‘– yet on the other hand, we have no reason to believe proper gratitude will follow. Let us hope you have no reason to regret your goodness towards her.’
‘Gardiner will be in a rage,’ he says. ‘He will think I have stolen a mean advantage.’
‘You have,’ Helen says. ‘Mary cannot take her eyes off you.’
‘But not like that,’ he says. She watches me, he thinks, as one watches some rare beast – what might it do, if it would? ‘I promised Katherine I would look after her.’
‘What?’ Rafe is shocked. ‘When? When did you?’
‘When I went up to Kimbolton. When Katherine was ill.’
‘And you bedded that woman at –’ Gregory breaks off. ‘Sorry.’
‘At the inn. Yes. But I did not have her husband poisoned. Or invent a new crime and have him hanged for it.’
‘No one thinks you did,’ Riche says soothingly.
‘Bishop Gardiner does.’ He laughs. ‘I never saw the woman after.’
But I remember her, he thinks: at dawn, singing on the stairs. I remember the sickroom at the castle, and Katherine shrunken into her cape of ermines: her face marked with what she had already endured, and what she knew she would endure in the weeks to come. No wonder she was not afraid of the axe. ‘Contemptible,’ Katherine had called him that day. He remembers the young woman – whom he knows, now, was Bess Darrell – gliding away with a basin. Master Cromwell, Katherine had asked him, do you take the sacraments still? In what language do you confess? Or perhaps you do not confess at all?
What had he said? He can’t recall. Perhaps he said he would confess if ever he was sorry, which mostly he wasn’t. He was leaving, but – ‘Master Secretary? A moment.’
He had thought, it is always the case: it is just as you are heading out of the door – as if to show you no longer care – that your prisoner concedes guilt, or offers you a bargain, or yields up the name you have been waiting for. Katherine had said, ‘You recall when we met at Windsor?’ She had added, unflinching, ‘The day the king left me?’
The very swans on the river stunned with heat, the trees drooping, the hounds from the courtyard making their hound music, till their bell-like voices withdrew into the distance, and the train of gallant horsemen moved away over the meadows, and the queen knelt praying in the afternoon light, and the king who went hunting never came back.
‘I remember,’ he said. ‘Your daughter was ill. I made her sit. I did not intend she should faint and crack her head.’
‘You think I am a bad mother.’
‘Yes.’
‘But still I believe you are my friend.’
He had looked at her, astonished. Painfully, clasping her hands on the arms of her chair, the dowager got to her feet. The ermines slid to the floor, nosing each other, curling at her feet in a soft feral heap. ‘I am dying, as you see, Cromwell. When the time comes that I can no longer protect her, do not let them harm the Princess Mary. I commend her to your care.’
She did not wait for his answer. She nodded to him: you go now. He could smell the leather binding of her books, the stale sweat from her linen. He made his reverence to her: Madam. Ten minutes later he was on the road: and ridden here, to the conclusion of the enterprise, to the place where promises are kept.
Gregory says, ‘Why did you do it?’
‘I pitied her.’ A dying woman in a strange country.
You know what I am, he thinks. You should by now. Henry Wyatt told me, look after my son, don’t let him destroy himself. I have kept the promise though I had to lock him up to do it. In the cardinal’s day they used to call me the butcher’s dog. A butcher’s dog is strong and fills its skin; I am that, and I am a good dog too. Set me to guard something, I will do it.
Richard Cromwell says, ‘You could not know, sir, what Katherine was asking.’
That’s the point of a promise, he thinks. It wouldn’t have any value, if you could see what it would cost you when you made it.
‘Well,’ Rafe says. ‘You kept this close.’
‘Since when was I an open book?’
‘I don’t think it was a good idea,’ Gregory says.
‘What, you don’t think it was a good idea to stop the king killing his daughter?’
Richard Riche says, ‘Tell me, sir, I am curious – how far does your care of her extend? Were she openly to rebel against the king, what would you do then?’
Richard Cromwell says, ‘My uncle is the king’s sworn councillor. The promise he made to Katherine was – I will not say a word lightly given, but it was no solemn oath. It could not bind him, if there were any conflict with the king’s interest.’
