The Princess Casamassima (Classics)

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The Princess Casamassima (Classics) Page 54

by Henry James


  And indeed her visitor’s persistence was irritating. He went on, lingering, with his head thrust forward and his short arms out at his sides, terminating in his hat and umbrella, which he held grotesquely, as if they were intended for emphasis or illustration: ‘I have supposed for a long time that it was either Muniment or you that had got him into his scrape. It was you I suspected most – much the most; but if it isn’t you, it must be he.’

  ‘You had better go to him, then!’

  ‘Of course I will go to him. I scarcely know him – I have seen him but once – but I will speak my mind.’

  The Princess rang for her maid to usher the fiddler out, but at the moment he laid his hand on the door of the room she checked him with a quick gesture. ‘Now that I think of it, don’t go to Mr Muniment. It will be better to leave him quiet. Leave him to me,’ she added, smiling.

  ‘Why not, why not?’ he pleaded. And as she could not tell him on the instant why not, he asked, ‘Doesn’t he know?’

  ‘No, he doesn’t know; he has nothing to do with it.’ She suddenly found herself desiring to protect Paul Muniment from the imputation that was in Mr Vetch’s mind – the imputation of an ugly responsibility; and though she was not a person who took the trouble to tell fibs, this repudiation, on his behalf, issued from her lips before she could check it. It was a result of the same desire, though it was also an inconsequence, that she added, ‘Don’t do that – you’ll spoil everything!’ She went to him, suddenly eager, and herself opened the door for him. ‘Leave him to me – leave him to me,’ she continued, persuasively, while the fiddler, gazing at her, dazzled and submissive, allowed himself to be wafted away. A thought that excited her had come to her with a bound, and after she had heard the house door close behind Mr Vetch she walked up and down the room half an hour, restlessly, under the possession of it.

  BOOK FIFTH

  38

  Hyacinth found, this winter, considerable occupation for his odd hours, his evenings and holidays and scraps of leisure, in putting in hand the books which he had promised himself, at Medley, to inclose in covers worthy of the high station and splendour of the lady of his life (these brilliant attributes had not then been shuffled out of sight), and of the confidence and generosity she showed him. He had determined she should receive from him something of value, and took pleasure in thinking that after he was gone they would be passed from hand to hand as specimens of rare work, while connoisseurs bent their heads over them, smiling and murmuring, handling them delicately. His invention stirred itself, and he had a hundred admirable ideas, many of which he sat up late at night to execute. He used all his skill, and by this time his skill was of a very high order. Old Crookenden recognised it by raising the rates at which he was paid; and though it was not among the traditions of the proprietor of the establishment in Soho, who to the end wore the apron with his workmen, to scatter sweet speeches, Hyacinth learned accidentally that several books that he had given him to do had been carried off and placed on a shelf of treasures at the villa, where they were exhibited to the members of the Crookenden circle who came to tea on Sundays. Hyacinth himself, indeed, was included in this company on a great occasion – invited to a musical party where he made the acquaintance of half a dozen Miss Crookendens, an acquaintance which consisted in his standing in a corner, behind several broad-backed old ladies, and watching the rotation, at the piano and the harp, of three or four of his master’s thick-fingered daughters. ‘You know it’s a tremendously musical house,’ said one of the old ladies to another (she called it ‘ ’ouse’); but the principal impression made upon him by the performance of the Miss Crookendens was that it was wonderfully different from the Princess’s playing.

  He knew that he was the only young man from the shop who had been invited, not counting the foreman, who was sixty years old and wore a wig which constituted in itself a kind of social position, besides being accompanied by a little frightened, furtive wife, who closed her eyes, as if in the presence of a blinding splendour, when Mrs Crookenden spoke to her. The Poupins were not there – which, however, was not a surprise to Hyacinth, who knew that (even if they had been asked, which they were not), they had objections of principle to putting their feet chez les bourgeois. They were not asked because, in spite of the place Eustache had made for himself in the prosperity of the business, it had come to be known that his wife was somehow not his wife (though she was certainly no one’s else); and the evidence of this irregularity was conceived to reside, vaguely, in the fact that she had never been seen save in a camisole. There had doubtless been an apprehension that if she had come to the villa she would not have come with the proper number of hooks and eyes, though Hyacinth, on two or three occasions, notably the night he took the pair to Mr Vetch’s theatre, had been witness of the proportions to which she could reduce her figure when she wished to give the impression of a lawful tie.

