V
SO THEY WILL have told you doubtless already how I told that Jones to take that mule which was not his around to the barn and harness it to our buggy while I put on my hat and shawl and locked the house. That was all I needed to do since they will have told you doubtless that I would have had no need for either trunk or bag since what clothing I possessed, now that the garments which I had been fortunate enough to inherit from my aunt’s kindness or haste or oversight were long since worn out, consisted of the ones which Ellen had remembered from time to time to give me and now Ellen these two years dead; that I had only to lock the house and take my place in the buggy and traverse those twelve miles which I had not done since Ellen died, beside that brute who until Ellen died was not even permitted to approach the house from the front — that brute progenitor of brutes whose granddaughter was to supplant me, if not in my sister’s house at least in my sister’s bed to which (so they will tell you) I aspired — that brute who (brute instrument of that justice which presides over human events which, incept in the individual, runs smooth, less claw than velvet: but which, by man or woman flouted, drives on like fiery steel and overrides both weakly just and unjust strong, both vanquisher and innocent victimized, ruthless for appointed right and truth) brute who was not only to preside upon the various shapes and avatars of Thomas Sutpen’s devil’s fate but was to provide at the last the female flesh in which his name and lineage should be sepulchered — that brute who appeared to believe that he had served and performed his appointed end by yelling of blood and pistols in the street before my house, who seemed to believe that what further information he might have given me was too scant or too bland and free of moment to warrant the discarding of his tobacco cud, because during the entire subsequent twelve miles he could not even tell me what had happened.
And how I traversed those same twelve miles once more after the two years since Ellen died (or was it the four years since Henry vanished or was it the nineteen years since I saw light and breathed?) knowing nothing, able to learn nothing save this: a shot heard, faint and far away and even direction and source indeterminate, by two women, two young women alone in a rotting house where no man’s footstep had sounded in two years — a shot, then an interval of aghast surmise above the cloth and needles which engaged them, then feet, in the hall and then on the stairs, running, hurrying, the feet of a man: and Judith with just time to snatch up the unfinished dress and hold it before her as the door burst open upon her brother, the wild murderer whom she had not seen in four years and whom she believed to be (if he was, still lived and breathed at all) a thousand miles away: and then the two of them, the two accursed children on whom the first blow of their devil’s heritage had but that moment fallen, looking at one another across the up-raised and unfinished wedding dress. Twelve miles toward that I rode, beside an animal who could stand in the street before my house and bellow placidly to the populous and listening solitude that my nephew had just murdered his sister’s fiance, yet who could not permit himself to force the mule which drew us beyond a walk because ‘hit warn’t none of mine nor hisn neither and besides hit aint had a decent bait of vittles since the corn give out in February’; who, turning into the actual gate at last, must stop the mule and, pointing with the whip and spitting first, say ‘Hit was right yonder.’— ‘What was right there, fool?’ I cried, and he: ‘Hit was’ until I took the whip from him into my own hand and struck the mule.
