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Sound Pictures Page 77

by Kenneth Womack


  lawsuit expert witnessing, 12–14

  Lennon view of, post-Beatles, 408–410, 419

  Lennon’s death, 449

  life moments, 210

  on luck, 467–468

  military career, 481

  music video cameos, 453

  personality descriptions, 4, 208–209, 220, 303, 440–441

  as producer, descriptions, 12, 28, 102, 186–187, 250, 282

  production philosophies, 465, 482

  radio theme songwriting, 280

  recording contracts of, 112–113, 371

  relationships and marriages, 1, 89–90, 107–108

  residences, 262, 410, 433, 440, 446, 481, 490

  retirement, 481

  song favorites, 478–479

  on success, 459–460

  television documentaries featuring, 469

  television parodies on, 478

  television talk shows with, 478–479

  television theme songwriting, 58, 113–114, 412

  television tributes to, 397, 454

  trusts in memory of, 492

  vacations and travels, 249–248, 253, 268, 271–272, 341–342, 434

  Martin, George A. (assistant tape editor), 437–438

  Martin, Giles, 395, 433, 475, 476, 482, 484, 486–489

  Martin, Gregory, 90, 243, 442

  Martin, Harry, 89–90, 262–263

  Martin, Lucie, 270, 271, 433, 455

  Martin, Sheena, 89–90, 490–491

  Martin, Steve, 436, 437

  Mason, David, 171–174, 199, 251, 258, 263, 298

  Mason, Nick, 226

  Massed Alberts, 209

  Massey, Howard, 201

  Massot, Joe, 300

  Master Singers, 114–115

  Mattacks, Dave, 450

  “Matthew and Son,” 269

  Matthews, Brian, 72–73, 97

  Maurice and the Radiants, 10

  “Maxwell’s Silver Hammer,” 380–381, 385

  May, Brian, 484

  McAnuff, Des, 471

  McBean, Agnus, 372, 398

  McCallum, David, 200

  McCandless, Paul, 411

  McCartney, Linda (Eastman)

  background vocals, 399, 452, 459

  bands including, 414–415, 420, 430, 447, 448

  children of, 361

  death and memorial, 475

  film theme song recordings with, 414

  golden jubilee gala concert performance, 484

  Martin relationship with, 446–447

  McCartney relationship and marriage, 247, 308, 361, 374

  McCartney, Mary, 475

  McCartney, Mike (Mike McGear), 71–72, 266, 297–298, 490

  McCartney, Paul. See also Beatles; Beatles’ films; Beatles’ performances; Beatles’ recording sessions; Beatles’ tours; Lennon-McCartney songwriting; specific Beatles songs, films and albums

  album cover controversy, 101

  American racism comments, 120, 121

  Anthology project, 474

  artistic study and music training, 23–24, 73

  awards and honors, 141, 478

  Beatles disbandment fears, 276

  Beatles’ interpersonal relationship problems, 355–356

  on Beatles’ music significance, 18

  benefit concert performances, 469

  brother’s comedy group assistance, 298

  at Cirque du Soleil gala premiere, 488

  at costume ball, 292

  death rumors about, 393–394

  drug use and arrests, 43, 447

  on EMI recording rules and innovations, 54

  expletive recordings, 334

  festival performances, 169

  film soundtracks and themes, 139–141, 413–414, 446–448

  galleries cofounded by, 24

  influences on, 23, 75, 194

  Lennon first meeting with, 30

  Lennon tribute participation, 452

  Lennon’s death, 449

  on Martin as producer, 1

  Martin relationship with, 35, 326, 446–447

  Martin’s death and memorial, 491

  Martin’s music book contributions, 456

  on Martin’s reaction to “Tomorrow Never Knows” preview, 32–33

  movie roles, 458

  music arrangement and impatience, 223–224

  on musical experimentation, 103

  pets of, 220, 344

  post-Beatles bands of, 414–415, 420, 430, 447, 448

  recording experiments, 24–25

  recording session control, 329

  recording session walkouts, 106–107

  relationships and marriages, 247, 308, 313, 361 (see also Asher, Jane; McCartney, Linda)

