Both of them were hammering at father now. He was sitting back, saying nothing, his face clouding.
"You can't dodge it, Joe." This was Wright. "Your man's responsible. You can try explaining all night, but you can't change the facts. Chris braced him for a fight and he ducked out and left us stuck with those stinking pigs."
"You know as well as I do what Fletcher's doing," growled Henry Shipstead. "He's pushing us with this and he won't let up till one of us gets enough and makes a fool play and starts something so he can move in and finish it."
"Fool play or not," said Ernie Wright. "I've had all I can take. The next time one of those-"
Father stopped him with a hand up for silence. "Listen. What's that?"
It was a horse, picking up speed and tearing down our lane into the road. Father was at the door in a single jump, peering out.
The others were close behind him. "Shane?"
Father nodded. He was muttering under his breath. As I watched from the doorway of my little room, I could see that his eyes were bright and dancing. He was calling Shane names, cursing him, softly, fluently. He came back to his chair and grinned at the other two. "That's Shane," he told them and the words meant more than they seemed to say. "All we can do now is wait."
They were a silent crew waiting. Mother got up from her sewing in the bedroom where she had been listening as she always did and came into the kitchen and made up a pot of coffee and they all sat there sipping at the hot stuff and waiting.
It could not have been much more than twenty minutes before we heard the horse again, coming swiftly and slewing around to make the lane without slowing. There were quick steps on the porch and Shane stood in the doorway. He was breathing strongly and his face was hard. His mouth was a thin line in the bleakness of his face and his eyes were deep and dark. He looked at Shipstead and Wright and he made no effort to hide the disgust in his voice.
"Your pigs are dead and buried."
As his gaze shifted to father, his face softened. But the voice was still bitter. "There's another one down. Chris won't be bothering anybody for quite a spell." He turned and disappeared and we could hear him leading the horse into the barn.
In the quiet following, hoofbeats like an echo sounded in the distance. They swelled louder and this second horse galloped into our lane and pulled to a stop. Ed Howells jumped to the porch and hurried in.
"Where's Shane?"
"Out in the barn," father said.
"Did he tell you what happened?"
"Not much," father said mildly. "Something about burying pigs."
Ed Howells slumped into a chair. He seemed a bit dazed. The words came out of him slowly at first as he tried to make the others grasp just how he felt. "I never saw anything like it," he said, and he told about it.
He had been in Grafton's store buying a few things, not caring about going into the saloon because Chris and Red Marlin, another of Fletcher's cowboys, had hands in the evening poker game, when he noticed how still the place was. He went over to sneak a look and there was Shane just moving to the bar, cool and easy as if the room was empty and he the only one in it. Neither Chris nor Red Marlin was saying a word, though you might have thought this was a good chance for them to cut loose with some of their raw sarcasm. One look at Shane was enough to tell why. He was cool and easy, right enough. But there was a curious kind of smooth flow to his movements that made you realize without being conscious of thinking about it that being quiet was a mighty sensible way to be at the moment.
"Two bottles of soda pop," he called to Will Atkey. He leaned his back to the bar and looked the poker game over with what seemed a friendly interest while Will fetched the bottles from the store. Not another person even twitched a muscle. They were all watching him and wondering what the play was. He took the two bottles and walked to the table and set them down, reaching over to put one in front of Chris.
"The last time I was in here you bought me a drink Now it's my turn."
The words sort of lingered in the stillness. He got the impression, Ed Howells said, that Shane meant just what the words said. He wanted to buy Chris a drink. He wanted Chris to take that bottle and grin at him and drink with him.
You could have heard a bug crawl, I guess, while Chris carefully laid down the cards in his right hand and stretched it to the bottle. He lifted it in a sudden jerk and flung it across the table at Shane.
So fast Shane moved, Ed Howells said, that the bottle was still in the air when he had dodged, lunged forward, grabbed Chris by the shirtfront and hauled him right out of his chair and over the table. As Chris struggled to get his feet under him, Shane let go the shirt and slapped him, sharp and stinging, three times, the hand flicking back and forth so quick you could hardly see it, the slaps sounding like pistol shots.
Shane stepped back and Chris stood swaying a little and shaking his head to clear it. He was a game one and mad down to his boots. He plunged in, fists smashing, and Shane let him come, slipping inside the flailing arms and jolting a powerful blow low into his stomach. As Chris gasped and his head came down, Shane brought his right hand up, open, and with the heel of it caught Chris full on the mouth, snapping his head back and raking up over the nose and eyes.
The force of it knocked Chris off balance and he staggered badly. His lips were crushed. Blood was dripping over them from his battered nose. His eyes were red and watery and he was having trouble seeing with them. His face, Ed Howells said, and shook a little as he said it, looked like a horse had stomped it. But he drove in again, Shane ducked under, caught one of the flying wrists, twisted the arm to lock it and keep it from bending, and swung his shoulder into the armpit. He yanked hard on the wrist and Chris went up and over him. As the body hurtled over, Shane kept hold of the arm and wrenched it sideways and let the weight bear on it and you could hear the bone crack as Chris crashed to the floor.
