Rules for Moving (ARC)

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Rules for Moving (ARC) Page 39

by Nancy Star


  Her eyes stopped being Blinky but they stayed Sad.

  “I’ll get it. Be right back.”

   h h

   h  h

  He didn’t notice that his mom didn’t come back right

  away at first because he was thinking about the constel-

  lations in his mural. Some things in the mural were from

  the Real Sky and some things were from his Imagination

  Sky. The constellations were from his Imagination Sky.

  The first constellation he made for his mural was the

  Hank Aaron constellation. He thought of it the day his

  counselor Amanda asked if he was named after Hank Aaron.

  She asked him if knew that Hank was a nickname for

  Henry and he shook his head. No one ever told him that.

  That made him wonder. Was he named for Hank

  Aaron? His mom would know but he wasn’t sure if it

  was an okay thing to ask her. It might make her Sad.

  Sometimes he guessed right about what made her Sad

  but not always. He really didn’t like when she was Sad.

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  Thinking about her being Sad made him realize, she

  hadn’t come back yet with her Show and Tell. He didn’t

  have a clock in his room so he didn’t know what time it

  was, but it felt like longer than, Be Right Back.

  Maybe she was busy reading the letter from his dad.

  Except the letter from his dad was short and his mom

  always said she was the fastest reader in town.

  He called out, “Mom?” but she didn’t answer. He

  tried to think of all the reasons why she wouldn’t answer

  and then he tried to only think about the reasons that

  weren’t scary. One reason that wasn’t scary was that she

  went on her computer and forgot to listen with one ear

  while she was working. Another answer was he was too

  quiet when he called. He tried again, louder. “Mom?”

  Still no answer.

  One time his mom told him the way to get his brain

  to not think about scary things was to give it something

  else to think about. He tried it now, but it didn’t work.

  All he could think about were scary things. The most

  scary thing. Was she dead?

  He opened the door. She wasn’t dead in the hall. She

  wasn’t dead on the toilet. He held his breath while he

  pulled back the shower curtain. She wasn’t dead in the tub.

  Grandma Sylvie’s door was open wide so he could

  see his mom wasn’t dead in there unless she was dead in

  the closet. Sometimes at night he hid in his closet but his mom didn’t know, which was good because that was a

  thing that would definitely make her face Disappointed.

  After his dad died a lot of people told him he was

  brave. He didn’t know why they said that. If it was true

  that he was brave, he would be able look in Grandma

  Sylvie’s closet now. The closet door was only a little bit open so he closed his eyes and pushed it open more. He

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  opened his eyes so they were tiny slits. No one was inside, dead or not dead. So, true. He was Brave.

  When he walked out of Grandma Sylvie’s room he

  heard people talking downstairs, one voice loud—his

  mom’s—one voice quiet, probably Grandma Sylvie since

  no one else lived with them.

  He stopped at the top of the stairs and closed his eyes

  to try and decide what his mom would want him to do:

  Go Down Now and Remind Her She Forgot about Her

  Show and Tell, or Stay Where He Was and Wait Until

  She Remembered. The problem with Wait Until She

  Remembered was what if she never remembered? The

  problem with Go Down Now and Remind Her She

  Forgot was what if she felt so bad about forgetting that

  she had to hold her breath to keep her tears in, like the

  day she told him What Happened to his dad?

  He thought about going back to his room and getting

  in his bed and going to sleep and Dreaming on It. But

  his eyes were Poppy-Open Wide Awake and his heart

  was Thumping Loud in His Ears. So he decided to Wait

  and Sea.

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  CHAPTER THIRTY-ONE

  Lane gently touched her mother’s hair; as always, it was

  pinned up in a bun of carefully coiled concentric circles.

  The length of her hair was just one more mystery she and

  Shelley used to guess about. No matter what time their

  mother got up or where she was going, her fine dark-

  blonde hair was up, anchored in a nest of bobby pins. But

  now, it was coming undone. Her mother was undone.

  What had brought Lane downstairs was a sound—a

  long, quivering exhale that she heard when she came

  out of her bedroom, right after discovering that Henry’s

  drawings weren’t where she’d left them. Neither were

  they in any of the places she checked where she might

  have mindlessly put them. She was heading toward her

  workspace to see if she’d left them on her desk when she

  heard it. A sound of distress from the living room. The

  sound of grief from her mother.

  Her mother was sitting at the very edge of the couch.

  At the sound of Lane coming down the stairs she quickly

  sank back. Her arms were left splayed out at an awkward

  angle, giving her the look of an injured bird.

  It took Lane a long moment to realize her mother was

  crying. Her mother, like Lane, never cried. None of them

  cried, or at least none of them had in a very long while.

