by Robert Barr
"Let us get back," I said in a whisper; and, somewhat to my surprise, young Howard turned back with me. I felt his hand trembling on my arm, but he said nothing. Before we could say a word to each other a sadden and unexpected complication arose. We met Captain Tremain, with a shawl on his arm, coming towards us.
"Good evening, captain," I said; "have a turn on the deck with us?"
"No, thanks," he replied, "I am looking for my wife. I want to give her this shawl to put over her shoulders. She is not accustomed to such chilly weather as we are now running into, and I am afraid she may take cold."
All this time young Howard stood looking at him with a startled expression in his eyes, and his lower jaw dropped. I was afraid Captain Tremain would see him, and wonder what was the matter with the boy. I tried to bring him to himself by stamping my heel - not too gently - on his toes, but he turned his face in the semi-darkness toward me without changing its expression. The one idea that had taken possession of my mind was that Captain Tremain must not he allowed to go further aft than he was, and I tried by looks and nudges to tell young Howard to go back and give her warning, but the boy seemed to be completely dazed with the unexpected horror of the situation. To have this calm, stern, unsuspecting man come suddenly upon what we had seen at the stern of the boat was simply appalling to think of. He certainly would have killed Glendenning where he stood, and very likely Mrs. Tremain as well. As Captain Tremain essayed to pass us I collected my wits as well as I could, and said -
"Oh, by the way, captain, I wanted to speak to you about Mexico. Do you - do you - think that it is a good - er - place for investment?"
"Well," said Captain Tremain, pausing, "I am not so sure about that. You see, their Government is so very unstable. The country itself is rich enough in mineral wealth, if that is what you mean." All the while Howard stood there with his mouth agape, and I felt like shoving my fist into it.
"Here, Howard," I said, "I want to speak to Captain Tremain for a moment. Take this shawl and find Mrs. Tremain, and give it to her." Saying this, I took the shawl from the captain's arm and threw it at young Howard. He appeared then to realise, for the first time, what was expected of him, and, giving me a grateful look, disappeared toward the stern.
"What I wanted more particularly to know about Mexico," I said to the captain, who made no objection to this move, "was whether there would be any more - well, likely to have trouble - whether we would have trouble with them in a military way, you know - that's more in your line."
"Oh, I think not," said the captain. "Of course, on the boundary where we were, there was always more or less trouble with border ruffians, sometimes on one side of the line and sometimes on the other. There is a possibility always that complications may arise from that sort of thing. Our officers might go over into the Mexican territory and seize a desperado there, or they might come over into ours. Still, I don't think anything will happen to bring on a war such as we had once or twice with Mexico."
At this moment I was appalled to hear Glendenning's voice ring out above the noise of the vibration of the vessel.
"What do you mean by that, you scoundrel," he said.
"Hallo," exclaimed the captain, "there seems to be a row back there. I wonder what it is?"
"Oh, nothing serious, I imagine. Probably some steerage passengers have come on the cabin deck. I heard them having a row with some one to-day on that score. Let's walk away from it."
The captain took my arm, and we strolled along the deck while he gave me a great deal of valuable information about Mexico and the state of things along the border line, which I regret to say I cannot remember a word of. The impressions of a man who has been on the spot are always worth hearing, but my ears were strained to catch a repetition of the angry cry I had heard, or the continuation of the quarrel which it certainly seemed to be the beginning of. As we came up the deck again we met young Howard with the shawl still on his arm and Mrs. Tremain walking beside him. She was laughing in a somewhat hysterical manner, and his face was as pale as ashes with a drawn look about the corners of his lips, but the captain's eyes were only on his wife.
"Why don't you put on the shawl, my dear?" he said to her affectionately. "The shawl?" she answered. Then, seeing it on young Howard's arm, she laughed, and said, "He never offered it to me."
Young Howard made haste to place the shawl on her shoulders, which she arranged around herself in a very coquettish and charming way. Then she took her husband's arm.
"Good night," she said to me; "good night, and thanks, Mr. Howard."
"Good night," said the captain; "I will tell you more about that mine to-morrow."
We watched them disappear towards the companion-way. I drew young Howard towards the side of the boat.
"What happened?" I asked eagerly. "Did you have trouble?"
"Very nearly, I made a slip of the tongue. I called her Mrs. Glendenning."
"You called her what?"
"I said, 'Mrs. Glendenning, your husband is looking for you.' I had come right up behind them, and they hadn't heard me, and of course both were very much startled. Glendenning turned round and shouted, 'What do you mean by that, you scoundrel?' and caught me by the throat. She instantly sprang between us, pushing him toward the stern of the boat, and me against the wheelhouse. "'Hush, hush,' she whispered; 'you mean, Mr. Howard, that my husband is there, do you not?'
"'Yes,' I answered, 'and he will be here in a moment unless you come with me.' With that she said 'Good night, Mr. Glendenning,' and took my arm, and he, like a thief, slunk away round the other side of the wheelhouse. I was very much agitated. I suppose I acted like a fool when we met the captain, didn't I?"
