by Lucy Foley
Charlie and I shuffle nearer to the cabin so we can hear. He’s got a lovely rich accent, does Mattie. ‘First people that settled the place,’ he tells us, ‘far as it’s known, were a religious sect, persecuted by some on the mainland.’
‘Oh yes,’ Charlie says, looking at his guide. ‘I think I saw a bit about that—’
‘You can’t get everything from that thing,’ Mattie says, frowning and clearly unimpressed by the interruption. ‘I’ve lived here all my life, see – and my people have been here for centuries. I can tell you more than your man on the internet.’
‘Sorry,’ Charlie says, flushing.
‘Anyway,’ Mattie says. ‘Twenty years or so ago the archaeologists found them. All together in the turf bog they were, side by side, packed in tight.’ Something tells me that he is enjoying himself. ‘Perfectly preserved, it’s said, because there’s no air down in there. It was a massacre. They’d all been hacked to death.’
‘Oh,’ Charlie says, with a glance at me, ‘I’m not sure—’
It’s too late, the idea is in my head now: long-buried corpses emerging from black earth. I try not to think about it but the image keeps reasserting itself like a glitch in a video. The swoop of nausea that comes as we ride over the next wave is almost a relief, requiring all my focus.
‘And there’s no one living there now?’ Charlie asks brightly, trying for a change of conversation. ‘Other than the new owners?’
‘No,’ Mattie says. ‘Nothing but ghosts.’
Charlie taps his screen. ‘It says here the island was inhabited until the nineties, when the last few people decided to return to the mainland in favour of running water, electricity and modern life.’
‘Oh that’s what it says there, is it?’ Mattie sounds amused.
‘Why?’ I ask, managing to find my voice. ‘Was there some other reason they left?’
Mattie seems to be about to speak. Then his face changes. ‘Look out for yourselves!’ he roars. Charlie and I manage to grab the rail seconds before the bottom seems to drop out of everything and we are sent plunging down the side of one wave, then smashed into the side of another. Jesus.
You’re meant to find a fixed point with motion-sickness. I train my gaze on the island. It has been in view the whole way from the mainland, a bluish smudge on the horizon, shaped like a flattened anvil. Jules wouldn’t pick anywhere less than stunning, but I can’t help feeling that the dark shape of it seems to hunch and glower, in contrast to the bright day.
‘Pretty stunning, isn’t it?’ Charlie says.
‘Mm,’ I say noncommittally. ‘Well, let’s hope there’s running water and electricity there these days. I’m going to need a nice bath after this.’
Charlie grins. ‘Knowing Jules, if they hadn’t plumbed and wired the place before, they’ll have done so by now. You know what she’s like. She’s so efficient.’
I’m sure Charlie didn’t mean it, but it feels like a comparison. I’m not the world’s most efficient. I can’t seem to enter a room without making a mess and since we’ve had the kids our house is a permanent tip. When we – rarely – have people round I end up throwing stuff in cupboards and cramming them closed, so that it feels like the whole place is holding its breath, trying not to explode. When we first went round for dinner at Jules’s elegant Victorian house in Islington it was like something out of a magazine; like something out of her magazine – an online one called The Download. I kept thinking she might try and tidy me away somewhere, aware of how I stuck out like a sore thumb with my inch of dark roots and high street clothes. I found myself trying to smooth out my accent even, soften my Mancunian vowels.
We couldn’t be more different, Jules and I. The two most important women in my husband’s life. I lean over the rail, taking deep breaths of the sea air.
‘I read a good bit in that article,’ Charlie says, ‘about the island. Apparently it’s got white sand beaches, which are famous in this part of Ireland. And the colour of the sand means the water in the coves turns a beautiful turquoise colour.’
‘Oh,’ I say. ‘Well that sounds better than a peat bog.’
‘Yep,’ Charlie says. ‘Maybe we’ll have a chance to go swimming.’ He smiles at me.
I look at the water, which is more of a chilly slate green than turquoise, and shiver. But I swim off the beach in Brighton, and that’s the English Channel, isn’t it? Still. There it feels so much tamer than this wild, brutal sea.
