by Lord Dunsany
The Injudicious Prayers of Pombo the Idolater
POMBO the idolater had prayed to Ammuz a simple prayer, a necessary prayer, such as even an idol of ivory could very easily grant, and Ammuz had not immediately granted it. Pombo had therefore prayed to Tharma for the overthrow of Ammuz, an idol friendly to Tharma, and in doing this offended against the etiquette of the gods. Tharma refused to grant the little prayer. Pombo prayed frantically to all the gods of idolatry, for though it was a simple matter, yet it was very necessary to a man. And gods that were older than Ammuz rejected the prayers of Pombo, and even gods that were younger and therefore of greater repute. He prayed to them one by one, and they all refused to hear him; nor at first did he think at all of that subtle, divine etiquette against which he had offended. It occurred to him all at once as he prayed to his fiftieth idol, a little green-jade god whom the Chinese know, that all the idols were in league against him. When Pombo discovered this he resented his birth bitterly, and made lamentation and alleged that he was lost. He might have been seen then in any part of London haunting curiosity-shops and places where they sold idols of ivory or of stone, for he dwelt in London with others of his race though he was born in Burmah among those who hold Ganges holy. On drizzly evenings of November’s worst his haggard face could be seen in the glow of some shop pressed close against the glass, where he would supplicate some calm cross-legged idol till policemen moved him on. And after closing hours back he would go to his dingy room, in that part of our capital where English is seldom spoken, to supplicate little idols of his own. And when Pombo’s simple, necessary prayer was equally refused by the idols of museums, auction-rooms, shops, then he took counsel with himself and purchased incense and burned it in a brazier before his own cheap little idols, and played the while upon an instrument such as that wherewith men charm snakes. And still the idols clung to their etiquette.
Whether Pombo knew about this etiquette and considered it frivolous in the face of his need, or whether his need, now grown desperate, unhinged his mind, I know not, but Pombo the idolater took a stick and suddenly turned iconoclast.
Pombo the iconoclast immediately left his house, leaving his idols to be swept away with the dust and so to mingle with Man, and went to an arch-idolater of repute who carved idols out of rare stones, and put his case before him. The arch-idolater who made idols of his own rebuked Pombo in the name of Man for having broken his idols—“for hath not Man made them?” the arch-idolater said; and concerning the idols themselves he spoke long and learnedly, explaining divine etiquette, and how Pombo had offended, and how no idol in the world would listen to Pombo’s prayer. When Pombo heard this he wept and made bitter outcry, and cursed the gods of ivory and the gods of jade, and the hand of Man that made them, but most of all he cursed their etiquette that had undone, as he said, an innocent man; so that at last that arch-idolater, who made idols of his own, stopped in his work upon an idol of jasper for a king that was weary of Wosh, and took compassion on Pombo, and told him that though no idol in the world would listen to his prayer, yet only a little way over the edge of it a certain disreputable idol sat who knew nothing of etiquette, and granted prayer! that no respectable god would ever consent to hear. When Pombo heard this he took two handfuls of the arch-idolater’s beard and kissed them joyfully, and dried his tears and became his old impertinent self again. And he that carved from jasper the usurper of Wosh explained how in the village of World’s End, at the furthest end of Last Street, there is a hole that you take to be a well, close by the garden wall, but that if you lower yourself by your hands over the edge of the hole, and feel about with your feet till they find a ledge, that is the top step of a flight of stairs that takes you down over the edge of the World. “For all that men know, those stairs may have a purpose and even a bottom step,” said the arch-idolater, “but discussion about the lower flights is idle.” Then the teeth of Pombo chattered, for he feared the darkness, but he that made idols of his own explained that those stairs were always lit by the faint blue gloaming in which the World spins. “Then,” he said, “you will go by Lonely House and under the bridge that leads from the House to Nowhere, and whose purpose is not guessed; thence past Maharrion, the god of flowers, and his high-priest, who is neither bird nor cat; and so you will come to the little idol Duth, the disreputable god that will grant your prayer.” And he went on carving again at his idol of jasper for the king who was weary of Wosh; and Pombo thanked him and went singing away, for in his vernacular mind he thought that “he had the gods.”
