“Is that your grandson you’re talking to?” Naomi spoke clearly and strongly. The spasm had passed. “If it is, bring him in. I want to see him.”
Reluctantly, Mr. Leonard signed Felix to enter. The boy stood by Naomi’s bed and looked down at her with sympathetic eyes. But at first she did not look at him — she looked past him at the minister.
“I might have died in that spell,” she said, with sullen reproach in her voice, “and if I had, I’d been in hell now. You can’t help me — I’m done with you. There ain’t any hope for me, and I know it now.”
She turned to Felix.
“Take down that fiddle on the wall and play something for me,” she said imperiously. “I’m dying — and I’m going to hell — and I don’t want to think of it. Play me something to take my thoughts off it — I don’t care what you play. I was always fond of music — there was always something in it for me I never found anywhere else.”
Felix looked at his grandfather. The old man nodded, he felt too ashamed to speak; he sat with his fine silver head in his hands, while Felix took down and tuned the old violin, on which so many godless lilts had been played in many a wild revel. Mr. Leonard felt that he had failed his religion. He could not give Naomi the help that was in it for her.
Felix drew the bow softly, perplexedly over the strings. He had no idea what he should play. Then his eyes were caught and held by Naomi’s burning, mesmeric, blue gaze as she lay on her crumpled pillow. A strange, inspired look came over the boy’s face. He began to play as if it were not he who played, but some mightier power, of which he was but the passive instrument.
Sweet and soft and wonderful was the music that stole through the room. Mr. Leonard forgot his heartbreak and listened to it in puzzled amazement. He had never heard anything like it before. How could the child play like that? He looked at Naomi and marvelled at the change in her face. The fear and frenzy were going out of it; she listened breathlessly, never taking her eyes from Felix. At the foot of the bed the idiot girl sat with tears on her cheeks.
In that strange music was the joy of the innocent, mirthful childhood, blent with the laughter of waves and the call of glad winds. Then it held the wild, wayward dreams of youth, sweet and pure in all their wildness and waywardness. They were followed by a rapture of young love — all-surrendering, all-sacrificing love. The music changed. It held the torture of unshed tears, the anguish of a heart deceived and desolate. Mr. Leonard almost put his hands over his ears to shut out its intolerable poignancy. But on the dying woman’s face was only a strange relief, as if some dumb, long-hidden pain had at last won to the healing of utterance.
The sullen indifference of despair came next, the bitterness of smouldering revolt and misery, the reckless casting away of all good. There was something indescribably evil in the music now — so evil that Mr. Leonard’s white soul shuddered away in loathing, and Maggie cowered and whined like a frightened animal.
Again the music changed. And in it now there was agony and fear — and repentance and a cry for pardon. To Mr. Leonard there was something strangely familiar in it. He struggled to recall where he had heard it before; then he suddenly knew — he had heard it before Felix came in Naomi’s terrible words! He looked at his grandson with something like awe. Here was a power of which he knew nothing — a strange and dreadful power. Was it of God? Or of Satan?
For the last time the music changed. And now it was not music at all — it was a great, infinite forgiveness, an all-comprehending love. It was healing for a sick soul; it was light and hope and peace. A Bible text, seemingly incongruous, came into Mr. Leonard’s mind—”This is the house of God; this is the gate of heaven.”
Felix lowered the violin and dropped wearily on a chair by the bed. The inspired light faded from his face; once more he was only a tired boy. But Stephen Leonard was on his knees, sobbing like a child; and Naomi Clark was lying still, with her hands clasped over her breast.
“I understand now,” she said very softly. “I couldn’t see it before — and now it’s so plain. I just FEEL it. God IS a God of love. He can forgive anybody — even me — even me. He knows all about it. I ain’t skeered any more. He just loves me and forgives me as I’d have loved and forgiven my baby if she’d lived, no matter how bad she was, or what she did. The minister told me that but I couldn’t believe it. I KNOW it now. And He sent you here to-night, boy, to tell it to me in a way that I could feel it.”