‘This weekend will be a good distraction, won’t it?’ Charlie says.
‘Yeah,’ I say. ‘I hope so.’ This will be the closest we’ll have had to a holiday for a long time. And I really need one right now. ‘I can’t work out why Jules would choose a random island off the coast of Ireland,’ I add. It seems particularly her to choose somewhere so exclusive that her guests might actually drown trying to get there. ‘It’s not like she couldn’t have afforded to hold it anywhere she wanted.’
Charlie frowns. He doesn’t like to talk about money, it embarrasses him. It’s one of the reasons I love him. Except sometimes, just sometimes, I can’t help wondering what it would be like to have a tiny bit more. We agonised over the gift list and had a bit of an argument about it. Our max is normally fifty quid, but Charlie insisted that we had to do more, because he and Jules go back so far. As everything listed was from Liberty’s, the £150 we finally agreed to only bought us a rather ordinary-looking ceramic bowl. There was a scented candle on there for £200.
‘You know Jules,’ Charlie says now, as the boat makes another swoop downwards before hitting something that feels much harder than mere water, bouncing up again with a few sideways spasms for good measure. ‘She likes to do things differently. And it could be to do with her dad being Irish.’
‘But I thought she doesn’t get on with her dad?’
‘It’s more complicated than that. He was never really around and he’s a bit of a dick, but I think she’s always kind of idolised him. That’s why she wanted me to give her sailing lessons all those years ago. He had this yacht, and she wanted him to be proud of her.’
It’s difficult to imagine Jules in the inferior position of wanting to make someone proud. I know her dad’s a big deal property developer, a self-made man. As the daughter of a train driver and a nurse who grew up constantly strapped for cash, I’m fascinated by – and a little bit suspicious of – people who have made loads of money. To me they’re like another species altogether, a breed of sleek and dangerous big cats.
‘Or maybe Will chose it,’ I say. ‘It seems very him, very outward bound.’ I feel a little leap of excitement in my stomach at the thought of meeting someone so famous. It’s hard to think of Jules’s fiancé as a completely real person.
I’ve been catching up on the show in secret. It’s pretty good, though it’s hard to be objective. I’ve been fascinated by the idea of Jules being with this man … touching him, kissing him, sleeping with him. About to get married to him.
The basic premise of the show, Survive the Night, is that Will gets left somewhere, tied up and blindfolded, in the middle of the night. A forest, say, or the middle of an Arctic tundra, with nothing but the clothes he’s wearing and maybe a knife in his belt. He then has to free himself and make his way to a rendezvous point using his wits and navigational skills alone. There’s lots of high drama: in one episode he has to cross a waterfall in the dark; in another he’s stalked by wolves. At times you’ll suddenly remember that the camera crew is there watching him, filming him. If it were really all that bad, surely they’d step in to help? But they certainly do a good job of making you feel the danger.
At my mention of Will, Charlie’s face has darkened. ‘I still don’t get why she’s marrying him after such a short time,’ he says. ‘I suppose that’s what Jules is like. When she’s made up her mind, she acts quickly. But you mark my words, Han: he’s hiding something. I don’t think he’s everything he pretends to be.’
This is why I’ve been so secretive about watching the sho
w. I know Charlie wouldn’t like it. At times I can’t help feeling that his dislike of Will seems a little like jealousy. I really hope it’s not jealousy. Because what would that mean?
It could also be to do with Will’s stag do. Charlie went, which seemed all wrong, as he’s Jules’s friend. He came home from the weekend in Sweden a bit out of sorts. Every time I even alluded to it he’d go all weird and stiff. So I shrugged it off. He came back in one piece, didn’t he?
The sea seems to have got even rougher. The old fishing boat is pitching and rolling now in all directions at once, like one of those rodeo-bull machines, like it’s trying to throw us overboard. ‘Is it really safe to keep going?’ I call to Mattie.
‘Yep!’ he calls back, over the crash of the spray, the shriek of the wind. ‘This is a good day, as they go. Not far to Inis an Amplóra now.’