It is a long journey from London to World’s End, and Pombo had no money left, yet within five weeks he was strolling along Last Street; but how he contrived to get there I will not say, for it was not entirely honest. And Pombo found the well at the end of the garden beyond the end house of Last Street, and many thoughts ran through his mind as he hung by his hands from the edge, but chiefest of all those thoughts was one that said the gods were laughing at him through the mouth of the arch-idolater, their prophet, and the thought beat in his head till it ached like his wrists... and then he found the step.
And Pombo walked downstairs. There, sure enough, was the gloaming in which the world spins, and stars shone far off in it faintly; there was nothing before him as he went downstairs but that strange blue waste of gloaming, with its multitudes of stars, and comets plunging through it on outward journeys, and comets returning home. And then he saw the lights of the bridge to Nowhere, and all of a sudden he was in the glare of the shimmering parlour-window of Lonely House; and he heard voices there pronouncing words, and the voices were nowise human, and but for his bitter need he had screamed and fled. Halfway between the voices and Maharrion, whom he now saw standing out from the world, covered in rainbow halos, he perceived the weird grey beast that is neither cat nor bird. As Pombo hesitated, chilly with fear, he heard those voices grow louder in Lonely House, and at that he stealthily moved a few steps lower, and then rushed past the beast. The beast intently watched Maharrion hurling up bubbles that are every one a season of spring in unknown constellations, calling the swallows home to unimagined fields, watched him without even turning to look at Pombo, and saw him drop into the Linlunlarna, the river that rises at the edge of the World, the golden pollen that sweetens the tide of the river and is carried away from the World to be a joy to the Stars. And there before Pombo was the little disreputable god who cares nothing for etiquette and will answer prayers that are refused by all the respectable idols. And whether the view of him, at last, excited Pombo’s eagerness, or whether his need was greater than he could bear that it drove him so swiftly downstairs, or whether, as is most likely, he ran too fast past the beast, I do not know, and it does not matter to Pombo; but at any rate he could not stop, as he had designed, in attitude of prayer at the feet of Duth, but ran on past him down the narrowing steps, clutching at smooth bare rocks till he fell from the World as, when our hearts miss a beat, we fall in dreams and wake up with a dreadful jolt; but there was no waking up for Pombo, who still fell on towards the incurious stars, and his fate is even one with the fate of Slith.
How Plash-Goo Came to the Land of None’s Desire
IN a thatched cottage of enormous size, so vast that we might consider it a palace, but only a cottage in the style of its building, its timbers and the nature of its interior, there lived Plash-Goo.
Plash-Goo was of the children of the giants, whose sire was Uph. And the lineage of Uph had dwindled in bulk for the last five hundred years, till the giants were now no more than fifteen feet high; but Uph ate elephants which he caught with his hands.
Now on the tops of the mountains above the house of Plash-Goo, for Plash-Goo lived in the plains, there dwelt the dwarf whose name was Lrippity-Kang.
And the dwarf used to walk at evening on the edge of the tops of the mountains, and would walk up and down along it, and was squat and ugly and hairy, and was plainly seen of Plash-Goo.
And for many weeks the giant had suffered the sight of him, but at leng
th grew irked at the sight (as men are by little things) and could not sleep of a night and lost his taste for pigs. And at last there came the day, as anyone might have known, when Plash-Goo shouldered his club and went up to look for the dwarf.
And the dwarf though briefly squat was broader than may be dreamed, beyond all breadth of man, and stronger than men may know; strength in its very essence dwelt in that little frame, as a spark in the heart of a flint: but to Plash-Goo he was no more than misshapen, bearded and squat, a thing that dared to defy all natural laws by being more broad than long.