But they cannot tell you how I went on up the drive, past Ellen’s ruined and weed-choked flower beds and reached the house, the shell, the (so I thought) cocoon-casket marriage-bed of youth and grief and found that I had come, not too late as I had thought, but come too soon. Rotting portico and scaling walls, it stood, not ravaged, not invaded, marked by no bullet nor soldier’s iron heel but rather as though reserved for something more: some desolation more profound than ruin, as if it had stood in iron juxtaposition to iron flame, to a holocaust which had found itself less fierce and less implacable, not hurled but rather fallen back before the impervious and indomitable skeleton which the flames durst not, at the instant’s final crisis, assail; there was even one step, one plank rotted free and tilting beneath the foot (or would have if I had not touched it light and fast) as I ran up and into the hallway whose carpet had long since gone with the bed- and table-linen for lint, and saw the Sutpen face and even as I cried ‘Henry! Henry! What have you done? What has that fool been trying to tell me?’ realized that I had come, not too late as I had thought, but come too soon. Because it was not Henry’s face. It was Sutpen face enough, but not his; Sutpen coffee-colored face enough there in the dim light, barring the stairs: and I running out of the bright afternoon, into the thunderous silence of that brooding house where I could see nothing at first: then gradually the face, the Sutpen face not approaching, not swimming up out of the gloom, but already there, rocklike and firm and antedating time and house and doom and all, waiting there (oh yes, he chose well; he bettered choosing, who created in his own image the cold Cerberus of his private hell) — the face without sex or age because it had never possessed either: the same sphinx face which she had been born with, which had looked down from the loft that night beside Judith’s and which she still wears now at seventy-four, looking at me with no change, no alteration in it at all, as though it had known to the second when I was to enter, had waited there during that entire twelve miles behind that walking mule and watched me draw nearer and nearer and enter the door at last as it had known (ay, perhaps decreed, since there is that justice whose Moloch’s palate-paunch makes no distinction between gristle bone and tender flesh) that I would enter — The face stopping me dead (not my body: it still advanced, ran on: but I, myself, that deep existence which we lead, to which the movement of limbs is but a clumsy and belated accompaniment like so many unnecessary instruments played crudely and amateurishly out of time to the tune itself) in that barren hall with its naked stair (that carpet gone too) rising into the dim upper hallway where an echo spoke which was not mine but rather that of the lost irrevocable might-have-been which haunts all houses, all enclosed walls erected by human hands, not for shelter, not for warmth, but to hide from the world’s curious looking and seeing the dark turnings which the ancient young delusions of pride and hope and ambition (ay, and love too) take. ‘Judith!’ I said. ‘Judith!’
There was no answer. I had expected none; possibly even then I did not expect Judith to answer, just as a child, before the full instant of comprehended terror, calls on the parent whom it actually knows (this before the terror destroys all judgment whatever) is not even there to hear it. I was crying not to someone, something, but (trying to cry) through something, through that force, that furious yet absolutely rocklike and immobile antagonism which had stopped me — that presence, that familiar coffee-colored face, that body (the bare coffee-colored feet motionless on the bare floor, the curve of the stair rising just beyond her) no larger than my own which, without moving, with no alteration of visual displacement whatever (she did not even remove her gaze from mine for the reason that she was not looking at me but through me, apparently still musing upon the open door’s serene rectangle which I had broken) seemed to elongate and project upward something — not soul, not spirit, but something rather of a profoundly attentive and distracted listening to or for something which I myself could not hear and was not intended to hear — a brooding awareness and acceptance of the inexplicable unseen, inherited from an older and a purer race than mine, which created postulated and shaped in the empty air between us that which I believed I had come to find (nay, which I must find, else breathing and standing there, I would have denied that I was ever born) — that bedroom long-closed and musty, that sheetless bed (that nuptial couch of love and grief) with the pale and bloody corpse in its patched and weathered gray crimsoning the bare mattress, the bowed and unwived widow kneeling beside it — and I (my body) not stopping yet (yes, it needed the hand, the touch, for that) — I, self-mesmered fool who still believed
that what must be would be, could not but be, else I must deny sanity as well as breath, running, hurling myself into that inscrutable coffee-colored face, that cold implacable mindless (no, not mindless: anything but mindless: his own clairvoyant will tempered to amoral evil’s undeviating absolute by the black willing blood with which he had crossed it) replica of his own which he had created and decreed to preside upon his absence, as you might watch a wild distracted nightbound bird flutter into the brazen and fatal lamp. ‘Wait,’ she said. ‘Dont you go up there.’ Still I did not stop; it would require the hand; and I still running on, accomplishing those last few feet across which we seemed to glare at one another not as two faces but as the two abstract contradictions which we actually were, neither of our voices raised, as though we spoke to one another free of the limitations and restrictions of speech and hearing. ‘What?’ I said.
