"Put him away? You mean you'd have made him start on the journey before his time?"
"Yes, if you must use that meaningless old expression. Push him through the tunnel into the great Rubbish Heap: that's what I mean."
"Then you don't think painting is worth anything, not worth preserving, or improving, or even making use of?"
"Of course, painting has uses," said Tompkins. "But you couldn't make use of his painting. There is plenty of scope for bold young men not afraid of new ideas and new methods. None for this old-fashioned stuff. Private day-dreaming. He could not have designed a telling poster to save his life. Always fiddling with leaves and flowers. I asked him why, once. He said he thought they were pretty! Can you believe it? He said pretty! 'What, digestive and genital organs of plants?' I said to him; and he had nothing to answer. Silly footler."
"Footler," sighed Atkins. "Yes, poor little man, he never finished anything. Ah well, his canvases have been put to 'better uses,' since he went. But I am not sure, Tompkins. You remember that large one, the one they used to patch the damaged house next door to his, after the gales and floods? I found a corner of it torn off, lying in a field. It was damaged, but legible: a mountain-peak and a spray of leaves. I can't get it out of my mind."
"Out of your what?" said Tompkins.
"Who are you two talking about?" said Perkins, intervening in the cause of peace: Atkins had flushed rather red.
"The name's not worth repeating," said Tompkins. "I don't know why we are talking about him at all. He did not live in town."
"No," said Atkins; "but you had your eye on his house, all the same. That is why you used to go and call, and sneer at him while drinking his tea. Well, you've got his house now, as well as the one in town, so you need not grudge him his name. We were talking about Niggle, if you want to know, Perkins."
"Oh, poor little Niggle!" said Perkins. "Never knew he painted."
That was probably the last time Niggle's name ever came up in conversation. However, Atkins preserved the odd corner. Most of it crumbled; but one beautiful leaf remained intact. Atkins had it framed. Later he left it to the Town Museum, and for a long while "Leaf: by Niggle" hung there in a recess, and was noticed by a few eyes. But eventually the Museum was burnt down, and the leaf, and Niggle, were entirely forgotten in his old country.
"It is proving very useful indeed," said the Second Voice. "As a holiday, and a refreshment. It is splendid for convalescence; and not only for that, for many it is the best introduction to the Mountains. It works wonders in some cases. I am sending more and more there. They seldom have to come back."
"No, that is so," said the First Voice. "I think we shall have to give the region a name. What do you propose?"
"The Porter settled that some time ago," said the Second Voice. "Train for Niggle's Parish in the bay: he has shouted that for a long while now. Niggle's Parish. I sent a message to both of them to tell them."
"What did they say?"
"They both laughed. Laughed – the Mountains rang with it!"
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Leaf by Niggle Page 3