The Yearling

by Marjorie Kinnan Rawlings

  The Yearling

  Text copyright 1938 Marjorie Kinnan Rawlings;

  copyright renewed © 1966 Norton Baskin

  Illustrations copyright 1939 Charles Scribner’s Sons;

  copyright renewed © 1967 Charles Scribner’s Sons

  www.SimonandSchuster.com

  Library of Congress Cataloging in Publication Data

  Rawlings, Marjorie Kinnan, 1896-1953. The yearling.

  Summary: A young boy living in the Florida

  backwoods is forced to decide the fate of a fawn

  he has lovingly raised as a pet.

  1. Deer—Juvenile fiction. [1. Deer—Fiction.

  2. Parent and child—Fiction. 3. Farm life—Florida—Fiction.

  4. Florida—Fiction]

  I. Wyeth, N. C. (Newell Convers), 1882-1945, ill. II. Title.

  PZ10.3.R19Ye 1985 [Fic] 85-40301

  ISBN 0-684-18461-3 (trade edition)

  ISBN 0-684-18508-3 (deluxe edition)

  ISBN-13: 978-0-689-87801-5

  eISBN-13: 978-1-442-4100-2

  This book published simultaneously in the

  United States of America and in Canada—

  Copyright under the Berne Convention.

  All rights reserved. No part of this book

  may be reproduced in any form without the

  permission of Charles Scribner’s Sons.

  1 3 5 7 9 11 23 15 17 19 Q/C 20 18 16 14 12 10 8 6 4 2

  Printed in the United States of America

  Contents

  Acknowledgments

  Illustrations

  Chapter I

  Chapter II

  Chapter III

  Chapter IV

  Chapter V

  Chapter VI

  Chapter VII

  Chapter VIII

  Chapter IX

  Chapter X

  Chapter XI

  Chapter XII

  Chapter XIII

  Chapter XIV

  Chapter XV

  Chapter XVI

  Chapter XVII

  Chapter XVIII

  Chapter XIX

  Chapter XX

  Chapter XXI

  Chapter XXII

  Chapter XXIII

  Chapter XXIV

  Chapter XXV

  Chapter XXVI

  Chapter XXVII

  Chapter XXVIII

  Chapter XXIX

  Chapter XXX

  Chapter XXXI

  Chapter XXXII

  Chapter XXXIII

  ACKNOWLEDGMENTS

  The publisher is grateful to the owners of the original N. C. Wyeth paintings for making it possible to prepare new transparencies from which the plates for this edition have been made. The owners include Mr. and Mrs. Irving R. Wyeth, Mr. and Mrs. C. J. Elder, Mr. and Mrs. William E. Miller, and The Miller Family.

  The publisher is also grateful for the assistance of Mr. and Mrs. Andrew Wyeth, Mr. Peter Ralston, Mr. Frank E. Fowler, and Mr. Richard Layton.

  Illustrations

  Facing Page

  JODY AND THE FLUTTER-MILL

  He threw himself on the weedy sand close to the water and abandoned himself to the magic of motion

  THE FIGHT WITH OLD SLEWFOOT

  Penny ran desperately into the heart of the fracas

  PENNY TELLS THE STORY OF THE BEAR FIGHT

  Penny Baxter, no bigger than a dirt-dauber, could outhunt the best of them. And he could sit, as he sat now, weaving a spell of mystery and magic, that held these huge hairy men eager and breathless

  THE DANCE OF THE WHOOPING CRANES

  The cranes were dancing a cotillion as surely as it was danced at Volusia

  THE FIGHT AT VOLUSIA

  The fight was in the sandy road in front of the Boyles’ store

  THE VIGIL

  It seemed to Jody that he was alone with his father

  JODY FINDS THE FAWN

  It was quivering. It made no effort to rise or run. Jody could not trust himself to move

  THE BURIAL OF FODDER-WING

  Buck set out toward the south hammock. Ma Forrester followed him. Mill-wheel took hold of her arm. The others dropped in behind them

  THE STORM

  The familiar pines were like trees at the bottom of the sea, washed across not with mere rain, but with tides and currents

  PENNY TEACHES JODY HIS SUMS

  Penny would start him on his reading lesson, or his sums, and then before either of them knew it, would be off on a tale