I can feel wet hanks of hair stuck to my forehead, while the rest of it seems to have lifted into a huge tangled cloud around my head. I can only imagine how I’ll look to Jules and Will and the rest of them, when we finally arrive.
‘Cormorant!’ Charlie shouts, pointing. He’s trying to distract me from my nausea, I know. I feel like one of the children being taken to the doctor’s for an injection. But I follow his finger to a sleek dark head, emerging from the waves like the periscope of a miniature submarine. Then it swoops down beneath the surface, a swift black streak. Imagine feeling so at home in such hostile conditions.
‘I saw something in the article specifically about cormorants,’ Charlie says. He picks up his phone again. ‘Ah, here. They’re particularly common along this stretch of coast, apparently.’ He puts on his schoolteacher voice: ‘“the cormorant is a bird much maligned in local folklore.” Oh dear. “Historically, the bird has been represented as a symbol of greed, bad luck and evil.”’ We both watch as the cormorant emerges from the water again. There’s a tiny fish in its sharp beak, a brief flash of silver, before the bird opens its gullet and swallows the thing whole.
My stomach flips. I feel as though it’s me that has swallowed the fish, quick and slippery, swimming about in my belly. And as the boat begins to list in the other direction, I lurch to the side and throw up my cream tea.
JULES
The Bride
I’m standing in front of the mirror in our room, the biggest and most elegant of the Folly’s ten bedrooms, naturally. From here I only need to turn my head a fraction to look out through the windows towards the sea. The weather today is perfect, the sun shimmering off the waves so brightly you can hardly look at it. It bloody well better stay like this for tomorrow.
Our room is on the western side of the building and this is the westernmost island off this part of the coast, so there is nothing, and no one, for thousands of miles between me and the Americas. I like the drama of that. The Folly itself is a beautifully restored fifteenth-century building, treading the line between luxury and timelessness, grandeur and comfort: antique rugs on the flagstone floors, claw-footed baths, fireplaces lit with smouldering peat. It’s large enough to fit all our guests, yet small enough to feel intimate. It’s perfect. Everything is going to be perfect.
Don’t think about the note, Jules.
I will not think about the note.
Fuck. Fuck. I don’t know why it’s got to me so much. I have never been a worrier, the sort of person who wakes up at three in the morning, fretting. Not until recently anyway.
The note was delivered through our letter box three weeks ago. It told me not to marry Will. To call it off.
Somehow the idea of it has gained this dark power over me. Whenever I think about it, it gives me a sour feeling in the pit of my stomach. A feeling like dread.
Which is ridiculous. I wouldn’t normally give a second thought to this sort of thing.
I look back at the mirror. I’m currently wearing the dress. The dress. I thought it important to try it on one last time, the eve of my wedding, to double-check. I had a fitting last week but I never leave anything to chance. As expected, it’s perfect. Heavy cream silk that looks as though it has been poured over me, the corsetry within creating the quintessential hourglass. No lace or other fripperies, that’s not me. The nap of the silk is so fine it can only be handled with special white gloves which, obviously, I’m wearing now. It cost an absolute bomb. It was worth it. I’m not interested in fashion for its own sake, but I respect the power of clothes, in creating the right optics. I knew immediately that this dress was a queenmaker.
By the end of the evening the dress will probably be filthy, even I can’t mitigate that. But I will have it shortened to just below the knee and dyed a darker colour. I am nothing if not practical. I have always, always got a plan; have done ever since I was little.
I move over to where I have the table plan pinned to the wall. Will says I’m like a general hanging his campaign maps. But it is important, isn’t it? The seating can pretty much make or break the guests’ enjoyment of a wedding. I know I’ll have it perfect by this evening. It’s all in the planning: that’s how I took The Download from a blog to a fully fledged online magazine with a staff of thirty in a couple of years.