Naomi Clark died just as the dawn came up over the sea. Mr. Leonard rose from his watch at her bedside and went to the door. Before him spread the harbour, gray and austere in the faint light, but afar out the sun was rending asunder the milk-white mists in which the sea was scarfed, and under it was a virgin glow of sparkling water.
The fir trees on the point moved softly and whispered together. The whole world sang of spring and resurrection and life; and behind him Naomi Clark’s dead face took on the peace that passes understanding.
The old minister and his grandson walked home together in a silence that neither wished to break. Janet Andrews gave them a good scolding and an excellent breakfast. Then she ordered them both to bed; but Mr. Leonard, smiling at her, said:
“Presently, Janet, presently. But now, take this key, go up to the black chest in the garret, and bring me what you will find there.”
When Janet had gone, he turned to Felix.
“Felix, would you like to study music as your life-work?”
Felix looked up, with a transfiguring flush on his wan face.
“Oh, grandfather! Oh, grandfather!”
“You may do so, my child. After this night I dare not hinder you. Go with my blessing, and may God guide and keep you, and make you strong to do His work and tell His message to humanity in you own appointed way. It is not the way I desired for you — but I see that I was mistaken. Old Abel spoke truly when he said there was a Christ in your violin as well as a devil. I understand what he meant now.”
He turned to meet Janet, who came into the study with a violin. Felix’s heart throbbed; he recognized it. Mr. Leonard took it from Janet and held it out to the boy.
“This is your father’s violin, Felix. See to it that you never make your music the servant of the power of evil — never debase it to unworthy ends. For your responsibility is as your gift, and God will exact the accounting of it from you. Speak to the world in your own tongue through it, with truth and sincerity; and all I have hoped for you will be abundantly fulfilled.”
Little Joscelyn
“It simply isn’t to be thought of, Aunty Nan,” said Mrs. William Morrison decisively. Mrs. William Morrison was one of those people who always speak decisively. If they merely announce that they are going to peel the potatoes for dinner their hearers realize that there is no possible escape for the potatoes. Moreover, these people are always given their full title by everybody. William Morrison was called Billy oftener than not; but, if you had asked for Mrs. Billy Morrison, nobody in Avonlea would have known what you meant at first guess.
“You must see that for yourself, Aunty,” went on Mrs. William, hulling strawberries nimbly with her large, firm, white fingers as she talked. Mrs. William always improved every shining moment. “It is ten miles to Kensington, and just think how late you would be getting back. You are not able for such a drive. You wouldn’t get over it for a month. You know you are anything but strong this summer.”
Aunty Nan sighed, and patted the tiny, furry, gray morsel of a kitten in her lap with trembling fingers. She knew, better than anyone else could know it, that she was not strong that summer. In her secret soul, Aunty Nan, sweet and frail and timid under the burden of her seventy years, felt with mysterious unmistakable prescience that it was to be her last summer at the Gull Point Farm. But that was only the more reason why she should go to hear little Joscelyn sing; she would never have another chance. And oh, to hear little Joscelyn sing just once — Joscelyn, whose voice was delighting thousands out in the big world, just as in the years gone by it had de
lighted Aunty Nan and the dwellers at the Gull Point Farm for a whole golden summer with carols at dawn and dusk about the old place!
“Oh, I know I’m not very strong, Maria.” said Aunty Nan pleadingly, “but I am strong enough for that. Indeed I am. I could stay at Kensington over night with George’s folks, you know, and so it wouldn’t tire me much. I do so want to hear Joscelyn sing. Oh, how I love little Joscelyn.”
“It passes my understanding, the way you hanker after that child,” cried Mrs. William impatiently. “Why, she was a perfect stranger to you when she came here, and she was here only one summer!”
“But oh, such a summer!” said Aunty Nan softly. “We all loved little Joscelyn. She just seemed like one of our own. She was one of God’s children, carrying love with them everywhere. In some ways that little Anne Shirley the Cuthberts have got up there at Green Gables reminds me of her, though in other ways they’re not a bit alike. Joscelyn was a beauty.”
“Well, that Shirley snippet certainly isn’t that,” said Mrs. William sarcastically. “And if Joscelyn’s tongue was one third as long as Anne Shirley’s the wonder to me is that she didn’t talk you all to death out of hand.”
