by Howard Pyle
A poor carpenter had died that the Law and the Gospel might be preserved, and a few rough fishermen–a few poor, ignorant, superstitious outcasts thought that they saw the flaming orb of day turned into a smoky blackness; that they felt the earth strain and crack beneath their feet; that they beheld the bulwarks of religion split in twain from top to bottom.
Gilderman was worried that morning because the baby had caught cold. The day was pleasant and the sun shone brightly. Do you think he would have believed you if you had told him, in the midst of his worries, that the most tremendous cataclysm of the world was about to occur?
He felt a great sense of relief when Dr. Wellington entered the study. “I’m so glad you’ve come,” said Gilderman, and the two shook hands almost cordially. At that same moment the old world came to an end and a new world began.
So the annihilation of the ages was beheld by the scribes, the pharisees, the priests, Levites, and Romans.
XVIII. THE SPIRIT AND THE FLESH
WHEN MEN HAVE slain the Living Truth and a new age has arisen from its death, the world still rolls onward in its course and mankind does not know that anything has happened. Children are born into the world, men and women are married, others die, and only a few poor, lowly ones know the significance of that death and resurrection. Thus it must ever be. In the outer world there is no sign; each man pursues his own business and pleasure with just the same avidity as though God’s Truth had not perished in the flesh to rise again into the glory of resurrection.
Yea; judgment-day may come and the angel may blow his trumpet until the earth shall crack and heaven itself shall tremble, but the ears of man are deaf to the blast and his eyes are blind to the terrors that overhang the soul. In his ears are stoppers of clay and over his eyes is a film of flesh, and neither sound nor sight can reach him.
What wonder, then, that men not only deny their Creator and their Redeemer, but even refuse to believe that the soul within them is alive. To them the body seems alive and not the soul; to them it seems as though this world is the end of everything.
Mrs. Gilderman, though she had not recovered from her confinement with the rapidity that a washerwoman might have done under the same circumstances, was, nevertheless, so nearly quite well by the end of the month as to be able to be down-stairs and about the house. She did not go much abroad. Maybe on a fine afternoon she would take a spin in the park in the automobile or out along the river, but she did not go shopping, and was yet watched by her nurse with the jealous care due to a convalescent patient of such pre-eminent importance. But, though she did not go abroad, her friends came to see her, and she often held receptions in her own room with tea and wafers, maybe, and a babble of feminine chatter. She was conscious that her imported blue tea-gown was vastly becoming to her blond beauty, and she made the most of it, lying back in a nest of blue silk, silver-embroidered cushions.
It was about this time that she made Gilderman promise to have his portrait painted. “I want Reginald to have it to say,” she said, “that that is the way my father looked in the year that I was born.”
So Gilderman had commissioned Norcott to paint a full-length portrait of himself with a bit of realistic background showing a glimpse of the famous Cyprian Adonis fragment. No one living could do those little realistic bits of background as could Norcott.
During this same month the Biddington-De Vaux wedding was to come off at the national capital–Arabella Stewart Biddington and Lord George De Vaux, an attaché to a foreign embassy. Gilderman, on the score of relationship to Miss Biddington, had, of course, to go. That same day he was also to give a sitting to Norcott. He was growing very tired of these sittings. There had been a great many of them, for Norcott was endeavoring to make the work a chef-d’œuvre. At first Gilderman had been very much interested in the artist, his surroundings, and the studio in which he worked. Not only had Norcott much to say for himself, but he had collected about him an enormous amount of bric-à-brac, rugs, tapestries, and hangings. You would have pronounced the anteroom to the studio to have been cluttered were the things gathered there less fine and interesting than they were. The studio itself was a great, high-ceilinged room with a big skylight. There was more bric-à-brac, rugs, tapestries here, but in the wider spaces they did not seem so crowded together as in the anteroom. Gilderman had become pretty well acquainted with all these surroundings by now, and they were no longer so interesting to him as they had been at first. He sat there in the morning of the Biddington-De Vaux wedding feeling rather bored. He had to take the trip to the capital in the afternoon, too. That also was a bore in prospect.
