Archaeologists and anthropologists are still trying to explain the bizarre designs chased on a crushed bowl of light metal whose inner side bore ominous brownish stains when found. Foreigners and credulous grandmothers are equally garrulous about the modern nickel crucifix with broken chain mixed in the rubbish and shiveringly identified by Joe Mazurewicz as that which he had given poor Gilman many years before. Some believe this crucifix was dragged up to the sealed loft by rats, while others think it must have been on the floor in some corner of Gilman’s old room at the time. Still others, including Joe himself, have theories too wild and fantastic for sober credence.
When the slanting wall of Gilman’s room was torn out, the once-sealed triangular space between that partition and the house’s north wall was found to contain much less structural debris, even in proportion to its size, than the room itself, though it had a ghastly layer of older materials which paralyzed the wreckers with horror. In brief, the floor was a veritable ossuary of the bones of small children – some fairly modern, but others extending back in infinite gradations to a period so remote that crumbling was almost complete. On this deep bony layer rested a knife of great size, obvious antiquity, and grotesque, ornate, and exotic design – above which the debris was piled.
In the midst of this debris, wedged between a fallen plank and a cluster of cemented bricks from the ruined chimney, was an object destined to cause more bafflement, veiled fright, and openly superstitious talk in Arkham than anything else discovered in the haunted and accursed building.
This object was the partly crushed skeleton of a huge diseased rat, whose abnormalities of form are still a topic of debate and source of singular reticence among the members of Miskatonic’s department of comparative anatomy. Very little concerning this skeleton has leaked out, but the workmen who found it whisper in shocked tones about the long, brownish hairs with which it was associated.
The bones of the tiny paws, it is rumoured, imply prehensile characteristics more typical of a diminutive monkey than of a rat, while the small skull with its savage yellow fangs is of the utmost anomalousness, appearing from certain angles like a miniature, monstrously degraded parody of a human skull. The workmen crossed themselves in fright when they came upon this blasphemy, but later burned candles of gratitude in St. Stanislaus’ Church because of the shrill, ghostly tittering they felt they would never hear again.
The Thing on the Doorstep
Chapter I
It is true that I have sent six bullets through the head of my best friend, and yet I hope to show by this statement that I am not his murderer. At first I shall be called a madman – madder than the man I shot in his cell at the Arkham Sanitarium. Later some of my readers will weigh each statement, correlate it with the known facts, and ask themselves how I could have believed otherwise than I did after facing the evidence of that horror – that thing on the doorstep.
Until then I also saw nothing but madness in the wild tales I have acted on. Even now I ask myself whether I was misled – or whether I am not mad after all. I do not know – but others have strange things to tell of Edward and Asenath Derby, and even the stolid police are at their wits’ ends to account for that last terrible visit. They have tried weakly to concoct a theory of a ghastly jest or warning by discharged servants, yet they know in their hearts that the truth is something infinitely more terrible and incredible.
So I say that I have not murdered Edward Derby. Rather have I avenged him, and in so doing purged the earth of a horror whose survival might have loosed untold terrors on all mankind. There are black zones of shadow close to our daily paths, and now and then some evil soul breaks a passage through. When that happens, the man who knows must strike before reckoning the consequences.
I have known Edward Pickman Derby all his life. Eight years my junior, he was so precocious that we had much in common from the time he was eight and I was sixteen. He was the most phenomenal child scholar I have ever known, and at seven was writing verse of a sombre, fantastic, almost morbid cast which astonished the tutors surrounding him. Perhaps his private education and coddled seclusion had something to do with his premature flowering. An only child, he had organic weaknesses which startled his doting parents and caused them to keep him closely chained to their side. He was never allowed out without his nurse, and seldom had a chance to play unconstrainedly with other children. All this doubtless fostered a strange secretive life in the boy, with imagination as his one avenue of freedom.
At any rate, his juvenile learning was prodigious and bizarre; and his facile writings such as to captivate me despite my greater age. About that time I had leanings toward art of a somewhat grotesque cast, and I found in this younger child a rare kindred spirit. What lay behind our joint love of shadows and marvels was, no doubt, the ancient, mouldering, and subtly fearsome town in which we live – witch-cursed, legend-haunted Arkham, whose huddled, sagging gambrel roofs and crumbling Georgian balustrades brood out the centuries beside the darkly muttering Miskatonic.
As time went by I turned to architecture and gave up my design of illustrating a book of Edward’s demoniac poems, yet our comradeship suffered no lessening. Young Derby’s odd genius developed remarkably, and in his eighteenth year his collected nightmare-lyrics made a real sensation when issued under the title Azathoth and Other Horrors. He was a close correspondent of the notorious Baudelairean poet Justin Geoffrey, who wrote ‘The People of the Monolith’ and died screaming in a madhouse in 1926 after a visit to a sinister, ill-regarded village in Hungary.
