"I took it around to the corral. I'd rather have it run off than hit."
They rolled straw bales from the back wall of the shed to the front and piled them three high for some protection. There were no doors on the stable shed. It was built out from the station house four wagons wide. Ernie's coach was in the first stall nearest the house. Corsen went to the small window at the far end of the shed and Fisher stopped near him, looking out into the night.
"Might they come before dawn?"
"I've never heard of it," Corsen answered. "But don't put that down in your book as a rule. Bonito might have told Delgado dawn to put us off guard."
"That was something, what he did to him."
Corsen said quietly, "Delgado was lucky. Bonito's showing off. He wants us to think he's got full control of the situation. Even to letting a prisoner go, knowing he'll get him back again." "He could convince me."
"I'm not so sure he has." Corsen paused. "If I could talk to Bil-Clin--I don't see how he could help but resent this renegade's coming up and taking over. If we could get Bil-Clin alone. . . ."
Fisher said nothing.
Sometimes when you wait, the time goes slow, Corsen thought, but now it is going fast, so fast it isn't time anymore, but something else. That was a month ago that I told Katie I would come and get her. And Billy was surprised because he hadn't known what was going on. It seems like a month, but it was yesterday afternoon. Now he pictured himself with Katie at night, her face in soft shadows. She was in the room with Ygenia and Delgado, and a pistol. The door was bolted. If they broke through the door, then she would fire the pistol until it was empty. Then, in a timeless time she would pray. Pray that it would not take long for Ygenia and for herself. She would not use the gun on herself to make it quick. Even if he had asked her to, she would not. She doesn't even show this. There may be a little of it in her eyes, but it isn't in her voice. You're lucky, Ross. But how can you be lucky and unlucky at the same time?
But now more time had passed and there was an orange streak in the east and the sky was no longer full dark, and suddenly shadows were coming over the wall. Shadows that were the shapes of men, but without sound and without the gleam of weapons. They dropped and clung close to the wall. Now some were coming forward!
"Oh, my God!" Fisher had seen them.
From the house, "They're coming!" and the hurried report of a rifle. A pause, now a staccato of rifle fire and suddenly the station yard erupted into wild sound--whining gun reports and the fullthroated scream of the Mescalero war cry and the whinnying of horses.
Down the carbine barrel Corsen squinted at three warriors coming zigzagging toward the shed. Then the outside two were out of vision and he fired. The Mescalero fell in his tracks. As he levered, the other two tuned abruptly and were back to the wall as he aimed again. One of them was on the wall, and he brought the barrel up an inch and squeezed the trigger, and the warrior dropped to the other side. The third one was over, out of sight. And as suddenly as the firing had started, it stopped.
Corsen glanced both ways, surprised. Two, three, four of them were down and the rest had retreated. They're feeling us out, he thought. Seeing how many guns we have. Fisher exhaled a long sigh. "We drove them off."
"The first time," Corsen said. "Now Bonito knows what we have and he'll scratch his head till something comes out of it."
Fisher looked up suddenly. "There!"
It was the Apache Corsen had hit first, now crawling toward the wall, dragging his left leg. Fisher raised his pistol.
"Hold it!" Corsen squinted hard at the Apache.
"That's Bil-Clin's boy!"
Corsen waited until Sunshine reached the wall. Then, as the Apache raised himself slowly, painfully, with his weight on his right leg, Corsen raised the carbine and fired.
The bullet sang, ricocheting off the wall, and white dust spattered above the boy's head as he sank down.
Corsen levered a shell into the breech, his eyes on Sunshine. Watch him. Watch him like a hawk. He's got a broken leg, but he can be over that wall in one jump.
The next moment Sunshine was pushing up with his arms and his one good leg. But it was a feint, for he lunged suddenly to the side. Corsen was ready. He swung the barrel and placed the next shot a foot in front of Sunshine. Pieces of adobe splattered on the Apache's hair, and now he sat down and stared toward the shed.
Corsen said, "Watch along the wall, Ed. I'm going out. You edge toward the house."
Fisher said, "What?"
"If this works," Corsen said hurriedly, "I'll give you a signal. When I do, bring the men out. Just the men!"