When Plash-Goo came to the mountain he cast his chimahalk down (for so he named the club of his heart’s desire) lest the dwarf should defy him with nimbleness; and stepped towards Lrippity-Kang with gripping hands, who stopped in his mountainous walk without a word, and swung round his hideous breadth to confront Plash-Goo.
Already then Plash-Goo in the deeps of his mind had seen himself seize the dwarf in one large hand and hurl him with his beard and his hated breadth sheer down the precipice that dropped away from that very place to the Land of None’s Desire. Yet it was otherwise that Fate would have it. For the dwarf parried with his little arms the grip of those monstrous hands, and gradually working along the enormous limbs came at length to the giant’s body where by dwarfish cunning he obtained a grip; and turning Plash-Goo about, as a spider does some great fly, till his little grip was suitable to his purpose, he suddenly lifted the giant over his head. Slowly at first, by the edge of that precipice whose base sheer distance hid, he swung his giant victim round his head, but soon faster and faster; and at last when Plash-Goo was streaming round the hated breadth of the dwarf and the no less hated beard was flapping in the wind, Lrippity-Kang let go. Plash-Goo shot over the edge and for some way further, out towards Space, like a stone; then he began to fall. It was long before he believed and truly knew that this was really he that fell from this mountain, for we do not associate such dooms with ourselves; but when he had fallen for some while through the evening and saw below him, where there had been nothing to see, or began to see, the glimmer of tiny fields, then his optimism departed; till later on when the fields were greener and larger he saw that this was indeed (and growing how terribly nearer) that very land to which he had destined the dwarf.
At last he saw it unmistakable, close, with its grim houses and its dreadful ways, and its green fields shining in the light of the evening. His cloak was streaming from him in whistling shreds.
So Plash-Goo came to the Land of None’s Desire.
Bethmoora
THERE is a faint freshness in the London night as though some strayed reveller of a breeze had left his comrades in the Kentish uplands and had entered the town by stealth. The pavements are a little damp and shiny. Upon one’s ears that at this late hour have become very acute there hits the tap of a remote footfall. Louder and louder grow the taps, filling the whole night. And a black cloaked figure passes by, and goes tapping into the dark. One who has danced goes homewards. Somewhere a ball has closed its doors and ended. Its yellow lights are out, its musicians are silent, its dancers have all gone into the night air, and Time has said of it, “Let it be past and over, and among the things that I have put away.”
Shadows begin to detach themselves from their great gathering places. No less silently than those shadows that are thin and dead, move homewards the stealthy cats. Thus have we even in London our faint forebodings of the dawn’s approach, which the birds and the beasts and the stars are crying aloud to the untrammelled fields.
At what moment I know not I perceive that the night itself is irrecoverably overthrown. It is suddenly revealed to me by the weary pallor of the street lamps that the streets are silent and nocturnal still, not because there is any strength in night, but because men have not yet arisen from sleep to defy him. So have I seen dejected and untidy guards still bearing antique muskets in palatial gateways, although the realms of the monarch that they guard have shrunk to a single province which no enemy yet has troubled to overrun.
And it is now manifest from the aspect of the street lamps, those abashed dependants of night, that already English mountain peaks have seen the dawn, that the cliffs of Dover are standing white to the morning, that the sea-mist has lifted and is pouring inland.
And now men with a hose have come and are sluicing out the streets.
Behold now night is dead.
What memories, what fancies throng one’s mind! A night but just now gathered out of London by the hostile hand of Time. A million common artificial things all cloaked for a while in mystery, like beggars robed in purple, and seated on dread thrones. Four million people asleep, dreaming perhaps. What worlds have they gone into? Whom have they met? But my thoughts are far off with Bethmoora in her loneliness, whose gates swing to and fro. To and fro they swing, and creak and creak in the wind, but no one hears them. They are of green copper, very lovely, but no one sees them now. The desert wind pours sand into their hinges, no watchman comes to ease them. No guard goes round Bethmoora’s battlements, no enemy assails them. There are no lights in her houses, no footfall in her streets; she stands there dead and lonely beyond the Hills of Hap, and I would see Bethmoora once again, but dare not.