In self-reliance and practical affairs, however, Derby was greatly retarded because of his coddled existence. His health had improved, but his habits of childish dependence were fostered by over-careful parents, so that he never travelled alone, made independent decisions, or assumed responsibilities. It was early seen that he would not be equal to a struggle in the business or professional arena, but the family fortune was so ample that this formed no tragedy. As he grew to years of manhood he retained a deceptive aspect of boyishness. Blond and blue-eyed, he had the fresh complexion of a child; and his attempt to raise a moustache were discernible only with difficulty. His voice was soft and light, and his unexercised life gave him a juvenile chubbiness rather than the paunchiness of premature middle age. He was of good height, and his handsome face would have made him a notable gallant had not his shyness held him to seclusion and bookishness.
Derby’s parents took him abroad every summer, and he was quick to seize on the surface aspects of European thought and expression. His Poe-like talents turned more and more toward the decadent, and other artistic sensitiveness and yearnings were half-aroused in him. We had great discussions in those days. I had been through Harvard, had studied in a Boston architect’s office, had married, and had finally returned to Arkham to practise my profession – settling in the family homestead in Saltonstall Street since my father had moved to Florida for his health. Edward used to call almost every evening, till I came to regard him as one of the household. He had a characteristic way of ringing the doorbell or sounding the knocker that grew to be a veritable code signal, so that after dinner I always listened for the familiar three brisk strokes followed by two more after a pause. Less frequently I would visit at his house and note with envy the obscure volumes in his constantly growing library.
Derby went through Miskatonic University in Arkham since his parents would not let him board away from them. He entered at sixteen and completed his course in three years, majoring in English and French literature and receiving high marks in everything but mathematics and the sciences. He mingled very little with the other students, though looking enviously at the ‘daring’ or ‘Bohemian’ set – whose superficially ‘smart’ language and meaningless ironic pose he aped, and whose dubious conduct he wished he dared adopt.
What he did do was to become an almost fanatical devotee of subterranean magical lore, for which Miskatonic’s library was and is famous. Always a dwel
ler on the surface of phantasy and strangeness, he now delved deep into the actual runes and riddles left by a fabulous past for the guidance or puzzlement of posterity. He read things like the frightful Book of Eibon, the Unaussprechlichen Kulten of von Junzt, and the forbidden Necronomicon of the mad Arab Abdul Alhazred, though he did not tell his parents he had seen them. Edward was twenty when my son and only child was born, and seemed pleased when I named the newcomer Edward Derby Upton after him.
By the time he was twenty-five Edward Derby was a prodigiously learned man and a fairly well known poet and fantaisiste though his lack of contacts and responsibilities had slowed down his literary growth by making his products derivative and over-bookish. I was perhaps his closest friend – finding him an inexhaustible mine of vital theoretical topics, while he relied on me for advice in whatever matters he did not wish to refer to his parents. He remained single – more through shyness, inertia, and parental protectiveness than through inclination – and moved in society only to the slightest and most perfunctory extent. When the war came both health and ingrained timidity kept him at home. I went to Plattsburg for a commission but never got overseas.
So the years wore on. Edward’s mother died when he was thirty four and for months he was incapacitated by some odd psychological malady. His father took him to Europe, however, and he managed to pull out of his trouble without visible effects. Afterward he seemed to feel a sort of grotesque exhilaration, as if of partial escape from some unseen bondage. He began to mingle in the more ‘advanced’ college set despite his middle age, and was present at some extremely wild doings – on one occasion paying heavy blackmail (which he borrowed of me) to keep his presence at a certain affair from his father’s notice. Some of the whispered rumours about the wild Miskatonic set were extremely singular. There was even talk of black magic and of happenings utterly beyond credibility.
Chapter II
Edward was thirty-eight when he met Asenath Waite. She was, I judge, about twenty-three at the time; and was taking a special course in mediaeval metaphysics at Miskatonic. The daughter of a friend of mine had met her before – in the Hall School at Kingsport – and had been inclined to shun her because of her odd reputation. She was dark, smallish, and very good-looking except for overprotuberant eyes; but something in her expression alienated extremely sensitive people. It was, however, largely her origin and conversation which caused average folk to avoid her. She was one of the Innsmouth Waites, and dark legends have clustered for generations about crumbling, half-deserted Innsmouth and its people. There are tales of horrible bargains about the year 1850, and of a strange element ‘not quite human’ in the ancient families of the run-down fishing port – tales such as only old-time Yankees can devise and repeat with proper awesomeness.
Asenath’s case was aggravated by the fact that she was Ephraim Waite’s daughter – the child of his old age by an unknown wife who always went veiled. Ephraim lived in a half-decayed mansion in Washington Street, Innsmouth, and those who had seen the place (Arkham folk avoid going to Innsmouth whenever they can) declared that the attic windows were always boarded, and that strange sounds sometimes floated from within as evening drew on. The old man was known to have been a prodigious magical student in his day, and legend averred that he could raise or quell storms at sea according to his whim. I had seen him once or twice in my youth as he came to Arkham to consult forbidden tomes at the college library, and had hated his wolfish, saturnine face with its tangle of iron-grey beard. He had died insane – under rather queer circumstances – just before his daughter (by his will made a nominal ward of the principal) entered the Hall School, but she had been his morbidly avid pupil and looked fiendishly like him at times.
