But now he glimpsed the Manor, a hint of solid bulk among the pine tops ahead of him. And almost simultaneously his heart shot into his throat as a scream of human anguish knifed the stillness. He could not tell whether it was a man or a woman who screamed, and his thought that it might be a woman winged his feet in his reckless dash toward the building that loomed starkly up just beyond the straggling fringe of trees.
The young pines had even invaded the once generous lawns. The whole place wore an aspect of decay. Behind the Manor, the barns, and outhouses which once housed slave families, were crumbling in ruin. The mansion itself seemed to totter above the litter, a creaky giant, ratgnawed and rotting, ready to collapse at any untoward event. With the stealthy tread of a tiger Bristol McGrath approached a window on the side of the house. From that window sounds were issuing that were an affront to the tree-filtered sunlight and a crawling horror to the brain.
Nerving himself for what he might see, he peered within.
* * *
2. BLACK TORTURE
He was looking into a great dusty chamber which might have served as a ballroom in antebellum days; its lofty ceiling was hung with cobwebs, its rich oak panels showed dark and stained. But there was a fire in the great fireplace — a small fire, just large enough to heat to a white glow the slender steel rods thrust into it.
But it was only later that Bristol McGrath saw the fire and the things that glowed on the hearth. His eyes were gripped like a spell on the master of the Manor; and once again he looked on a dying man.
A heavy beam had been nailed to the paneled wall, and from it jutted a rude cross-piece. From this cross-piece Richard Ballville hung by cords about his wrists. His toes barely touched the floor, tantalizingly, inviting him to stretch his frame continually in an effort to relieve the agonizing strain on his arms. The cords had cut deeply into his wrists; blood trickled down his arms; his hands were black and swollen almost to bursting. He was naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon his skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.
On his breast had been burned a curious symbol — a cold hand laid itself on McGrath’s spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.
Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers.
His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the cross-piece.
Richard Ballville’s bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious: they blazed with desperate vitality. He lifted his head painfully and his gaze swept the room. Outside the window McGrath instinctively shrank back. He did not know whether Ballville saw him or not. The man showed no sign to betray the presence of the watcher to the bestial black who scrutinized him. Then the brute turned his head toward the fire, reaching a long ape-like arm toward a glowing iron — and Ballville’s eyes blazed with a fierce and urgent meaning the watcher could not mistake. McGrath did not need the agonized motion of the tortured head that accompanied the look. With a tigerish bound he was over the window-sill and in the room, even as the startled black shot erect, whirling with apish agility.
McGrath had not drawn his gun. He dared not risk a shot that might bring other foes upon him. There was a butcher-knife in the belt that held up the ragged, muddy trousers. It seemed to leap like a living thing into the hand of the black as he turned. But in McGrath’s hand gleamed a curved Afghan dagger that had served him well in many a bygone battle.
Knowing the advantage of instant and relentless attack, he did not pause. His feet scarcely touched the floor inside before they were hurling him at the astounded black man.
An inarticulate cry burst from the thick red lips. The eyes rolled wildly, the butcher-knife went back and hissed forward with the swiftness of a striking cobra that would have disembowled a man whose thews were less steely than those of Bristol McGrath.
But the black was involuntarily stumbling backward as he struck, and that instinctive action slowed his stroke just enough for McGrath to avoid it with a lightning-like twist of his torso. The long blade hissed under his arm-pit, slicing cloth and skin — and simultaneously the Afghan dagger ripped through the black, bull throat.
There was no cry, but only a choking gurgle as the man fell, spouting blood. McGrath had sprung free as a wolf springs after delivering the death- stroke. Without emotion he surveyed his handiwork. The black man was already dead, his head half severed from his body. That slicing sidewise lunge that slew in silence, severing the throat to the spinal column, was a favorite stroke of the hairy hillmen that haunt the crags overhanging the Khyber Pass. Less than a dozen white men have ever mastered it. Bristol McGrath was one.