‘Dont you go up there, Rosa.’ That was how she said it: that quiet, that still, and again it was as though it had not been she who spoke but the house itself that said the words — the house which he had built, which some suppuration of himself had created about him as the sweat of his body might have produced some (even if invisible) cocoon-like and complementary shell in which Ellen had had to live and die a stranger, in which Henry and Judith would have to be victims and prisoners, or die. Because it was not the name, the word, the fact that she had called me Rosa. As children she had called me that, just as she had called them Henry and Judith; I knew that even now she still called Judith (and Henry too when she spoke of him) by her given name. And she might very naturally have called me Rosa still, since to everyone else whom I knew I was still a child. But it was not that. That was not what she meant at all; in fact, during that instant while we stood face to face (that instant before my still advancing body should brush past her and reach the stair) she did me more grace and respect than anyone else I knew; I knew that from the instant I had entered that door, to her of all who knew me I was no child. ‘Rosa?’ I cried. ‘To me? To my face?’ Then she touched me, and then I did stop dead. Possibly even then my body did not stop, since I seemed to be aware of it thrusting blindly still against the solid yet imponderable weight (she not owner: instrument; I still say that) of that will to bar me from the stairs; possibly the sound of the other voice, the single word spoken from the stairhead above us, had already broken and parted us before it (my body) had even paused. I do not know. I know only that my entire being seemed to run at blind full tilt into something monstrous and immobile, with a shocking impact too soon and too quick to be mere amazement and outrage at that black arresting and un-timorous hand on my white woman’s flesh. Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both — touch and touch of that which is the citadel of the central I-Am’s private own: not spirit, soul; the liquorish and ungirdled mind is anyone’s to take in any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too. Yes, I stopped dead — no woman’s hand, no negro’s hand, but bitted bridle-curb to check and guide the furious and unbending will — I crying not to her, to it; speaking to it through the negro, the woman, only because of the shock which was not yet outrage because it would be terror soon, expecting and receiving no answer because we both knew it was not to her I spoke: ‘Take your hand off me, nigger!’
I got none. We just stood there — I motionless in the attitude and action of running, she rigid in that furious immobility, the two of us joined by that hand and arm which held us, like a fierce rigid umbilical cord, twin sistered to the fell darkness which had produced her. As a child I had more than once watched her and Judith and even Henry scuffling in the rough games which they (possibly all children; I do not know) played, and (so I have heard) she and Judith even slept together, in the same room but with Judith in the bed and she on a pallet on the floor ostensibly. But I have heard how on more than once occasion Ellen has found them both on the pallet, and once in the bed together. But not I. Even as a child, I would not even play with the same objects which she and Judith played with, as though that warped and spartan solitude which I called my childhood, which had taught me (and little else) to listen before I could comprehend and to understand before I even heard, had also taught me not only to instinctively fear her and what she was, but to shun the very objects which she had touched. We stood there so. And then suddenly it was not outrage that I waited for, out of which I had instinctively cried; it was not terror: it was some cumulative over-reach of despair itself. I remember how as we stood there joined by that volitionless (yes: it too sentient victim just as she and I were) hand, I cried — perhaps not aloud, not with words (and not to Judith, mind: perhaps I knew already, on the instant I entered the house and saw that face which was at once both more and less than Sutpen, perhaps I knew even then what I could not, would not, must not believe) — I cried ‘And you too? And you too, sister, sister?’ What did I expect? I, self-mesmered fool, come twelve miles expecting — what? Henry perhaps, to emerge from some door which knew his touch, his hand on the knob, the weight of his foot on a sill which knew that weight: and so to find standing in the hall a small plain frightened creature whom neither man nor woman had ever looked at twice, whom he had not seen himself in four years and seldom enough before that but whom he would recognize if only because of the worn brown silk which had once become his mother and because the creature stood there calling him by his given name? Henry to emerge and say ‘Why, it’s Rosa, Aunt Rosa. Wake up, Aunt Rosa; wake up’? — I, the dreamer clinging yet to the dream as the patient clings to the last thin unbearable ecstatic instant of agony in order to sharpen the savor of the pain’s surcease, waking into the reality, the more than reality, not to the unchanged and unaltered old time but into a time altered to fit the dream which, conjunctive with the dreamer, becomes immolated and apotheosized: ‘Mother and Judith are in the nursery with the children, and Father and Charles are walking in the garden. Wake up, Aunt Rosa; wake up’? Or not expect perhaps, not even hope; not even dream since dreams dont come in pairs, and had I not come twelve miles drawn not by mortal mule but by some chimaera-foal of nightmare’s very self? (Ay, wake up, Rosa; wake up — not from what was, what used to be, but from what had not, could not have ever, been; wake, Rosa — not to what should, what might have been, but to what cannot, what must not, be; wake, Rosa, from the hoping, who did believe there is a seemliness to bereavement even though grief be absent; believed there would be need for you to save not love perhaps, not happiness nor peace, but what was left behind by widowing — and found that there was nothing there to save; who hoped to save her as you promised Ellen (not Charles Bon, not Henry: not either one of these from him or even from one another) and now too late, who would have been too late if you had come there from the womb or had been there already at the full strong capable mortal peak when she was born; who came twelve miles and nineteen years to save what did not need the saving, and lost instead yourself) I do not know, except that I did not find it. I found only that dream-state in which you run without moving from a terror in which you cannot believe, toward a safety in which you have no faith, held so not by the shifting and foundationless quicksand of nightmare but by a face which was its soul’s own inquisitor, a hand which was the agent of its own crucifixion, until the voice parted us, broke the spell. It said one word: ‘Clytie,’ like that, that cold, that still: not Judith, but the house itself speaking again, though it was Judith’s voice. Oh, I knew it well, who had believed in grieving’s seemliness; I knew it as well as she — Clytie — knew it. She did not move; it was only the hand, the hand gone before I realized that it had been removed. I do not know if she removed it or if I ran out from beneath its touch. But it was gone; and this too they cannot tell you: How I ran, fled, up the stairs and found no grieving widowed bride but Judith standing before the closed
door to that chamber, in the gingham dress which she had worn each time I had seen her since Ellen died, holding something in one hanging hand; and if there had been grief or anguish she had put them too away, complete or not complete I do not know, along with that unfinished wedding dress. ‘Yes, Rosa?’ she said, like that again, and I stopped in running’s midstride again though my body, blind unsentient barrow of deluded clay and breath, still advanced: And how I saw that what she held in that lax and negligent hand was the photograph, the picture of herself in its metal case which she had given him, held casual and forgotten against her flank as any interrupted pastime book.
That’s what I found. Perhaps it’s what I expected, knew (even at nineteen knew, I would say if it were not for my nineteen, my own particular kind of nineteen years) that I should find. Perhaps I couldn’t even have wanted more than that, couldn’t have accepted less, who even at nineteen must have known that living is one constant and perpetual instant when the arras-veil before what-is-to-be hangs docile and even glad to the lightest naked thrust if we had dared, were brave enough (not wise enough: no wisdom needed here) to make the rending gash. Or perhaps it is no lack of courage either: not cowardice which will not face that sickness somewhere at the prime foundation of this factual scheme from which the prisoner soul, miasmal-distillant, wroils ever upward sunward, tugs its tenuous prisoner arteries and veins and prisoning in its turn that spark, that dream which, as the globy and complete instant of its freedom mirrors and repeats (repeats? creates, reduces to a fragile evanescent iridescent sphere) all of space and time and massy earth, relicts the seething and anonymous miasmal mass which in all the years of time has taught itself no boon of death but only how to recreate, renew; and dies, is gone, vanished: nothing — but is that true wisdom which can comprehend that there is a might-have-been which is more true than truth, from which the dreamer, waking, says not ‘Did I but dream?’ but rather says, indicts high heavens very self with: ‘Why did I wake since waking I shall never sleep again?’
Complete Works of William Faulkner Page 210