  It was not clear to him how the distinction conferred upon him became known in Soho, where, however, it excited no sharpness of jealousy – Grugan, Roker and Hotchkin being hardly more likely to envy a person condemned to spend a genteel evening than they were to envy a monkey performing antics on a barrel-organ: both forms of effort indicated an urbanity painfully acquired. But Roker took his young comrade’s breath half away with his elbow and remarked that he supposed he saw the old man had spotted him for one of the darlings at home; inquiring, furthermore, what would become in that case of the little thing he took to France, the one to whom he had stood champagne and lobster. This was the first allusion Hyacinth had heard made to the idea that he might some day marry his master’s daughter, like the virtuous apprentice of tradition; but the suggestion, somehow, was not inspiring, even when he had thought of an incident or two which gave colour to it. None of the Miss Crookendens spoke to him – they all had large faces and short legs and a comical resemblance to that elderly male with wide nostrils, their father, and, unlike the Miss Marchants, at Medley, they knew who he was – but their mother, who had on her head the plumage of a cockatoo, mingled with a structure of glass beads, looked at him with an almost awful fixedness and asked him three distinct times if he would have a glass of negus.

  He had much difficulty in getting his books from the Princess; for when he reminded her of the promise she had given him at Medley to make over to him as many volumes as he should require, she answered that everything was changed since then, that she was completely dépouillée,244 that she had now no pretension to have a library, and that, in fine, he had much better leave the matter alone. He was welcome to any books that were in the house, but, as he could see for himself, these were cheap editions, on which it would be foolish to expend such work as his. He asked Madame Grandoni to help him – to tell him, at least, whether there were not some good volumes among the things the Princess had sent to be warehoused; it being known to him, through casual admissions of her own, that she had allowed her maid to save certain articles from the wreck and pack them away at the Pantechnicon. This had all been Assunta’s work, the woman had begged so hard for a few reservations – a loaf of bread for their old days; but the Princess herself had washed her hands of the business. ‘Chè,245 chè, there are boxes, I am sure, in that place, with a little of everything,’ said the old lady, in answer to his inquiry; and Hyacinth conferred with Assunta, who took a sympathetic, talkative, Italian interest in his undertaking and promised to fish out for him whatever worthy volumes should remain. She came to his lodging, one evening, in a cab, with an armful of pretty books, and when he asked her where they had come from waved her forefinger in front of her nose, in a manner both mysterious and expressive. He brought each volume to the Princess, as it was finished; but her manner of receiving it was to shake her head over it with a kind, sad smile. ‘It’s beautiful, I am sure, but I have lost my sense for such things. Besides, you must always remember what you once told me, that a woman, even the most cultivated, is incapable of feeling the difference between a bad binding and a good. I remember your once sayin
g that fine ladies had brought shoemaker’s bindings to your shop, and wished them imitated. Certainly those are not the differences I most feel. My dear fellow, such things have ceased to speak to me; they are doubtless charming, but they leave me cold. What will you have? One can’t serve God and mammon.’246 Her thoughts were fixed on far other matters than the delight of dainty covers, and she evidently considered that in caring so much for them Hyacinth resembled the mad emperor who fiddled in the flames of Rome.247 European society, to her mind, was in flames, and no frivolous occupation could give the measure of the emotion with which she watched them. It produced occasionally demonstrations of hilarity, of joy and hope, but these always took some form connected with the life of the people. It was the people she had gone to see, when she accompanied Hyacinth to a music-hall in the Edgware Road;248 and all her excursions and pastimes, this winter, were prompted by her interest in the classes on whose behalf the revolution was to be wrought.

