The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3)

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The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3) Page 77

by Hilary Mantel


  The king is sending gifts to his bride, and a letter. He looks shy, as if he’s going to say, can you write it for me, Crumb? ‘What language shall I use?’

  ‘Latin or French, Majesty, it is indifferent. Duke Wilhelm will make the contents known to her.’

  ‘Yes,’ Henry says, ‘but I don’t know what to put. The usual compliments, I suppose. After all,’ he cheers up, ‘she is not a lady who is used to love letters. It is a great thing, I find, to know she has never looked at a man before. Like Jane. Jane had no fancy towards anyone, until she knew of my honourable regard. Even then, she was not easy to persuade, was she? Such immaculate ladies are not found these days. But it appears you have discovered one other.’

  By 20 October the ambassadors of Cleves are back in Düsseldorf. The Emperor grants a safe-conduct for Anna to pass through his territories. Much as he mislikes the alliance, he will not harass a lady on her matrimonial journey; his aunt, his regent in the Low Countries, insists the Princess of Cleves should be shown every courtesy and even provided with an escort.

  Thurston says to him, ‘You know that cat that you fetched from Esher in your pocket, in the cardinal’s time? Master Gregory took against him, and called him Marlinspike? Well, I think I saw him on the wall the other day, with a piece of a rabbit under his paw. But I said to myself, can any cat live that long?’

  He says, ‘The cardinal’s cat would be a prodigy of nature, I suppose. How did he look?’

  ‘Torn up a bit,’ Thurston says. ‘But aren’t we all?’

  This winter, the king is taking the surrender of the great abbeys, with their manorial titles and broad acres, their watercourses, fishponds, pastures, their livestock and the contents of their barns: every grain of wheat weighed, every hide counted. If some geese have flocked to market, cattle strolled to the slaughterhouse, trees felled themselves, coins jumped into passing pockets … it is regrettable, but the king’s commissioners, men not easy to deceive, could not go about their work without their presence being heralded: the monks have plenty of time to spirit their assets away. Treat the king fairly, and he will be a good master. When St Bartholomew surrenders and its bells are taken to Newgate, Prior Fuller is granted lands and a pension. Officers of the Court of Augmentations move into its great buildings, and Richard Riche plans to turn the prior’s lodging into his town house. In the north country, Abbot Bradley of Fountains settles for an annual pension of a hundred pounds. The Abbot of Winchcombe, always a helpful man, accepts a hundred and forty. Hailes surrenders, where they displayed the blood of Christ in a phial. The great convent at Syon is marked for closure, and he reminds himself of Launde, where Prior Lancaster has been in post for three decades, which is too long. It has not been a pious or happy house these last years. When questioned the prior would always declare, omnia bene, all’s well, but it wasn’t: the church roof leaked, and there were always women about. All that is over now. He will rebuild it, a house after his own liking, in England’s calm and green heart. In dark weather he dreams of the garden arbour, of the drifting petals of the rose, pearl-white and blush-pink. He dreams of violets, hearts-ease, and the blue stars of the pervink, or periwinkle, used by our maids as lovers’ knots; in Italy they weave them into garlands for condemned men.

  In November he writes in his memoranda, ‘The Abbot of Reading to be tried and executed.’ He has seen the evidence and the indictments; there is no doubt of the verdict, so why pretend there is? The days of the great abbeys died with the north country rebellion. The king will no longer countenance subversion of his rule, or the existence of men who lie awake in their plush curtained lodgings and dream of Rome. Thousands of acres of England are now released, and the men who lived on them dispersed to the parishes, or to the universities if they are learned: if not, to whatever trade they can find. For their abbots and priors it mostly ends with an annuity, but if necessary with a noose. He has taken into custody Richard Whiting, the Abbot of Glastonbury, and after his trial he is dragged on a hurdle through the town and hanged, alongside his treasurer and his sacristan, on top of the Tor: an old man and a foolish, with a traitor’s heart; an embezzler too, who has hidden his treasures in the walls. Or so the commissioners say. Such offences might be overlooked, if they were not proof of malice, a denial of the king’s place as head of the church, which makes him head of all chalices, pyxs, crucifixes, chasubles and copes, of candlesticks, crystal reliquaries, painted screens and images in gilt and glass.

