I Dare You (ARC)

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I Dare You (ARC) Page 32

by Sam Carrington

in the top drawer. She hadn’t had the opportunity to search her

  mother’s room, and with everything else going on, she’d almost

  forgotten about them. But now, concerned her dad might’ve

  been involved in getting Billy sent to prison, the content of those letters was even more significant. If they were from Eric, of course. Even if they weren’t, there was a reason Muriel was

  keeping them, and the fact she’d hidden them from Anna was

  a firm indication they were linked to what was going on now.

  To what went on back then.

  ‘Here you go,’ Anna said, placing the mat down and popping

  the mug onto it. ‘Mum?’ She waited for her mother’s attention.

  ‘When I arrived last Saturday, you asked me to get a notepad

  from the top drawer.’ Anna pointed to the dresser. ‘I saw a

  bundle of old letters in there.’ She watched for Muriel’s reac-

  tion.

  ‘Yes, don’t know why I keep such things. Terrible hoarder,’

  she said, shrugging.

  ‘Who were they from?’

  ‘You always were a nosy one,’ Muriel said, taking a sip from

  her drink.

  ‘No. I really wasn’t, Mum.’ Anna knew her mother was

  stalling. Not wanting to divulge the author of the letters. ‘They’re from my dad, aren’t they?’

  ‘No, no. Just a pen friend. Goodness, your father would never

  put pen to paper.’

  ‘I don’t believe you.’ Anna could no longer bother with the

  nicey-nicey, drawn-out approach she’d been taking with her

  mother. ‘Show me.’

  ‘I – I shredded them. They were taking up too much space . . .’

  ‘When did you do that?’

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  ‘Oh, I don’t remember. The other day, when you were next door with Sandie I think.’

  ‘Really?’ Anna got back up from the sofa and bent down in

  front of Muriel. ‘Look at me, Mum.’

  ‘What? What now, Anna?’

  ‘You’re lying to me. Shit. You’ve lied to me all my life, haven’t you?’

  ‘Of course not,’ Muriel said. But there wasn’t an ounce of

  conviction in her tone.

  Anna’s jaw muscles clenched; her teeth jammed together

  painfully. She had to keep her temper – losing it now wouldn’t

  get her anywhere.

  ‘I realise you’ve told some untruths,’ Anna said, knowing she

  was putting it very mildly. ‘And I know you’re probably worried

  about what I’ll think of you. How I’ll react. But, Mum – I need

  to know now.’ Anna took Muriel’s hands in hers. ‘This is getting

  out of hand and I’m afraid people will come to harm because

  of what you did, or what Dad did. Or what the villagers of

  Mapledon did. I realise what’s done is done – we can’t alter the

  past, but we can ensure no one else gets hurt now. All I want is for you to confide in me, to tell me the truth. It has to come

  out eventually. Whatever you did – I’ll forgive you.’ Anna

  attempted a warm, encouraging smile. She wasn’t sure she would be able to forgive her, but she felt it’s what she had to say to get Muriel to talk.

  ‘Oh, Anna. It’s all such a mess. None of us had any idea it

  would come to this, I promise you.’ Muriel put her head in her

  hands.

  The knot in Anna’s stomach intensified. None of us?

  ‘It’s okay, Mum. Did your attempts to get Billy to leave

  Mapledon snowball? Did you use Jonie’s disappearance to ensure you got what you wanted?’ A cold sensation crept over her skin.

  ‘It wasn’t just that,’ Muriel said. As she looked up, Anna saw

  the tears slide down her face, their path meandering through

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  the deep wrinkles. Christ. Had her mother caused Jonie’s disappearance?

  ‘What else?’ she asked. Her voice shook with apprehension,

  fearing the answer.

  Muriel began shaking her head, the movements getting more

  and more violent.

  ‘Mum! Stop that, you’ll give yourself a headache.’ Anna placed

  her hands either side of her mother’s head to stop her.

  ‘I’m sorry, Anna,’ she said.

  ‘What for? Tell me.’

  Anna’s phone pinged, the sharp tone making them both jump.

  She sighed. Couldn’t be worse timing; talk about being saved

  by the bell. Muriel looked relieved when Anna straightened and

  retrieved her mobile from the arm of the sofa.

  ‘Christ,’ she breathed. She looked up at Muriel. ‘Well, I get

  the feeling whatever you’re holding back might be about to come

  out in the wash,’ Anna said.

  ‘Why? Who is it?’ Panic spread on Muriel’s face.

  ‘It’s a text from Lizzie. She says it’s urgent. She wants to meet us.’

  ‘Not now, surely? It’s gone ten o’clock.’

  ‘The text was sent an hour ago by the look of it,’ Anna

  muttered. The damn signal in Mapledon was driving her mad.

  ‘But yes. We have to leave now. And, Mum . . .’ Anna looked

  directly into Muriel’s watery, pale blue eyes.

  ‘What, Anna? For goodness’ sake, don’t draw this out so

  dramatically!’