The friend whose daughter had gone to school with Asenath Waite repeated many curious things when the news of Edward’s acquaintance with her began to spread about. Asenath, it seemed, had posed as a kind of magician at school; and had really seemed able to accomplish some highly baffling marvels. She professed to be able to raise thunderstorms, though her seeming success was generally laid to some uncanny knack at prediction. All animals markedly disliked her, and she could make any dog howl by certain motions of her right hand. There were times when she displayed snatches of knowledge and language very singular – and very shocking – for a young girl; when she would frighten her schoolmates with leers and winks of an inexplicable kind, and would seem to extract an obscene zestful irony from her present situation.
Most unusual, though, were the well-attested cases of her influence over other persons. She was, beyond question, a genuine hypnotist. By gazing peculiarly at a fellow-student she would often give the latter a distinct feeling of exchanged personality – as if the subject were placed momentarily in the magician’s body and able to stare half across the room at her real body, whose eyes blazed and protruded with an alien expression. Asenath often made wild claims about the nature of consciousness and about its independence of the physical frame – or at least from the life-processes of the physical frame. Her crowning rage, however, was that she was not a man; since she believed a male brain had certain unique and far-reaching cosmic powers. Given a man’s brain, she declared, she could not only equal but surpass her father in mastery of unknown forces.
Edward met Asenath at a gathering of ‘intelligentsia’ held in one of the students’ rooms, and could talk of nothing else when he came to see me the next day. He had found her full of the interests and erudition which engrossed him most, and was in addition wildly taken with her appearance. I had never seen the young woman, and recalled casual references only faintly, but I knew who she was. It seemed rather regrettable that Derby should become so upheaved about her; but I said nothing to discourage him, since infatuation thrives on opposition. He was not, he said, mentioning her to his father.
In the next few weeks I heard of very little but Asenath from young Derby. Others now remarked Edward’s autumnal gallantry, though they agreed that he did not look even nearly his actual age, or seem at all inappropriate as an escort for his bizarre divinity. He was only a trifle paunchy despite his indolence and self-indulgence, and his face was absolutely without lines. Asenath, on the other hand, had the premature crow’s feet which come from the exercises of an intense will.
About this time Edward brought the girl to call on me, and I at once saw that his interest was by no means one-sided. She eyed him continually with an almost predatory air, and I perceived that their intimacy was beyond untangling. Soon afterward I had a visit from old Mr. Derby, whom I had always admired and respected. He had heard the tales of his son’s new friendship, and had wormed the whole truth out of ‘the boy.’ Edward meant to marry Asenath, and had even been looking at houses in the suburbs. Knowing my usually great influence with his son, the father wondered if I could help to break the ill-advised affair off; but I regretfully expressed my doubts. This time it was not a question of Edward’s weak will but of the woman’s strong will. The perennial child had transferred his dependence from the parental image to a new and stronger image, and nothing could be done about it.
The wedding was performed a month later – by a justice of the peace, according to the bride’s request. Mr. Derby, at my advice, offered no opposition, and he, my wife, my son, and I attended the brief ceremony – the other guests being wild young people from the college. Asenath had bought the old Crowninshield place in the country at the end of High Street, and they proposed to settle there after a short trip to Innsmouth, whence three servants and some books and household goods were to be brought. It was probably not so much consideration for Edward and his father as a personal wish to be near the college, its library, and its crowd of ‘sophisticates,’ that made Asenath settle in Arkham instead of returning permanently home.
When Edward called on me after the honeymoon I thought he looked slightly changed. Asenath had made him get rid of the undeveloped moustache, but there was more than that. He looked soberer and more thoughtful, his ha
bitual pout of childish rebelliousness being exchanged for a look almost of genuine sadness. I was puzzled to decide whether I liked or disliked the change. Certainly he seemed for the moment more normally adult than ever before. Perhaps the marriage was a good thing – might not the change of dependence form a start toward actual neutralisaton, leading ultimately to responsible independence? He came alone, for Asenath was very busy. She had brought a vast store of books and apparatus from Innsmouth (Derby shuddered as he spoke the name), and was finishing the restoration of the Crowninshield house and grounds.
Her home – in that town – was a rather disgusting place, but certain objects in it had taught him some surprising things. He was progressing fast in esoteric lore now that he had Asenath’s guidance. Some of the experiments she proposed were very daring and radical – he did not feel at liberty to describe them – but he had confidence in her powers and intentions. The three servants were very queer – an incredibly aged couple who had been with old Ephraim and referred occasionally to him and to Asenath’s dead mother in a cryptic way, and a swarthy young wench who had marked anomalies of feature and seemed to exude a perpetual odour of fish.
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