Its speech. Who will learn to breathe it?
A harsh, guttural exhalation from all of them. A soft flurry of knuckle-beats on belly and breast, mouths open, trying out the sounds.
It is hard. That from the youngest. Eyes rolled.
It is a monster; it would not be easy.
The singers would do better. Eyes rolled that way. No true singers had come with them; none had been interested enough, not with the story of the invasion and war to sing.
Who will go?
Silence. Without drumming, they knew their choices now, and their decision formed in silence. One stood, then another. A moment’s pause, then a third stood.
It is too important. We must have all three legs of the stool.
Left hand drumming, slow and sad, but without any flutter of weakness.
Tell the monster?
Show the monster. We will learn.
In the morning, the whole crowd of them—if that was indeed all—waited outside her house. Ofelia looked them over, wondering what was coming. Three of them came nearer, and one at a time curved over until their heads were at the level of her waist. What was this?
“Do you need something?” she asked. Bowing, it must be, and what did bowing mean to them? No answer, not even the grunts they were now producing regularly in response to her speech. “Want cold?” She opened the door wider and waved them in. They didn’t come. Instead, the others moved apart, and let the three begin to walk away down the lane.
Puzzled, Ofelia followed. Were they trying to lead her to something that needed repair? When they turned into the lane that led to the river side of the settlement, she was sure of that. It must be the pumps—although water had spurted out of her faucet and shower normally that morning. Perhaps they wanted her to show them how the pump controls worked. She had been expecting them to want that.
The three walked on past the pump house, with her behind them, the others trailing. It reminded her of processions, of something ceremonious in which she did not know her part. Past the pump house, down the meadow into the tall grass by the river. Ofelia slowed. She didn’t like to walk in the tall grass; it cut her feet and made fine stinging lines on her bare skin.
Now the three stopped, and turned to face her. They bowed again. One of them approached, and touched one of her necklaces with its talon. A soft trill. Then a wide-armed gesture, as if waving to the whole area, then a jerk of the head to the river. Certainty flared in her mind: they were leaving. All of them? She turned to look at those behind. They stood in a ragged line, unmoving. Were they going to try to make her leave? She couldn’t. She couldn’t eat their food—they had to know that.
The one who had touched her necklace did so again, this time slipping the talon under it, delicately, hardly grazing her skin. What? Did it want that? And why? Ofelia lifted her hands to the necklace, and slowly lifted it over her head. It was the one with slimerod cores among the beads she had made and painted; the colors of this one were greens and yellows with a few blue beads. Not her favorite; she didn’t mind giving it up, if that was the question.
She held it out, and the creature took it, looking in her eyes as if memorizing her face. If it was leaving, perhaps that’s exactly what it was doing. When it finally looked away, it stowed the necklace in one of the stoppered gourds hanging from its shoulder belt, pushing the stopper in firmly. Then another bow, and the three turned away.
She had not seen them near the river before; she did not know if they could swim . . . she felt a stab of fear for them, as if they had been her children after all. Things lived in the river that ate other water-creatures; the colony had once lost a child to something scaly with large teeth. Then she saw the slender boat move out of the reeds, into the river, and realized all over again how alien they were, how adapted to their world. They had made a long narrow craft of a something—skins?—sewn around a framework of bent wood. The seams formed a brickwork pattern; she wondered what sealed them from the water. And the paddles—long double-bladed paddles, the tips of the long blades pointed, dipped in and out of the water, moving the strange craft along the surface of the water as quickly and easily as one of the water-striders.
The colonists had had nothing like that; she had never imagined something like that. The colony boats had been one-piece shells, large enough to hold twelve adults, square on the ends, with a small engine mounted on one end. She remembered helping to build the launch site for the boats, that first season. The fabricator could not make anything that size, so when the last boats were lost, they had done without. It had not occurred to anyone to build something this small. Ofelia stared at it, trying to imagine wrapping cowhide around a wooden framework. Perhaps it could be done . . . if someone thought of it first.
She looked back at the ones left behind; they watched intently until the craft reached the far shore of the river, a tiny sliver it seemed, and with a last wave their companions disappeared into the forest there. Boat builders. Boat designers. They must have built that boat after they got to the river; she could not imagine them carrying boats like that across the grasslands where they lived.
Even if she had spoken their language she would not have had to ask why they left. They had gone to tell the others about her. They hadn’t killed her (yet, she tried to keep in mind), and they had now learned enough to go tell others. Would the others come? Or would all of these eventually leave? That was a thought—maybe they’d go away and leave her in peace once more, to pursue her own life the way she wanted, without having to pay attention to them.
For a moment she gave herself up to contemplation of that possibility, that blissful state, but she didn’t believe in it. Her peace had already been shattered, by the new colony, then by the creatures, and she knew, as if she sat on the committees where the decisions were made, that eventually someone would come to investigate the creatures who had killed humans.
