by Emily Henry
Praise for
Beach Read
“Reader, I swooned! Beach Read is a breath of fresh air. My heart ached for January, and Gus is to die for—a steamy, smart, and perceptive romance. I was engrossed!”
—Josie Silver, #1 New York Times bestselling author of One Day in December
“This is a touching and heartfelt book about love, betrayal, grief, failure, and learning how to love again. I adored going along on Gus and January’s journey, and I closed this book with a satisfied sigh.”
—Jasmine Guillory, New York Times bestselling author of The Proposal
“Delightfully romantic and slyly poignant, Beach Read is brimming with crackling banter and engrossing prose. It has every flavor of booklover catnip: rivalry, creative struggle, family secrets, and the sweet, head-over-heels tumble into love. Emily Henry’s Beach Read is 2020’s perfect anywhere read.”
—Christina Lauren, New York Times bestselling author of The Unhoneymooners
“Beach Read is original, sparkling bright, and layered with feeling. Has trying to see the world through your longtime crush/rival’s eyes ever been this potent and poignant? If whipcrack banter and foggy sexual tension is your catnip, you’ll adore this book.”
—Sally Thorne, USA Today bestselling author of The Hating Game and 99 Percent Mine
“Beach Read is exactly the witty, charming, and swoony novel we always want; it also happens to be the unexpected wallop of emotional wisdom and sly social commentary we need right now. I adored it.”
—Julia Whelan, author of My Oxford Year
“Beach Read by Emily Henry has everything the title promises—a romping plot, family secrets, and the thrill of falling in love, all set on the sweeping shores of eastern Lake Michigan. I cannot wait to read what Henry writes next.”
—Amy E. Reichert, author of The Coincidence of Coconut Cake and The Optimist’s Guide to Letting Go
A JOVE BOOK
Published by Berkley
An imprint of Penguin Random House LLC
penguinrandomhouse.com
Copyright © 2020 by Emily Henry
Readers Guide copyright © 2020 by Emily Henry
Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.
A JOVE BOOK, BERKLEY, and the BERKLEY & B colophon are registered trademarks of Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Names: Henry, Emily, author.
Title: Beach read / Emily Henry.
Description: First edition. | Berkley : Jove, 2020.
Identifiers: LCCN 2019044690 (print) | LCCN 2019044691 (ebook) | ISBN 9781984806734 (paperback) | ISBN 9781984806741 (ebook)
Classification: LCC PS3608.E5715 B43 2020 (print) | LCC PS3608.E5715 (ebook) | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2019044690
LC ebook record available at https://lccn.loc.gov/2019044691
First Edition: May 2020
Cover design and illustration by Sandra Chiu
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
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Contents
Praise for BEACH READ
Title Page
Copyright
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Acknowledgments
Readers GuideBehind the Book
Discussion Questions
Further Reading
About the Author
For Joey:
You are so perfectly my favorite person.
1
The House
I have a fatal flaw.
I like to think we all do. Or at least that makes it easier for me when I’m writing—building my heroines and heroes up around this one self-sabotaging trait, hinging everything that happens to them on a specific characteristic: the thing they learned to do to protect themselves and can’t let go of, even when it stops serving them.
Maybe, for example, you didn’t have much control over your life as a kid. So, to avoid disappointment, you learned never to ask yourself what you truly wanted. And it worked for a long time. Only now, upon realizing you didn’t get what you didn’t know you wanted, you’re barreling down the highway in a midlife-crisis-mobile with a suitcase full of cash and a man named Stan in your trunk.
Maybe your fatal flaw is that you don’t use turn signals.
Or maybe, like me, you’re a hopeless romantic. You just can’t stop telling yourself the story. The one about your own life, complete with melodramatic soundtrack and golden light lancing through car windows.
It started when I was twelve. My parents sat me down to tell me the news. Mom had gotten her first diagnosis—suspicious cells in her left breast—and she told me not to worry so many times I suspected I’d be grounded if she caught me at it. My mom was a do-er, a laugher, an optimist, not a worrier, but I could tell she was terrified, and so I was too, frozen on the couch, unsure how to say anything without making things worse.
But then my bookish homebody of a father did something unexpected. He stood and grabbed our hands—one of Mom’s, one of mine—and said, You know what we need to get these bad feelings out? We need to dance!
Our suburb had no clubs, just a mediocre steak house with a Friday night cover band, but Mom lit up like he’d just suggested taking a private jet to the Copacabana.
She wore her buttery yellow dress and some hammered metal earrings that twinkled when she moved. Dad ordered twenty-year-old Scotch for them and a Shirley Temple for me, and the three of us twirled and bobbed until we were dizzy, laughing, tripping all over. We laughed until we could barely stand, and my famously reserved father sang along to “Brown Eyed Girl” like the whole room wasn’t watching us.