He is silent. Chapuys had said, you may renegotiate with the living, but you cannot vary your terms with the dead. He thinks, I bound myself: why did I? Why did I bow my head?
Riche says, ‘Does Mary know of this … what shall we term it … this undertaking?’
‘No one knows, except myself and the dowager Katherine. I have never spoken about it till now.’
Riche says, ‘Best if it goes no further. We will consign it to the shadows.’ He smiles. Perhaps nothing is quite clear, that is spoken in a garden on an evening like this. In Arcadia.
Richard Cromwell looks up. ‘Don’t try and make it a dirty little secret, Riche. It was an act of kindness. No more.’
‘But here comes Christophe,’ Rafe says. ‘Et in Arcadia ego.’
Christophe’s bulk occludes the last rays of sunlight. ‘Chapuys is here. I told him, stay in the house, till I see if my lord desires your company.’
‘I hope you put it more courteously,’ Rafe says. He gets up.
‘I’ll fetch him,’ Gregory says.
His son has seen that Rafe needs to arrange his face. Rafe takes off his cap and flattens down his hair.
‘You look tidier now,’ he tells him, ‘but no happier.’
Rafe says, ‘Truly, Mary shocked me, when I went up to Hunsdon with the papers for her to sign. Running downstairs like that – I never saw a gentlewoman go unshod – at least, not unless a fire broke out. When she snatched the letter from my hand, I thought she meant to rip it up. Then she went shrieking away with it as if it were a map for buried treasure.’
‘That treasure,’ he says, ‘is her life.’
‘I could not answer for the worth of that lady,’ Riche says. ‘I fear she may be counterfeit coin.’
Helen looks up. ‘Hush. Our visitor.’
Gregory says, ‘He doesn’t understand English.’
‘Doesn’t he?’ Helen says.
They watch the ambassador pick his way across the lawn, flickering like a firefly in his black and gold. ‘I took a chance on my welcome,’ he says. ‘Master Sadler, how happy I am to see you in the midst of your family. How well your garden flourishes! You ought to set a vine here, and train it over a trellis, like the one Cremuel has at Canonbury.’ He takes Helen’s hand. ‘Madame, you have no French, and I no English. Yet could I command your tongue, words are needless, for at so sweet a flower, it is enough to gaze.’ He swivels on his heel. ‘So, Cremuel, we survive the dies irae. And all your boys are here. I think we may congratulate ourselves. Echoes have reached me. I hear the king has given his daughter a thousand crowns, not to mention a diamond worth as much again, and made her great guarantees as to her future. And I tell you, gentlemen, if Cremuel can pacify the Lady Mary, I expect soon to see him descend to Hell and fetch up Satan to shake hands with Gabriel. Not that I compare the young lady to a devil, you understand. But he is quite justified in reproaching her with being the most stubborn woman alive.’
Ah, he thinks. She showed you the billet doux I sent her. They embrace. He is careful not to crush the ambassador’s bones. Chapuys looks around him, smiling. ‘My friends, let this be a new era of concord. No one wants another dead lady, or a war. Your prince cannot afford it, and mine is
a lover of peace. What I always say is, wars begin in man’s time, but they end in God’s time. What a pretty summerhouse.’ He shivers. ‘Forgive me. The damp. We could go inside, perhaps?’
‘What a deficient climate,’ Rafe says.
‘Alas,’ says the ambassador. He follows Rafe towards the house. ‘When once you have been in Italy …’
Helen collects the disciples. ‘Christophe, you can take these, but mind St Luke, I think he is chipped. Richard Riche must have gnawed him. I shall have to use him for flowers.’
‘Chapuys looks upon you with lust,’ Christophe tells her. ‘He says, when I gaze on Mistress Sadler, I burn with desire, I wish command of her tongue. I shall fight King Henry for her.’
‘He does not!’ Helen is laughing. ‘Get inside, Christophe.’ She takes his arm. ‘You did not finish the story, sir. About Atalanta. In the tapestry.’
He thinks, I wish it were some other story.
‘She was a virgin,’ Helen prompts. ‘But her father, you said. Then you stopped.’
‘He wished to find her a husband. But she was averse to matrimony.’