  No ruler is exempt from death except King Arthur. Some say he is only sleeping, and will rise in an hour of peril: if, say, the Emperor sends troops. But at Glastonbury they have long claimed Arthur was as mortal as you and me, and that they have his bones. Time was, when the abbey wanted funds, the monks were on the road with their mouldy head of John the Baptist and some broken bits of the manger from Bethlehem. But when that failed to make their coffers chime, what did they arrange to find beneath the floor but the remains of Arthur, and beside him the skeleton of a queen with long golden hair?

  The bones proved durable. They survived a fire that destroyed most of the abbey. Over the years they attracted so many pilgrims that Becket’s shrine waxed jealous. Lead cross, crystal cross, Isle of Avalon: they wrung out the pennies from the credulous and awed. Some say Jesus Himself trod this ground, a bruit that the townsfolk encourage: at St George’s Inn they have an imprint of Christ’s foot, and for a fee you can trace around it and take the paper home. They claim that, after the crucifixion, Joseph of Arimathea turned up, with the Holy Grail in his baggage. He brought a relic of Mount Calvary itself, part of the hole in which the foot of the cross was placed. He planted his staff in the ground, from which a hawthorn flowered, and continues to flower in the fat years and the lean, as the Edwards and the Henrys reign and die and go down to dust. Now down to dust with them go all the Glastonbury relics, two saints called Benignus and two kings called Edmund, a queen called Bathilde, Athelstan the half-king, Brigid and Crisanta and the broken head of Bede. Farewell, Guthlac and Gertrude, Hilda and Hubertus, two abbots called Seifridus and a Pope called Urbanus. Adieu, Odilia, Aiden and Alphege, Wenta, Walburga, and Cesarius the martyr: sink from man’s sight, with your muddles and your mistranscriptions, with the shaking of your flaky fingerbones and the compound jumble of your skulls. Let us bury them once and for all, the skeletons of mice that mingle with holy dust; the ragged pieces of your tunics, your hair shirts clumped with blood, your snippets and your off-cuts and the crisp charred clothing of the three men who escaped from the Burning Fiery Furnace. That lily has faded, that the Virgin held on the day the angel came. That taper is quenched, that lighted the Saviour’s tomb. Glastonbury Tor is over five hundred feet high. You can see for miles. You can see a new country if you look, where everything is fresh, repainted, re-enamelled, bleached, scrubbed clean.

  The king picks out jewellery for the bride. The gems repose in caskets of ivory and mother of pearl. The letters ‘H’ and ‘A’ are entwined in plaster and glass: a strange sight, after such labour to erase them. The king says, get me musicians from Venice, against the coming of the new queen. If they bring new instruments, so much the better.

  The Princess of Cleves will arrive in a godly nation. Printing of his Bible speeds. Mr Wriothesley asks him, ‘Sir, did the French send you the sheets they impounded? Why would they favour you?’

  He doesn’t answer. Mr Wriothesley looks hurt: as if he has not been trusted.

  ‘Bonner has been helpful,’ he says, ‘working among the French. He is not the blunderer you take him for.’

  When Edmund Bonner returns from France he will be appointed Bishop of London. It will ease conditions for our preachers. Bishop Stokesley may be worm-food, but so is Thomas More. The smell of them lurks above ground, and their brawling supporters are ever alert to pull gospellers from the pulpit.

  ‘I know Bonner is your man,’ Wriothesley says, sulking. ‘But he won’t last, the French don’t like him.’

&nbs
p; ‘They don’t like me,’ he says.

  You gain a point and lose a point, gain and lose.

  The ladies gather at court, ready for the new queen. The matrons Lady Sussex and Lady Rutland have the sway, and say who can have what place and what duties, and what they should wear. Margaret Douglas, the Princess of Scotland, is the senior lady by rank. Her friend Mary Fitzroy is brought up from the country to serve. The Lord Privy Seal’s family are in place: Edward Seymour’s wife Nan, Gregory’s wife Bess. Lady Clinton will be on the strength, Richmond’s mother; but not Lady Latimer? The boys of Austin Friars are dismayed. How will Lord Cromwell woo her, they ask, digging each other in the ribs. We know he writes her great letters: but she has been so long now from court, she will have forgot his many charms.