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  She seemed to be distressed about her crying, and

  quickly wiped her eyes with her sleeve. She seemed agi-

  tated. Everything was agitating her. Now it was the damp

  spot on her shirt that bothered her. Lane watched as she

  pulled a tissue from her sleeve and started rubbing the spot, then pressing the tissue against it. She looked desperate

  to make the spot disappear.

  “It’s just tears,” Lane told her. “They’ll dry.” But her

  mother kept rubbing. “What’s wrong?”

  Her mother shook her head and then said something

  so quietly Lane wasn’t sure whether it was, I know, or, I’ll go. She gave up rubbing her shirt and laid the damp tissue on the coffee table. “Oh no,” she said. “Now look what

  I’ve done.” She moved the tissue off— there they were—

  Henry’s drawings. Her mother saw her notice them and

  reclaimed her tissue and started blotting her sleeve again, and then her eyes, and then her sleeve.

  “It’s okay,” Lane told her mother. “The drawings are

  fine. Nothing happened to them.”

  Her mother gave sharp shake of her head. She wasn’t

  upset that she ruined the drawings.

  Lane looked at them again. The drawing on the top

  was the one of the woman getting hit. “Don’t worry about

  that picture,” Lane said. “That’s not me.”

  Another quick shake of the head. More blotting of

  her sleeve with the tissue.

  Lane went to the kitchen and got her a paper towel.

  “Here,” she said when she came back. “Let me.” She

  pressed the towel onto the sleeve. She could not imagine

  why her mother was distraught about her sleeve. B
ut like

  her father said, she wasn’t an expert on everything. Maybe tears did stain. And it was her mother’s favorite shirt.

  She’d had arrived with a suitcase full of shirts but this

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  was the one she kept wearing and washing and wearing

  again. What she loved about it, Lane had no idea. Maybe

  the patriotic colors. Maybe the abstract pattern, which,

  she saw now, as she pressed the paper towel, were small

  simple geometric shapes.

  And then she saw it; they weren’t simple shapes at all.

  The white triangles were sails. The red semicircles were

  boats. The blue background was the sea. She hadn’t no-

  ticed it, but Henry had because Henry noticed everything,

  including that the pattern on his grandmother’s favorite

  shirt was made up of sailboats. The woman he drew in

  the apartment with his father was her mother. She held

  her mother’s arm and asked, “Did Aaron hit you?”

  “Why would you say such a thing?”

  Lane looked at the drawing again, this time at the

  man. The man did not have a pencil slash of a dimple on

  his cheek. “That’s not Aaron.” She scanned the picture

  again and noticed, for the first time, the room had a roof.

  The room wasn’t in an apartment; it was in a house. A

  house with a roof that looked exactly like the roof in her parents’ house in Florida. “That’s Dad.”

  Her mother pulled in her lips until they disappeared

  and her face turned into an inscrutable mask and the

  mask turned toward the stairs and her gaze shifted and

  she smiled and said, “Hello dear.”

  Henry was standing at the bottom of the stairs.

  “Hey buddy,” Lane said and then remembered, with

  a start. “You were waiting for me.” He nodded. “I’m so

  sorry. I was talking to Grandma and I guess time got

  away from me.”

  He was crying, she now saw. “Oh buddy.” She opened

  her arms and he ran into them. “There there,” she said,

  and stroked his soft curls. “There there,” she said again.

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  It was only when Henry stopped crying that she real-

  ized her mother had disappeared up the stairs, as silent

  as a ghost.

  She gently wiped the tears off Henry’s face with her

  hand and then twirled her finger around one of his curls.

  “I’m sorry. I was looking for your drawings. That was

  what my Show and Tell was going to be. I wanted to talk

  to you about them. But they weren’t where I left them

  and when I came downstairs I saw they were here, with

  Grandma.”

  Henry straightened up and saw the drawings on the

  table. “How did they get here?”

  “Nathan gave them to me,” she said. “Because he

  thought it was important that I see them. And he was

  right. That’s what I wanted talk to you about.” She pulled Henry close and held him while she asked, “Can you tell

  me about the picture on the table?”

  He pulled away. Now it was Henry’s lips that disap-

  peared. He shook his head and didn’t stop for what felt

  like a minute. When he did stop, he closed his eyes. He

  sat, completely still. He was shutting down.

  “Want to dream on it, before we talk about it?”

  His head moved, a tiny nod. “Okay. Dream on it

  tonight. We’ll talk about it tomorrow?”

  He opened his eyes and nodded again.

  “Okay, good.”

  As Henry got ready for bed, he slowly seemed to

  return to himself. When Lane asked him if he wanted

  to be tucked in, “snug as a bug in a rug,” he smiled and

  said, “Yes.” When she offered three Tell Me That Story

  choices, he asked for the one about the day his parents met.

  “Dad’s roommate in college was my study partner—”

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  “I know this part. He told Dad he should marry you

  because you were smart and beautiful and kind and a

  good listener. And he shouldn’t let you be the one who

  got away.”