‘She challenged her suitors to a race,’ Gregory says. ‘She was the fastest person in the world.’
‘If the man outpaced her, she must wed him,’ he says, ‘but if she won, then –’
‘Then she was allowed to cut off his head,’ Gregory says. ‘Which she greatly enjoyed. There were heads bouncing everywhere, you could not go a pace without one rolling out of an olive grove and eyeing you. In the end she married a man who outran her, but he only did it with the help of the goddess of love.’
Later, back at his own house, in the gallery’s waning light. ‘You see the golden apples?’ Gently, Gregory aligns her, points them out. ‘Venus gave them to the suitor, and when they began to race, he threw them at Atalanta’s feet.’
‘Those are apples?’ Helen is staring at the arras. She sucks her finger, laughs. ‘I did not know they were running, I thought they were having a bowling match. Look at her hand – I thought she had just sped the ball away.’
He sees how it scoops the air. He grasps her error. ‘So, what happened,’ someone says, ‘did she trip on the apples?’ Their voices are a murmur. They recede. The light falters. Nesting birds rustle under the eaves. Vespers are sung and Compline, the offices of night. The dew is cold in the grass. Shutters are closed against the exhalations from meres and ponds. Atalanta snapped up the gold, she sold the race. You cannot say she lost on purpose, but she knew the consequence if she swerved. ‘Perhaps she was tired of running,’ Helen says.
‘She was not insensible to the value of money,’ he says. ‘Et in Arcadia.’
‘Did she like being married?’ Helen appraises her – a wild-haired woman, a bare arm flung before her. ‘I suppose her husband stopped her running around like that, with her duckies on view. Or perhaps a husband didn’t mind in those days.’
He thinks, I have seen her in Rome, carved in marble: her slim running legs, her pleated tunic, her torso straight as a boy’s. She got a taste, some versions claim, for the carnal life. She bedded her spouse in the temple of a heathen god, after which she was changed into a lioness.
At least, he thinks, that’s one worry I don’t have. Daughter into beast, it won’t happen to Henry’s child. One day she will have to marry, but for now she is safe from adventurers who have special arrangements with the goddess of love. She is to go back to Hertfordshire tomorrow morning. The king and queen are planning their first summer together. They will make their visit to Dover. When Parliament rises, they will go hunting. The ring, impulsively offered, will be reduced to fit. In recompense, the emerald pendant will be worn not by Mary, the branch and flower of Aragon and Castile, but by Jane, the daughter of John Seymour of Wolf Hall.
Perhaps you have seen, in Italy, a painting of a house with one wall removed? The painter does this to show you the deep interior of a room, where at a prie-dieu a virgin kneels, surrounded by bowls of ripening fruit. Her expression is private and reserved; she has kicked off her shoes and she is waiting to be filled with grace. Already you can see the angel hovering above the rooftops, a blur of gold on the skyline, while below in the street the people go about their business, and some of them glance upward, as if attracted by a quickening in the air. In the next street, through an archway, down a flight of steps, a housewife is hanging out washing, and someone is rising from the dead. White pelicans sit on rooftops, waiting for Christ’s imminence to be pronounced. A mitred bishop strolls through the piazza, a peacock perches on a balcony among potted plants, and striated clouds like bales of silk roll above the city: that city which itself, in miniature form, is presented on a plat for the viewer, its inverse form dimly glowing in the silver surface: its spires and battlements, its gardens and bell towers.
Imagine England then, its principal city, where swans sail among the river-craft, and its wise children go in velvet; the broad Thames a creeping road on which the royal barge, from palace to palace, carries the king and his bride. Draw back the curtain that protects them from the vulgar gaze, and see her feet in their little brocade slippers set side by side modestly, and her face downturned as she listens to a verse the king is whispering in her ear: ‘Alas, madam, for stealing of a kiss …’ See his great hand creep across her person, fingertips resting on her belly, enquiringly. His hands are alive with fire, rubies on every finger. Within the stones their lights flicker, and clouds move, white and dark. This stone gladdens the heart and protects against the plague. The speculative physicians speak of its heated nature: notice the heated nature of the king. The emerald too is a stone of potent virtue, but if worn during the sexual act is liable to shatter. Yet it has a greenness to which no earthly green can compare, it is an Arabian stone and found in the nests of griffins; its verdant depths restore the weary mind and, if gazed on constantly, it sharpens the sight. So look … see a street opened to you, a house with its walls folded back: in which the king’s councillor sits, wrapped in thought, on his finger a turquoise, at his hand a pen.