  THE FORRESTERS GO TO TOWN

  Buck and Mill-wheel and Lem were crowded together on the wagon seat

  THE DEATH OF OLD SLEW FOOT

  They capered together and shouted and yippeed until their throats were hoarse and the squirrels were chattering all about them

  JODY AND FLAG

  One cold night at the end of January, Penny and Ma Baxter had gone to bed while Jody lingered with Flag by the fire

  JODY LOST

  The shore had receded alarmingly. Ahead of him, the open water seemed to stretch without an end

  Chapter I

  A COLUMN of smoke rose thin and straight from the cabin chimney. The smoke was blue where it left the red of the clay. It trailed into the blue of the April sky and was no longer blue but gray. The boy Jody watched it, speculating. The fire on the kitchen hearth was dying down. His mother was hanging up pots and pans after the noon dinner. The day was Friday. She would sweep the floor with a broom of ti-ti and after that, if he were lucky, she would scrub it with the corn shucks scrub. If she scrubbed the floor she would not miss him until he had reached the Glen. He stood a minute, balancing the hoe on his shoulder.

  The clearing itself was pleasant if the unweeded rows of young shafts of corn were not before him. The wild bees had found the chinaberry tree by the front gate. They burrowed into the fragile clusters of lavender bloom as greedily as though there were no other flowers in the scrub; as though they had forgotten the yellow jessamine of March; the sweet bay and the magnolias ahead of them in May. It occurred to him that he might follow the swift line of flight of the black and gold bodies, and so find a bee-tree, full of amber honey. The winter’s cane syrup was gone and most of the jellies. Finding a bee-tree was nobler work than hoeing, and the corn could wait another day. The afternoon was alive with a soft stirring. It bored into him as the bees bored into the chinaberry blossoms, so that he must be gone across the clearing, through the pines and down the road to the running branch. The bee-tree might be near the water.

  He stood his hoe against the split-rail fence. He walked down the cornfield until he was out of sight of the cabin. He swung himself over the fence on his two hands. Old Julia the hound had followed his father in the wagon to Grahamsville, but Rip the bull-dog and Perk the new feice saw the form clear the fence and ran toward him. Rip barked deeply but the voice of the small mongrel was high and shrill. They wagged deprecatory short tails when they recognized him. He sent them back to the yard. They watched after him indifferently. They were a sorry pair, he thought, good for nothing but the chase, the catch and the kill. They had no interest in him except when he brought them their plates of table scraps night and morning. Old Julia was a gentle thing with humans, but her worn-toothed devotion was only for his father, Penny Baxter. Jody had tried to make up to Julia, but she would have none of him.

  “You was pups together,” his father told him, “ten year gone, when you was two year old and her a baby. You hurted the leetle thing, not meanin’ no harm. She cain’t bring herself to trust you. Hounds is often that-a-way.”

  He made a circle around the sheds and corn-crib and cut south through the black-jack. He wished he had a dog like Grandma Hutto’s. It was white and curly-haired and did tricks. When Grandma Hutto laughed and shook and co
uld not stop, the dog jumped into her lap and licked her face, wagging its plumed tail as though it laughed with her. He would like anything that was his own; that licked his face and followed him as old Julia followed his father. He cut into the sand road and began to run east. It was two miles to the Glen, but it seemed to Jody that he could run forever. There was no ache in his legs, as when he hoed the corn. He slowed down to make the road last longer. He had passed the big pines and left them behind. Where he walked now, the scrub had closed in, walling in the road with dense sand pines, each one so thin it seemed to the boy it might make kindling by itself. The road went up an incline. At the top he stopped. The April sky was framed by the tawny sand and the pines. It was as blue as his homespun shirt, dyed with Grandma Hutto’s indigo. Small clouds were stationary, like bolls of cotton. As he watched, the sunlight left the sky a moment and the clouds were gray.

  “There’ll come a little old drizzly rain before night-fall,” he thought.