McGrath turned to Richard Ballville. Foam dripped on the seared, naked breast, and blood trickled from the lips. McGrath feared that Ballville had suffered the same mutilation that had rendered Ahmed speechless; but it was only suffering and shock that numbed Ballville’s tongue. McGrath cut his cords and eased him down on a worn old divan near by. Ballville’s lean, muscle-corded body quivered like taut steel strings under McGrath’s hands. He gagged, finding his voice.
“I knew you’d come!” he gasped, writhing at the contact of the divan against his seared flesh. “I’ve hated you for years, but I knew—”
McGrath’s voice was harsh as the rasp of steel. “What did you mean by your mention of Constance Brand? She is dead.”
A ghastly smile twisted the thin lips.
“No, she’s not dead! But she soon will be, if you don’t hurry. Quick! Brandy! There on the table — that beast didn’t drink it all.”
McGrath held the bottle to his lips; Ballville drank avidly. McGrath wondered at the man’s iron nerve. That he was in ghastly agony was obvious. He should be screaming in a delirium of pain. Yet he held to sanity and spoke lucidly, though his voice was a laboring croak.
“I haven’t much time,” he choked. “Don’t interrupt. Save your curses till later. We both loved Constance Brand. She loved you. Three years ago she disappeared. Her garments were found on the bank of a river. Her body was never recovered. You went to Africa to drown your sorrow; I retired to the estate of my ancestors and became a recluse.
“What you didn’t know — what the world didn’t know — was that Constance Brand came with me! No, she didn’t drown. That ruse was my idea. For three years Constance Brand has lived in this house!” He achieved a ghastly laugh. “Oh, don’t look so stunned, Bristol. She didn’t come of her own free will. She loved you too much. I kidnapped her, brought her here by force — Bristol!” His voice rose to a frantic shriek. “If you kill me you’ll never learn where she is!”
The frenzied hands that had locked on his corded throat relaxed and sanity returned to the red eyes of Bristol McGrath.
“Go on,” he whispered in a voice not even he recognized.
“I couldn’t help it,” gasped the dying man. “She was the only woman I ever loved — oh, don’t sneer, Bristol. The others didn’t count. I brought her here where I was king. She couldn’t escape, couldn’t get word to the outside world. No one lives in this section except nigger descendants of the slaves owned by my family. My word is — was — their only law.
“I swear I didn’t harm her. I only kept her prisoner, trying to force her to marry me. I didn’t want her any other way. I was mad, but I couldn’t help it. I come of a race of autocrats who took what they wanted, recognized no law but their own desires. You know that. You understand it.
You come of the same breed yourself.
“Constance hates me, if that’s any consolation to you, damn you. She’s strong, too. I thought I could break her spirit. But I couldn’t, not without the whip, and I couldn’t bear to use that.” He grinned hideously at the wild growl that rose unbidden to McGrath’s lips. The big man’s eyes were coals of fire; his hard hands knotted into iron mallets.
A spasm racked Ballville, and blood started from his lips. His grin faded and he hurried on.
“All went well until the foul fiend inspired me to send for John De Albor. I met him in Vienna, years ago. He’s from East Africa — a devil in human form! He saw Constance — lusted for her as only a man of his type can. When I finally realized that, I tried to kill him. Then I found that he was stronger than I; that he’d made himself master of the niggers — my niggers, to whom my word had always been law. He told them his devilish cult—”
“Voodoo,” muttered McGrath involuntarily.
“No! Voodoo is infantile beside this black fiendishness. Look at the symbol on my breast, where De Albor burned it with a white-hot iron. You have been in Africa. You understand the brand of Zambebwei.
“De Albor turned my negroes against me. I tried to escape with Constance and Ahmed. My own blacks hemmed me in. I did smuggle a telegram through to the village by a man who remained faithful to me — they suspected him and tortured him until he admitted it. John De Albor brought me his head.