  ‘She wants us to go to Blackstone Close. To Billy Cawley’s

  bungalow.’

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  Chapter Eighty-Six

  2019

  Lizzie

  Lizzie parked on the drive at Blackstone Close. It felt odd –

  particularly as the place didn’t bring back many memories. She’d

  clearly done a very good job compartmentalising them, burying

  them deep inside a part of her brain where they were irretriev-

  able. She climbed out of the car, fetching the backpack from the

  rear seat. Gravel crunched underfoot as she approached the front

  door. Billy had given her his key. He’d also given her strict

  instructions.

  Nerves clutched at her insides as she slid the key into the lock

  and pushed the door. It resisted; she had to give it several hard shoves before it opened. Piles of unopened post lay wedged

  behind it; it was no wonder she’d struggled. She kicked most

  of it out of the way and took a tentative step inside – muggy

  air, a damp smell and dust quickly clogged her nostrils. She

  sneezed three times, then covered her nose with her sleeve. She

  flicked the nearest light switch knowing full well it wouldn’t

  work as the electric had been switched off long ago, then

  continued on through the hallway. Using her spare hand to

  direct her mobile phone light, Lizzie headed towards the front

  room – the one overlooking the garden. She wanted to see the

  people arriving.

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  Lizzie hoped what she was about to do would work. Hoped Billy Cawley would finally get what he deserved.

  Atonement.

  Car headlamps flooded the end of the cul-de-sac, the beams of

  light hitting the ten-foot hedges, momentarily blinding Lizzie.

  The car came to a stop just outside the bungalow, across the

  driveway – blocking Lizzie’s own car in. She g
uessed they’d be

  leaving before her, though. Then Lizzie spotted two figures

  walking slowly along the pavement. Cautious in their move-

  ments. Following closely behind, a further two people.

  At least they had come. Lizzie was surprised – she assumed

  they’d be reluctant, that she’d have to work harder to get them

  to agree to meet her at Billy Cawley’s. It seemed everyone was

  curious enough to want to find out what Lizzie had called

  them together for. She wondered how long that would that

  last.

  How long before their curiosity gave way to anger, fear and

  self-preservation.

  Not everyone was going to make it, Lizzie knew that. Some

  of the people involved with the lies, the cover-up – they would

  not be present: Mark Hayes was dead – Lizzie’s research had

  revealed it to be suicide; Reverend Farnley was in a residential

  care home – unable to string a sentence together according to

  her father’s ex-cell mate who’d made ‘some enquiries’; Eric

  Fisher – he’d been AWOL since Billy Cawley’s incarceration, and

  some villagers who’d had a part to play and had continued to

  allow the secrets to remain buried – they were more minor

  players and Lizzie hadn’t bothered with them. Lizzie, and Billy

  himself, weren’t interested in those smaller fish. Just the big

  players – the ones who’d lied and manipulated for their own

  ends.

  Lizzie lit the two oil lamps she’d brought with her, then walked

  purposefully to the front door; she wanted to appear calm,

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  confident and in control, however much she felt the opposite.

  She stood aside to let them in. Muriel and Anna. Tina Hayes

  and Pat Vern. Nell and Rob Andrews.

  They were the chosen ones. They were the ones who’d perpet-

  uated the lies, covered the truth and were happy to let those

  really responsible slip away and remain hidden. Remain guiltless

  in the eyes of the law.

  They’d been the ones who’d been portrayed as the innocent,

  damaged-by-a-tragedy members of the village of Mapledon.

  Although there were some people present who were more innocent than others, each had to be present for the full story to

  emerge. Lizzie wanted them all to know.

  ‘What’s going on, Lizzie?’ Rob was the first to question her,

  the first to even utter a word. The others were solemn, pale and

  twitchy. Lizzie experienced a strange buzz of satisfaction. But

  then, she had always troubled these people. They’d always

  thought Eliza Cawley strange, damaged goods. A child who

  repulsed them. She guessed they still felt that way, even though

  she didn’t rip the limbs off dolls anymore.

  Unless some of them believed she did, of course – and that

  she was the one hammering dolls to doors.

  How short-sighted they’d been.

  ‘You’re all here for one reason,’ Lizzie said as she ushered

  them into the lounge. The thick dust, the dark shadows, the

  smell of rot – all added to the atmosphere, made them cower

  just a little bit more.

  ‘Which is?’ Anna asked.

  Lizzie stared at her for a moment before answering, taking

  in her slumped shoulders, her pinched expression. Something

  had altered – there was a coldness in her eyes that hadn’t been

  there before. Hopelessness? When Lizzie had first met her, she’d

  felt a connection – had immediately related to her. She hadn’t

  come across as someone with dark secrets.

  ‘You’ll see,’ Lizzie said.

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  ‘This is preposterous! What is your problem, young lady?’

  Nell demanded. ‘Stop playing games. We’ve better things to do

  with our time.’ She turned and fumbled her way to the lounge

  door.

  ‘I wouldn’t,’ Pat Vern said.