Most of the guests will come over tomorrow for the wedding, then return to their hotels on the mainland – I enjoyed putting ‘boats at midnight’ on the invites in place of the usual ‘carriages’. But our most important invitees will stay on the island tonight and tomorrow, in the Folly with us. It’s a rather exclusive guest list. Will had to choose the favourites among his ushers, as he has so many. Not so difficult for me as I’ve only got one bridesmaid – my half-sister Olivia. I don’t have many female friends. I don’t have time for gossip. And groups of women together remind me too much of the bitchy clique of girls at my school who never accepted me as their own. It was a surprise to see so many women on the hen do – but then they were largely my employees from The Download – who organised it as a not entirely welcome surprise – or the partners of Will’s mates. My closest friend is male: Charlie. In effect, this weekend, he’ll be my best man.
Charlie and Hannah are on their way over now, the last of tonight’s guests to arrive. It will be so good to see Charlie. It feels like a long time since we hung out as adults, without his kids there. Back in the day we used to see each other all the time – even after he’d got together with Hannah. He always made time for me. But when he had kids it felt like he moved into that other realm: one in which a late night means 11 p.m., and every outing without kids has to be carefully orchestrated. It was only then that I started to miss having him to myself.
‘You look stunning.’
‘Oh!’ I jump, then spot him in the mirror: Will. He’s leaning in the doorway, watching me. ‘Will!’ I hiss. ‘I’m in my dress! Get out! You’re not supposed to see—’
He doesn’t move. ‘Aren’t I allowed to have a preview? And I’ve seen it, now.’ He begins to walk towards me. ‘No point crying over spilled silk. You look – Jesus – I can’t wait to see you coming up the aisle in that.’ He moves to stand behind me, taking a hold of my bare shoulders.
I should be livid. I am. Yet I can feel my outrage sputtering. Because his hands are on me now, moving from my shoulders down my arms, and I feel that first shiver of longing. I remind myself, too, that I’m far from superstitious about the groom seeing the wedding dress beforehand – I’ve never believed in that sort of thing.
‘You shouldn’t be here,’ I say, crossly. But already it sounds a little half-hearted.
‘Look at us,’ he says as our eyes meet in the mirror, as he traces a finger down the side of my cheek. ‘Don’t we look good together?’
And he’s right, we do. Me so dark-haired and pale, him so fair and tanned. We make the most attractive couple in any room. I’m not going to pretend it’s not part of the thrill, imagining how we might appear to the outside world – and to our guests tomorrow. I think of the girls at school who once teased me for being a chubby swot (I was a late bloomer) and think: Look who’s having the last laugh.
‘You nearly done with that?’ He’s looking over my shoulder at the table plan.
‘I haven’t quite worked out where I’m putting everyone,’ I say.
There’s a silence as he inspects it, his breath warm on the side of my neck, curling along my collarbone. I can smell the aftershave he’s wearing, too: cedar and moss. ‘Did we invite Piers?’ he asks mildly. ‘I don’t remember him being on the list.’
I somehow manage not to roll my eyes. I did all of the invitations. I refined the list, chose the stationers, collated all the addresses, bought the stamps, posted every last one. Will was away a lot, shooting the new series. Every so often, he’d throw out a name, someone he’d forgotten to mention. I suppose he did check through the list at the end pretty carefully, saying he wanted to make sure we hadn’t missed anyone. Piers was a later addition.
‘He wasn’t on the list,’ I admit. ‘But I saw his wife at those drinks at the Groucho. She asked about the wedding and it seemed total madness not to invite them. I mean, why wouldn’t we?’ Piers is the producer of Will’s show. He’s a nice guy and he and Will have always seemed to get along well. I didn’t have to think twice about extending the invitation.
‘Fine,’ Will says. ‘Yes, of course that makes sense.’ But there’s an edge to his voice. For some reason it has bothered him.
‘Look, darling,’ I say, curling one arm around his neck. ‘I thought you’d be delighted to have them here. They certainly seemed pleased to be asked.’
‘I don’t mind,’ he says, carefully. ‘It was a surprise, that’s all.’ He moves his hands to my waist. ‘I don’t mind in the least. In fact, it’s a good surprise. It will be nice to have them.’
‘OK. Right, so I’m going to put husbands and wives next to each other. Does that work?’