Percy Bysshe Shelley

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by Percy Bysshe Shelley

Thy giant brood of pines around thee clinging, 20

  Children of elder time, in whose devotion

  The chainless winds still come and ever came

  To drink their odours, and their mighty swinging

  To hear — an old and solemn harmony;

  Thine earthly rainbows stretched across the sweep 25

  Of the ethereal waterfall, whose veil

  Robes some unsculptured image; the strange sleep

  Which when the voices of the desert fail

  Wraps all in its own deep eternity; —

  Thy caverns echoing to the Arve’s commotion, 30

  A loud, lone sound no other sound can tame;

  Thou art pervaded with that ceaseless motion,

  Thou art the path of that unresting sound —

  Dizzy Ravine! and when I gaze on thee

  I seem as in a trance sublime and strange 35

  To muse on my own separate fantasy,

  My own, my human mind, which passively

  Now renders and receives fast influencings,

  Holding an unremitting interchange

  With the clear universe of things around; 40

  One legion of wild thoughts, whose wandering wings

  Now float above thy darkness, and now rest

  Where that or thou art no unbidden guest,

  In the still cave of the witch Poesy,

  Seeking among the shadows that pass by 45

  Ghosts of all things that are, some shade of thee,

  Some phantom, some faint image; till the breast

  From which they fled recalls them, thou art there!

  3.

  Some say that gleams of a remoter world

  Visit the soul in sleep, — that death is slumber, 50

  And that its shapes the busy thoughts outnumber

  Of those who wake and live. — I look on high;

  Has some unknown omnipotence unfurled

  The veil of life and death? or do I lie

  In dream, and does the mightier world of sleep 55

  Spread far around and inaccessibly

  Its circles? For the very spirit fails,

  Driven like a homeless cloud from steep to steep

  That vanishes among the viewless gales!

  Far, far above, piercing the infinite sky, 60

  Mont Blanc appears, — still, snowy, and serene —

  Its subject mountains their unearthly forms

  Pile around it, ice and rock; broad vales between

  Of frozen floods, unfathomable deeps,

  Blue as the overhanging heaven, that spread 65

  And wind among the accumulated steeps;

  A desert peopled by the storms alone,

  Save when the eagle brings some hunter’s bone,

  And the wolf tracts her there — how hideously

  Its shapes are heaped around! rude, bare, and high, 70

  Ghastly, and scarred, and riven. — Is this the scene

  Where the old Earthquake-daemon taught her young

  Ruin? Were these their toys? or did a sea

  Of fire envelope once this silent snow?

  None can reply — all seems eternal now. 75

  The wilderness has a mysterious tongue

  Which teaches awful doubt, or faith so mild,

  So solemn, so serene, that man may be,

  But for such faith, with nature reconciled;

  Thou hast a voice, great Mountain, to repeal 80

  Large codes of fraud and woe; not understood

  By all, but which the wise, and great, and good

  Interpret, or make felt, or deeply feel.

  4.

  The fields, the lakes, the forests, and the streams,

  Ocean, and all the living things that dwell 85

  Within the daedal earth; lightning, and rain,

  Earthquake, and fiery flood, and hurricane,

  The torpor of the year when feeble dreams

  Visit the hidden buds, or dreamless sleep

  Holds every future leaf and flower; — the bound 90

  With which from that detested trance they leap;

  The works and ways of man, their death and birth,

  And that of him and all that his may be;

  All things that move and breathe with toil and sound

  Are born and die; revolve, subside, and swell. 95

  Power dwells apart in its tranquillity,

  Remote, serene, and inaccessible:

  And THIS, the naked countenance of earth,

  On which I gaze, even these primaeval mountains

  Teach the adverting mind. The glaciers creep 100

  Like snakes that watch their prey, from their far fountains,

  Slow rolling on; there, many a precipice,

  Frost and the Sun in scorn of mortal power

  Have piled: dome, pyramid, and pinnacle,

  A city of death, distinct with many a tower 105

  And wall impregnable of beaming ice.

  Yet not a city, but a flood of ruin

  Is there, that from the boundaries of the sky

  Rolls its perpetual stream; vast pines are strewing

  Its destined path, or in the mangled soil 110

  Branchless and shattered stand; the rocks, drawn down

  From yon remotest waste, have overthrown

  The limits of the dead and living world,

  Never to be reclaimed. The dwelling-place

  Of insects, beasts, and birds, becomes its spoil; 115

  Their food and their retreat for ever gone,

  So much of life and joy is lost. The race

  Of man flies far in dread; his work and dwelling

  Vanish, like smoke before the tempest’s stream,

  And their place is not known. Below, vast caves 120

  Shine in the rushing torrents’ restless gleam,

  Which from those secret chasms in tumult welling

  Meet in the vale, and one majestic River,

  The breath and blood of distant lands, for ever

  Rolls its loud waters to the ocean waves, 125

  Breathes its swift vapours to the circling air.

  5.