  Jane Rochford will head Anna’s privy chamber. She has a sufficient income, since Thomas Boleyn died. She could retire to Norfolk and live in her house at Blickling. But what would be the point of that? She is not much over thirty, for all she has seen. ‘How do you like the new maids of honour?’ she asks idly, as they pass in a chattering knot. Their short veils swish after them, and their French hoods are pushed as far back as they dare.

  He smiles. ‘They seem very young this year.’

  ‘That is you, getting older. The maids are the usual age.’

  ‘That one looks familiar.’

  Jane Rochford hoots with laughter. ‘I should think she does. That is Norfolk’s niece. Catherine Carey, Mary Boleyn’s girl. You had a passage or two with her mother.’

  He is shocked: Mary’s little daughter, grown up to marriageable age. ‘I never had passage with Lady Carey.’

  ‘And the moon is made of cheese,’ Lady Rochford says. ‘Calais, have you forgot? Harry Norris said to me, Mary Boleyn and Thomas Cromwell are out in the garden together, I do not think it’s for their health, do you? I said to him, No, Harry, but for their recreation, and he laughed. Oh, dear Lord, he said, suppose he makes a little Cromwell?’

  ‘That we were in the garden, I concede.’

  Lady Rochford is laughing at him. ‘All I know is, next day Mary was in a giddy humour and had bruises all over her neck. Harry Norris said to her, Cromwell worked you hard then, Mary – you see what it is to have a rough man for your lover – I hope you have fixed another meeting tonight, because no one else will want you, your flesh is so dappled you look like a fish on the turn.’

  He thinks, Norris was a gentleman, he would not say such a thing. But then, of course, like all those gentlemen about the late Anne, he was capable of more than we knew.

  ‘William Stafford was in the garden too,’ he says. ‘He that Mary married, afterwards. She must have liked his love-making. She had no experience of mine.’

  ‘If you say not. But what I heard was, you pulled out a dagger and held it to his throat, drove him off and then dragged your prey indoors.’

  Part of this is true. Stafford came up behind him in the dark. He took him for a murderer. He remembers the man trying to squirm away from him, the stuff of his jacket bunched in his fist.

  ‘Well, however it may be,’ Rochford says, ‘that sweet creature is Mary’s girl. And the little chicken she has by the hand, that is Norris’s daughter, Mary.’

  He glances at Mary Norris. He cannot see she is like her father. Her mother died young, he scarcely remembers her. He is uneasy. ‘Uncle Norfolk’s ward,’ he says, ‘is she not?’

  ‘Trust Uncle Norfolk,’ Rochford says, ‘to put his folk in. His ward Norris, and his niece Carey – and he has another niece, one of his brother Edmund’s batch.’

  Edmund Howard, God rest him. He was a poor gentleman, one of Norfolk’s half-brothers: five children of his own, and five stepchildren at least. He once declared to the cardinal that if he were not a lord he would go out and earn an honest living by digging and delving, a labouring man; but rank condemned him to indigence.

  ‘Here Norfolk comes,’ Rochford says. The duke struts in with a tiny girl on his arm. ‘That is the one, Katherine Howard – she we sent back because she looked twelve. But they swear she is of sufficient age, and here she is again.’

  He hears the girl say, ‘Uncle Norfolk …’ in a clear, childish voice. She is pulling at the old brute’s arm, trying to attract his attention to something.

  ‘He has a peach there,’ Mr Wriothesley says. ‘I could spend an hour, my lord, could not you?’

  ‘I don’t know I could,’ he says. ‘I think Uncle Norfolk’s shade might come and lie between us.’

  The child’s flower face turns on its stem, her lips emit a stream of chatter. Norfolk’s face wears an expression of strained tolerance – he is alert in case the king comes in. The girl forgets her uncle, drops his arm and stares around. Her glance slips absently over the men, but rakes the women head to toe. Clearly she has never seen so many great ladies before; she is studying how they stand, how they move. ‘Sizing up her rivals,’ he says; she has no guile.

  ‘She has no mother, bless her. She was but an infant when she died.’

  He casts a glance at Rochford. ‘A soft word from you, my lady.’

  ‘I am not a monster, my lord.’

  Mary Norris and Catherine Carey are eyeing up their new companion. Rochford says, ‘Would you call her blonde? Or red?’