And then, exhausted, we piled into the car and drove home through the quiet, Mom and Dad holding tight to each other’s hands between the seats, and I tipped my head against the car window and, watching the streetlights flicker across the glass, thought, It’s going to be okay. We will always be okay.
And that was the moment I realized: when the world felt dark and
scary, love could whisk you off to go dancing; laughter could take some of the pain away; beauty could punch holes in your fear. I decided then that my life would be full of all three. Not just for my own benefit, but for Mom’s, and for everyone else around me.
There would be purpose. There would be beauty. There would be candlelight and Fleetwood Mac playing softly in the background.
The point is, I started telling myself a beautiful story about my life, about fate and the way things work out, and by twenty-eight years old, my story was perfect.
Perfect (cancer-free) parents who called several times a week, tipsy on wine or each other’s company. Perfect (spontaneous, multilingual, six foot three) boyfriend who worked in the ER and knew how to make coq au vin. Perfect shabby chic apartment in Queens. Perfect job writing romantic novels—inspired by perfect parents and perfect boyfriend—for Sandy Lowe Books.
Perfect life.
But it was just a story, and when one gaping plot hole appeared, the whole thing unraveled. That’s how stories work.
Now, at twenty-nine, I was miserable, broke, semi-homeless, very single, and pulling up to a gorgeous lake house whose very existence nauseated me. Grandly romanticizing my life had stopped serving me, but my fatal flaw was still riding shotgun in my dinged-up Kia Soul, narrating things as they happened:
January Andrews stared out the car window at the angry lake beating up on the dusky shore. She tried to convince herself that coming here hadn’t been a mistake.
It was definitely a mistake, but I had no better option. You didn’t turn down free lodging when you were broke.
I parked on the street and stared up at the oversized cottage’s facade, its gleaming windows and fairy tale of a porch, the shaggy beach grass dancing in the warm breeze.
I checked the address in my GPS against the handwritten one hanging from the house key. This was it, all right.
For a minute, I stalled, like maybe a world-ending asteroid would take me out before I was forced to go inside. Then I took a deep breath and got out, wrestling my overstuffed suitcase from the back seat along with the cardboard box full of gin handles.
I pushed a fistful of dark hair out of my eyes to study the cornflower blue shingles and snow-white trim. Just pretend you’re at an Airbnb.
Immediately, an imaginary Airbnb listing ran through my head: Three-bedroom, three-bath lakeside cottage brimming with charm and proof your father was an asshole and your life has been a lie.
I started up the steps cut into the grassy hillside, blood rushing through my ears like fire hoses and legs wobbling, anticipating the moment the hellmouth would open and the world would drop out from under me.
That already happened. Last year. And it didn’t kill you, so neither will this.
On the porch, every sensation in my body heightened. The tingling in my face, the twist in my stomach, the sweat prickling along my neck. I balanced the box of gin against my hip and slipped the key into the lock, a part of me hoping it would jam. That all this would turn out to be an elaborate practical joke Dad had set up for us before he died.
Or, better yet, he wasn’t actually dead. He’d jump out from behind the bushes and scream, “Gotcha! You didn’t really think I had a secret second life, did you? You couldn’t possibly think I had a second house with some woman other than your mother?”
The key turned effortlessly. The door swung inward.
The house was silent.
An ache went through me. The same one I’d felt at least once a day since I got Mom’s call about the stroke and heard her sob those words. He’s gone, Janie.
No Dad. Not here. Not anywhere. And then the second pain, the knife twisting: The father you knew never existed anyway.
I’d never really had him. Just like I’d never really had my ex Jacques or his coq au vin.
It was just a story I’d been telling myself. From now on, it was the ugly truth or nothing. I steeled myself and stepped inside.
My first thought was that the ugly truth wasn’t super ugly. My dad’s love nest had an open floor plan: a living room that spilled into a funky, blue-tiled kitchen and homey breakfast nook, the wall of windows just beyond overlooking a dark-stained deck.
If Mom had owned this place, everything would’ve been a mix of creamy, calming neutrals. The bohemian room I’d stepped into would’ve been more at home in Jacques’s and my old place than my parents’. I felt a little queasy imagining Dad here, among these things Mom never would’ve picked out: the folksy hand-painted breakfast table, the dark wooden bookshelves, the sunken couch covered in mismatched pillows.
There was no sign of the version of him that I’d known.
My phone rang in my pocket and I set the box on the granite countertop to answer the call.
“Hello?” It came out weak and raspy.
“How is it?” the voice on the other end said immediately. “Is there a sex dungeon?”