  Mont Blanc yet gleams on high — the power is there,

  The still and solemn power of many sights,

  And many sounds, and much of life and death.

  In the calm darkness of the moonless nights, 130

  In the lone glare of day, the snows descend

  Upon that Mountain; none beholds them there,

  Nor when the flakes burn in the sinking sun,

  Or the star-beams dart through them: — Winds contend

  Silently there, and heap the snow with breath 135

  Rapid and strong, but silently! Its home

  The voiceless lightning in these solitudes

  Keeps innocently, and like vapour broods

  Over the snow. The secret strength of things

  Which governs thought, and to the infinite dome 140

  Of heaven is as a law, inhabits thee!

  And what were thou, and earth, and stars, and sea,

  If to the human mind’s imaginings

  Silence and solitude were vacancy?

  July 23, 1816.

  CANCELLED PASSAGE OF MONT BLANC.

  (Published by Garnett, “Relics of Shelley”, 1862.)

  There is a voice, not understood by all,

  Sent from these desert-caves. It is the roar

  Of the rent ice-cliff which the sunbeams call,

  Plunging into the vale — it is the blast

  Descending on the pines — the torrents pour… 5

  HOME. (FRAGMENT)

  (Published by Garnett, “Relics of Shelley”, 1862.)

  Dear home, thou scene of earliest hopes and joys,

  The least of which wronged Memory ever makes

  Bitterer than all thine unremembered tears.

  FRAGMENT OF A GHOST STORY.

  (Published by Garnett, “Relics of Shelley”, 1862.)

  A sh
ovel of his ashes took

  From the hearth’s obscurest nook,

  Muttering mysteries as she went.

  Helen and Henry knew that Granny

  Was as much afraid of Ghosts as any, 5

  And so they followed hard —

  But Helen clung to her brother’s arm,

  And her own spasm made her shake.

  NOTE ON POEMS OF 1816, BY MRS. SHELLEY.

  Shelley wrote little during this year. The poem entitled “The Sunset” was written in the spring of the year, while still residing at Bishopsgate. He spent the summer on the shores of the Lake of Geneva. The “Hymn to Intellectual Beauty” was conceived during his voyage round the lake with Lord Byron. He occupied himself during this voyage by reading the “Nouvelle Heloise” for the first time. The reading it on the very spot where the scenes are laid added to the interest; and he was at once surprised and charmed by the passionate eloquence and earnest enthralling interest that pervade this work. There was something in the character of Saint-Preux, in his abnegation of self, and in the worship he paid to Love, that coincided with Shelley’s own disposition; and, though differing in many of the views and shocked by others, yet the effect of the whole was fascinating and delightful.

  “Mont Blanc” was inspired by a view of that mountain and its surrounding peaks and valleys, as he lingered on the Bridge of Arve on his way through the Valley of Chamouni. Shelley makes the following mention of this poem in his publication of the “History of a Six Weeks’ Tour, and Letters from Switzerland”: ‘The poem entitled “Mont Blanc” is written by the author of the two letters from Chamouni and Vevai. It was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable wildness and inaccessible solemnity from which those feelings sprang.’

  This was an eventful year, and less time was given to study than usual. In the list of his reading I find, in Greek, Theocritus, the “Prometheus” of Aeschylus, several of Plutarch’s “Lives”, and the works of Lucian. In Latin, Lucretius, Pliny’s “Letters”, the “Annals” and “Germany” of Tacitus. In French, the “History of the French Revolution” by Lacretelle. He read for the first time, this year, Montaigne’s “Essays”, and regarded them ever after as one of the most delightful and instructive books in the world. The list is scanty in English works: Locke’s “Essay”, “Political Justice”, and Coleridge’s “Lay Sermon”, form nearly the whole. It was his frequent habit to read aloud to me in the evening; in this way we read, this year, the New Testament, “Paradise Lost”, Spenser’s “Faery Queen”, and “Don Quixote”.

  POEMS WRITTEN IN 1817.

  MARIANNE’S DREAM.

  (Composed at Marlow, 1817. Published in Hunt’s “Literary Pocket-Book”, 1819, and reprinted in “Posthumous Poems”, 1824.)

  1.

  A pale Dream came to a Lady fair,

  And said, A boon, a boon, I pray!

  I know the secrets of the air,

  And things are lost in the glare of day,

  Which I can make the sleeping see, 5

  If they will put their trust in me.

  2.

  And thou shalt know of things unknown,

  If thou wilt let me rest between

  The veiny lids, whose fringe is thrown

  Over thine eyes so dark and sheen: 10

  And half in hope, and half in fright,

  The Lady closed her eyes so bright.

  3.

  At first all deadly shapes were driven

  Tumultuously across her sleep,

  And o’er the vast cope of bending heaven 15

  All ghastly-visaged clouds did sweep;

  And the Lady ever looked to spy

  If the golden sun shone forth on high.

  4.