“Before the final break I hid Constance in a place where no one will ever find her, except you. De Albor tortured Ahmed until he told that I had sent for a friend of the girl’s to aid us. Then De Albor sent his men up the road with what was left of Ahmed, as a warning to you if you came. It was this morning that they seized us; I hid Constance last night. Not even Ahmed knew where. De Albor tortured me to make me tell—” the dying man’s hands clenched and a fierce passionate light blazed in his eyes. McGrath knew that not all the torments of all the hells could ever have wrung that secret from Ballville’s iron lips.
“It was the least you could do,” he said, his voice harsh with conflicting emotions. “I’ve lived in hell for three years because of you — and Constance has. You deserve to die. If you weren’t dying already I’d kill you myself.”
“Damn you, do you think I want your forgiveness?” gasped the dying man. “I’m glad you suffered. If Constance didn’t need your help, I’d like to see you dying as I’m dying — and I’ll be waiting for you in hell. But enough of this. De Albor left me awhile to go up the road and assure himself that Ahmed was dead. This beast got to swilling my brandy and decided to torture me some himself.
“Now listen — Constance is hidden in Lost Cave. No man on earth knows of its existence except you and menot even the negroes. Long ago I put an iron door in the entrance, and I killed the man who did the work; so the secret is safe. There’s no key. You’ve got to open it by working certain knobs.”
It was more and more difficult for the man to enunciate intelligibly. Sweat dripped from his face, and the cords of his arms quivered.
“Run your fingers over the edge of the door until you find three knobs that form a triangle. You can’t see them; you’ll have to feel. Press each one in counter-clockwise motion, three times, around and around. Then pull on the bar. The door will open. Take Constance and fight your way out. If you see they’re going to get you, shoot her! Don’t let her fall into the hands of that black beast—”
The voice rose to a shriek, foam spattered from the livid writhing lips, and Richard Ballville heaved himself almost upright, then toppled limply back. The iron will that had animated the broken body had snapped at last, as a taut wire snaps.
McGrath looked down at the still form, his brain a maelstrom of seething emotions, then wheeled, glaring, every nerve atingle, his pistol springing into his hand.
* * *
3. THE BLACK PRIEST
A man stood in the doorway that opened upon the great outer hall — a tall man in a strange alien garb. He wore a turban and a silk coat belted with a gay-hued girdle. Turkish slippers were on his feet. His skin was not much darker than McGrath’s, his features distinctly oriental in spite of the heavy glasses he wore.
“Who the devil are you?” demanded McGrath, covering him.
“Ali ibn Suleyman, effendi,” answered the other in faultless Arabic. “I came to this place of devils at the urging of my brother, Ahmed ibn Suleyman, whose soul may the Prophet ease. In New Orleans the letter came to me. I hastened here. And lo, stealing through the woods, I saw black men dragging my brother’s corpse to the river. I came on, seeking his master.”
McGrath mutely indicated the dead man. The Arab bowed his head in stately reverence.
“My brother loved him,” he said. “I would have vengeance for my brother and my brother’s master. Ef fendi, let me go with you.”
“All right.” McGrath was afire with impatience. He knew the fanatical clan-loyalty of the Arabs, knew that Ahmed’s one decent trait had been a fierce devotion for the scoundrel he served. “Follow me.”
With a last glance at the master of the Manor and the black body sprawling like a human sacrifice before him, McGrath left the chamber of torture. Just so, he reflected,’ one of Ballville’s warrior-king ancestors might have lain in some dim past age, with a slaughtered slave at his feet to serve his spirit in the land of ghosts.
With the Arab at his heels, McGrath emerged into the girdling pines that slumbered in the still heat of the noon. Faintly to his ears a distant pulse of sound was borne by a vagrant drift of breeze. It sounded like the throb of a faraway drum.