  He would not call her anything. His gaze has moved elsewhere.

  ‘I wonder who paid for what’s on her back,’ Rochford says. ‘That cloth did not come out of the old dowager’s wardrobe. And those rubies – did they not belong to Anne Boleyn?’

  ‘If they did, they should be back in the king’s jewel house. How did they come into Norfolk’s hands?’

  ‘Ah, that got your attention!’ Jane Rochford says.

  On 26 November, Anna leaves her home to travel towards Calais. She will have an escort of some 250 persons, and her ladies travelling with her, so there are times when they will not make more than five miles a day. Drums and trumpeters precede her, and she travels in a gilded chariot emblazoned with the swan emblem and the arms of Cleves-Mark-Jülich-Berg.

  Gregory comes to Austin Friars for final instructions. ‘Now I will repeat them back to you,’ he says. ‘Write home the minute I see Anna. Make sure she knows who I am. Be kind. Be patient. Make sure she has the things she likes to eat. Give her a purse of ready money.’

  ‘And do not embark for home without checking that all her train’s debts are paid. It may be the weather delays you.’ He thinks of the king, six years back, penned in the fortress with Anne Boleyn. ‘Be aware that the longer you stay, the more the household will be tempted by French merchants. By the way, keep your own accounts.’

  ‘You know you are talking to me as if I am Wyatt?’

  ‘Yes,’ he says. ‘And you are flattered.’

  Gregory smiles. There is a shout from below. ‘My lord, do you want to be disturbed?’

  It seems from the noise that everybody is running outside. Gregory goes down. A moment later, he storms back up the stairs: ‘You have to come and see.’

  In the courtyard is a wagon, guarded by four carters. On the wagon is a crate or cage, open at the front, barred. His first impression is that they are guarding an area of darkness, but then a movement betrays something within. He sees an expanse of spotted fur, and a pugged head that flinches from the light. It is a leopard. Its fur is crusted with its own shit and vomit, or so it seems from the smell.

  He pulls his gown around him. His folk stop staring at the animal, and start staring at him. He has an impulse to cross himself. Such a distance it has come, perhaps from China: how can it be still alive?

  ‘Do you think it’s hungry?’ Thurston says. ‘I mean, do you think it’s hungry this very minute?’

  The bars are stout, but the household keep their distance. The creature presses itself away from them. It can’t know it’s arrived at its destination; it thinks this is some way station, in its proc
ession of cramped and stinking days.

  The wagoners are staring around them while they wait to be paid. They are Englishmen, and they have fetched it as bidden from Dover, fearful that it would break out and terrify the population of Kent; and so, they hint, it is worth a sum on top of the usual. It’s not, one of them says, like fetching up a pile of logs.

  ‘So who did you pick it up from, at Dover?’

  One of them says, mildly belligerent, ‘The usual man.’

  ‘Have you papers?’

  ‘No, sir.’ Another says, in a burst of inspiration, ‘We did have papers, but it ate them.’

  Where it was before it crossed the sea, they don’t know or care. ‘Where would you find such a thing except among heathens?’ one of them asks. ‘Probably you ought to fetch a priest to it and have it blessed.’

  ‘It looks as if it would eat a priest,’ Thurston says. He chuckles appreciatively.

  Well then: it appears the donor’s name has been detached from it, somewhere on the journey. He pictures some turbaned potentate, waiting for thanks. What he’ll do is, he’ll thank everybody. Thank you for the marvel, he’ll say.

  Gregory says – it’s the first sense anyone has spoken – ‘Do you think it’s meant for the king?’

  That could be: in which case it is just another item that crosses his desk. Dick Purser is at his elbow. ‘Dick,’ he says, ‘it will need a keeper, till we can get it to the Tower. It cannot go to the king in its present state. I think it can go no further.’

  Credit to Dick, he does not say, no, not me, sir. He pulls off his cap and passes his hand over his stubble hair.

  There is a shout. ‘Look, it stirs!’

  Until now the beast was torpid. Now it stands up, and in the cramped fetid space it stretches itself. It takes a pace forward, and that pace brings it to the limits of its freedom, and it stares at him, at him; its eyes are sunk deeply into its folds of fur, so you cannot see its expression, whether awe, or fear, or rage.

 

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