Her creatures were still there in the morning. She had thought they might desert her, move on, hunting in the forest perhaps, now that they had sent word back. But they stayed close, almost as obtrusive as the whole group had been. Very gradually, she found herself mimicking their grunts and squawks, cautious, fitting her mouth into the strange shapes. They stared, and grunted or squawked back, and she did not understand. It just seemed more comfortable to make the sounds they made, as she might have done with babies.
They had become individuals, though she did not know what the individuality meant. She had no sense of male or female, old or young, or any social role. Her names for them came from what she noticed. The player, whose blowing through their tubular instrument she liked best. The killer, who had swung its knife at the treeclimber . . . she wished that one had gone away with the others, but it hadn’t. The gardener, who did not garden, but accompanied her most often, appreciating the slimerods.
Days passed. The player painted and strung a necklace of beads . . . blues mostly, with a few green and yellow ones. It could not hold the brush as she did, in those hard slippery talons. Instead, it pared a sliver away from a twig, slid the bead down onto that stop, then dipped the whole bead in the paint. Ofelia watched, amazed, as it waited for the excess paint to run off then upended the twig (neatly holding the painty end in the very tips of talons) so that the bead slid off onto a waiting stand, this made from a larger branch fixed to a base with its twigs uppermost. Bead after bead, dipped the same way, released to land on another of the empty twigs . . . the branch began to look like the holiday trees Ofelia vaguely remembered from the public buildings of her childhood. To her further surprise, the creature pared a separate dipping twig for each color of paint. Children had to be taught to clean a brush after using each color . . . these were not children. Nor were they human, though that became harder to remember as the days passed.
When the beads dried, the creature strung them on twisted grass, not the cord Ofelia offered. And when it had finished its work, it held the completed necklace out to her, hooked on one talon. A gift to replace the one she had gi
ven? She could not be sure of anything but the intent. She took it, and put it on. It bobbed at her, and made one of its noises; this one sounded happy, she decided. She smiled and said her thanks aloud, as she would to a person.
The one she thought of as the killer roamed the meadows; Ofelia feared for the livestock at first, but day after day none were missing. When she walked around to check, the killer walked with her, stopping at times to scratch with its long taloned toes at the tallest clumps of grass. Once it even threw itself down, in the tall grass near the river, and rolled on its back like the chickens having a dust bath. Ofelia grinned before she caught herself. It looked ridiculous, wallowing in the grass like that, even without feathers to fluff. She could not imagine what it was doing, unless the grass eased some itch.
The gardener continued to help her find and exterminate slimerods. It seemed to have no other interest; it was often missing from the group that plagued her in the center, hovering when she tried to settle to some task. Several times she found scratch-marks in the dirt around the plants, as if it had cultivated or weeded while she was not there. Perhaps it was only gathering slimerods, or perhaps it understood what her hoe and rake were for.
She heard the sound from inside, where she was drying herself after a shower. A long, rhythmic cry, several voices. Her heart lurched, then raced. In the lane outside, she heard a nearer, answering cry, and then the quick click-and-thud of the creatures running.
Their friends—their families?—must have arrived. Ofelia finished drying between her toes, very slowly, so that she could think. It would be different again. She was tired of difference, but the world had never yet shaped itself to her measure. How many had come this time? And would they, like her creatures (she almost allowed herself to think friends) allow her the freedom to do what she wished?
She put on the necklaces she had left on the kitchen table. It did not feel like enough. She opened her door and saw nothing in the lane. Down by the river she heard excited voices, then the cattle. She considered. The garment she had been working on, ribbonlike strips of cloth in brilliant colors . . . or the sea-storm one, or the cloak she had embroidered with flowers and faces? The voices came nearer. The cloak: it took less time to put on, and she had it here at home. With the cloak over her shoulders, and her necklaces layered over it, she felt she still lacked something. Bracelets around her wrists, yes, and the bit of crocheted netting that she had once put over her head: the creatures had widened their eyes at that, she recalled.
She went out, along the lane to the turning and then toward the river. She would meet them, not wait at home. It was her place, after all. The cloak lifted a little from her shoulders in the breeze; she peered down it at the upside-down faces with their staring eyes. She could not quite remember why that one had three eyes, and why she had run a double row of eyes down either side, between the faces in front and the flowers behind.
Ahead, a cluster of the creatures coming up from the river. She recognized her necklace on one of them—had the original three returned? And newcomers, one much darker than the others, and one wearing a sky-blue cloak that came halfway to the ground. She paused beside the last house. They were moving now, coming toward her, carrying sacks. Food? Equipment? And the new ones—at least the one in the blue cloak—moved more slowly than the ones she was used to.
Close to, they were obviously the same kind of creatures, but she felt a different intelligence. She had never noticed much organization among her creatures, never been sure who was in charge. Except when going off to hunt, they had seemed to drift through the days intent on nothing but following her, studying her. Now she noticed that her creatures had shifted to the back of the group; the cloaked creature went first, as if it had the right.