The outer door of the reception-room of Norcott’s studio was so arranged that when it opened a chime of bells was rung. Norcott was working silently and industriously and Gilderman was sitting thinking about the nuisance of the impending journey, when suddenly the chime of bells rang out upon the silence of the studio. Presently Norcott’s Moorish servant came bringing in a card. Norcott looked at it. “It’s Santley Foord, Mr. Gilderman,” he said. “Would you like him to come in? He’s a very interesting fellow, and it might entertain you.”
“Santley Foord?” said Gilderman. And then, remembering the name: “Oh yes; he’s the fellow who wrote and illustrated those very interesting articles about the West-China imbroglio for the Mundane Sphere, is he not?”
“Yes, that’s the man.”
“I’d be very glad to meet him,” said Gilderman, welcoming any break in the monotony of the sitting.
Then Santley Foord came in. He was a lively, brisk little man, with a face burned russet-brown by the sun, a mustache nearly white, and very light, closely cropped gray hair. He had a strong jaw and chin, and his little eyes were as bright and as black as beads and danced and twinkled and were never still for a moment. Norcott introduced Gilderman, who bowed with a manner that was very urbane. Santley Foord was evidently extremely gratified by the introduction.
“I was very much interested in your West-China articles,” said Gilderman. “It seemed to me that your sketches were strikingly clever, too. That one with the dead bodies lying on the snow and the flock of crows around them and the long line of road cut through the snow and stretching away to the distance against the gray sky impressed me extremely.”
“I am highly flattered that you should have noticed it, Mr. Gilderman,” said Foord. “One can always get a capital effect of snow in reproductive process. And then, I suppose, the subject was very fetching. I stood there in the snow sketching the scene over the back of my Tartar pony, with the sketch-book resting on the saddle, while my two Kalmuck men brewed some tea in a deserted hut at the road-side.” Then he began describing incidental scenes connected with the circumstances of the massacre. He talked well, and Gilderman listened much interested.
From this subject, at a question from Norcott, the narrator branched out into his experience in a Tartar village. He described his introduction to a fat old Tartar chief, and he mimicked the obese Oriental with an almost startling vividness. Gilderman laughed heartily, and as he did so he registered in his own mind that he would give a man’s dinner-party and would ask Santley Foord. It would be very entertaining. How Stirling West would enjoy the fellow.
“But, after all,” said Foord, “you don’t have to go out to the far East to find such things. I’ve come across a mine of interest here that nobody seems to know or to think anything about. Did you, for instance, know that the disciples of that carpenter, about whom there was so much talk awhile ago, are still living here in the very midst of the city, a community in themselves? They claim to have had supernatural experiences and to have seen visions and all that sort of thing. They have strange religious ceremonies and meetings, in which they appear to go off into a trance state, and a good many of the poor people among whom they live believe all that they say to be a bona-fide fact.”
“I thought all that trouble was over and done with now,” said Gilderman.
“Oh no, indeed. Why, I’m going to meet Dolan–Inspect
or Dolan, you know–at eleven o’clock to-day, and we’re going down to a meeting that those people are going to hold this morning. I’m going to make a sketch of it. They are quite the most interesting thing I have come across for a long time, and I think the world will be rather struck to find that these strange folk are living in its very midst without its knowing anything at all about them.”
“Really!” said Gilderman. And then, after a moment of pause: “Do you know, Mr. Foord, I’d like immensely to go with you and Dolan and see these people.”
Santley Foord laughed. “Well, Mr. Gilderman, to tell you the honest truth, I don’t believe you would like it very much. The surroundings are not especially pleasant. I’ve got used to all those kinds of sights and smells by this time. One gets used to no end of such things knocking about on the rough side of the world, but I don’t believe you’d like it.”