Sunshine had not moved, and now Corsen said, "Here we go." He handed the Winchester to Fisher and pushed over the straw bales. Going over them, he drew his pistol and walked out into the open yard with the handgun pointed toward Sunshine. When he was in the middle of the yard he stopped.
"Bil-Clin!"
There was no answer, though he knew they were on the other side of the wall.
He shouted again, "Bil-Clin!" Then he said in Spanish, "My gun is on your son!" His eyes shifted above Sunshine. Stillness. A bare line of adobe- and then Bil-Clin was standing a dozen paces to the left, head and shoulders above the wall. Corsen's eyes went to him.
"Come over the wall." Bil-Clin's arms came up and he raised himself to the top of the wall and dropped to the inside. He did not look at his son, but approached Corsen.
"Bil-Clin," Corsen said, "call Bonito and the others."
The Apache said a word in Mescalero and suddenly his warriors were at the wall. They had stood up and were now a line of bare chests and war paint and thick blue-black hair with cloth bands over the foreheads. Bonito stood among them, but he was alone. He lifted his Maynard and rested it on the wall.
"Come in, Bonito," Corsen said. And when the renegade did not move he glanced at Bil-Clin, then cocked his pistol. "Order him to come in--if you're still the chief."
Bil-Clin looked at his son now, for the first time. The boy's eyes, between stripes of yellow paint, were on Corsen. Bil-Clin spoke again in Mescalero and it was evident that his words were for Bonito. But Bonito did not answer.
Corsen tightened. He could feel it in his stomach, but he made his voice sound calm. "Bonito, you are now chief?"
Still the Apache said nothing.
"Yesterday you told me that chieftainship of the Mescalero is not a thing of heredity, but a position earned by the one most capable in war. In fighting. So, Bonito, are you chief?"
Bonito did not move. Corsen was looking at him now, but he glanced away momentarily toward Ed Fisher, and nodded to him.
"Let me tell you something, Bonito. There are others who live here now--some with authority that seems to contradict yours. How can you be a chief if you have opposed only this old man, Bil-Clin?"
He glanced toward the house and saw them coming out now.
"What about the government man, Bonito? He tells me you are a woman--a filthy pig of a woman with the diseases of animals. Unfit to live. And he has much authority. Perhaps he is the true chief here?"
Bonito's eyes had gone to Sellers as he appeared in the doorway. The eyes held on the man, narrowing, and then Bonito was over the wall.
"How would you have it, Cor-sen?"
"Whatever is customary."
"With the knife, then."
"I'll tell him." Corsen turned to the men in front of the station house. "Sellers, Bonito says you're afraid to fight him alone."
Sellers was startled. "You're crazy!" "Ask him."
"Fight him with what?"
"Knives."
"Now I know you're crazy."
"You want to convince him you're boss, don't you? Beat him in a fair fight, the way they have to pick their chiefs sometimes."
Fisher moved a step toward Sellers and, as he did so, brought the Winchester up and down in a short motion and Sellers's pistol was out of his hand. He looked at Fisher with complete surprise, watching the outlaw pick up the pistol.
"I'll hold it for you while you're teaching that red son a lesson."
"Corsen! Tell him I won't fight him, that we don't do this in our government."
"Bonito," Corsen translated, "he says he does not have a knife."
Bonito reached behind him and drew a dullgleaming blade from his waistband. His arm swung low. The knife scraped, bouncing over the sand to stop near Sellers.
"Corsen, tell that savage--"
"Listen," Corsen said, "this started because of you and Bonito. So you and he are going to finish it."
"He's fought this way all of his life. I wouldn't have a chance!"
Corsen shrugged. "You can't tell."
Bonito was handed a knife and without hesitating he stepped toward Sellers. Fisher stooped, picked up the knife at Sellers's feet, and put it in his hand. "If you make it, I'll buy you a drink."
"Wait a minute, Ross!" Sellers backed up.
"Ross, tell him I won't do it--"
But Bonito was in front of him now.
The Mescalero lowered his head, hunching his shoulders, and brought the knife up in front of him, looking up at Sellers's face through halfclosed eyes.
"Ross!"
The blade flashed, a short swipe of naked arm that was out and in before anyone could see what had happened.
Sellers screamed. His left cheek was slashed from ear to mouth.
"Ross!"
