by Mindy Kaling
And more and more, I found that I didn’t want to do what JLMP wanted to do. Like one time Lauren wanted me go to the yarn store in Harvard Square with her so we could both learn to knit. I reluctantly used my allowance to buy a skein of yarn. Who was I knitting stuff for? If I gave my mother a knitted scarf she’d be worried I was wasting my time doing stupid stuff like knitting instead of school work. Presenting a homemade knitted object to my parents was actually like handing them a detailed backlog of my idleness.
And Jana, sweet old Jana, was crazy about horses. Like super-nutso crazy about horses—that was her thing. All her drawings and back-from-vacation stories and Halloween costumes were horses. She would even pretend to be a horse during free period and lunch. We had to feed her pizza out of our hand, and she’d neigh back “thank you.” Now I was getting bored of driving forty-five minutes with her parents to the equestrian center to pretend to care about her galloping back and forth in her horse recital or whatever.
I found myself wanting to spend more time with Mavis than JLMP. I spent the week looking forward to Saturday so I could write sketches with her. I didn’t want her to be my secret friend anymore.
One Friday in November I didn’t go to the Cheesecake Factory with JLMP. I asked Mavis if she wanted to hang out at the mall after school. We had never spent time together outside of our houses. Mavis was surprised but agreed to go. We went to the Arsenal Mall after school. We bought sour gummy worms at the bulk candy store; we walked around Express and The Limited, trying things on and buying nothing. It felt weird being with Mavis in the real world, but good-weird.
The next Friday I bailed on JLMP again so my brother, Mavis, and I could see Wayne’s World together. We spend the whole night afterward chanting: “Wayne’s World! Party Time! Excellent! Schwing!” Mavis and I spent a long time discussing Rob Lowe’s emergence as a comedy actor. (Again, we were comedy nerds. This was exciting to us.) The following Friday we went to her house where Mr. Lehrman showed us how to use his camcorder so we could tape a sketch we had written, which used the characters in Gap Girls, that old SNL sketch with Chris Farley, Adam Sandler, and David Spade dressed up as female Gap employees. Mavis played David Spade and Adam Sandler. I played Chris Farley and all the other characters. Sometime around then, Mavis and I became real friends. Friends at school.
I spent most of winter break with Mavis, going to Harvard Square to see movies and buying comic books. I discovered she wasn’t into going shopping as much as JLMP had been, but I had my mom and Aunt Sreela for that, anyway. I still considered JLMP my best friends, but began flaking on them more and more. Jana’s mom even called my mom to tell her how hurt Jana was that I missed a big horse show. One Friday evening in mid-February, Mavis and I were at the RadioShack trying to find a tripod to use with her dad’s camcorder. It was the mall with JLMP’s Cheesecake Factory. On the escalator ride down, you could see right into the restaurant. That’s when Mavis and I saw it. Jana, Lauren, and Polly were sitting in a booth together. They were laughing and talking over a slice of cheesecake, but without me. Just JLP. I was so hurt and embarrassed. Yeah, I had made another friend, but did that give them the right to orchestrate a hangout where I was so left out? For a second, I hated Mavis. I wasn’t sure why, exactly, maybe for witnessing this humiliation, or for unwittingly being the cause of it? My immediate reaction was to rush over to them and confront them. But then I thought … why? What was I going to do with them after I confronted them? Sit with them and gossip about all the things I didn’t really care about anymore?
Mavis said, quietly, “If you want to go with them, I totally get it.”
There was something about the unexpectedly kind way she said that that made me happy to be with her, and not them. For some reason, I immediately thought about how my parents had always been especially fond of Mavis, and here was this moment when I understood exactly why: she was a good person. It felt so good to realize how smart my parents had been all along. “Are you kidding me?” I said. “We have to go home and film this sketch.”
By the time we got down the escalator and walked to the parking lot to get picked up by her parents, my ego was still bruised, but I was also able to identify another feeling: relief.
