Dr. Thorndyke Omnibus Vol 4

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Dr. Thorndyke Omnibus Vol 4 Page 14

by R. Austin Freeman


  "The dealer in antiques?" he queried.

  "Yes. Well, this is his face."

  He regarded me for some moments with a strangely intent expression. Then he asked: "When you say that this is Morris's face, do you mean that it resembles his face or that you identify it positively?"

  "I identify it positively. I can swear to the identity. It isn't a face that one would forget. And if any doubt were possible, there is this hare-lip scar, which you can see quite plainly on the cast."

  "Yes, I noticed that. And Morris has a hare-lip scar, has he?"

  "Yes; and in the same position and of the same character. I think you can take it as a fact that this cast was undoubtedly taken from Morris's face."

  "Which," said Thorndyke, "is a really important fact and one that is worth looking into."

  "In what way is it important?" I asked.

  "In this respect," he answered. "This man, Morris, is unknown to Miss D'Arblay; but he was not unknown to her father. Here we have evidence that Mr. D'Arblay had dealings with people of whom his daughter had no knowledge. The circumstances of the murder made it clear that there must be such people; but here we have proof of their existence and we can give to one of them a local habitation and a name. And you will notice that this particular person is a dealer in curios and possibly in more questionable things. There is just a hint that he may have had some rather queer acquaintances."

  "He seemed to have had rather a fancy for plaster masks," I remarked. "I remember that he had one in his shop window."

  "Did your father make many life or death-masks as commissions, Miss D'Arblay?" Thorndyke asked.

  "Only one or two, so far as I know," she replied. "There is very little demand for portrait masks nowadays. Photography has superseded them."

  "That is what I should have supposed," said he. "This would be just a chance commission. However, as it establishes the fact that this man Morris was in some way connected with your father, I think I should like to have a record of his appearance. May I take this mask away with me to get a photograph of it made? I will take great care of it and let you have it back safely."

  "Certainly," replied Marion; "but why not keep it, if it is of any interest to you? I have no use for it."

  "That is very good of you," said he, "and if you will give me some rag and paper to wrap it in, I will take myself off and leave you to finish your work in peace."

  Marion took the cast from him and, having procured some rag and paper, began very carefully to wrap it up. While she was thus engaged, Thorndyke stood letting his eye travel once more round the studio.

  "I see," he remarked, "that you have quite a number of masks moulded from life or death. Do I understand that they were not commissions?"

  "Very few of them were," Marion replied. "Most of them were taken from professional models, but some from acquaintances whom my father bribed with the gift of a duplicate mask."

  "But why did he make them? They could not have been used for producing wax faces for the show figures, for you could hardly turn a shop-window into a waxwork exhibition with lifelike portraits of real persons."

  "No," Marion agreed; "that wouldn't do at all. These masks were principally used for reference as to details of features when my father was modelling a head in clay. But he did sometimes make moulds for the wax from these masks, only he obliterated the likeness, so that the wax face was not a portrait."

  "By working on the wax, I suppose?"'

  "Yes; or more usually by altering the mask before making the mould. It is quite easy to alter a face. Let me show you."

  She lifted one of the masks from its peg and laid it on the table.

  "You see," she said, "that this is the face of a young girl—one of my father's models. It is a round, smooth, smiling face with a very short, weak chin and a projecting upper lip. We can change all that in a moment."

  She took up a lump of clay, and pinching off a pellet, laid it on the right cheek-bone and spread it out. Having treated the other side in the same manner, she rolled an elongated pellet with which she built up the lower lip. Then, with a larger pellet, she enlarged the chin downwards and forwards, and having added a small touch to each of the eyebrows, she dipped a sponge in thick clay-water, or 'slip', and dabbed the mask all over to bring it to a uniform colour.

  "There," she said, "it is very rough, but you see what I mean."

  The result was truly astonishing. The weak, chubby, girlish face had been changed by these few touches into the strong, coarse face of a middle-aged woman.

  "It really is amazing!" I exclaimed. "It is a perfectly different face. I wouldn't have believed that such a thing was possible."