At midsummer, the walls of the Tower are splashed with banners and streamers in the colours of the sun and the sea. Mock battles are staged mid-current, and the rumble of celebratory cannon fire shakes the creeping channels of the estuaries and disturbs the fish in the deep. In sundry and several ceremonies, Queen Jane is shown to the Londoners. She rides with Henry to Mercers’ Hall for the ceremony of setting the city watch. A parade of two thousand men, escorted by torchbearers, walks from Paul’s down West Cheap and Aldgate, and by Fenchurch Street back to Cornhill. The city constables wear scarlet cloaks and gold chains, and there is a show of weaponry, and the lord mayor and sheriff ride in their armour with surcoats of crimson. And there are dancers and morris men and giants, wine and cakes and ale, and bonfires glowing as the light fades. ‘London, thou art the flower of cities all.’
III
Wreckage (II)
London, Summer 1536
Do you know why they say, ‘There’s no smoke without fire?’ It’s not just to give encouragement to people who like fires. It’s a statement about the danger of chimneys, but also about the courts of kings – or any space where trapped air circulates, choking on itself. A spark catches a particle of falling soot: with a crackle, the matter ignites: with a roar, the flames fly skywards, and within minutes the palace is ablaze.
Early July, the grandi hold a triple wedding, combining their fortunes and ancient names. Margaret Neville weds Henry Manners. Anne Manners weds Henry Neville. Dorothy Neville weds John de Vere.
My lord cardinal had these things at his fingertips: the titles and styles of these families, their tables of ancestry and grants of arms, their links by second and third marriages; who is godparent and godsib, guardian and ward; the particulars of their landed estates, their income, their outgoings, their law suits, ancient grudges and unpaid debts.
The celebrations are graced by Norfolk’s son an
d heir, Henry Howard Earl of Surrey. The young earl intends to pass the summer in hunting, with the king and Fitzroy. Since childhood he has been a companion to the king’s son, and Richmond looks up to him. Surrey is conspicuous in all he does: laying down the cards and throwing dice, playing at tennis and betting on it, cantering in the tilt yard, dancing, singing his own verses and inscribing them in the manuscript books kept by the ladies, where they decorate them with drawings of ribbons, hearts, flowers and Cupid’s darts. His marriage to the Earl of Oxford’s daughter is no bar to gallantry. We give poets latitude – we need not think Surrey performs all he promises. He is a long youth: long thighs, long shins, long parti-coloured hose; he picks his way on stilts among common men. His disdain for Lord Cromwell is complete: ‘I note your title, my lord. It does not change what you are.’
The triple wedding makes the king project other weddings. His niece the Scottish princess is a great prize, as she is now very near the throne. If Jane the queen should fail and if Fitzroy cannot command the support of Parliament, Margaret Douglas will some day rule England. No one wants a woman; but at least Meg is bonny and has shown herself governable. She has been under the king’s guardianship since she was twelve or so, and he is as fond of her as if she were his own daughter. Cromwell, he says, make a note: we will find her a prince.
But the king hesitates, the king delays. The difficulty is repeating, it is intractable, it is the same he faced when his daughter Mary was his heir, when (briefly) the child Eliza was his heir. Choose a husband for a future queen, and you are also choosing a king for England. As a wife she must obey him: women must obey, even queens. But what foreigner can we trust? England may become a mere province in some empire, and be governed from Lisbon, from Paris, from the east. Better she should marry an Englishman. But once he is named, think of the pretension it will breed in his family. Then think of the envy and malice of those great houses whose sons are passed over.
You watch at Jane the queen and you say if, and when she. The women prick off, on papers they keep, the days when they expect their monthly courses. Probably they keep papers for each other, casting a practised eye, ready to spread good or evil tidings. It is not yet two months since the king’s wedding, and already you sense he is impatient for news.
The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3) Page 19