  residences, 23, 33–34

  on Revolver release concerns, 109

  royalty lawsuits, 473

  Sgt. Pepper concept, 133, 183–184

  Shea Stadium concert recording, 4, 5

  solo album record production requests, xi

  solo recordings of, 448–453, 456–458, 465, 470, 475

  song publishing shares, 373

  studio humor of, 51

  studio musicians, working with, 83–85, 224, 301

  on studio technology and sound quality, 19

  television series themes by, 289

  vacations and travels, 133, 306–307

  Wilson, Brian, meeting, 127

  McCullough, Henry, 414

  McDonald, Ian, 41

  McDonald, Phil

  Abbey Road production, 380, 381, 382, 384, 387, 389

  artificial double-tracking, 40

  as EMI Studio technical engineer, 28

  “Hey Bulldog,” 302

  Let It Be production, 399

  Revolver production, 36, 37, 38, 49, 53, 55, 60

  Sgt. Pepper production, 146, 167

  White Album production, 315, 323

  Yellow Submarine production, 92

  McDowell, Malcolm, 463

  McFerrin, Bobby, 482

  McGear, Mike (Peter Michael McCartney), 71–72, 266, 297–298, 490

  McGough, Roger, 71–72, 297–298, 303, 490

  McLaughlin, John, 427

  McNair, Harold, 395

  “Mean Mr. Mustard,” 382, 383

  Meek, Joe, 26–28, 29, 185, 190, 299

  Mellotrons, 25, 41, 148, 150, 279

  Menon, Bhaskar, 430–432, 463–464

  Mercer, Johnny, 139

  Merry Pranksters, 279

  Metzner, Ralph, 32

  “Michelle,” 10, 116, 129, 130, 137

  Middleon, Max, 428

  Mid-South Coliseum, 126

  Mike Sammes Singers, 283–284, 311, 400

  Miles, Barry, 110, 170, 243

  Mill, the, 452

  Miller, Glenn, 268, 446

  Miller, John, 395

  Miller, Jonathan, 479

  Milligan, Spike

  AIR representation and production, 72, 406

  as Beatles’ inspiration, 216

  Beatles’ recording session visit, 301

  benefit LPs, 394

  Christmas televison specials featuring, 397

  comedy recordings, 209

  comedy team reunion, 446

  memorial recitations of poems by, 475–476

  outtakes and sound effect recordings, 93

  piano keyboard quotes, 450

  Million Volt Light and Sound Rave (festival), 157, 169–170

  Mills, Gordon, 423

  Mirage, El (LP), 433–434

  Miranda, Robert, 131

  “Miss You Nights,” 435

  “Mock Mozart,” 162, 207

  “Modesty Blaise Theme,” 129–130

  Monro, Matt, 9, 269, 454

  Montague, Barry, 114

  Montgomery, Patrick, 463

  Montserrat, 421, 468–469. See also AIR Montserrat

  Moog synthesizers, 385–386, 389

  Moon, Keith, 74–75, 266

  “Moon Is a Harsh Mistress, The,” 433

  Moore, Bar
bara, 94

  Moore, Dudley, 295, 397, 427, 454

  Morgan, Dick, 172

  Morgan Sound Studios, 395

  “Morning Desire,” 461

  Morrisey, Dick, 458

  Moss, Harry, 242–243

  Most Excellent Order of the British Empire (MBE), 40

  “Mother Nature’s Son,” 335, 336, 337

  “Move It,” 220

  Mozart, Wolfgang Amadeus, 306

  Mr. Jericho (television show), 412

  Murray the K, 377

  Music! (film documentary), 329

  Music for Montserrat (benefit concert), 469

  Music of Lennon and McCartney, The (television show), 114

  Musicians’ Union, 289

  My Generation (LP), 13

  My Life, My Song (LP), 417

  “My Love,” 413

  “My Old Friend,” 450

  Nash, Graham, 200, 239, 266, 395

  Nassim, Charlotte, 427

  NEMS Enterprises, 3, 72, 103, 177–178, 206–207, 249, 275, 297–298

  Neve, Rupert, 439

  “Never Give Me Your Money,” 377