“Come on!” McGrath strode through the cluster of outhouses and plunged into the woods that rose behind them. Here, too, had once stretched the fields that builded the wealth of the aristocratic Ballvilles; but for many years they had been abandoned. Paths straggled aimlessly through the ragged growth, until presently the growing denseness of the trees told the invaders that they were in forest that had never known the woodsman’s ax. McGrath looked for a path. Impressions received in childhood are always enduring. Memory remains, overlaid by later things, but unerring through the years. McGrath found the path he sought, a dim trace, twisting through the trees.
They were forced to walk single file; the branches scraped their clothing, their feet sank into the carpet of pine needles. The land trended gradually lower. Pines gave way to cypresses, choked with underbrush. Scummy pools of stagnant water glimmered under the trees. Bullfrogs croaked, mosquitoes sang with maddening insistence about them. Again the distant drum throbbed across the pinelands.
McGrath shook the sweat out of his eyes. That drum roused memories well fitted to these somber surroundings. His thoughts reverted to the hideous scar seared on Richard Ballville’s naked breast. Ballville had supposed that he, McGrath, knew its meaning; but he did not. That it portended black horror and madness he knew, but its full significance he did not know. Only once before had he seen that symbol, in the horror-haunted country of Zambebwei, into which few white men had ever ventured, and from which only one white man had ever escaped alive. Bristol McGrath was that man, and he had only penetrated the fringe of that abysmal land of jungle and black swamp. He had not been able to plunge deep enough into that forbidden realm either to prove or to disprove the ghastly tales men whispered of an ancient cult surviving a prehistoric age, of the worship of a monstrosity whose mold violated an accepted law of nature. Little enough he had seen; but what he had seen had filled him with shuddering horror that sometimes returned now in crimson nightmares.
No word had passed between the men since they had left the Manor. McGrath plunged on through the vegetation that choked the path. A fat, blunt-tailed moccasion slithered from under his feet and vanished. Water could not be far away; a few more steps revealed it. They stood on the edge of a dank, slimy marsh from which rose a miasma of rotting vegetable matter. Cypresses shadowed it. The path ended at its edge. The swamp stretched away and away, lost to sight swiftly in twilight dimnes
s.
“What now, effendi?” asked Ali. “Are we to swim this morass?”
“It’s full of bottomless quagmires,” answered McGrath. “It would be suicide for a man to plunge into it. Not even the piny woods niggers have ever tried to cross it. But there is a way to get to the hill that rises in the middle of it. You can just barely glimpse it, among the branches of the cypresses, see? Years ago, when Ballville and I were boys — and friends — we discovered an old, old Indian path, a secret, submerged road that led to that hill. There’s a cave in the hill, and a woman is imprisoned in that cave. I’m going to it. Do you want to follow me, or to wait for me here? The path is a dangerous one.”
“I will go, effendi,” answered the Arab.
McGrath nodded in appreciation, and began to scan the trees about him. Presently he found what he was looking for a faint blaze on a huge cypress, an old mark, almost imperceptible. Confidently then, he stepped into the marsh beside the tree. He himself had made that mark, long ago. Scummy water rose over his shoe soles, but no higher. He stood on a flat rock, or rather on a heap of rocks, the topmost of which was just below the stagnant surface. Locating a certain gnarled cypress far out in the shadow of the marsh, he began walking directly toward it, spacing his strides carefully, each carrying him to a rockstep invisible below the murky water. Ali ibn Suleyman followed him, imitating his motions.
Through the swamp they went, following the marked trees that were their guide-posts. McGrath wondered anew at the motives that had impelled the ancient builders of the trail to bring these huge rocks from afar and sink them like piles into the slush. The work must have been stupendous, requiring no mean engineering skill. Why had the Indians built this broken road to Lost Island? Surely that isle and the cave in it had some religious significance to the red men; or perhaps it was their refuge against some stronger foe.
Delphi Works of Robert E. Howard (Illustrated) (Series Four) Page 370