Bonito feinted toward Sellers's head. Going back, Sellers brought up his arm, but the blade dropped. It flashed low under his guard and flicked a short arc across the sucked-in stomach. Sellers's vest opened from pocket to pocket and he screamed again and this time turned and started to run. But he came up short, pushed, jolted back to face Bonito by Teachout, who stood behind him. "You're going the wrong way," Teachout said.
"Let me go!"
Bonito stood waiting.
Corsen's gaze went from him to Sellers. "Are you through?"
Sellers, blood smeared over his face, was breathing hard, holding his stomach. "Ross." He gasped.
"Shoot him! Now, while he's still!"
"Are you quitting?" Corsen said.
"God! Shoot him!"
Corsen said calmly, "Fight him, or else get out."
Sellers looked at him strangely, taken by surprise. "Get out?"
"That's right. Ride out of here and take Verbiest with you. Forget you ever worked for the Bureau. There are seven people here to testify you're not fit for the job. Now, either fight him or write yourself off."
Sellers hesitated, fingering the cut across his stomach, his eyes on Corsen. Then his gaze went slowly to Bonito, who stood unmoving, watching him. Gradually Sellers's grip loosened around the knife, and as it dropped from his hand he turned abruptly and walked to the station house. The screen door banged.
"Now," Bonito said coldly, "there is no more doubt."
"It is still in my mind," Corsen said mildly. He lowered the pistol he'd been holding on Sunshine and turned to Bonito. He added, pointedly, "I have seen women fight before. Usually it proves nothing."
Bonito's eyes narrowed. "Say your words straight, Cor-sen."
Corsen stopped a stride from the Apache. He raised his hand and swung the open palm hard against Bonito's face. The Apache was taken off guard and staggered back, but he did not go down.
"Is that straight enough?"
Corsen looked back at Ed Fisher and swung the pistol underhand toward him, and as he turned back to Bonito he shifted his feet suddenly and came around with his right fist smashing against the Apache's face. And this time Bonito went down.
"Maybe that's a little straighter." Then, looking toward Bil-Clin, Corsen said, "Is this your chief?"
Bonito came to one knee. His mouth was half open with numbness, but he smiled and said, "All right. Corsen."
Behind him he heard Fisher say, "Here's the knife." Corsen half turned as if to look at Fisher, but it was a short movement. He pivoted, swinging his left hand, and again caught Bonito on the face as he was rising. The Apache went down, rolling away from Corsen's reach, but as he came up Corsen was there. He swung a right and then a left to the Apache's head to beat him down again.
Bonito looked up at him, propping himself with his elbows; his face was cut at both eyes and his mouth swollen. And now he considered what to do next--how to fight this man whose not using a weapon was an insult. He brought his knees up under him, then one foot, watching Corsen closely. Corsen moved a step closer, clenching his fists. Bonito will pull something this time, he thought. Bonito was rising, then suddenly throwing himself at Corsen's legs. Corsen dodged and kicked out, but his boot caught Bonito's shoulder and now the Apache was rolling. Corsen started after him, then stopped dead as Bonito jumped to his feet. Fisher yelled, "You want it now, Ross?"
Corsen shook his head. This was the way to beat him, if it could be done. He started toward Bonito, thinking: Carry it to him. Once he starts calling the play, you're through. Watch his eyes. They'll tell you a snap second before he moves. He moved close to Bonito, tensed, watching the yellow-filmed eyes, smelling the animal smell of the man, seeing the eyes now and not the face.
Corsen drew his arm back slowly, knotting the fist. He shifted his weight suddenly, swinging the fist-- the eyes--then just as suddenly threw himself to the side. Bonito's knife jabbed viciously, but Corsen was not there. And as the Apache came around to find him, in that split second Corsen was ready. He went back on his left foot, his body balanced, and then his weight shifted and his boot kicked savagely into Bonito's loins. The Apache gasped and stopped dead in his tracks, bending, holding his stomach.
And that was it. Corsen hit him with one fist, then the other, and as Bonito started to sag he caught the Apache's arm and drove his right fist straight into the paint-streaked face. The Apache went down, dropping the knife, and landed heavily on his back.
"There, Bil-Clin, is your chief," Corsen said. He went over to Sunshine and knelt beside him, examining the shinbone that his bullet had broken. Bil-Clin was standing next to him now. It was hard for him to speak, even if it was not an outright apology, for he was Mescalero, but he said, "What would you have us do?"