A long sobbing sigh came from Chris and that died away and there was not a sound in the room. Shane never looked at the crumpled figure. He was straight and deadly and still. Every line of him was alive and eager. But he stood motionless. Only his eyes shifted to search the faces of the others at the table. They stopped on Red Marlin and Red seemed to dwindle lower in his chair.
"Perhaps," Shane said softly, and the very softness of his voice sent shivers through Ed Howells, "perhaps you have something to say about soda pop or pigs."
Red Marlin sat quiet like he was trying not even to breathe. Tiny drops of sweat appeared on his forehead. He was frightened, maybe for the first time in his life, and the others knew it and he knew they knew and he did not care. And none of them blamed him at all.
Then, as they watched, the fire in Shane smouldered down and out. He seemed to withdraw back within himself. He forgot them all and turned toward Chris unconscious on the floor, and a sort of sadness, Ed Howells said, crept over him and held him. He bent and scooped the sprawling figure up in his arms and carried it to one of the other tables. Gently he set it down, the legs falling limp over the edge. He crossed to the bar and took the rag Will used to wipe it and returned to the table and tenderly cleared the blood from the face. He felt carefully along the broken arm and nodded to himself at what he felt.
All this while no one said a word. Not a one of them would have interfered with that man for a year's top wages. He spoke and his voice rang across the room at Red Marlin. "You'd better tote him home and get that arm fixed. Take right good care of him. He has the makings of a good man." Then he forgot them all again and looked at Chris and went on speaking as if to that limp figure that could not hear him. "There's only one thing really wrong with you. You're young. That's the one thing time can always cure."
The thought hurt him and he strode to the swinging doors and through them into the night. That was what Ed Howells told. "The whole business," he finished, "didn't take five minutes. It was maybe thirty seconds from the time he grabbed holt of Chris till Chris was out cold on the floor. In my opinion that Shane is the most dangerous man I've
ever seen. I'm glad he's working for Joe here and not for Fletcher."
Father leveled a triumphant look at Henry Shipstead. "So I've made a mistake, have I?"
Before anyone else could push in a word, mother was speaking. I was surprised, because she was upset and her voice was a little shrill. "I wouldn't be too sure about that, Joe Starrett. I think you've made a bad mistake."
"Marian, what's got into you?"
"Look what you've done just because you got him to stay on here and get mixed up in this trouble with Fletcherl"
Father was edging toward being peeved himself. "Women never do understand these things. Lookahere, Marian. Chris will be all right. He's young and he's healthy. Soon as that arm is mended, he'll be in as good shape as he ever was."
"Oh, Joe, can't you see what I'm talking about? I don't mean what you've done to Chris. I mean what you've done to Shane."
8
THIS TIME mother was right. Shane was changed. He tried to keep things as they had been with us and on the surface nothing was different. But he had lost the serenity that had seeped into him through the summer. He would no longer sit around and talk with us as much as he had. He was restless with some far hidden desperation.
At times, when it rode him worst, he would wander alone about our place, and this was the one thing that seemed to soothe him. I used to see him, when he thought no one was watching, run his hands along the rails of the corral he had fastened, test, with a tug the posts he had set, pace out past the barn looking up at the bulging loft and stride out where the tall corn was standing in big shocks to dig his hands in the loose soil and lift some of it and let it run through his fingers.
He would lean on the pasture fence and study our little herd like it meant more to him than lazy steers to be fattened for market. Sometimes he would whistle softly, and his horse, filled out now so you could see the quality of him and moving with a quiet sureness and power that made you think of Shane himself, would trot to the fence and nuzzle at him.
Often he would disappear from the house in the early evening after supper. More than once, the dishes done, when I managed to slip past mother, I found him far back in the pasture alone with the horse. He would be standing there, one arm on the smooth arch of the horse's neck, the fingers gently rubbing around the ears, and he would be looking out over our land where the last light of the sun, now out of sight, would be flaring up the far side of the mountains, capping them with a deep glow and leaving a mystic gloaming in the valley.
Some of the assurance that was in him when he came was gone now. He seemed to feel that he needed to justify himself, even to me, to a boy tagging his heels.
"Could you teach me," I asked him, "to throw somebody the way you threw Chris?"
He waited so long I thought he would not answer. "A man doesn't learn things like that," he said at last. "You know them and that's all." Then he was talking rapidly to me, as close to pleading as he could ever come. "I tried. You can see that, can't you, Bob? I let him ride me and I gave him his chance. A man can keep his self-respect without having to cram it down another man's throat. Surely you can see that, Bob?"
I could not see it. What he was trying to explain to me was beyond my comprehension then. And I could think of nothing to say.
"I left it up to him. He didn't have to jump me that second time. He could have called it off without crawling. He could have if he was man enough. Can't you see that, Bob?"
And still I could not. But I said I could. He was so earnest and he wanted me to so badly. It was a long, long time before I did see it and then I was a man myself and Shane was not there for me to tell. ...
I was not sure whether father and mother were aware of the change in him. They did not talk about it, not while I was around anyway. But one afternoon I overheard something that showed mother knew.