Pretty soon after that, the rest of JLP disintegrated too. Polly was getting into music more and was getting chummier with the kids who all smoked regularly across the street in the Fairy Woods. It was Jana, surprisingly, who first got a boyfriend. A cool Thai kid named Prem, who was a senior, asked her out. Prem was pretty possessive, and within weeks Jana was learning Thai and I never saw her. Lauren and I, with whom I had the least in common, faded out quickly without the buffer of the other two. It was almost a lifting of a burden when we weren’t required to stay in touch.
By the end of freshman year, it was just Mavis and me. I once half-jokingly suggested naming our friendship M&M, and Mavis looked at me with friendly but mild disgust. That was so not Mavis’s style. She stayed friends with her techie guy friends, and I even had lunch with them sometimes. They were smart guys, funny and edgier than any other guys at school, and they were knowledgeable about politics, a subject barely anyone cared about. But my friend group definitely shrunk. I was without a posse, no small herd to confidently walk down the hall with. There was just Mavis and me, but it never seemed lonely because we never stopped talking. I could have an argument, in earnest, about who was the best “Kid” in the Hall, without having to explain who they were. One friend with whom you have a lot in common is better than three with whom you struggle to find things to talk about. We never needed best friend gear because I guess with real friends you don’t have to make it official. It just is.
Junior year of high school, the Lehrmans moved to Evanston, Illinois, but Mavis and I kept in touch. She would call me and tell me about the amazing shows her dad took her to see at Second City, and we planned for me to visit, but it never materialized. When we graduated high school, she went to the Cooper Union in Manhattan to pursue her love of set design, and I went to Dartmouth to pursue my love of white people and North Face parkas. We e-mailed a bit for a year or so, and then by sophomore year, the e-mails stopped. We both just got so consumed with college. I would be reminded of Mavis when my parents asked about her over summer and holiday breaks. “How is Mavis doing these days?” my mom would ask. “I think pretty good,” I replied, vaguely, reminding myself to send her an e-mail one of these days, but never following through.
Mavis helped me learn so much about who I am, and who I wanted to be. I love comedy and now surround myself with people who love to talk about it just as much as I do. I like to think that Polly is in a band, that Lauren joined the right knitting circle, and that Jana found a nice horse to settle down with. Even though Mavis was my secret friend, she is the only one I hope I see again. She’s the only one I wonder about. I hope she wonders about me too.
I Love New York and It Likes Me Okay
Failing at Everything in the Greatest City on Earth
I WAS HESITANT to write this essay because, of course, I would rather you guys think I’m some kind of wide-eyed wunderkind who just kind of floated into my job at The Office without even trying. I want you to picture me as a cute little anime character that popped out from behind a mushroom or something and landed in Hollywood. But writing about my struggles was actually really fun. Besides, who wants to read about success, anyway? Successful serial murderers, maybe.
COLLEGE RUINED ME
Not to sound braggy or anything, but I kind of killed it in college. You know that saying “big fish in a small pond”? At Dartmouth College, I was freakin’ Jaws in a community swimming pool. I wrote plays, I acted, I sang, I was the student newspaper cartoonist. All this, of course, was less a function of my talent than of the school’s being in rural New Hampshire, where the only option for real entertainment was driving one and a half hours to Manchester, on the off chance the Capitol Steps were touring there.
After beer pong, floating in an inner tube down the Connec
ticut River, fraternity hazing rituals, building effigies and burning them down in the center of our quad, a cappella, and driving to Montreal for strip clubs, student-run theatrical productions placed a strong seventh in terms of what was fun to do on campus. We had a captive audience with low standards, which was a recipe for smashing success and the reason for the inflated sense of self I have to this very day. If you’re a kid who was not especially a star in your high school, I recommend going to a college in the middle of nowhere. I got all the attention I could ever have wanted. If I had gone to NYU, right now I’d be the funniest paralegal in a law firm in Boston.