Her heart pounded; her blood hissed in her ears. Was it fright or excitement? She stared at the cloaked one, trying to find some clue in its features. Under the cloak she could just see criss-crossing straps and slings, hung with the same sort of gourds and sacks she was used to.
It halted some five meters from her. The others halted behind it. The breeze tugged at her cloak, lifted its cloak in a ripple. It moved its hands out slowly, turned them up, spread its fingers. That she could recognize: empty hands, no threat. She did not have to believe it to answer. She spread her own hands, palms up. It brought its hands together, talon to talon, posed as carefully as the devotional figurines she remembered from her childhood. Again she imitated the pose. Whatever these creatures meant, it was not what her people meant. She had never believed in what her people meant. Guilt stabbed for a moment, then she drove it away. These creatures could not know that she had never believed.
The cloaked one spread its arms now, in a slow gesture that evoked the village behind Ofelia, and then seemed to wrap it into a tidy package, which it handed her. If she had any understanding at all, that meant “This whole place is yours.” Or it might be asking. Ofelia, remembering a childhood song, drew a big circle in the air with her hands, swept a hand from that to the horizon, and then repeated the wrapping-up gesture the creature had used. She handed the invisible package to the cloaked one, as if it were both large and precious. This whole world is yours, she meant to say.
Behind the newcomers, her own creatures bounced a little, though the cloaked one showed little reaction for a long moment. Then it looked around, and gestured to the other creatures. Two of them—one her own player, and one new—brought out instruments and piped a thin tune against the wind. Then the drumming began.
She had known they had drums of course. She had heard drumming before, night after night. But she had not imagined how they did this, or how it would affect her.
TWELVE
Their throats swelled, bulged into grotesque sacs; their arms twitched; they seemed to vibrate all over. And from the distended throats came the sharp pulse of rhythm. Ofelia felt it shaking the air, rolling through her body as if she were one of them, much louder than the drumming her creatures had done before. The soles of her feet itched with a different, unmatched rhythm, as if an army marched in step with each other, out of step with music. When she looked, the creatures were stamping in unison, but not in time with the higher drumming.
She didn’t like the feel of the discordance; her body wanted to move with one or the other, but could not move with both. Or could she? Her feet twitched; she felt the discordance move into syncopation, and her arms lifted, swayed . . . she moved into what she felt as both dance and song, though she had never danced so before, and had no idea what her movements sang to the creatures who had begun the music.
Beat and beat, step and step again. Now the cross-current of rhythm steadied; she found she was marking the accented beats, and their feet matched hers. Which had changed? She could not be sure. She felt breathless, and yet light-footed, ready to dance a long way.
Her creatures moved from the rear of the group, moving to flank it like wings. Ofelia looked from one to the other. Player, Hunter/Killer, Gardener, the others for whom she had found no name. They danced a step nearer. Ofelia moved back; they moved forward. Comprehension came with a quickening beat, with the unison movement of their feet toward hers. They would not enter the village without her lead, her . . . permission?
A moment’s rebellion: what did she want with all these creatures, who would plague her even more than the ones she knew? But the music held her, steadied her. She could not stop them if they wanted to come, and this way they would come at her pace, at her will. She turned a full circle, one arm extended: this, too, may be yours.
Then, to the combined drumming of vocal sacs and feet, she led the way into the village. Behind her, the drumming steadied to a single pulse she felt in her entire body, as if the earth itself pulsed. She led them up the lane, past the shuttered homes, past the place where she had seen the first storm-battered one, the house where they had sheltered together. She came to the turn, the lane past her own house, and then to the center. Here her breath stabbed at her; she stopped, leaning over with her hand pr
essed to her side.
The drumming slowed, became softer and more vocal, almost a song, almost words. Her creatures approached. Were they concerned, or merely hungry? Ofelia put out a hand to steady herself on the wall. It could be funny . . . here she was, the center of attention, the attraction that had drawn alien creatures across thousands of kilometers, and because she was just an old lady she might die of excitement and waste all their time. The thought made her chuckle against the pain; the chuckle made her cough.
When she could draw an easy breath again, they were all waiting, silent, poised in a circle around her. The cloaked one faced her, head tipped to one side.
“I’m fine now,” Ofelia said. “It’s just that I’m old.”
It blinked. Then, slowly, it leaned over the way she had, pressed its hand to its side the way she had, and coughed. The cough had the stagy quality of a child who has just learned about social coughs. Then it held its hand low, and raised it in short steps to her present height . . . and fluttered those long-taloned fingers along a horizontal path, dipping and rising as if to mark intervals. It held that hand still finally. The other hand rose to meet it, matching fluttering the same way, a little distance beyond it, then dropped suddenly. Then both hands down, and the creature bobbed its head.
Ofelia stood thinking. If she had done that, what would she mean? She put her own hand low, and began the sequence. Growth, of course. Then the level fluttering would be adult life, and the sudden drop, death. Her heart raced suddenly. She felt dizzy. Was it a question or an observation, that she was close to death? She could not tell how old they were . . . how could they tell she was old?
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