"You did," I answered; "go on."
"Well, Mrs. Tremain saw that, and she laughed at me, although I could see she was rather disturbed herself."
Some time that night we touched at Queenstown, and next evening we were in Liverpool. When the inevitable explosion came, I have no means of knowing, and this, as I have said before, is a story without a conclusion.
Mrs. Tremain the next day was as bright and jolly as ever, and the last time I saw her, she was smiling over her shoulder at Glendenning, and not paying the slightest attention to either her husband on whose arm she hung, or to young Howard, who was hovering near.
Share and Share Alike
"The quick must haste to vengeance taste,
For time is on his head;
But he can wait at the door of fate,
Though the stay be long and the hour be late -
The dead."
Melville Hardlock stood in the centre of the room with his feet wide apart and his hands in his trousers pockets, a characteristic attitude of his. He gave a quick glance at the door, and saw with relief that the key was in the lock, and that the bolt prevented anybody coming in unexpectedly. Then he gazed once more at the body of his friend, which lay in such a helpless-looking attitude upon the floor. He looked at the body with a feeling of mild curiosity, and wondered what there was about the lines of the figure on the floor that so certainly betokened death rather than sleep, even though the face was turned away from him. He thought, perhaps, it might be the hand with its back to the floor and its palm towards the ceiling; there was a certain look of hopelessness about that. He resolved to investigate the subject some time when he had leisure. Then his thoughts turned towards the subject of murder. It was so easy to kill, he felt no pride in having been able to accomplish that much. But it was not everybody who could escape the consequences of his crime. It required an acute brain to plan after events so that shrewd detectives would be baffled. There was a complacent conceit about Melville Hardlock, which was as much a part of him as his intense selfishness, and this conceit led him to believe that the future path he had outlined for himself would not be followed by justice.
With a sigh Melville suddenly seemed to realise that while there was no necessity for undue haste, yet it was not wise to be too leisurely in some things, so he took his hands from his
pockets and drew to the middle of the floor a large Saratoga trunk. He threw the heavy lid open, and in doing so showed that the trunk was empty. Picking up the body of his friend, which he was surprised to note was so heavy and troublesome to handle, he with some difficulty doubled it up so that it slipped into the trunk. He piled on top of it some old coats, vests, newspapers, and other miscellaneous articles until the space above the body was filled. Then he pressed down the lid and locked it, fastening the catches at each end. Two stout straps were now placed around the trunk and firmly buckled after he had drawn them as tight as possible. Finally he damped the gum side of a paper label, and when he had pasted it on the end of the trunk, it showed the words in red letters, "S.S. Platonic, cabin, wanted." This done, Melville threw open the window to allow the fumes of chloroform to dissipate themselves in the outside air. He placed a closed, packed and labelled portmanteau beside the trunk, and a valise beside that again, which, with a couple of handbags, made up his luggage. Then he unlocked the door, threw back the bolt, and, having turned the key again from the outside, strode down the thickly-carpeted stairs of the hotel into the large pillared and marble-floored vestibule where the clerk's office was. Strolling up to the counter behind which stood the clerk of the hotel, he shoved his key across to that functionary, who placed it in the pigeon-hole marked by the number of his room.
"Did my friend leave for the West last night, do you know?"
"Yes," answered the clerk, "he paid his bill and left. Haven't you seen him since?"
"No," replied Hardlock.
"Well, he'll be disappointed about that, because he told me he expected to see you before he left, and would call up at your room later. I suppose he didn't have time. By the way, he said you were going back to England to-morrow. Is that so?"
"Yes, I sail on the Platonic. I suppose I can have my luggage sent to the steamer from here without further trouble?"
"Oh, certainly," answered the clerk; "how many pieces are there? It will be fifty cents each."
"Very well; just put that down in my bill with the rest of the expenses, and let me have it to-night. I will settle when I come in. Five pieces of luggage altogether."
"Very good. You'll have breakfast to-morrow, I suppose?"
"Yes, the boat does not leave till nine o'clock."
"Very well; better call you about seven, Mr. Hardlock. Will you have a carriage?"
"No, I shall walk down to the boat. You will be sure, of course, to have my things there in time."
"Oh, no fear of that. They will be on the steamer by half-past eight."
"Thank you."
As Mr. Hardlock walked down to the boat next morning he thought he had done rather a clever thing in sending his trunk in the ordinary way to the steamer. "Most people," he said to himself, "would have made the mistake of being too careful about it. It goes along in the ordinary course of business. If anything should go wrong it will seem incredible that a sane man would send such a package in an ordinary express waggon to be dumped about, as they do dump luggage about in New York."
He stood by the gangway on the steamer watching the trunks, valises, and portmanteaus come on board.
"Stop!" he cried to the man, "that is not to go down in the hold; I want it. Don't you see it's marked 'wanted?'"
"It is very large, sir," said the man; "it will fill up a state-room by itself."
"I have the captain's room," was the answer.