  "It is a most striking and interesting demonstration," said Thorndyke. "But yet I don't know that we need be so surprised. If we consider that of all the millions of persons in this island alone, each one has a face which is different from any other and yet that all those faces are made up of the same anatomical parts, we realize that the differences which distinguish one face from another must be excessively subtle and minute."

  "We do," agreed Marion, "especially when we are modelling a portrait bust and the likeness won't come, although every part appears to be correct and all the measurements seem to agree. A true likeness is an extraordinarily subtle and exact piece of work."

  "So I have always thought," said Thorndyke. "But I mustn't delay you any longer. May I have my precious parcel?"

  Marion hastily put the finishing touches to the not very presentable bundle and handed it to him with a smile and a bow. He then took his leave of her and I escorted him to the door, where he paused for a moment as we shook hands.

  "You are bearing my advice in mind, I hope. Gray," he said.

  "As to keeping clear of unfrequented places? Yes, I have been very careful in that respect, and I never go abroad without the pistol. It is in my hip-pocket now. But I have seen no sign of anything to justify so much caution. I doubt if our friend is even aware of my existence, and in any case, I don't see that he has anything against me, excepting as Miss D'Arblay's watch-dog."

  "Don't be too sure, Gray," he rejoined earnestly. "There may be certain little matters that you have overlooked. At any rate, don't relax your caution. Give all unfrequented places a wide berth and keep a bright look-out."

  With this final warning, e turned away and strode off down the road, while I re-entered the studio just in time to see Polton mix the first bowl of plaster, as Marion, having washed the clay from the transformed mask, dried it and rehung it on its peg.

  XIII. A Narrow Escape

  The statement that I had made to Thorndyke was perfectly true in substance; but it was hardly as significant in fact as the words implied. I had, it is true, in my journeyings abroad, restricted myself to well-beaten thoroughfares. But then I had had no occasion to do otherwise. Until Polton's arrival on the scene my time had been wholly taken up in keeping a watch on Marion; and so it would have continued if I had followed my own inclination. But at the end of the first day's work she intervened resolutely.

  "I am perfectly ashamed," she said, "to occupy the time of two men, both of whom have their own affairs to attend to, though I can't tell you how grateful I am to you for sacrificing yourselves."

  "We are acting under the doctor's orders, miss," said Polton, thereby, in his opinion, closing the subject.

  "You mean Dr. Thorndyke's?" said Marion, not realizing—or not choosing to realize—that, to Polton, there was no other doctor in the world who counted.

  "Yes, miss. The doctor's orders must be carried out."

  "Of course they must," she agreed warmly, "since he has been so very good as to take all this trouble about my safety. But there is no need for both of you to be here together. Couldn't you arrange to take turns on duty—alternate days or a half-day each? I hate the thought that I am wasting the whole of both your times."

  I did not look on the suggestion with favour, for I was reluctant to yield up to any man—even to Polton—the privilege of watc
hing over the safety of one who was so infinitely dear to me. Nor was Polton much less unwilling to agree, for he loathed to leave a piece of work uncompleted. However, Marion refused to accept our denials (as is the way of women), and the end of it was that Polton and I had to arrange our duties in half-day shifts, changing over at the end of each week, the first spell allotting the mornings to me and the latter half of the day—with the duty of seeing Marion home—to him.

  Thus, during each of the following six working days, I found myself with the entire afternoon and evening free. The former I usually spent at the hospital, but in the evenings, feeling too unsettled for study, I occupied myself very pleasantly with long walks through the inexhaustible streets, extending my knowledge of the town and making systematic explorations of such distant regions as Mile End, Kingsland, Dalston, Wapping and the Borough.

  One evening I bethought me of my promise to look in on Usher. I did not find myself yearning for his society, but a promise is a promise. Accordingly, when I had finished my solitary dinner, I set forth from my lodgings in Camden Square and made a bee-line for Clerkenwell; so far, that is to say, as was possible, while keeping to the wider streets. For in this respect, I followed Thorndyke's instructions to the letter, though, as to the other matter—that of keeping a bright look-out—I was less attentive, my mind being much more occupied with thoughts of Marion (who would, just now, be on her way home under Polton's escort) than with any considerations of my own personal safety. Indeed, to tell the truth, I was inclined to be more than a little sceptical as to the need for these extraordinary precautions.