  To ask himself whether she were in earnest was now an old story to him, and, indeed, the conviction he might arrive at on this head had ceased to have any practical relevancy. It was just as she was, superficial or profound, that she held him, and she was, at any rate, sufficiently animated by a purpose for her doings to have consequences, actual and possible. Some of these might be serious, even if she herself were not, and there were times when Hyacinth was much visited by the apprehension of them. On the Sunday that she had gone with him into the darkest places, the most fetid holes, in London, she had always taken money with her, in considerable quantities, and always left it behind. She said, very naturally, that one couldn’t go and stare at people, for an impression, without paying them, and she gave alms right and left, indiscriminately, without inquiry or judgment, as simply as the abbess of some beggar-haunted convent, or a lady-bountiful of the superstitious, unscientific ages who should have hoped to be assisted to heaven by her doles. Hyacinth never said to her, though he sometimes thought it, that since she was so full of the modern spirit her charity should be administered according to the modern lights, the principles of economical science; partly because she was not a woman to be directed and regulated – she could take other people’s ideas, but she could never take their way. Besides, what did it matter? To himself, what did it matter to-day whether he were drawn into right methods or into wrong ones, his time being too short for regret or for cheer? The Princess was an embodied passion – she was not a system; and her behaviour, after all, was more addressed to relieving herself than to relieving others. And then misery was sown so thick in her path that wherever her money was dropped it fell into some trembling palm. He wondered that she should still have so much cash to dispose of, until she explained to him that she came by it through putting her personal expenditure on a rigid footing. What she gave away was her savings, the margin she had succeeded in creating; and now that she had tasted of the satisfaction of making little hoards for such a purpose she regarded her other years, with their idleness and waste, their merely personal motives, as a long, stupid sleep of the conscience. To do something for others was not only so much more human, but so much more amusing!

  She made strange acquaintances, under Hyacinth’s conduct; she listened to extraordinary stories, and formed theories about them, and about the persons who narrated them to her, which were often still more extraordinary. She took romantic fancies to vagabonds of either sex, attempted to establish social relations with them, and was the cause of infinite agitation to the gentleman who lived near her in the Crescent, who was always smoking at the window, and who reminded Hyacinth of Mr Micawber. She received visits that were a scandal to the Crescent, and Hyacinth neglected his affairs, whatever they were, to see what tatterdemalion would next turn up at her door. This intercourse, it is true, took a more fruitful form as her intimacy with Lady Aurora deepened; her ladyship practised discriminations which she brought the Princess to recognise, and before the winter was over Hyacinth’s services in the slums were found unnecessary. He gave way with relief, with delight, to Lady Aurora, for he had not in the least understood his behaviour for the previous four months, nor taken himself seriously as a cicerone. He had plunged into a sea of barbarism without having any civilising energy to put forth. He was conscious that the people were miserable – more conscious, it often seemed to him, than they themselves were; so frequently was he struck with their brutal insensibility, a grossness impervious to the taste of better things or to any desire for them. He knew it so well that the repetition of contact could add no vividness to the conviction; it rather smothered and befogged his impression, peopled it with contradictions and difficulties, a violence of reaction, a sense of the inevitable and insurmountable. In these hours the poverty and ignorance of the multitude seemed so vast and preponderant, and so much the law of life, that those who had managed to escape from the black gulf were only the happy few, people of resource as well as children of luck; they inspired in some degree the interest and sympathy that one should feel for survivors and victors, those who have come safely out of a shipwreck or a battle. What was most in Hyacinth’s mind was the idea, of which every pulsation of the general life of his time was a syllable, that the flood of democracy was rising over the world; that it would sweep all the traditions of the past before it; that, whatever it might fail to bring, it would at least carry in its bosom a magnificent energy; and that it might be trusted to look after its own. When democracy should have its way everywhere, it would be its fault (whose else?) if want and suffering and crime should continue to be ingredients of the human lot. With his mixed, divided nature, his conflicting sympathies, his eternal habit of swinging from one view to another, Hyacinth regarded this prospect, in different moods, with different kinds of emotion. In spite of the example Eustache Poupin gave him of the reconcilement of disparities, he was afraid the democracy wouldn’t care for perfect bindings or for the finest sort of conversation. The Princess gave up these things in proportion as she advanced in the direction she had so audaciously chosen; and if the Princess could give them up it would take very transcendent natures to stick to them. At the same time there was joy, exultation, in the thought of surrendering one’s self to the wave of revolt, of floating in the tremendous tide, of feeling one’s self lifted and tossed, carried higher on the sun-touched crests of billows than one could ever be by a dry, lonely effort of one’s own. That vision could deepen to a kind of ecstasy; make it indifferent whether one’s ultimate fate, in such a heaving sea, were not almost certainly to be submerged in bottomless depths or dashed to pieces on resisting cliffs. Hyacinth felt that, whether his personal sympathy should rest finally with the victors or the vanquished, the victorious force was colossal and would require no testimony from the irresolute.