Corsen rose and looked at Bil-Clin. "If you wish, we will get an American doctor for your son. But now go back to Pinaleno and take your dead." "And you will come, Cor-sen?"
Corsen's gaze went over the line of Apaches at the wall. Immobile faces, streaks of vermilion and bright yellow, and looking at them he was angry. But he thought: These are Mescaleros. You know what they are. You know what they can do. You were lucky today, but don't push your luck, and perhaps because of it make some cavalry patrol officer, who isn't even out here yet, push his. And he nodded slowly, wearily, to Bil-Clin and said, "Yes. I will come."
The others were standing almost in a line. Teachout and Ernie Ball, Ed Fisher and his partner and Verbiest.
Maybe this will straighten Fisher out, Corsen thought. He's a man you'd buy a drink for, even after he's robbed you. Verbiest made a mistake, but he knows it and he won't make it again. . . . And then he did not think of them anymore. Katie was in the doorway and he walked toward the house.
*
*
No Man's Guns.
As he drew near the mass of tree shadows that edged out to the road he heard the voice, the clear but hesitant sound of it coming unexpectedly in the almost-dark stillness.
"Cliff--"
His right knee touched the booted Springfield and he thought of it calmly, instinctively, drawing it left-handed in his mind, as he slowed the sorrel to a walk. Now at the edge of the shadows he saw a man with a rifle.
The man called uncertainly, "Cliff?"
"You got the wrong party," he answered, and neck-reined the sorrel toward the trees.
Less than twenty feet away the rifle came up suddenly. "Who are you?" "My name's Mitchell."
The rifle barrel hung hesitantly. "You better light down."
Astride the McClellan saddle, Dave Mitchell didn't move. He sat with his shoulders pulled
back, yet he was relaxed. Narrow hips, sun-darkened, thin-lined features beneath the slightly turned-up forward brim of a faded Stetson and everything about him said Cavalry. Everything but the roughwool gray suit he wore. His coat was unbuttoned and his dark shirt was unmistakably Army issue.
"You're camped back in there?" Mitchell asked, and he was thinking, watching the man studying him: I'm the wrong man and now he doesn't know what to do. The man with the rifle didn't reply and Mitchell said, "I'm ready to camp the night. If you already got a place, maybe I could join you."
For a moment the man didn't answer. Then the rifle, a long-barreled Remington, waved in a short arc. "Light down."
Mitchell let his right rein fall as he came off the sorrel. The rifle waved again. The man stood aside and Mitchell walked past him leading the sorrel. They moved through the trees, thinly scattered aspen, then cottonwood as the ground began to slope gradually, and Mitchell knew there'd be a creek close by. Unexpectedly, then, he saw the broad clearing and a wagon illuminated by firelight. The ribbed canvas covering of it formed a pale background for the two figures who stood watching him approach. A man, his legs slightly apart and his hand covering the butt of a holstered revolver. A woman was next to him and she watched Mitchell with open curiosity as he entered the clearing.
"Rady's brought us a guest," the woman said. The man with the rifle was next to Mitchell now.
"Hyatt, he says he wants to camp." The woman walked to the fire, but Hyatt, his hand still on the revolver, didn't move. Nor did he answer, and his eyes remained on Mitchell. "He said he was ready to camp the night," Rady added, "so I thought--"
"Open your coat," Hyatt said. "Hold it open."
Slowly Mitchell spread the coat open. "I'm not armed."
"He's got a carbine on the horse," Rady said. Hyatt glanced at him. "Go back where you were."
Mitchell dropped the rein and walked toward the low-burning fire as the woman extended a porcelain cup toward him and said, "Coffee?" Behind him he heard Rady's footsteps in the dry leaves, then fading to nothing, and he felt Hyatt watching him as he took the cup of coffee, his hand momentarily touching the woman's. "You drink your coffee, then move off," Hyatt said. He was in his early thirties, but a week-old beard stubble darkened his face, adding ten years to his appearance. His face was drawn into tight, sunken cheeks and he looked as if he'd never smiled in his life. To the woman he said, "I'll tell you when we start giving coffee to everybody who goes by."
Moment of Vengeance and Other Stories Page 8