  I found Usher in the act of bowing out the last of the 'evening consultations' and was welcomed by him with enthusiasm.

  "Delighted to see you, old chap!" he exclaimed, shaking my hand warmly. "It is good of you to drop in on an old fossil like me. Didn't much think you would. I suppose you don't often come this way?"

  "No," I replied. "It is rather off my beat. I've finished with Hoxton—for the present, at any rate."

  "So have I," said Usher, "since poor old Crile went off to the better land."

  "Crile?" I repeated. "Who was he?"

  "Don't you remember me telling you about his funeral, when they had those Sunday-school kids yowling hymns round the grave? That was Mr. Crile—Christian name, Jonathan."

  "I remember, but I didn't realize that he was a Hoxton aristocrat."

  "Well, he was. Fifty-two Field Street was his earthly abode. I used to remember it by the number of weeks in the year. And glad enough I was when he hopped off his perch, for his confounded landlady, a Mrs. Pepper, would insist on fixing the times for my visits, and deuced inconvenient times, too. Between four and six on Tuesdays and Fridays. I hate patients who turn your visits into appointments. Upsets your whole visiting-list."

  "It seems to be the fashion in Hoxton," I remarked. "I had to make my visits at appointed times, too. It would have been frightfully inconvenient if I had been busy. Is it often done?"

  "They will always do it if you let 'em. Of course it is a convenience to a woman who doesn't keep a servant, to know what time the doctor is going to call; but it doesn't do to give way to 'em."

  I assented to this excellent principle, noting, however, that he seemed to have 'given way to em' all the same.

  As we had been talking, we had gradually drifted from the surgery up a flight of stairs to a shabby, cosy little room on the first floor, where a cheerful fire was burning and a copper kettle on a trivet purred contentedly and breathed forth little clouds of steam. Usher inducted me into a large easy-chair, the depressed seat of which suggested its customary use by an elephant of sedentary habits, and produced from a cupboard a spirit-decanter, a high-shouldered Dutch gin-bottle, a sugar-basin and a couple of tumblers and sugar-crushers.

  "Whisky or Hollands?" he demanded, and as curiosity led me to select the latter, he commented: "That's right, Gray. Good stuff, Hollands. Touches up the cubical epithelium—what! I am rather partial to a drop of Hollands."

  It was no empty profession. The initial dose made me open my eyes; and that was only a beginning. In a twinkling, as it seemed, his tumbler was empty and the collaboration of the bottle and the copper kettle was repeated. And so it went on for nearly an hour, until I began to grow quite uneasy, though without any visible cause, so far as Usher was concerned. He did not turn a hair (he hadn't very many to turn for that matter, but I speak figuratively). The only effect that I could observe was an increasing fluency of speech with a tendency to discursiveness; and I must admit that his conversation was highly entertaining. But his evident intention to 'make a night of it' set me planning to make my escape without appearing to slight his hospitality. How I should have managed it, unaided by the direct interposition of Providence, I cannot guess; for his conversation had now taken the form of an interminable sentence punctuated by indistinguishable commas; but in the midst of this steadily-flowing stream of eloquence the outer silence was rent by the sudden jangling of a bell.

  Usher stopped short, stared at me solemnly, deliberately I emptied his tumbler and stood up.

  "Night bell, ol' chappie," he explained. "Got to go out. But don't you disturb yourself. Be back in a few minutes. Soon polish 'em off."

  "I'll walk round with you as far as your patient's house," said I, "and then I shall have to get home. It is past ten and I have a longish walk to Camden Square."