“Little Joscelyn wasn’t much of a talker,” said Aunty Nan dreamily. “She was kind of a quiet child. But you remember what she did say. And I’ve never forgotten little Joscelyn.”
Mrs. William shrugged her plump, shapely shoulders.
“Well, it was fifteen years ago, Aunty Nan, and Joscelyn can’t be very ‘little’ now. She is a famous woman, and she has forgotten all about you, you can be sure of that.”
“Joscelyn wasn’t the kind that forgets,” said Aunty Nan loyally. “And, anyway, the point is, I haven’t forgotten HER. Oh, Maria, I’ve longed for years and years just to hear her sing once more. It seems as if I MUST hear my little Joscelyn sing once again before I die. I’ve never had the chance before and I never will have it again. Do please ask William to take me to Kensington.”
“Dear me, Aunty Nan, this is really childish,” said Mrs. William, whisking her bowlful of berries into the pantry. “You must let other folks be the judge of what is best for you now. You aren’t strong enough to drive to Kensington, and, even if you were, you know well enough that William couldn’t go to Kensington to-morrow night. He has got to attend that political meeting at Newbridge. They can’t do without him.”
“Jordan could take me to Kensington,” pleaded Aunty Nan, with very unusual persistence.
“Nonsense! You couldn’t go to Kensington with the hired man. Now, Aunty Nan, do be reasonable. Aren’t William and I kind to you? Don’t we do everything for your comfort?”
“Yes, oh, yes,” admitted Aunty Nan deprecatingly.
“Well, then, you ought to be guided by our opinion. And you must just give up thinking about the Kensington concert, Aunty, and not worry yourself and me about it any more. I am going down to the shore field now to call William to tea. Just keep an eye on the baby in chance he wakes up, and see that the teapot doesn’t boil over.”
Mrs. William whisked out of the kitchen, pretending not to see the tears that were falling over Aunty Nan’s withered pink cheeks. Aunty Nan was really getting very childish, Mrs. William reflected, as she marched down to the shore field. Why, she cried now about every little thing! And such a notion — to want to go to the Old Timers’ concert at Kensington and be so set on it! Really, it was hard to put up with her whims. Mrs. William sighed virtuously.
As for Aunty Nan, she sat alone in the kitchen, and cried bitterly, as only lonely old age can cry. It seemed to her that she could not bear it, that she MUST go to Kensington. But she knew that it was not to be, since Mrs. William had decided otherwise. Mrs. William’s word was law at Gull Point Farm.
“What’s the matter with my old Aunty Nan?” cried a hearty young voice from the doorway. Jordan Sloane stood there, his round, freckled face looking as anxious and sympathetic as it was possible for such a very round, very freckled face to look. Jordan was the Morrisons’ hired boy that summer, and he worshipped Aunty Nan.
“Oh, Jordan,” sobbed Aunty Nan, who was not above telling her troubles to the hired help, although Mrs. William thought she ought to be, “I can’t go to Kensington to-morrow night to hear little Joscelyn sing at the Old Timers’ concert. Maria says I can’t.”
“That’s too bad,” said Jordan. “Old cat,” he muttered after the retreating and serenely unconscious Mrs. William. Then he shambled in and sat down on the sofa beside Aunty Nan.
“There, there, don’t cry,” he said, patting her thin little shoulder with his big, sunburned paw. “You’ll make yourself sick if you go on crying, and we can’t get along without you at Gull Point Farm.”
Aunty Nan smiled wanly.
“I’m afraid you’ll soon have to get on without me, Jordan. I’m not going to be here very long now. No, I’m not, Jordan, I know it. Something tells me so very plainly. But I would be willing to go — glad to go, for I’m very tired, Jordan — if I could only have heard little Joscelyn sing once more.”
“Why are you so set on hearing her?” asked Jordan. “She ain’t no kin to you, is she?”