I got even more confidence from having a steadfast companion in my best friend, Brenda. A few words about Brenda. Bren is the shit. In college, she was the star of every play at Dartmouth from her freshman fall on. She looked the way a Manhattan socialite should look: perfect posture, gazelle-like, with a sheet of dark blond hair. Girls always worried she was going to steal their boyfriends, but she never did. (I didn’t understand that at all. It’s college! Steal some boyfriends, for God’s sake!) Bren and I befriended each other early on, became inseparable through a shared sense of humor, a trove of nonsensical private jokes, and had the same enemies within the Drama Department. We clung to each other with blind loyalty, like Lord Voldemort and his snake, Nagini. I, of course, was Nagini. If you messed with one of us, you knew you messed with both of us, and Voldemort was going to cast a murder spell on you, or Nagini was going to chomp on your jugular. It was such a good, dramatic time. Bren was the kind of best friend I dreamed about having when I was a little kid. I never knew you could have someone in your life who was pretty much on the same page about essentially everything.
In theater, Bren would play Beatrice or Medea or Eliza Doolittle, while I wrote well-attended comedy one-acts and occasionally played Medea’s little buddy or something. I felt like a big celebrity on campus. Well, the kind of celebrity you could conceivably be at Dartmouth if you weren’t a jock or a sorority girl, who were the real celebrities. My fame was akin to that of, say, Camilla Parker Bowles.
In 2010, Bren was my date to the Emmys. People thought she was on Mad Men and I was her publicist.
Our other best friend, Jocelyn, whom we met through our singing group, was more or less the one directly responsible for making the traditional college experience really fun. She was less competitive and intense, and from Hawaii, so she was very comfortable being naked, which was new to us and intimidating. She, along with our other friend Christina, made us go berry picking and get our faces painted for football games, and she’d host dinners in our shared dorm dining room. Jocelyn is willowy and half-Asian, and while fitting the bill technically for a model, has no interest in modeling. She’s just that cool. Me, on the other hand, whenever I lose, like, five pounds, I basically start considering if I should “try out” modeling. When the three of us walked down the street together, I looked like the Indian girl who kept them “real.” I don’t care. After all these years with friends who are five ten or taller, I have come to carry myself with the confidence of a tall person. It’s all in the head. It works out.
Jocelyn and Brenda being really adorable at something I don’t remember being invited to.
So I left college feeling like a successful, awesome, tall person. Then, in July of 2001, the three of us moved to New York.
LATE NIGHT DREAMS, QUICKLY EXTINGUISHED
The job I most wanted in the world was to be a writer on Late Night with Conan O’Brien. I can’t believe that was two Conan shows ago. It seems like yesterday.
I’d been an intern at Late Night three years before and was famously one of the worst interns the program had ever seen. The reason I was bad was because I treated my internship as a free ticket to watch my hero perform live on stage every day, and not as a way to help the show run smoothly by doing errands. My boss, the script coordinator, greatly disliked me. Not only because I was bad at my job, but because hating everything was one of her personality traits. You know those people who legitimize their sarcastic, negative personalities by saying proudly they are “lifelong New Yorkers”? She was one of those. Her favorite catchphrase was “Are you on crack?” On my last day, she shook my hand limply and said a terse “Bye” without looking away from her J.Crew catalogue.
When I arrived in New York, I didn’t even really know how to apply for the job. I had not kept in touch with anyone at Late Night, because even as a nineteen-year-old, I knew that no one wants to keep in touch with the intern. I had placed a lot of faith in Woody Allen’s belief that 80 percent of success is just showing up. I said to myself: Are you serious? 80 percent? Sure, I can just show up. Here I am, New York! Give me a job!
It turns out the other 20 percent is kind of the difficult, nebulous part.
I wrote a letter to NBC asking how I could submit sketches to be considered for Late Night. I got a letter back saying that the network could not even open an envelope that contained creative material that was not submitted by an agent. I thought the phrase “cannot even open the envelope” was a tad dramatic. NBC legal, you drama queens. This initial rejection served as NBC “negging” me, to borrow a phrase from my very favorite book, The Game. It worked. NBC became the sexy guy at the party I needed to be with. When I finally got with him, years later, sure, he was fourth place, kind of fat, balding, and a little worse for the wear, but I still got him.