  He was disposed to argue the point, but another violent jangling cut his protests short and lent him hurrying down the stairs with me close at his heels. A couple of minutes later we were out in the street, following in the wake of a hurrying figure; and, looking at Usher as he walked sedately at my side, with his top-hat, his whiskers and his inevitable umbrella, I had the feeling that all those jorums of Hollands had been consumed in vain. In appearance, in manner, in speech and in gait he was just his normal sea, with never a hint of any change from the status quo ante bellum.

  Our course led us into the purlieus of St. John Street Road, where we presently turned into a narrow, winding and curiously desolate little street, along which we proceeded for a few hundred yards, when our 'fore-runner' halted at a door into which he inserted a latch-key. When we arrived at the open door, inside which a shadowy figure was lurking, Usher stopped and held out his hand.

  "Good night, old chap," he said. "Sorry you can't come back with me. If you keep straight on and turn to the left at the cross-roads, you will come out presently into the King's Cross Road. Then you'll know your way. So long."

  He turned into the dark passage, the door was closed and I went on my way.

  The little meandering street was singularly silent and deserted; and its windings cut off the light from the scanty street-lamps, so that stretches of it were in almost total darkness. As I strode forward the echoes of my foot-falls resounded with hollow reverberations which smote my ear—and ought have smitten my conscience—causing me to wonder, with grim amusement, what Thorndyke would have said if he could have seen me thus setting his instructions at defiance. Indeed, I was so far sensible of the impropriety of my being in such a place at such an hour that I was about to turn to take a look back along the street; but at the very moment that I halted within a few feet of a street-lamp, something struck the brim of my hat with a sharp, weighty blow like the stroke of a hammer, and I heard a dull thud from the lamp-post.

  In an instant I spun round, mighty fierce, whipping out my pistol, cocking it and pointing it down the street as I raced back towards the spot from whence the missile had appeared to come. There was not a soul in sight nor any sound of movement, and the shallow doorways seemed to offer no possible hiding-place. But some thirty yards back I came suddenly on a narrow opening like an empty doorway but actually the entrance to a covered alley not more than three feet wide and as dark as a pocket. This was evidently the ambush (which I had passed, like a fool, without observing it), and I halted beside it, with my pistol still pointed, listening intently and considering what I had better do. My first impuls
e had been to charge into the alley, but a moment's reflection showed the futility of such a proceeding. Probably my assailant had made off by some well-known outlet; but in any case it would be sheer insanity for me to plunge into that pitch-dark passage. For if he were still lurking there, he would be invisible to me, whereas I should be a clear silhouette against the dim light of the street. Moreover, I had seen no one and I could not shoot at any chance stranger whom I might find there. Reluctantly, I recognized that there was nothing for it but to retreat cautiously and be more careful in future.

  My retirement would have looked an odd proceeding to an observer, if there had been one, for I had to retreat crab-wise in order that I might keep the entrance of the alley covered with my pistol and yet see where I was going. When I reached the lamp-post, I scanned the area of lighted ground beneath it, and, almost at the first glance, perceived an object like a largish marble lying in the road. It proved, when I picked it up, to be a leaden ball, like an old-fashioned musket-ball, with one flattened side, which had prevented it from rolling away from the spot where it had fallen. I dropped it into my pocket and resumed my masterly retreat until, at length, the cross-roads came into view. Then I quickened my pace, and as I reached the corner, put away my pistol after slipping in the safety-catch.

  Once more out in the lighted and frequented main streets, my thoughts were free to turn over this extraordinary experience. But I did not allow them to divert me from a very careful look-out. All my scepticism was gone now. I realized that Thorndyke had not been making mere vague guesses, but that he had clearly foreseen that something of this kind would probably happen. That was, to me, the most perplexing feature of this incomprehensible affair.

  I turned it over in my mind again and again and could make nothing of it. I could see no adequate reason why this man should want to make away with me. True, I was Marion's protector, but that—even if he were aware of it—did not seem an adequate reason. Indeed, I could not see why he was seeking to make away with her—nor, even, was it clear to me that there had been a reasonable motive for murdering her father. But as to myself, I seemed to be out of the picture altogether. The man had nothing to fear from me or to gain by my death.

 

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