“No, but dearer to me — dearer to me than many of my own. Maria thinks that is silly, but you wouldn’t if you’d known her, Jordan. Even Maria herself wouldn’t, if she had known her. It is fifteen years since she came here one summer to board. She was a child of thirteen then, and hadn’t any relations except an old uncle who sent her to school in winter and boarded her out in summer, and didn’t care a rap about her. The child was just starving for love, Jordan, and she got it here. William and his brothers were just children then, and they hadn’t any sister. We all just worshipped her. She was so sweet, Jordan. And pretty, oh my! like a little girl in a picture, with great long curls, all black and purply and fine as spun silk, and big dark eyes, and such pink cheeks — real wild rose cheeks. And sing! My land! But couldn’t she sing! Always singing, every hour of the day that voice was ringing round the old place. I used to hold my breath to hear it. She always said that she meant to be a famous singer some day, and I never doubted it a mite. It was born in her. Sunday evening she used to sing hymns for us. Oh, Jordan, it makes my old heart young again to remember it. A sweet child she was, my little Joscelyn! She used to write me for three or four years after she went away, but I haven’t heard a word from her for long and long. I daresay she has forgotten me, as Maria says. ’Twouldn’t be any wonder. But I haven’t forgotten her, and oh, I want to see and hear her terrible much. She is to sing at the Old Timers’ concert to-morrow night at Kensington. The folks who are getting the concert up are friends of hers, or, of course, she’d never have come to a little country village. Only sixteen miles away — and I can’t go.”
Jordan couldn’t think of anything to say. He reflected savagely that if he had a horse of his own he would take Aunty Nan to Kensington, Mrs. William or no Mrs. William. Though, to be sure, it WAS a long drive for her; and she was looking very frail this summer.
“Ain’t going to last long,” muttered Jordan, making his escape by the porch door as Mrs. William puffed in by the other. “The sweetest old creetur that ever was created’ll go when she goes. Yah, ye old madam, I’d like to give you a piece of my mind, that I would!”
This last was for Mrs. William, but was delivered in a prudent undertone. Jordan detested Mrs. William, but she was a power to be reckoned with, all the same. Meek, easy-going Billy Morrison did just what his wife told him to.
So Aunty Nan did not get to Kensington to hear little Joscelyn sing. She said nothing more about it but after that night she seemed to fail very rapidly. Mrs. William said it was the hot weather, and that Aunty Nan gave way too easily. But Aunty Nan could not help giving way now; she was very, very tired. Even her knitting wearied her. She would sit for hours in her rocking chair with the gray kitten in her lap, looking out of the window with dreamy, unseeing eyes. She talked to herself a good deal, generally about little Joscelyn. Mrs. William told Avo
nlea folk that Aunty Nan had got terribly childish and always accompanied the remark with a sigh that intimated how much she, Mrs. William, had to contend with.
Justice must be done to Mrs. William, however. She was not unkind to Aunty Nan; on the contrary, she was very kind to her in the letter. Her comfort was scrupulously attended to, and Mrs. William had the grace to utter none of her complaints in the old woman’s hearing. If Aunty Nan felt the absence of the spirit she never murmured at it.
One day, when the Avonlea slopes were golden-hued with the ripened harvest, Aunty Nan did not get up. She complained of nothing but great weariness. Mrs. William remarked to her husband that if SHE lay in bed every day she felt tired, there wouldn’t be much done at Gull Point Farm. But she prepared an excellent breakfast and carried it patiently up to Aunty Nan, who ate little of it.
After dinner Jordan crept up by way of the back stairs to see her. Aunty Nan was lying with her eyes fixed on the pale pink climbing roses that nodded about the window. When she saw Jordan she smiled.
“Them roses put me so much in mind of little Joscelyn,” she said softly. “She loved them so. If I could only see her! Oh, Jordan, if I could only see her! Maria says it’s terrible childish to be always harping on that string, and mebbe it is. But — oh, Jordan, there’s such a hunger in my heart for her, such a hunger!”
Jordan felt a queer sensation in his throat, and twisted his ragged straw hat about in his big hands. Just then a vague idea which had hovered in his brain all day crystallized into decision. But all he said was:
“I hope you’ll feel better soon, Aunty Nan.”
The Complete Works of L M Montgomery Page 539