So the man flung the trunk down on the deck with a crash that made even the cool Mr. Hardlock shudder.
"Did you say you had the captain's room, sir?" asked the steward standing near.
"Yes."
"Then I am your bedroom steward," was the answer; "I will see that the trunk is put in all right."
The first day out was rainy but not rough; the second day was fair and the sea smooth. The second night Hardlock remained in the smoking-room until the last man had left. Then, when the lights were extinguished, he went out on the upper deck, where his room was, and walked up and down smoking his cigar. There was another man also walking the deck, and the red glow of his cigar, dim and bright alternately, shone in the darkness like a glow-worm.
Hardlock wished that he would turn in, whoever he was. Finally the man flung his cigar overboard and went down the stairway. Hartlock had now the dark deck to himself. He pushed open the door of his room and turned out the electric light. It was only a few steps from his door to the rail of the vessel high above the water. Dimly on the bridge he saw the shadowy figure of an officer walking back and forth. Hardlock looked over the side at the phosphorescent glitter of the water which made the black ocean seem blacker still. The sharp ring of the bell betokening midnight made Melville start as if a hand had touched him, and the quick beating of his heart took some moments to subside. "I've been smoking too much to-day," he said to himself. Then looking quickly up and down the deck, he walked on tip toe to his room, took the trunk by its stout leather handle and pulled it over the ledge in the doorway. There were small wheels at the bottom of the trunk, but although they made the pulling of it easy, they seemed to creak with appalling loudness. He realised the fearful weight of the trunk as he lifted the end of it up on the rail. He balanced it there for a moment, and glanced sharply around him, but there was nothing to alarm him. In spite of his natural coolness, he felt a strange, haunting dread of some undefinable disaster, a dread which had been completely absent from him at the time he committed the murder. He shoved off the trunk before he had quite intended to do so, and the next instant he nearly bit through his tongue to suppress a groan of agony. There passed half a dozen moments of supreme pain and fear before he realised what had happened. His wrist had caught in the strap handle of the trunk, and his shoulder was dislocated. His right arm was stretched taut and helpless, like a rope holding up the frightful and ever-increasing weight that hung between him and the sea. His breast was pressed against the rail and his left hand gripped the iron stanchion to keep himself from going over. He felt that his feet were slipping, and he set his teeth and gripped the iron with a grasp that was itself like iron. He hoped the trunk would slip from his useless wrist, but it rested against the side of the vessel, and the longer it hung the more it pressed the hard strap handle into his nerveless flesh. He had realised from the first that he dare not cry for help, and his breath came hard through his clenched teeth as the weight grew heavier and heavier. Then, with his eyes strained by the fearful pressure, and perhaps dazzled by the glittering phosphorescence running so swiftly by the side of the steamer far below, he seemed to see from out the trunk something in the form and semblance of his dead friend quivering like summer heat below him. Sometimes it was the shimmering phosphorescence, then again it was the wraith hovering over the trunk. Hardlock, in spite of his agony, wondered which it really was; but he wondered no longer when it spoke to him.
"Old Friend," it said, "you remember our compact when we left England. It was to be share and share alike, my boy - share and share alike. I have had my share. Come!"
Then on the still night air came the belated cry for help, but it was after the foot had slipped and the hand had been wrenched from the iron stanchion.
An International Row
"A simple child
That lightly draws its breath,
And feels its life in every limb,
What should it know of - kicking up a row
(Note. - Only the last four words of the above poem are claimed as original.)
"Then America declared war on England." - History of 1812
Lady, not feeling particularly well, reclining in a steamer chair, covered up with rags. Little girl beside her, who wants to know. Gentleman in an adjoining steamer chair. The little girl begins to speak.
"And do you have to pay to go in, mamma?"
"Yes, dear."
"How much do you have to pay? As much as at a theatre?"
"Oh, you need not pay anything particular - no set sum, you know. You pay just what you can afford."
"Then it's like a collection at church, mamma?"
"Yes, dear."
"And does the captain get the money, mamma?"
"No, dear; the money goes to the poor orphans, I think."
"Where are the orphans, mamma?"
"I don't know, dear, I think they are in Liverpool."
"Whose orphans are they, mamma?"
"They are the orphans of sailors, dear."
"What kind of sailors, mamma?"
"British sailors, darling."
"Aren't there any sailors in America, mamma?"
"Oh yes, dear, lots of them."
"And do they have any orphans?"
"Yes, dear, I suppose there are orphans there too."
"And don't they get any of the money, mamma?"
"I am sure I do not know, dear. By the way, Mr. Daveling, how is that? Do they give any of the money to American orphans?"
"I believe not, madam. Subscriptions at concerts given on board British steamers are of course donated entirely to the Seamen's Hospital or Orphanage of Liverpool."
"Well, that doesn't seem to be quite fair, does it? A great deal of the money is subscribed by Americans."
"Yes, madam, that is perfectly true."
"I should think that ten Americans cross on these lines for every one Englishman."