Gilderman laughed in answer. “I don’t know that I would especially like the sights and smells,” he said, “but I’d like very much to see what these poor people are doing.” And then, after a brief second of hesitation, he continued: “Such things interest me very much. I saw the Man Himself two or three times while He was alive, and spoke to Him once face to face. He impressed me very singularly.”
“Did He, indeed?” said Santley Foord.
Gilderman had found it very hard one time to confess this to his wife. It had not been so hard to repeat the narrative in part to Stirling West, and since then he had described the scene in the cemetery several times to friends who had asked him about it. He described it now, growing conscious as he did so of how flat his narrative was compared to the clever way in which Foord would have told the story.
Foord listened very interestedly. “By Jove!” he said, when Gilderman had ended, “I would have given a deal to see that, Mr. Gilderman. It beats anything I ever saw down in India, and I’ve seen some very strange things there, too.” Then he began a vivid description of the old trick: how he had once seen some jugglers put a woman under a basket that was just big enough to cover her, and of how one of the Indians had run the basket through and through with a sword. His description of the woman’s screams and of the trick blood that flowed from under the basket and over the hot, white stones of the pavement was almost horribly startling, and Gilderman, as he listened, again registered a determination that he would ask Santley Foord to a man’s dinner some time in the near future.
After a while Foord arose from where he was sitting and sauntered around the room, looking at some of the pictures and sketches. Then, having completed his inspection, he said, in his almost abrupt fashion: “Well, it’s time to go around to the St. George. If you really care to go with us to see these people, Mr. Gilderman, I’ll be glad to take you along.”
“I’d like to see them,” said Gilderman, “but I don’t know whether Norcott’s through with me yet.”
“Just give me five minutes more, Mr. Gilderman,” said Norcott, “and then we’ll call the sitting off for the day.”
Gilderman took Foord around to the St. George with him in his automobile, and they got out together and entered the wide, marble-flagged vestibule almost arm-in-arm. They found Inspector Dolan already there and waiting. He was sitting on one of the leather-covered seats that stood along the wall and was talking to a stranger. He arose as Gilderman and Foord came in, and he looked distinctly surprised to see Gilderman.
“Mr. Gilderman wants to go along with us,” said Foord, and then the inspector laughed.
Gilderman ordered an electric coach, and as they whirled away down-town he offered his cigarette-case to his companions.
“I don’t think I’ve seen you, inspector,” he said, “since that man sold his Master to the bishop that day. Whatever became of him? I wonder if he ever felt sorry for what he had done.”
“Sorry!” said the inspector–”sorry! I should think so. The officers found his dead body hanging to a tree the day after the execution.”
“Oh yes,” said Gilderman, “I remember now reading an account of it. But I did not know it was that man who hanged himself.”
“Yes, sir, that was the man.”
The coach stopped in a narrow and dirty street. Then they all got out and walked for some little distance down the paved court until the inspector at last turned into an alleyway.
The alley opened into another paved court, and here Gilderman found himself in the midst of the sights and smells of which Santley Foord had spoken. There were two or three rather dilapidated houses looking down upon the court. They were shabby, squalid-looking piles, and overhead, from house to house, were stretched clothes-lines, with clothes hanging out to dry, motionless in the dull, heavy air. The court was paved with cobble-stones, and here and there water had settled in stagnant puddles. There were a couple of ash-barrels standing by one of the houses, piled high with ashes and scraps of refuse.
The inspector led the way directly to one of the houses. He put his hand upon the knob of the door and turned it very softly. Then he opened it and entered with Gilderman and Foord at his heels.
Gilderman found himself in a dark, narrow entryway. The walls of the entry had that peculiar, greasy look that seems always to belong to houses of the poorer sort, and there was everywhere a rank and pervading smell. As the inspector closed the door, another door at the farther end of the entry opened and a stout woman, unmistakably Jewish in appearance, stood framed in the space of light behind. She hesitated for a moment, and then said, with a sharp, rasping voice: “What do you want? What are you doing here?”
