlin still moves, but now only in the random galvanic twitches of the dead. The meadow is a blazing pyre. He burns. He burns. He dwindles. He is gone. The sky grows still. Lissa can no longer be seen. A strange silence has come; a gentle cooling rain begins to fall. The air is sweet. The clouds part; the rain ends; the soft sunlight returns. There is no gulf between the regions of the brain. Macy’ crosses over. He sees no trace of Hamlin but only a dark place on the ground, a blackened scar in the grass, and quickly the grass grows to hide it, tall green blades moving swiftly in, sprouting tender new shoots that rise and meet, and soon there is no sign of destruction anywhere, although Macy knows that beneath the graceful grassy carpet one might find a layer of ash, if one chose to excavate. He walks away from that place. He is utterly alone. Lissa? he calls. Lissa? But there is no reply. Silence governs. He is utterly alone.

  After a time he sat up and got carefully to his feet. The sense of being alone remained with him. There was a faint throbbing in his head, of the sort one might feel if one were transported suddenly from the heart of some great city to the eerie soundless wastelands of the polar plateau, but otherwise he was aware of no aftereffects of the battle. Except one. Hamlin was gone from him. That much was certain: Hamlin was gone.

  He looked at Lissa. She lay as before, limp, glassy-eyed, self-isolated. Her bare skin glistened with sweat. The feverish look had left her, and, touching her side, he found that she was indeed cooler. Not only the fever had departed from her, though. For the first time since he had known her, Macy was unable to detect that look of terrible strain in her features, tha
t expression of barely suppressed despair. She was calm. Her inner storms, as well as his, were over. But her calmness was of a frightening sort. She seemed vacant, almost entirely absent.

  “Lissa?” he said. “Can you hear me?”

  “Lis—Lis”

  “Lissa.”

  “Lis—”

  “Lissa,” he said. “Lissa is you.”

  “Lissa is you.” Her voice was high, childish, fluting, toneless.

  “No. No. I’m Paul. You’re Lissa.”

  “I’m Paul. You’re Lissa.”

  He sat beside her. He took her hands in his. Her fingers were very cold. Her eyes closed a moment; then the lids fluttered and she opened them and looked at him in a sunny, uncomprehending way, and she smiled. He said, “You’ve burned yourself out, haven’t you? You just used up everything you had. To save me. And now there’s nothing left but a husk.”

  “Husk.”

  “Is the ESP gone too, I wonder? Can you still hear the voices? Do you hear them, Lissa?”

  “Voices. Do you. Hear them. Lissa.”

  “You don’t, do you? Not any more.”

  “No,” she said unexpectedly. “I don’t hear. Anything.”

  Her response startled him. “You can understand me now? The voices are really gone?”

  A smile. A fluttering of the eyelids. A babyish giggle. “The. Voices. Are. Really. Gone.” She had slipped away from him once more.

  He searched the room for a telephone. None. He went to the door and looked into the hall. A phone out there, yes. Someone using it. Chattering away. All right, I’ll wait. A few minutes. And then phone Gomez. Send your van, I’ll tell him. Manhattan North People’s Co-op, and hurry. Not for me. For her, for Lissa. Yes. Burned out, hardly knows her own name. But there’s something still intact down deep inside her. Not much, but enough, maybe, for you to work with, Gomez. No, you don’t have to bother with me. I’m okay. It’s over. Hamlin’s gone, obliterated for keeps, gone, really gone. A total deconstruct. But the girl. Can you fix her, Gomez? Can you put her back together? It won’t be like a reconstruct, exactly. You won’t have to pour a new identity into an old body, just put an old identity back where it belongs. Okay, Gomez? You’ll do it? Good. Good. And how long will it take? Five months, six, a year? Whatever. Just do it.