I had hurried home from school and put on my old clothes and started out to see what father and Shane were doing in the comfield, when I thought of a trick that had worked several times. Mother was firm set against eating between meals. That was a silly notion. I had my mind set on the cookies she kept in a tin box on a shelf by the stove. She was settled on the porch with a batch of potatoes to peel, so I slipped up to the back of the house, through the window of my little room, and tiptoed into the kitchen. Just as I was carefully putting a chair under the shelf, I heard her call to Shane.
He must have come to the barn on some errand, for he was there by the porch in only a moment. I peered out the front window and saw him standing close in, his hat in his hand, his face tilted up slightly to look at her leaning forward in her chair.
"I've been wanting to talk to you when Joe wasn't around."
"Yes, Marian." He called her that the same as father did, familiar yet respectful, just as he always regarded her with a tenderness in his eyes he had for no one else.
"You've been worrying, haven't you, about what may happen in this Fletcher business? You thought it would just be a case of not letting him scare you away and of helping us through a hard time. You didn't know it would come to what it has. And now you're worried about what you might do if there's any more fighting."
"You're a discerning woman, Marian."
"You've been worrying about something else too."
"You're a mighty discerning woman, Marian."
"And you've been thinking that maybe you'll be moving on."
"And how did you know that?"
"Because it's what you ought to do. For your own sake. But I'm asking you not to."
Mother was intense and serious, as lovely there with the light striking through her hair as I had ever seen her. "Don't go, Shane. Joe needs you. More than ever now. More than he would ever say."
"And you?" Shane's lips barely moved and I was not sure of the words.
Mother hesitated. Then her head went up. "Yes. It's only fair to say it. I need you too."
"So-o-o," he said softly, the words lingering on his lips. He considered her gravely. "Do you know what you're asking, Marian?"
"I know. And I know that you're the man to stand up to it. In some ways it would be easier for me, too, if you rode out of this valley and never came back. But we can't let Joe down. I'm counting on you not ever to make me do that. Because you've got to stay, Shane, no matter how hard it is for us. Joe can't keep this place without you. He can't buck Fletcher alone."
Shane was silent, and it seemed to me that he was troubled and hard pressed in his mind. Mother was talking straight to him, slow and feeling for the words, and her voice was beginning to tremble.
"It would just about kill Joe to lose this place. He's too old to start in again somewhere else. Oh, we would get along and might even do real well. After all, he's Joe Starrett. He's all man and he can do what has to be done. But he promised me this place when we were married. He had it in his mind for all the first years. He did two men's work to get the extra money for the things we would need. When Bob was big enough to walk and help some and he could leave us, he came on here and filed his claim and built this house with his own hands, and when he brought us here it was home. Nothing else would ever be the same."
Shane drew a deep breath and let it ease out slowly. He smiled at her and yet, somehow, as I watched him, my heart ached for him. "Joe should be proud of a wife like you. Don't fret any more, Marian. You'll not lose this place."
Mother dropped back in her chair. Her face, the side I could see from the window, was radiant. Then, woman like, she was talking against herself. "But that Fletcher is a mean and tricky man. Are you sure it will work out all right?"
Shane was already starting toward the barn. He stopped and turned to look at her again. "I said you won't lose this place." You knew he was right because of the way he said it and because he said it.
9
ANOTHER PERIOD of peace had settled over our valley. Since the night Shane rode into town, Fletcher's cowboys had quit using the road past the homesteads. They were not annoying us at all and only once in a while was there a
rider in view across the river. They had a good excuse to let us be. They were busy fixing the ranch buildings and poling a big new corral in preparation for the spring drive of new cattle Fletcher was planning.
Just the same, I noticed that father was as watchful as Shane now. The two of them worked always together. They did not split any more to do separate jobs in different parts of the farm. They worked together, rode into town together when anything was needed. And father took to wearing his gun all the time, even in the fields. He strapped it on after breakfast the first morning following the fight with Chris, and I saw him catch Shane's eye with a questioning glance as he buckled the belt. But Shane shook his head and father nodded, accepting the decision, and they went out together without saying a word.
Those were beautiful fall days, clear and stirring, with the coolness in the air just enough to set one atingling, not yet mounting to the bitter cold that soon would come sweeping down out of the mountains. It did not seem possible that in such a harvest season, giving a lift to the spirit to match the wellbeing of the body, violence could flare so suddenly and swiftly.
Saturday evenings all of us would pile into the light work wagon, father and mother on the seat, Shane and I swinging legs at the rear, and go into town. It was the break in routine we looked forward to all week.
There was always a bustle in Grafton's store with people we knew coming and going. Mother would lay in her supplies for the week ahead, taking a long time about it and chatting with the womenfolk. She and the wives of the other homesteaders were great ones for swapping recipes and this was their bartering ground. Father would give Mr. Grafton his order for what he wanted and go direct for the mail. He was always getting catalogues of farm equipment and pamphlets from Washington. He would flip through their pages and skim through any letters, then settle on a barrel and spread out his newspaper. But like as not he would soon be bogged down in an argument with almost any man handy about the best crops for the Territory and it would be Shane who would really work his way into the newspaper.
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