  The down grade tempted him to a lope. He reached the thick-bedded sand of the Silver Glen road. The tar-flower was in bloom, and fetter-bush and sparkleberry. He slowed to a walk, so that he might pass the changing vegetation tree by tree, bush by bush, each one unique and familiar. He reached the magnolia tree where he had carved the wildcat’s face. The growth was a sign that there was water nearby. It seemed a strange thing to him, when earth was earth and rain was rain, that scrawny pines should grow in the scrub, while by every branch and lake and river there grew magnolias. Dogs were the same everywhere, and oxen and mules and horses. But trees were different in different places.

  “Reckon it’s because they can’t move none,” he decided. They took what food was in the soil under them.

  The east bank of the road shelved suddenly. It dropped below him twenty feet to a spring. The bank was dense with magnolia and loblolly bay, sweet gum and gray-barked ash. He went down to the spring in the cool darkness of their shadows. A sharp pleasure came over him. This was a secret and a lovely place.

  A spring as clear as well water bubbled up from nowhere in the sand. It was as though the banks cupped green leafy hands to hold it. There was a whirlpool where the water rose from the earth. Grains of sand boiled in it. Beyond the bank, the parent spring bubbled up at a higher level, cut itself a channel through white limestone and began to run rapidly down-hill to make a creek. The creek joined Lake George, Lake George was a part of the St. John’s River, the great river flowed northward and into the sea. It excited Jody to watch the beginning of the ocean. There were other beginnings, true, but this one was his own. He liked to think that no one came here but himself and the wild animals and the thirsty birds.

  He was warm from his jaunt. The dusky glen laid cool hands on him. He rolled up the hems of his blue denim breeches and stepped with bare dirty feet into the shallow spring. His toes sank into the sand. It oozed softly between them and over his bony ankles. The water was so cold that for a moment it burned his skin. Then it made a rippling sound, flowing past his pipe-stem legs, and was entirely delicious. He walked up and down, digging his big toe experimentally under smooth rocks he encountered. A school of minnows flashed ahead of him down the growing branch. He chased them through the shallows. They were suddenly out of sight as though they had never existed. He crouched under a bared and overhanging live-oak root where a pool was deep, thinking they might reappear, but only a spring frog wriggled from under the mud, stared at him, and dove under the tree root in a spasmodic terror. He laughed.

  “I ain’t no’ coon. I’d not ketch you,” he called after it.

  A breeze parted the canopied limbs over him. The sun dropped through and lay on his head and shoulders. It was good to be warm at his head while his hard calloused feet were cold. The breeze died away, the sun no longer reached him. He waded across to the opposite bank where the growth was more open. A low palmetto brushed him. It reminded him that his knife was snug in his pocket; that he had planned as long ago as Christmas, to make himself a flutter-mill.

  He had never built one alone. Grandma Hutto’s son Oliver had always made one for him whenever he was home from sea. He went to work intently, frowning as he tried to recall the exact angle necessary to make the mill-wheel turn smoothly. He cut two forked twigs and trimmed them into two Y’s of the same size. Oliver had been very particular to have the cross-bar round and smooth, he remembered. A wild cherry grew half-way up the bank. He climbed it and cut a twig as even as a polished pencil. He selected a palm frond and cut two strips of the tough fiber, an inch wide and four inches long. He cut a slit lengthwise in the center of each of them, wide enough to insert the cherry twig. The strips of palm frond must be at angles, like the arms of a windmill. He adjusted them carefully. He separated the Y-shaped twigs by nearly the length of the cherry cross-bar and pushed them deep into the sand of the branch bed a few yards below the spring.

  Jody and the Flutter-Mill (p. 5)

  The water was only a few inches deep but it ran strongly, with a firm current. The palm-frond mill-wheel must just brush the water’s surface. He experimented with depth until he was satisfied, then laid the cherry bar between the twigs. It hung motionless. He twisted it a moment, anxiously, helping it to fit itself into its forked grooves. The bar began to rotate. The current caught the flexible tip of one bit of palm frond. By the time it lifted clear, the rotation of the bar brought the angled tip of the second into contact with the stream. The small leafy paddles swung over and over, up and down. The little wheel was turning. The flutter-mill was at work. It turned with the easy rhythm of the great water-mill at Lynne that ground corn into meal.