  The reader will doubtless smile at his mental debates and oscillations, and not understand why a little bastard bookbinder should attach importance to his conclusions. They were not important for either cause, but they were important for himself, if only because they would rescue him from the torment of his present life, the perpetual laceration of the rebound. There was no peace for him between the two currents that flowed in his nature, the blood of his passionate, plebeian mother and that of his long-descended, super-civilised sire. They continued to toss him from one side to the other; they arrayed him in intolerable defiances and revenges against himself. He had a high ambition: he wanted neither more nor less than to get hold of the truth and wear it in his heart. He believed, with the candour of youth, that it is brilliant and clear-cut, like a royal diamond; but in whatever direction he turned in the effort to find it, he seemed to know that behind him, bent on him in reproach, was a tragic, wounded face. The thought of his mother had filled him, originally, with the vague, clumsy fermentation of his first impulses toward social criticism; but since the problem had become more complex by the fact that many things in the world as it was constituted grew intensely dear to him, he had tried more and more to construct some conceivable and human countenance for his father – some exp
ression of honour, of tenderness and recognition, of unmerited suffering, or at least of adequate expiation. To desert one of these presences for the other – that idea had a kind of shame in it, as an act of treachery would have had; for he could almost hear the voice of his father ask him if it were the conduct of a gentleman to take up the opinions and emulate the crudities of fanatics and cads. He had got over thinking that it would not have become his father to talk of what was proper to gentlemen, and making the mental reflection that from him, at least, the biggest cad in London could not have deserved less consideration. He had worked himself round to allowances, to interpretations, to such hypotheses as the evidence in The Times, read in the British Museum on that never-to-be-forgotten afternoon, did not exclude; though they had been frequent enough, and too frequent, his hours of hot resentment against the man who had attached to him the stigma he was to carry for ever, he threw himself, in other conditions, and with a certain success, into the effort to find condonations, excuses, for him. It was comparatively easy for him to accept himself as the son of a terribly light Frenchwoman; there seemed a deeper obloquy even than that in his having for his other parent a nobleman altogether wanting in nobleness. He was too poor to afford it. Sometimes, in his imagination, he sacrificed one to the other, throwing over Lord Frederick much the oftener; sometimes, when the theory failed that his father would have done great things for him if he had lived, or the assumption broke down that he had been Florentine Vivier’s only lover, he cursed and disowned them alike; sometimes he arrived at conceptions which presented them side by side, looking at him with eyes infinitely sad but quite unashamed – eyes which seemed to tell him that they had been hideously unfortunate but had not been base. Of course his worst moments now, as they had always been the worst, were those in which his grounds for thinking that Lord Frederick had really been his father perversely fell away from him. It must be added that they always passed, for the mixture that he felt himself so tormentingly, so insolubly, to be could be accounted for in no other manner.

 

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