The inspector walked directly along the passageway towards her. “That’s all right, Sarah,” he said. “It’s Inspector Dolan.”
“What’s the matter now?” said the woman. “I ‘ain’t been doing no harm.”
“There’s nothing the matter at all, only these two gentlemen here want to go up-stairs to see your friends on the third floor.”
“There ain’t nobody up on the third floor,” said the woman, sullenly; “they ‘ain’t been here for a couple of days.”
The inspector laughed. “That’s all right, Sarah,” he said. “We’ll go up and look for ourselves. Just you stay down here. And don’t you go kicking up a row,” he added, turning suddenly stern in his demeanor.
The woman shrunk back as though threatened with a lash, but she did not go entirely away. She partly followed them and then stood watching with a sort of impotent sullenness as they went up-stairs, the inspector leading the way.
Gilderman was nearly overpowered by the close, heavy atmosphere of the house. His companions did not seem to think anything of it at all, and he knew that the people who lived every day in that atmosphere would not be aware of its close fetor. Surroundings of this sort were infinitely distasteful to him, but since he had come so far he made up his mind that he would go on to the end.
As the three climbed the stairs Gilderman became aware of a strange, droning, sing-song sort of chant, or rather mummer, that grew louder and louder as they ascended. He found it came from one of the rooms on the third floor. The inspector led the way directly to the door of this room, and Santley Foord turned and said to Gilderman: “It’s those people you hear, and, by George! Mr. Gilderman, we’re in luck; they’re about some of their religious ceremonies this minute. I hope you’ll be able to see some of them in a trance state.”
The inspector stood for a while with his hand upon the knob as though listening. Then he said, in a low voice, “I’ll wait outside here.”
“Is it perfectly safe?” asked Gilderman, instinctively lowering his voice to the same pitch as that in which the inspector spoke.
“Lord bless you! yes, Mr. Gilderman,” said Dolan; “they’re as harmless as mice.”
Then he opened the door and Foord stepped into the room, closely followed by Gilderman. There were maybe a dozen or so men in the crowded space. The room was very close and hot. Some of the inmates were sitting around a deal table; two were standing with their backs to a cold and rusty stove, and one was
leaning against the wall, his face hidden in his arm, his body shaking as though he were crying. None of them seemed to be aware of the presence of the intruders, and then Gilderman saw with a shock, almost as of awe, that they were indeed in a state as though of entrancement. The faces of all were transfixed, vacant, exalted. They seemed all to be lit with a singular illumination. It was almost as though the faces were translucent and illuminated to that singular roseate brightness by a light from behind. Gilderman had never seen anything like it before. By-and-by a feeling akin to terror began to creep over him. What did it all mean? A strange, groaning murmur coming from the breasts of the men filled the room full of sound, now rising fuller, almost into articulate speech, now quavering away into a dull murmur. It was very impressive–almost awful, to Gilderman.
If Foord was at all impressed he was too busy to yield to his emotions. He had taken out his sketch-book and was sketching rapidly. Inspector Dolan was looking over his shoulder through the half-open door.
None of the three knew what it was that they had come so near to seeing; for the crying man with his face hidden against the wall was Thomas the Doubter.
Still Foord sketched away rapidly, and by-and-by Gilderman found himself becoming interested in the swift, dexterous strokes of the pencil and the quick suggestions of portraiture. “Do you suppose they mind you doing this?” he whispered.
“Lord bless you, no!” said Foord, sotto voce. “They don’t see or know anything when they’re in that state.”
At the sound of the voice the crying man lifted his face for a moment from his hands and looked towards Gilderman with strange, filmy, sightless eyes. His cheeks were drenched with tears. Gilderman knew that though the man looked towards him he did not see him.