  Nell turned back sharply. ‘I wouldn’t?’ she repeated. ‘That sounds like a threat to me, Pat?’

  ‘No, Nell. Of course it’s not.’ He sounded exasperated already.

  ‘But you need to stay. Eliza has things she wants clearing up.

  She deserves to hear from you, too.’

  ‘Hear what? Look, Pat, I appreciate this must be a difficult

  time for Tina and you,’ Nell said, pointing a finger at the

  silent Tina. ‘But dragging up what happened to poor Jonie,

  without being able to bring any kind of closure, is mean. It’s

  selfish. And Eliza – Lizzie – is only here to witness more distress, and to try and vindicate her abusive, murdering

  bastard of a father!’

  Lizzie heard a gasp from Muriel’s direction. That woman was

  something else. How could Muriel be so offended by a bit of

  bad language after what she’d done?

  ‘Who said I couldn’t offer any closure to Tina?’ Lizzie said.

  Shocked faces all turned to look at her.

  ‘As I said,’ Lizzie continued. ‘You’re here for a reason. That

  reason is to uncover the truth. Although I’m aware some of you

  know aspects of the truth, others only know very little of it.’

  ‘Go on, Lizzie,’ Tina said. Her voice was a small sound from

  the corner of the room. Lizzie nodded to her.

  ‘Okay.’ Lizzie gave a feeble smile. An attempt to soften what

  was to come. Some of the later revelations would hit Tina hard.

  She looked to Pat, who tilted his chin in acknowledgement before

  wrapping an arm around Tina.

  ‘You lied, Anna,’ Lizzie said as she turned, directing her mobile phone light onto Anna. Lizzie watched as Anna’s face seemed

  to lose its shape – the muscles slackening. She wasn’t enjoying

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  seeing Anna’s discomfort, but it was a necessary part of the reveal. Lizzie allowed the words to hang for a few beats, then

  added: ‘Little Bella Fisher didn’t tell the whole truth, and nothing but the truth. Did she?’

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  Chapter Eighty-Seven

  1989

  En route to Bovey Police Station

  Friday 21st July – 36 hours after Jonie Hayes’ disappearance Muriel took the narrow roads slowly to avoid the Dartmoor

  ponies and to allow her time to pull in for any cars coming from

  the opposite direction. And to give her time to go over the script with Bella. She had to get it right.

  ‘Again,’ she said. ‘You need to sound more confident.’

  ‘I’m tired, I can’t.’

  They passed Haytor, the car juddering over a cattle grid.

  Bella’s head banged rhythmically against the passenger window,

  but her blank stare never wavered.

  ‘You must, Bella. Now, from the beginning: where were you

  when you first saw Billy’s truck?’

  She sighed. ‘ Fine. Jonie and me were heading to the park, so we walked along Elmore Road, and that’s when I saw Billy

  Cawley’s truck.’

  ‘Okay. Right, well don’t say it’s Billy’s truck to begin with.

  Describe it,’ Muriel coaxed.

/>   ‘Red truck, yellow stripe, doll’s head. Yes, mother, I’ve got

  it.’

  ‘Don’t snap at me, Bella.’

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  ‘Well, I don’t want to do it, Mum.’ Fresh tears glistened on her cheeks.

  ‘I know, darling. But we need to. You understand, don’t you?’

  Bella turned her head, her eyes finding Muriel’s and locking

  with them. ‘Yes. I understand. I just wish we could go back to

  before. I wish we’d never started playing that stupid game. I

  wish I . . .’

  ‘Enough, Bella. No point going over the what-ifs and the I wishes; there’s nothing we can do to change what’s happened.

  We can only try and fix it as best we can.’

  ‘There’s no fixing it, though, is there? Jonie’s gone.’ Her gaze

  left Muriel’s and returned to the sweeping countryside, her face

  expressionless.

  ‘But we can make it easier for Auntie Tina.’

  Bella huffed. ‘You mean easier for you and Dad.’

  Muriel drove on in silence, hoping and praying her ten-year-old

  daughter would come good once she was in the police station.

  Their future depended on it.

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  Chapter Eighty-Eight

  2019

  Anna

  Friday 19th July

  The realisation hit Anna full force.

  She hadn’t seen Jonie Hayes being taken by Billy Cawley.

  Her younger self – little Bella Fisher – hadn’t even seen the

  truck where she said she had.

  Everything she’d told the police had been a lie. A story her

  mother had tutored her to get right. A fleeting memory of

  rehearsing the story before going to the police station flashed

  through her mind.

  That must have been why there’d been a delay in informing

  the police; why she hadn’t told them what she’d seen immedi-

  ately.

  Because it hadn’t happened.

  And her mother had come up with a story that made Billy

  Cawley look guilty to get rid of him from the village. A story

  that would see her mother’s agenda come to fruition.

  Anna wanted to vomit.

  All eyes in the room were on her, waiting for an explanation

  she couldn’t – didn’t want to – give them. Her memories were

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