It is many a year, as they tell me, since Bethmoora became desolate.
Her desolation is spoken of in taverns where sailors meet, and certain travellers have told me of it.
I had hoped to see Bethmoora once again. It is many a year ago, they say, when the vintage was last gathered in from the vineyards that I knew, where it is all desert now. It was a radiant day, and the people of the city were dancing by the vineyards, while here and there one played upon the kalipac. The purple flowering shrubs were all in bloom, and the snow shone upon the Hills of Hap.
Outside the copper gates they crushed the grapes in vats to make the syrabub. It had been a goodly vintage.
In little gardens at the desert’s edge men beat the tambang and the tittibuk, and blew melodiously the zootibar.
All there was mirth and song and dance, because the vintage had been gathered in, there would be ample syrabub for the winter months, and much left over to exchange for turquoises and emeralds with the merchants who come down from Oxuhahn. Thus they rejoiced all day over their vintage on the narrow strip of cultivated ground that lay between Bethmoora and the desert which meets the sky to the South. And when the heat of the day began to abate, and the sun drew near to the snows on the Hills of Hap, the note of the zootibar still rose clear from the gardens, and the brilliant dresses of the dancers still wound among the flowers. All that day three men on mules had been noticed crossing the face of the Hills of Hap. Backwards and forwards they moved as the track wound lower and lower, three little specks of black against the snow. They were seen first in the very early morning up near the shoulder of Peol Jagganoth, and seemed to be coming out of Utnar Véhi. All day they came. And in the evening, just before lights come out and colours change, they appeared before Bethmoora’s copper gates. They carried staves, such as messengers bear in those lands, and seemed sombrely clad when the dancers all came round them with their green and lilac dresses. Those Europeans who were present and heard the message given were ignorant of the language, and only caught the name of Utnar Véhi. But it was brief, and passed rapidly from mouth to mouth, and almost at once the people burnt their vineyards and began to flee away from Bethmoora, going for the most part northwards, though some went to the East. They ran down out of their fair white houses, and streamed through the copper gate; the throbbing of the tambang and the tittibuk suddenly ceased with the note of the zootibar, and the clinking kalipac stopped a moment after. The three strange travellers went back the way they came the instant their message was given. It was the hour when a light would have appeared in some high tower, and window after window would have poured into the dusk its lion-frightening light, and the copper gates would have been fastened up. But no lights came out in windows there that night and have not ever since, and those copper
gates were left wide and have never shut, and the sound arose of the red fire crackling in the vineyards, and the pattering of feet fleeing softly. There were no cries, no other sounds at all, only the rapid and determined flight. They fled as swiftly and quietly as a herd of wild cattle flee when they suddenly see a man. It was as though something had befallen which had been feared for generations, which could only be escaped by instant flight, which left no time for indecision.
Then fear took the Europeans also, and they too fled. And what the message was I have never heard.
Many believe that it was a message from Thuba Mleen, the mysterious emperor of those lands, who is never seen by man, advising that Bethmoora should be left desolate. Others say that the message was one of warning from the gods, whether from friendly gods or from adverse ones they know not.
And others hold that the Plague was ravaging a line of cities over in Utnar Véhi, following the South-west wind which for many weeks had been blowing across them towards Bethmoora.
Some say that the terrible gnousar sickness was upon the three travellers, and that their very mules were dripping with it, and suppose that they were driven to the city by hunger, but suggest no better reason for so terrible a crime.
But most believe that it was a message from the desert himself, who owns all the Earth to the southwards, spoken with his peculiar cry to those three who knew his voice—men who had been out on the sand-wastes without tents by night, who had been by day without water, men who had been out there where the desert mutters, and had grown to know his needs and his malevolence. They say that the desert had a need for Bethmoora, that he wished to come into her lovely streets, and to send into her temples and her houses his storm-winds draped with sand. For he hates the sound and the sight of men in his old evil heart, and he would have Bethmoora silent and undisturbed, save for the weird love he whispers at her gates.