Here I am, ruining my guest appearance on my hero’s talk show with dorky gesticulation. (photo credit 7.3)
HOME IS WHERE THE BED IS
I was jobless, but so were Brenda and Jocelyn. Together we rented a railroad-style apartment in Windsor Terrace, Brooklyn. The railroad apartment, for those of you who’ve never seen one, is styled after the sleek comfort of a 1930s industrial railroad car. All the rooms are connected in a line, and you have to walk through one room to get to the next. Everything about it is awful, except if you need a set for a play that takes place during the Great Depression. The only people this intimate setup worked for were three female best friends who had no secrets from one another, were comfortable (enough) being walked in on naked, and had no boyfriends (or no boyfriends who were ever invited over). Enter us!
Real estate was our first disappointment in New York: we had set our sights on trendy Williamsburg, which had plenty of chic coffee shops, cool boutiques, and cute, straight guys. I knew I wouldn’t have been able to afford those coffee shops and boutiques, or had the nerve to talk to any of those hipster guys, but I would have liked to be around them, and felt that it was plausible I could have that life. After visiting several basement-level tenements that were out of our price range, we settled for Windsor Terrace. When we moved there, Windsor Terrace was a Park Slope–adjacent mini-neighborhood that could’ve been the exterior set for much of Welcome Back, Kotter. Not grim, but not great. It was populated mostly by middle-age lesbian couples who had taken on the noble challenge of gentrifying the neighborhood.
Brenda and I shared the center bedroom and the single queen bed it would hold, and Jocelyn fashioned herself a sort of bohemian-chic burrow out of the last bedroom, which, while it was the only room with true privacy, was also the size of a handicapped bathroom. She installed a twin loft bed and hung a batik tapestry over the lofted area, where she would read books and magazines for hours. Jocelyn is the kind of person who goes into any room, sizes it up, and immediately tries to loft a bed there. To this day, she lives in an apartment with a loft bed.
This was a good arrangement because Jocelyn has hoarding tendencies, and some degree of containment was crucial. (Hoarding has pejorative connotations now, but you have to understand this was before the show Hoarders depicted hoarders as gruesome loners with psychological problems. Joce is a hoarder of the cheerful, social, Christmas-lights-year-round variety.) Jocelyn would save stacks of six-year-old magazines because there might be a recipe in one of them for jambalaya, which she would need someday if we threw a big Mardi Gras–themed dinner. (This wasn’t crazy, because we would
occasionally do things like that.) People who visited our apartment and saw her curtained lair probably assumed Jocelyn was a gypsy we had inherited as a condition of getting the apartment.
I was going through a phase where all my photos had me making a “whoo!” face.
And the stairs. Oh, the stairs. The staircase in our third-floor walk-up was the steepest, hardest, metal-est staircase I have ever encountered in my life. It was a staircase for killing someone and making it seem like an accident. Our downstairs neighbor was a toothless man, somewhere in his eighties or nineties. He lived with what seemed like two younger male relatives, with “younger” meaning in their sixties. In the dead of summer or winter they would wear those ribbed white tank tops grossly named wife beaters, which is how we knew they were rent-control tenants (if anyone wears year-round wife beaters, it is the same as saying they are enjoying the benefits of a rent-controlled apartment). They also spoke a language with one another that seemed like a hybridized version of an Eastern European language and the incomprehensible mumble of Dick Tracy henchmen. They would’ve been frightening, except they were incredibly timid and scared of us for some reason. Like when that monster in the Bugs Bunny cartoon gets scared of a mouse and runs screaming all the way back to his castle.
In the summer, feral cats in heat clung onto the screens of our living room, meowing mournfully until we threw a glass of water at them. When it got cold, the roaches migrated in and set up homes in every drain. Sometimes, when I got up in the middle of the night to use the bathroom, I would feel a disgusting crackly squelch under my foot, and I’d know I’d have to rinse off a roach from my heel. That was our apartment. We took the bad with the pretty good. Plus, we could afford it, Prospect Park wasn’t too far, and people already assumed we were lesbians, so we fit into the neighborhood right away. It was all good.