  New Musical Express Poll Winners’ Concerts, 69–70

  Newell, Norman, 198

  Nicol, Jimmie, 220, 353

  Nielsen, Rick, 444, 445–446

  “Night Owls,” 455

  “Night Time Is Here,” 7

  9/11, 485

  Nitta, Kazunaga, 467

  No More Fear of Flying (LP), 440

  “No More Lonely Nights,” 459

  No One’s Gonna Change Our World (LP), 394

  No Place to Run (LP), 444

  “No Values,” 450, 458

  Noel Gay Music, 113

  Northern Songs, 205, 206–207, 225, 373

  “Norwegian Wood (This Bird Has Flown)”, 17, 18, 25–26, 44, 74, 98

  “Not Guilty,” 334, 335, 346

  “Not in Russia!”, 445

  “Not Such a Bad Boy,” 458

  “Nowhere Man,” 17, 70, 98, 384

  “Ob-La-Di, Ob-La Da,” 321–322, 324

  “Octopus’s Garden,” 345–346, 375, 381, 390, 397

  “Ode to a Koala Bear,” 449

  O’Dell, Denis, 281, 338, 353

  Odessey and Oracle (LP), 258

  Off the Beatle Track (LP), 113

  Off the Ground (LP), 470

  “Oh! Darling,” 362, 375, 381, 390, 438

  “Oh My Love,” 410

  “Oh My Word,” 10

  O’Hara, Mike, 116

  Okell, Sam, 4

  Olander, Staffan, 485

  “Old Brown Shoe,” 375, 377

  “Old Friends,” 435

  Old Rectory, 446, 481, 490

  Olivier, Laurence, 407–408

  Olsson, Nigel, 433

  Olympic Sound Studios, 206, 252, 261–262, 371, 376, 399

  “On a Carousel,” 239

  “On Our Way Home,” 352

  “On the Sunny Side of the Street,” 182

  “Once Upon a Long Ago,” 465

  1 (LP), 481–482

  “One After 909, The,” 362, 363

  “One Born Every Minute,” 268

  “Only a Northern Song,” 205–207, 222, 240, 241–242, 249, 288, 320, 321

  Ono, Yoko

  Anthology project and Lennon’s demos, 474

  art exhibitions of, 137–138

  auto accidents, 379, 380

  Beatles’ interpersonal relationships, 356, 386

  Beatles’ performance venue options, 353–354

  at Beatles’ recording sessions, 282, 310–316, 312, 324, 380

  Beatles’ recordings with, 335, 344, 357

  books by, 138

  children of, 379, 449, 491

  at Cirque du Soleil gala premiere, 488

  divorce, 362

  drug use, 355

  Lennon relationship and marriage, 138, 311, 374, 419, 432

  at Martin’s memorial, 491

  peace campaigns, 377

  pregnancy complications, 355, 380

  Orbison, Roy, 20, 69

  Orme, Bill Rossell, 369, 370

  “Orowainya,” 149

  Orton, Joe, 240

  Osbourne, Ozzy, 484

  Our World (documentary), 259–262, 263–266, 286

  “Over My Head,” 223

  overwriting, 282

  Paich, David, 433

  Palladino, Pino, 484

  Palmer, Phil, 484

  Pang, May, 419

  Pantomime: Everywhere It’s Christmas (disc), 149

  “Paperback Writer”

  compilation albums featuring, 135

  composition, 48, 100, 102

  performances of, 98, 100

  promotional videos for, 81–82, 86, 97

  recording, 49–54

  release and reviews, 66, 100, 102

  Paramor, Norrie, 69, 114, 220, 298, 374, 441–442

  Parks, Van Dyke, 178, 257

  Parlophone Records

  A&R management, xi, 26, 27, 190

  artists of, 9–10, 71–72

  job offer at, 370–371

  legacy at, xi

  production, 12, 26, 27

  Parnell, Val, 14, 91, 176

  Parsons, Alan, 359, 360, 362, 364, 381, 384, 387, 389, 412

  Parsons, Jack, 369, 405

  Party at the Palace (gala concert), 483–484

  Pascoe, Keith, 476

  Past Masters, Volume 1 (LP), 463

  “Paul Is Dead” controversy, 393–394

  Paul Winter Consort, 411–412

  Pearson, William, 469

  Pease, Gayleen, 300

  “Penny Lane”