  “Dad told you that?”

  He nodded. “And Dad told him, maybe he should

  meet you before he proposed.”

  Lane laughed. “I never heard that before.” Her eyes

  filled for the second time that day. “What else did Dad

  tell you about that?”

  “He said you were the last girl he met in college and

  that he saved the Best for Last. And that the biggest thing he learned in college was, The Best Things in Life Are

  Worth Waiting For. Why are you crying?”

  “I guess because I miss your dad.”

  Henry touched her tears with his finger and then tasted

  them. “Salty.” Then he tasted his own. “Salty.” They lay,

  side by side, silent for several minutes. Then Henry asked,

  “Want me to tell you what happens next in the story of

  how you met Dad?” She nodded and he did.

  Hearing Henry’s version felt to Lane like listening to a

  familiar fairy tale where all the unpleasant parts had been carefully erased, leaving only the good and the sweet.

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  CHAPTER THIRTY-TWO

  Emergencies, Lane thought as she called her sister the

  required three times in a row, were really in the eye of

  the beholder. To her eye, this was one. Henry had drawn

  a picture of her father striking her mother, which meant

  Henry had seen her father striking her mother, which

  meant she needed to talk to Shelley and her father on the

  phone now, all of them now, at once, if possible—before

  anyone visited.

  It was her niece, Melinda, who answered. “Is it Nan?”

  she asked. “Or is it Gramps? It can’t be Gramps because

  he’s with Mum unless—collywobbles, is it Mum? Say it

  fast. Who died?”

  “No one died,” Lane said.

  “Oh well that’s a relief, isn’t it? I thought Mum told

  me that was the rule. I thought she said, ‘If Auntie Lane

  rings the home phone times three in a row, it means

  someone died and you have to pick up.’ Less than three

  times, means you just want to have an ordinary chat and

  it’s fine if I let the call go through to the machine. Did I not get that right?”

  “You got it right. No one died. I just need to talk

  to your mom. I tried her cell three times but the calls

  keep dropping so I can’t leave a message. Maybe her

  phone died.”

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  “Could be. I wouldn’t know. She’s visiting Florida.

  With Gramps. What a relief. I probably wasn’t meant to

  say that. Don’t tell Mum I said that. Doesn’t take much

  for her to go all argy on me these days.”

  “Florida? When did they go to Florida?”

  “Two days ago? Three? Let’s see. How many days in

  a row have I had Pot Noodles for dinner? Three. They’ve

  been gone three days.”

  After Lane got off the phone, she went to Henry’s

  room and stood for a moment, watching him sleep. Asleep

  he looked so peaceful. She checked the time—so much

  for peace—and stroked his foreh
ead. “Rise and Shine.”

  His eyelids fluttered open and then closed. “Five more

  minutes, okay? I’m going down to get breakfast started.”

  He nodded.

  She found her mother in the kitchen, watching the

  toaster. There’d been a chill between them, over the past

  few days, her mother and Henry equally intent on avoiding

  all discussion of his drawings. She’d broached the subject with Henry three times and each time he reacted the same

  way, by lowering his gaze and pulling in his cheeks. Each

  time, Lane backed off. With her mother, she’d broached

  the subject twice. Both times her mother mumbled, “It’s

  not what you think,” and then changed the subject to

  the weather. It seemed now they did nothing but discuss

  the weather. The heat index. The low pressure. The risk

  of high wind and possibly hail.

  Lane had only so much to say about the weather, even

  hail. She was tempted to turn silent, but while it was okay to be silent as she passed her mother in the hall, it was

  not okay to be silent in front of Henry. So in the night,

  during one of her usual hours of sleeplessness, she resolved that today would be different. Whatever problems she

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  and her mother had needed to be set aside. Today was

  Henry’s end-of-camp celebration. Eclipse day. Lane’s

  second dreaded eclipse of the sun; her mother’s third.

  “Guess what,” she said, to break the kitchen chill. “I

  just spoke to Melinda.” Her mother turned around. She

  looked even more pale than usual. “She told me Dad and

  Shelley are in Florida. Why do you think they would go

  there?”

  “No idea.” Sylvie’s toast popped. She picked the slices

  out of the slats and carried her plate to the table. Another day, another jailhouse breakfast of dry toast and black

  tea. She sat with her back to Lane, so Lane moved and

  sat down in the chair facing her.

  “Look,” Lane said gently. “I know today’s going to

  be hard for both of us.”

  “Not for me,” her mother said. She broke off little

  bits of toast and began moving them around on her plate.

  “I’ll be fine.” She met Lane’s eyes. “We know how to do

  that, be fine.”

  Henry padded in and came over to see what his grand-

  mother was eating. He looked confused and pointed to

  the little pieces of bread. Then he made a frowny face.

  Lane hadn’t noticed it, but he was right; the pieces of toast her mother had been playing with were assembled into a

 

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