Wherever She Goes

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Wherever She Goes Page 25

by Kelley Armstrong


  “You still owe me,” she says.

  I turn. “What?”

  “You owe me a link to that sword-fighting class. You probably also owe me a lift to it. The least you can do, really, since I saved your ass.”

  “You saved my ass about as much as I solved your case, which is, I believe, about fifty-fifty of each. We’re taking turns driving to class.”

  She gives me her personal email address, and we talk for another minute, and as I walk away, I think back to that moment in the park with Kim, when I thought she was someone I could talk to, someone I could relate to. I may have actually found that, just not in the place I expected.

  I walk out to find Paul waiting. He says nothing, just takes my hand, fingers interlocking with mine, and leads me to the parking lot, where the officers let us bring our car earlier.

  “How are you doing?” he asks when we reach the car.

  “I’m glad it worked out but…” I shake my head and climb in the passenger side.

  When he’s in, I say, “I’m sorry. Yes, it all worked out, but I could have gotten you killed. I was in over my head. Way over my head.”

  He manages a smile. “Seems like you were swimming just fine. You didn’t drag me in, Bree. We both underestimated the situation, but neither of us went in with our eyes closed. I’m a lawyer. I knew I was getting involved in something potentially dangerous, and I chose to do so.”

  I nod and say nothing, just turn to stare out the window.

  He backs the car out. “I’m fine. Charlie’s fine. You’re fine. And so is Brandon.”

  I nod again.

  He drives from the lot. A couple of minutes pass, and then he starts to say something, but I’m already speaking, saying, “Does this change anything?”

  His fingers tighten on the wheel.

  “I don’t mean with us,” I say. “You stuck by me, and you can’t imagine how much I appreciated that, but I know it doesn’t mean things have changed. I’m talking about Charlie. You knew what I was … and now you’ve seen what I can be. What I’m capable of. Does that change anything with her? With the custody? I know that after what’s happened, you might not think I’m the most responsible parent, but I swear, I would never have done any of this with her around.”

  He nods. That’s all he does. He nods, and my heart hammers.

  “Paul—”

  “We’ll discuss that later.” He makes a sharp right. “First, I want to show you something.”

  As we ride in silence, I can barely breathe. When I asked if this changed his opinion of me as a mother, I was hoping he’d say of course not, that he’d acknowledge that I’d looked after Charlotte first, that he’d say he knows I’m a good mother. Instead, he’s made that sharp—angry?—turn and ended the conversation.

  He takes us to a new subdivision on the edge of Oxford. It’s one I’ve never seen before. He drives onto a street of duplexes, a few inhabited, some still under construction. He pulls into the drive of a finished one with darkened windows. Then he gets out.

  When I don’t follow, he waves for me. I carefully climb from the car.

  “What do you think?” he says.

  It takes me a moment to realize he’s talking about the duplex.

  “It’s … nice?” I say. “Is this…? Do you mean as a possible place for me?”

  He nods. I just keep looking from him to the duplex. Is this his way of saying he still wants to support me? Or is he changing the subject, distracting me from talk of custody?

  “I … I’m not sure I could afford it,” I say. “I have the down payment, but I should wait until I have a new job. I’ll get a full-time one. I should—since I don’t have Charlie to look after.”

  “Do you want Charlie to look after?”

  My heart leaps, but I keep my expression neutral.

  “In an ideal world, Bree, what would you want?” he says. “No pressure. No judgment. Full-time job? Full-time parent? Part-time both? Go back to school?”

  “I…”

  “Perfect world. Just tell me.”

  “I loved being home full-time but…”

  “No judgment.”

  I take a deep breath. “In a perfect world, I’d stay home with Charlie and go back to school part-time. I’d let her go to daycare a couple of days a week because I think it’s been good for her.”

  “Then that’s what you’ll do.”

  I nod. “Okay, I’ll find a better apartment—”

  “I’d like you to live here, Aubrey. The left-hand unit has a nice sunroom you can use as a study. The right-hand one is better for me—the office has a lousy view, which will keep me from getting distracted.”