  albums including, 291

  commerical success, 175–177

  covers of, 198

  promotional videos for, 179, 182

  recording, 162–164, 169, 170–174

  reviews, 175

  single release, 168–169, 174, 207

  single sleeve design, 179

  Penny Lane and Time (LP), 198

  “Pepperland Suite, The” (“Yellow Submarine in Pepperland”), 306, 483

  Percival, Lance, 269–270

  Perkins, Carl, 22, 450, 469

  Perry, Rupert, 475

  Pestalozzi Children’s Choir, 457

  Pet Sounds (LP), 50–51, 74–75, 102, 127, 141, 145, 228

  Peter and Gordon, 87

  Petersson, Tom, 444

  Philippines, 117–118

  Philips, 462

  Picasso, Pablo, 162

  Piccadilly Line, 395–396

  Pickett, Wilson, 9, 19, 20

  “Piggies,” 342, 345, 346

  Pink Floyd, 25, 219, 225–226, 412–413, 435, 463

  Pioneer Electronics, 467

  Piper at the Gates of Dawn, The (album), 219

  “Pipes of Peace,” 456–457

  Pipes of Peace (LP), 456–458

  piracy, 14

  Plank, Conny, 455

  Playback (Martin), 484–485, 492

  “Please Don’t Bring Your Banjo Back,” 149

  “Please Please Me,” 5

  Please Please Me (LP), 255, 462

  Police, 439

  “Polythene Pam,” 382, 383

  Pomp and Circumstance, 201

  Ponty, Jean-Luc, 427

  Porcaro, Jeff, 459

  Postcard (album), 326

  Potier, Suki, 157

  “Pound is Shrinking, The,” 450, 453

  Povey, Bill, 300–301

  Pratt, George, 114

  Prélude à l’après-midi d’un faune (Debussy), 201, 492

  Preskett, Graham, 471

  Presley, Elvis, 20, 21, 180, 184

  Preston, Billy, 359–360, 367, 372, 437, 438

  Preuss, Oscar, 162, 207, 441, 490

  Price, Bill, 410, 411

  Prince of Denmark’s March (Clarke, J.), 258

  Proby, P. J., 87

  Procol Harum, 297, 435, 440

  Produced by George Martin (CD and documentary), 482, 483
<
br />   Pryce, Jonathan, 466, 470

  Psychedelic Experience, The (Leary, Alpert, and Metzner), 31–32, 54

  Psycho (film), 61, 62

  Pulp (film), 412

  “Put a Ring on Her Finger,” 26

  “Put It There,” 470

  Quartet (LP), 455–456

  Queen, 484

  Rabasse, Jean, 486

  Race, Steve, 265

  racism, 120, 121

  Radio Caroline, 9, 151–152

  Radio London, 151–152

  “Rain,” 54–57, 86, 100, 102, 393

  “Rainclouds,” 449

  Rainshine (LP), 395–396

  Ramone, Phil, 456, 465

  Randall, Tony, 218

  Ravel, Maurice, 305, 479

  Ready Steady Who (EP), 58

  “Real Love,” 474, 475

  “Reap the Wild Wind,” 456

  “Reason, The,” 475

  Record Plant, 426, 434

  Red Rocks Amphitheatre concerts, 14

  Red Rose Speedway (LP), 414

  Redding, Noel, 142

  Redding, Otis, 19, 20

  Regent Sound Studios, 196–197

  Reidy, Frank, 158

  “Release Me (and Let Me Love Again)”, 176

  “Return to the Alamo,” 442

  “Rêve Passe, Le,” 93

  “Revolution,” 307, 323–323, 333–334, 338–339, 393

  “Revolution 1,” 307, 312–314, 316, 322

  “Revolution 9,” 307, 315–316, 346

  Revolver (LP)

  awards, 255

  CD release, 462, 464

  commercial success, 112

  cover design, 103–105, 255

  infuences on, 21–22, 35, 48, 50, 58, 99

  instrumental covers from, 113

  marketing and publicity, 110–111

  production planning and routining, 26, 28–30, 32–33

  recording, 35–45, 48–50, 54–65, 74–86, 96–98, 105–108

  reviews, 109, 111–112

  single releases from, 125

  song order, 66

  stage reproduction limitations of, 70

  title selection, 109–111

  Rhythm of Life, The (documentary), 489

  Richard, Cliff, 51, 69, 143, 152–153, 220, 395, 435, 442, 484

  Richards, Keith, 74, 266, 439–440

  Richards, Ron, 4, 87, 116, 205, 239, 320, 380, 425, 490

  Rigby, Eleanor, 30

  “Ringo’s Theme” (“This Boy”), 40, 50, 113, 136, 384

  “Roadilore,” 115

  Robinson, Eric, 484

  Robinson, Heath, 25

  Rock and Roll Hall of Fame, 477–478

  “Rock and Roll Music,” 128

  Rock ’n’ Roll Music (LP), 430–431

  “Rocky Raccoon,” 335–336, 346

  Roderick, Stanley, 155

  Rodriguez, Robert, 78, 125

  Rogers, Kenny, 461

  Rolling Stones

  albums of, 252, 469

  as Beatles’ competition, 142

  at Beatles’ recording sessions, 95, 200, 253

  at Beatles’ television documentary filming, 266

  concert performances with, 69–70

  contract negotiations, 248–249

 

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