The New York Times Book Review: “Adrienne Rich’s Musical Ethics”
Out of Sequence: The Sonnets Remixed (Parlor Press, 2014), ed. D. Gilson: “I Don’t Understand Shakespeare’s Sonnet #154”
Seneca Review: “The Task of the Translator”
Spike Art Magazine: “The Porn Punctum”
Tin House: “Odd Secrets of the Line”
Ways of Re-Thinking Literature (Routledge, 2018), eds. Tom Bishop and Donatien Grau: “Corpse Pose”
Zeitschrift für Medienwissenschaft: “Madonna’s Usurpation,” “Taylor’s Tweets,” “Omar Sharif Jr. in Being and Nothingness”
© Tim Schutsky
WAYNE KOESTENBAUM’s twenty books include Camp Marmalade, Notes on Glaze, The Pink Trance Notebooks, My 1980s & Other Essays, Humiliation, Andy Warhol, Jackie Under My Skin, and The Queen’s Throat, a National Book Critics Circle Award finalist. A new edition of his first novel, Circus; or, Moira Orfei in Aigues-Mortes, was published in 2019. He has exhibited his paintings in solo shows at White Columns (New York), 356 Mission (LA), and the University of Kentucky Art Museum. His first piano/vocal record, Lounge Act, was released by Ugly Duckling Presse Records in 2017; he has given musical performances at The Kitchen, REDCAT, Centre Pompidou, the Walker Art Center, The Artist’s Institute, and the Renaissance Society. He is a Distinguished Professor of English, French, and comparative literature at the CUNY Graduate Center in New York. His website is waynekoestenbaum.com.
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