  I turn to look at him.

  “This is for us,” he says. He steps toward me. “You’re concerned that I don’t want you parenting our daughter anymore. This is my answer. I found it yesterday, and I haven’t changed my mind. I would like to change the custody arrangement. To this.” He nods at the duplex. “Extreme co-parenting. If you’d be interested.”

  Tears prickle my eyelids. “I would absolutely be interested.”

  He shoves his hands into his pockets. “I’d love to just ask you to move back into the house, so we can try again, but even if you want to try again—”

  “I do.”

  “Then I think we need to get to know each other first. Start over, and let me meet the real Aubrey.” He looks up at the house. “Which will be a lot easier like this.”

  “I get to date the boy next door?”

  He smiles. “Yes, I guess you do. And if it works…” He shrugs. “The neighborhood is a work in progress. It’s a good investment. Easy to sell if we want closer quarters. I just don’t want to rush. I’m sorry. I know that’s not the most romantic solution—”

  I throw my arms around his neck. “It’s the perfect solution. Thank you.”

  He kisses me, a long and passionate kiss. When he pulls back, he says, “Will you come with me to get Charlie?”

  “That depends. Think we can find a hotel along the way?”

  His brows arch.

  I grin. “Well, you did say you want to get to know me again. Not to rush or anything…”

  “That doesn’t sound like rushing at all. Perfectly logical.” He puts his arm around my waist and leads me back to the car. “I’ll tell my mother to expect us first thing in the morning.”

  Also by Kelley Armstrong

  Rockton

  Watcher in the Woods

  This Fallen Prey

  A Darkness Absolute

  City of the Lost

  Cainsville

  Rituals

  Betrayals

  Visions

  Omens

  Deceptions

  Age of Legends

  Forest of Ruin

  Empire of Night

  Sea of Shadows

  The Blackwell Pages (cowritten with Melissa Mar)

  Thor’s Serpents

  Odin’s Ravens

  Loki’s Wolves

  Otherworld

  Thirteen

  Spell Bound

  Waking the Witch

  Frostbitten

  Living with the Dead

  Personal Demon

  No Humans Involved

  Broken

  Haunted

  Industrial Magic

  Dime Store Magic

  Stolen

  Bitten

  Darkest Powers & Darkness Rising

  The Rising

  The Calling

  The Gathering

  The Reckoning

  The Awakening

  The Summoning

  Nadia Stafford

  Wild Justice

  Made to Be Broken

  Exit Strategy

  Stand-alone novels

  Aftermath

  Missing

  The Masked Truth

  ABOUT THE AUTHOR

  KELLEY ARMSTRONG graduated with a degree in psychology and then studied computer programming. Now she is a full-time writer and parent.
She lives with her husband and three children in rural Ontario, Canada. You can sign up for email updates here.

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  Contents

  Title Page

  Copyright Notice

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  Chapter Thirty-Five

  Chapter Thirty-Six

  Chapter Thirty-Seven

  Chapter Thirty-Eight

  Chapter Thirty-Nine

  Also by Kelley Armstrong

  About the Author

  Copyright

  This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

  WHEREVER SHE GOES. Copyright © 2019 by KLA Fricke Inc. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.minotaurbooks.com

  The Library of Congress has cataloged the print edition as follows:

  Names: Armstrong, Kelley, author.

  Title: Wherever she goes / Kelley Armstrong.

  Description: First edition.|New York: Minotaur Books, 2019.

  Identifiers: LCCN 2019002288|ISBN 9781250181350 (hardcover)|ISBN 9781250181367 (ebook)

  Subjects:|GSAFD: Suspense fiction.

  Classification: LCC PR9199.4.A8777 W47 2019|DDC 813/.6—dc23

  LC record available at https://lccn.loc.gov/2019002288

  eISBN 9781250181367

  Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at [email protected].

  First Edition: June 2019

 

 

 


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