“Shadi?” I guessed. I tucked the phone between my ear and shoulder as I unscrewed the cap from one of my gin bottles, taking a swig to fortify myself.
“It honestly worries me that I’m the only person who might call you to ask that,” Shadi answered.
“You’re the only person who even knows about the Love Shack,” I pointed out.
“I am not the only one who knows about it,” Shadi argued.
Technically true. While I’d found out about my father’s secret lake house at his funeral last year, Mom had been aware much longer. “Fine,” I said. “You’re the only person I told about it. Anyway, give me a second. I just got here.”
“Literally?” Shadi was breathing hard, which meant she was walking to a shift at the restaurant. Since we kept such different hours, most of our calls happened when she was on her way into work.
“Metaphorically,” I said. “Literally, I’ve been here for ten minutes, but I only just feel that I have arrived.”
“So wise,” Shadi said. “So deep.”
“Shh,” I said. “I’m taking it all in.”
“Check for the sex dungeon!” Shadi hurried to say, as if I were hanging up on her.
I was not. I was simply holding the phone to my ear, holding my breath, holding my racing heart in my chest, as I scanned my father’s second life.
And there, just when I could convince myself Dad couldn’t possibly have spent time here, I spotted something framed on the wall. A clipping of a New York Times Best Sellers list from three years ago, the same one he’d positioned over the fireplace at home. There I was, at number fifteen, the bottom slot. And there, three slots above me—in a sick twist of fate—was my college rival, Gus (though now he went by Augustus, because Serious Man) and his highbrow debut novel The Revelatories. It had stayed on the list for five weeks (not that I was counting (I was absolutely counting)).
“Well?” Shadi prompted. “What do you think?”
I turned and my eyes caught on the mandala tapestry hanging over the couch.
“I’m led to wonder if Dad smoked weed.” I spun toward the windows at the side of the house, which aligned almost perfectly with the neighbor’s, a design flaw Mom would never have overlooked when house shopping.
But this wasn’t her house, and I could clearly see the floor-to-ceiling bookshelves that lined the neighbor’s study.
“Oh, God—maybe it’s a grow house, not a love shack!” Shadi sounded delighted. “You should’ve read the letter, January. It’s all been a misunderstanding. Your dad’s leaving you the family business. That Woman was his business partner, not his mistress.”
How bad was it that I wished she were right?
Either way, I’d fully intended to read the letter. I’d just been waiting for the right time, hoping the worst of my anger would settle and those last words from Dad would be comforting. Instead, a full year had passed and the dread I felt at the thought of opening the envelope grew every day. It
was so unfair, that he should get the last word and I’d have no way to reply. To scream or cry or demand more answers. Once I’d opened it, there’d be no going back. That would be it. The final goodbye.
So until further notice, the letter was living a happy, if solitary, life in the bottom of the gin box I’d brought with me from Queens.
“It’s not a grow house,” I told Shadi and slid open the back door to step onto the deck. “Unless the weed’s in the basement.”
“No way,” Shadi argued. “That’s where the sex dungeon is.”
“Let’s stop talking about my depressing life,” I said. “What’s new with you?”
“You mean the Haunted Hat,” Shadi said. If only she had fewer than four roommates in her shoebox apartment in Chicago, then maybe I’d be staying with her now. Not that I was capable of getting anything done when I was with Shadi. And my financial situation was too dire not to get something done. I had to finish my next book in this rent-free hell. Then maybe I could afford my own Jacques-free place.
“If the Haunted Hat is what you want to talk about,” I said, “then yes. Spill.”
“Still hasn’t spoken to me.” Shadi sighed wistfully. “But I can, like, sense him looking at me when we’re both in the kitchen. Because we have a connection.”
“Are you at all worried that your connection isn’t with the guy who’s wearing the antique porkpie hat, but perhaps with the ghost of the hat’s original owner? What will you do if you realize you’ve fallen in love with a ghost?”
“Um.” Shadi thought for a minute. “I guess I’d have to update my Tinder bio.”
A breeze rippled off the water at the bottom of the hill, ruffling my brown waves across my shoulders, and the setting sun shot golden spears of light over everything, so bright and hot I had to squint to see the wash of oranges and reds it cast across the beach. If this were just some house I’d rented, it would be the perfect place to write the adorable love story I’d been promising Sandy Lowe Books for months.
Shadi, I realized, had been talking. More about the Haunted Hat. His name was Ricky, but we never called him that. We always spoke of Shadi’s love life in code. There was the older man who ran the amazing seafood restaurant (the Fish Lord), and then there was some guy we’d called Mark because he looked like some other, famous Mark, and now there was this new coworker, a bartender who wore a hat every day that Shadi loathed and yet could not resist.