  Jody drew a deep breath. He threw himself on the weedy sand close to the water and abandoned himself to the magic of motion. Up, over, down, up, over, down—the flutter-mill was enchanting. The bubbling spring would rise forever from the earth, the thin current was endless. The spring was the beginning of waters sliding to the sea. Unless leaves fell, or squirrels cut sweet bay twigs to drop and block the fragile wheel, the flutter-mill might turn forever. When he was an old man, as old as his father, there seemed no reason why this rippling movement might not continue as he had begun it.

  He moved a stone that was matching its corners against his sharp ribs and burrowed a little, hollowing himself a nest for his hips and shoulders. He stretched out one arm and laid his head on it. A shaft of sunlight, warm and thin like a light patchwork quilt, lay across his body. He watched the flutter-mill indolently, sunk in the sand and the sunlight. The movement was hypnotic. His eyelids fluttered with the palm-leaf paddles. Drops of silver slipping from the wheel blurred together like the tail of a shooting star. The water made a sound like kittens lapping. A rain frog sang a moment and then was still. There was an instant when the boy hung at the edge of a high bank made of the soft fluff of broom-sage, and the rain frog and the starry dripping of the flutter-mill hung with him. Instead of falling over the edge, he sank into the softness. The blue, white-tufted sky closed over him. He slept.

  When he awakened, he thought he was in a place other than the branch bed. He was in another world, so that for an instant he thought he might still be dreaming. The sun was gone, and all the light and shadow. There were no black boles of live oaks, no glossy green of magnolia leaves, no pattern of gold lace where the sun had sifted through the branches of the wild cherry. The world was all a gentle gray, and he lay in a mist as fine as spray from a waterfall. The mist tickled his skin. It was scarcely wet. It was at once warm and cool. He rolled over on his back and it was as though he looked up into the soft gray breast of a mourning dove.

  He lay, absorbing the fine-dropped rain like a young plant. When his face was damp at last and his shirt was moist to the touch, he left his nest. He stopped short. A deer had come to the spring while he was sleeping. The fresh tracks came down the east bank and stopped at the water’s edge. They were sharp and pointed, the tracks of a doe. They sank deeply into the sand, so that he knew the doe was an old one and a large. Perhaps she was heavy with fawn.
She had come down and drunk deeply from the spring, not seeing him where he slept. Then she had scented him. There was a scuffled confusion in the sand where she had wheeled in fright. The tracks up the opposite bank had long harried streaks behind them. Perhaps she had not drunk, after all, before she scented him, and turned and ran with that swift, sand-throwing flight. He hoped she was not now thirsty, wide-eyed in the scrub.

  He looked about for other tracks. The squirrels had raced up and down the banks, but they were bold, always. A raccoon had been that way, with his feet like sharp-nailed hands, but he could not be sure how recently. Only his father could tell for certain the hour when any wild things had passed by. Only the doe had surely come and had been frightened. He turned back again to the flutter-mill. It was turning as steadily as though it had always been there. The palm-leaf paddles were frail but they made a brave show of strength, rippling against the shallow water. They were glistening from the slow rain.

  Jody looked at the sky. He could not tell the time of day in the grayness, nor how long he may have slept. He bounded up the west bank, where open gallberry flats spread without obstructions. As he stood, hesitant whether to go or stay, the rain ended as gently as it had begun. A light breeze stirred from the southwest. The sun came out. The clouds rolled together into great white billowing feather bolsters, and across the east a rainbow arched, so lovely and so various that Jody thought he would burst with looking at it. The earth was pale green, the air itself was all but visible, golden with the rain-washed sunlight, and all the trees and grass and bushes glittered, varnished with the rain-drops.

  A spring of delight boiled up within him as irresistibly as the spring of the branch. He lifted his arms and held them straight from his shoulders like a water-turkey’s wings. He began to whirl around in his tracks. He whirled faster and faster until his ecstasy was a whirlpool, and when he thought he would explode with it, he became dizzy and closed his eyes and dropped to the ground and lay flat in the brooms-age. The earth whirled under him and with him. He opened his eyes and the blue April sky and the cotton clouds whirled over him. Boy and earth and trees and sky spun together. The whirling stopped, his head cleared and he got to his feet. He was light-headed and giddy, but something in him was relieved, and the April day could be borne again, like any ordinary day.