  And as towards the east she turned,

  She saw aloft in the morning air, 20

  Which now with hues of sunrise burned,

  A great black Anchor rising there;

  And wherever the Lady turned her eyes,

  It hung before her in the skies.

  5.

  The sky was blue as the summer sea, 25

  The depths were cloudless overhead,

  The air was calm as it could be,

  There was no sight or sound of dread,

  But that black Anchor floating still

  Over the piny eastern hill. 30

  6.

  The Lady grew sick with a weight of fear

  To see that Anchor ever hanging,

  And veiled her eyes; she then did hear

  The sound as of a dim low clanging,

  And looked abroad if she might know 35

  Was it aught else, or but the flow

  Of the blood in her own veins, to and fro.

  7.

  There was a mist in the sunless air,

  Which shook as it were with an earthquake’s shock,

  But the very weeds that blossomed there 40

  Were moveless, and each mighty rock

  Stood on its basis steadfastly;

  The Anchor was seen no more on high.

  8.

  But piled around, with summits hid

  In lines of cloud at intervals, 45

  Stood many a mountain pyramid

  Among whose everlasting walls

  Two mighty cities shone, and ever

  Through the red mist their domes did quiver.

  9.

  On two dread mountains, from whose crest, 50

  Might seem, the eagle, for her brood,

  Would ne’er have hung her dizzy nest,

  Those tower-encircled cities stood.

  A vision strange such towers to see,

  Sculptured and wrought so gorgeously, 55

  Where human art could never be.

  10.

  And columns framed of marble white,

  And giant fanes, dome over dome

  Piled, and triumphant gates, all bright

  With workmanship, which could not come 60

  From touch of mortal instrument,

  Shot o’er the vales, or lustre lent

  From its own shapes magnificent.

  11.

  But still the Lady heard that clang

  Filling the wide air far away; 65

  And still the mist whose light did hang

  Among the mountains shook alway,

  So that the Lady’s heart beat fast,

  As half in joy, and half aghast,

  On those high domes her look she cast. 70

  12.

  Sudden, from out that city sprung

  A light that made the earth grow red;

  Two flames that each with quivering tongue

  Licked its high domes, and overhead

  Among those mighty towers and fanes 75

  Dropped fire, as a volcano rains

  Its sulphurous ruin on the plains.

  13.

  And hark! a rush as if the deep

  Had burst its bonds; she looked behind

  And saw over the western steep 80

  A raging flood descend, and wind

  Through that wide vale; she felt no fear,

  But said within herself, ‘Tis clear

  These towers are Nature’s own, and she

  To save them has sent forth the sea. 85

  14.

  And now those raging billows came

  Where that fair Lady sate, and she

  Was borne towards the showering flame

  By the wild waves heaped tumultuously.

  And, on a little plank, the flow 90

  Of the whirlpool bore her to and fro.

  15.

  The flames were fiercely vomited

  From every tower and every dome,

  And dreary light did widely shed

  O’er that vast flood’s suspended foam, 95

  Beneath the smoke which hung its night


  On the stained cope of heaven’s light.

  16.

  The plank whereon that Lady sate

  Was driven through the chasms, about and about,

  Between the peaks so desolate 100

  Of the drowning mountains, in and out,

  As the thistle-beard on a whirlwind sails —

  While the flood was filling those hollow vales.

  17.

  At last her plank an eddy crossed,

  And bore her to the city’s wall, 105

  Which now the flood had reached almost;

  It might the stoutest heart appal

  To hear the fire roar and hiss

  Through the domes of those mighty palaces.

  18.

  The eddy whirled her round and round 110

  Before a gorgeous gate, which stood

  Piercing the clouds of smoke which bound

  Its aery arch with light like blood;

  She looked on that gate of marble clear,

  With wonder that extinguished fear. 115

  19.

  For it was filled with sculptures rarest,

  Of forms most beautiful and strange,

  Like nothing human, but the fairest

  Of winged shapes, whose legions range

  Throughout the sleep of those that are, 120

  Like this same Lady, good and fair.

  20.

  And as she looked, still lovelier grew

  Those marble forms; — the sculptor sure

  Was a strong spirit, and the hue

  Of his own mind did there endure 125

  After the touch, whose power had braided

  Such grace, was in some sad change faded.

  21.

  She looked, the flames were dim, the flood

  Grew tranquil as a woodland river

  Winding through hills in solitude; 130

  Those marble shapes then seemed to quiver,

  And their fair limbs to float in motion,

  Like weeds unfolding in the ocean.

  22.

  And their lips moved; one seemed to speak,

  When suddenly the mountains cracked, 135

  And through the chasm the flood did break

  With an earth-uplifting cataract:

  The statues gave a joyous scream,

  And on its wings the pale thin Dream

  Lifted the Lady from the stream. 140

  23.

  The dizzy flight of that phantom pale

  Waked the fair Lady from her sleep,

  And she arose, while from the veil

  Of her dark eyes the Dream did creep,

  And she walked about as one who knew 145

  That sleep has sights as clear and true

  As any waking eyes can view.

 

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